548 Ergebnisse
200622x24 cm, cartoncino editoriale con ampi risguari; p. 235, (16) con 110 tavole a colori con descrizione a fronte. Testo francese.
Best.-Nr. 33808Turnhout, Brepols, 2005 Hardback, 642 p., 609 b/w ill. + + ills., 210 x 280 mm. ISBN 9781872501185.
1970In-8 (cm. 21.20), brossura, sovracoperta editoriale illustrata, pp. 316, (4), con numerose illustrazioni in bianco e nero nel testo ed alcune a colori fuori testo. Catalogo critico della Mostra: Bologna, Palazzo dell’Archiginnasio, 12 Settembre - 22 Novembre 1970. Prima edizione. COPIA DA STUDIO. Tracce d’uso e di polvere alla sovracoperta. Fioriture ai tagli. Singoli segni a matita a non moltissime carte. Mancanza all’ultima carta. Peraltro, testo in buono stato (text in good condition).
Best.-Nr. 60539Anonymous copy after Annibale Carracci's popular engraving of the Madonna della Scodella: the Madonna seated with the infant Christ on her lap holds a bowl for the infant Baptist to drink from; St. Anne standing in the back watching over the scene with her left hand raised.Lettered on the bottom: 'Annibal. Caracius. inuentor.' Documented copy number 4 Windsor. Etching on paper; trimmed to platemark; total: 135 x 162 mm; top corners restored on the verso The Illustrated Bartsch 1980 p. 395 9-4. unknown
Best.-Nr. #[60540]Copy after Annibale Carracci's popular engraving of the Madonna della Scodella: the Madonna seated with the infant Christ on her lap holds a bowl for the infant Baptist to drink from; St. Anne standing in the back watching over the scene with her left hand raised. Lettered on the bottom right: 'A.b.C.I.' Documented copy number 12 Berlin. In this copy figures have no halo and the background has no hatchings l Etching on paper; trimmed within platemark; total: 142 x 163 mm; yellowed paper small stain on the shoulder of the Madonna; The Illustrated Bartsch 1980 p. 395 9-12 unknown
Acquaforte misure: mm 287 x 452 Questa stampa, in controparte rispetto a quella incisa da Francesco Brizio (Bologna circa 1574 – Bologna 1623) ma anticamente ritenuta di Guido Reni (Bartsch), traduce un dipinto di Annibale Carracci conservato oggi presso la Gemäldegalerie Alte Meister di Dresda. Nel cortile di un palazzo, contraddistinto da archi e colonne corinzie sullo sfondo che aprono lo sguardo sul profilo di una città arroccata, assistiamo al momento in cui San Rocco, a destra vestito da pellegrino, decide di liberarsi di tutti i suoi averi offrendoli ai più bisognosi. Il tratto è lungo, le linee rade e incrociate creano un debole chiaroscuro dai toni grigio-argentei che sembra placare il fermento, il pathos. Il primo piano, infatti, è colmo di personaggi come il gruppo di mendicanti sulla sinistra che ha già ricevuto le monete o la donna in primo piano, con lo sguardo al Santo, che conta il dono ricevuto. Tutte le persone sullo sfondo invece si agitano, si sbracciano nel tentativo di avvicinarsi a San Rocco. Solo la donna al centro con un abito riccamente panneggiato e un bambino in braccio sembra non interessarsi all'evento. In basso a destra: Anniba Car. invent; a sinistra 1610. si conoscono molte copie dell'incisione di Brizio a testimonianza dell'enorme successo che il soggetto a avuto all'epoca. L'anonimo autore della nostra copia è catalogano dal TIB come C5. Esemplare nel I/III stato, con la data 1610 e il nome di Carracci ma prima dell'indirizzo degli editore Francois Langlois Ciartres (Chartres 1588-Parigi 1647) e dell'indirizzo di Pierre Mariette figlio (1634-1716) il quale nel 1655 rileva l'attività di Langlois sposandone la vedova. Impressione ottima, leggermente mossa nella zona di sinistra. Ottimo stato di conservazione. Rifilata alla battuta del rame. Uno strappo restaurato e una minima integrazione agli angoli superiore e inferiore destro. Filigrana: scritte non identificabili ma databile al XVII secolo Bibliografia: Bartsch XVIII.305.53; D. Benati, The drawings of Annibale Carracci, n 26; TIB 40 part 1 4003.049. C5 S1
xilografia su foglio sciolto di dimensioni cm 39,5x26, che raffigura il santo in preghiera entro cornice con cartiglio. Porta le indicazioni “Ani. Caracci in. Mic. Bellelli fecit”. Il verso del foglio è manoscritto.
Best.-Nr. 5128Circa 1690. Dimensions of print roughly ten inches by six and a half wide. Mounted on a slightly larger piece of laid paper. Rubbed worn and heavily aged with small wormhole at foot. Ornate tomb with sphinxes ivy masks palette laurel wreath etc