Carracci Annibale -Biblio.com
443 resultados
ref. 0-06588Roma 1740 incisione originale di cm. 20 x 30 n° 13 inc. da S. Guillain e A. Algardi. unknown
ref. 0-06598Roma 1740 incisione originale di cm. 20 x 30 n° 36 inc. da S. Guillain e A. Algardi. unknown
ref. 0-06584Roma 1740 incisione originale di cm. 20 x 30 n° 25 inc. da S. Guillain e A. Algardi. unknown
ref. 0-06590Roma 1740 incisione originale di cm. 20 x 30 n° 45 inc. da S. Guillain e A. Algardi. unknown
ref. 0-06578Roma 1740 incisione originale di cm. 20 x 30 n° 7 inc. da S. Guillain e A. Algardi. unknown
ref. 0-06582Roma 1740 incisione originale di cm. 20 x 30 n° 24 inc. da S. Guillain e A. Algardi. unknown
ref. 0-06593Roma 1740 incisione originale di cm. 20 x 30 n° 18 inc. da S. Guillain e A. Algardi. unknown
ref. 0-06587Roma 1740 incisione originale di cm. 20 x 30 n° 11 inc. da S. Guillain e A. Algardi. unknown
1646ref. 49068In Roma: Grignani 1646. Foglio di cm. 34 x 24. Ben conservato. Tavola n. 18 proveniente da: Diverse figure Al numero di ottanta Disegnate di penna Nell'hore di ricreatione da Annibale Carracci… Opera che divenne poi più celebre con il titolo di: "Le Arti di Bologna". Grignani unknown
ref. 0-06604Roma 1740 incisione originale di cm. 20 x 30 n° 14 inc. da S. Guillain e A. Algardi. unknown
ref. 0-06594Roma 1740 incisione originale di cm. 20 x 30 n° 19 inc. da S. Guillain e A. Algardi. unknown
ref. 0-06599Roma 1740 incisione originale di cm. 20 x 30 n° 37 inc. da S. Guillain e A. Algardi. unknown
ref. 0-06609Roma 1740 incisione originale di cm. 20 x 30 n° 28 inc. da S. Guillain e A. Algardi. unknown
ref. 0-06592Roma 1740 incisione originale di cm. 20 x 30 n° 17 inc. da S. Guillain e A. Algardi. unknown
ref. 0-06601Roma 1740 incisione originale di cm. 20 x 30 n° 41 inc. da S. Guillain e A. Algardi. unknown
ref. 0-06580Roma 1740 incisione originale di cm. 20 x 30 n° 6 inc. da S. Guillain e A. Algardi. unknown
1997ref. TH220671Hazlitt Gooden & Fox London 1997. 1st Edition. SOFTCOVER. Large Thick heavy 4to. in colour printed stiff card covers 160pp on thick art paper plates in colour and mainly b/w etc __CONDITION : An extremely well preserved AS NEW unread and unmarked copy. . __We always ship in PROTECTIVE CARD PARCELS Hazlitt, Gooden & Fox, London paperback
2010ref. C4482Munich: No Publisher Noted 2010. Very Good. 4to. A one off book attractively bound in printed woven back cloth and lettered on cover Presented to Ronald Searle on his 90th birthday with a note by Searle about this. In a typed signed note bound in at the front Andreas Bartsch curator / print expert explains in halting English that he has collected and bound up these 'colour copies' of drawings by the Carracci's and their students esp for Ronald Searle. 50 leaves printed recto only 46 images. Loosely inserted is a signed card from Andreas Bartsch and a good long letter from Searle to Andreas Bartsch apparently never sent about Carracci and the many happenings around his 90th birthday. It appears the book is a unicum - i.e. one copy only. Fine. No Publisher Noted, hardcover
ref. 17-5855London UK: Sotheby & Co. 1972. 4to. 210 pp. Hardcover. Auction Catalogue. Black and White Plates. From the Collection of Peter Selz Berkeley CA. Signed and dated “Peter Selz 1972.’ Very Good. London, UK: Sotheby & Co., 1972. hardcover
2005ref. C93668Harvey Miller Publishers; Et Al. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ISBN: 1872501184. 450 pages. Description: "The primary goal of Ludovico Carracci and the Art of Drawing is to provide a ground-breaking model for a new kind of book on Italian drawings. In addition to covering the traditional scholarly terrain of chronology style and connoisseurship this book utilizes up-to-date art historical methods including considerations of the historical context of Bologna its impact on Ludovico's art and a new portrayal of the role of women and women artists in the city. He was a prolific draftsman who produced over 300 extant drawings. His drawings offer the key to his artistic personality because he conceived his original subjects and planned his dramatic compositions in these sheets. Like most Italian artists of the early modern period Ludovico developed his ideas in drawings and began painting only after his conceptions had been finalized. Thus his drawings reveal how he thought how his ideas changed and which features of a composition were most important or challenging to his creative imagination. The Carracci have always been considered some of the most important draftsmen in Italian art for their revival of drawing the human figure from life in the course of designing paintings. But Ludovico's drawings were not only preparatory studies for pictures. He was also an innovator in developing finished compositional drawings that were produced as works of art in their own right made for sale to a new audience of private collectors in Bologna." Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details; L'Arte del Disegno; The primary goal of Ludovico Carracci and the Art of Drawing is to provide a ground-breaking model for a new kind of book on Italian drawings. In addition to covering the traditional scholarly terrain of chronology style and connoisseurship this book utilizes up-to-date art historical methods including considerations of the historical context of Bologna its impact on Ludovico's art and a new portrayal of the role of women and women artists in the city. He was a prolific draftsman who produced over 300 extant drawings. His drawings offer the key to his artistic personality because he conceived his original subjects and planned his dramatic compositions in these sheets. Like most Italian artists of the early modern period Ludovico developed his ideas in drawings and began painting only after his conceptions had been finalized. Thus his drawings reveal how he thought how his ideas changed and which features of a composition were most important or challenging to his creative imagination. The Carracci have always been considered some of the most important draftsmen in Italian art for their revival of drawing the human figure from life in the course of designing paintings. But Ludovico's drawings were not only preparatory studies for pictures. He was also an innovator in developing finished compositional drawings that were produced as works of art in their own right made for sale to a new audience of private collectors in Bologna. . 2005. 1872501184 . Harvey Miller Publishers; Et Al hardcover
2005ref. 93668Harvey Miller Publishers; Et Al. New. 2005. Hardcover. 1872501184 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ISBN: 1872501184. 450 pages. Description: "The primary goal of Ludovico Carracci and the Art of Drawing is to provide a ground-breaking model for a new kind of book on Italian drawings. In addition to covering the traditional scholarly terrain of chronology style and connoisseurship this book utilizes up-to-date art historical methods including considerations of the historical context of Bologna its impact on Ludovico's art and a new portrayal of the role of women and women artists in the city. He was a prolific draftsman who produced over 300 extant drawings. His drawings offer the key to his artistic personality because he conceived his original subjects and planned his dramatic compositions in these sheets. Like most Italian artists of the early modern period Ludovico developed his ideas in drawings and began painting only after his conceptions had been finalized. Thus his drawings reveal how he thought how his ideas changed and which features of a composition were most important or challenging to his creative imagination. The Carracci have always been considered some of the most important draftsmen in Italian art for their revival of drawing the human figure from life in the course of designing paintings. But Ludovico's drawings were not only preparatory studies for pictures. He was also an innovator in developing finished compositional drawings that were produced as works of art in their own right made for sale to a new audience of private collectors in Bologna." Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee -- with a bonus offer . Harvey Miller Publishers; Et Al hardcover
1979ref. C91557National Gallery of Art. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 533 pages. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . 1979. National Gallery of Art paperback
1979ref. 91557National Gallery of Art. New. 1979. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 533 pages. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee -- with a bonus offer . National Gallery of Art paperback
ref. 46577156-6National Gallery of Art. Used - Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. National Gallery of Art unknown
1798ref. FGN13-B-12Paris: A La Nouvelle Cythere 1798. Leather. Very Good Indeed. 12.5" by 9.5". None. A French description of the series of erotic engraved plates. Containing the descriptions only and bound in full calf. A French description of the series of erotic engraved plates depicting pairs of lovers in different positions of intercourse. Missing the twenty engraved plates by Carrachi and containing the text only. The plates depict couples and scenes from mythology including Jupiter and Juno Anthony and Cleopatra and Ovid sand Corinne. I Modi The Ways also known as The Sixteen Pleasures or under the Latin title De omnibus Veneris Schematibus is a famous erotic book of the Italian Renaissance in which a series of sexual positions were explicitly depicted in engravings. While the original edition was apparently completely destroyed by the Catholic Church fragments of a later edition survived. The second edition was accompanied by sonnets written by Pietro Aretino which described the sexual acts depicted. The original illustrations were probably copied by Agostino Caracci whose version survives. In a calf binding with gilt dentelles. Externally smart though with some rubbing and marks. Internally firmly bound. Pages are bright and clean with just the odd patch of foxing. Very Good Indeed A La Nouvelle Cythere hardcover
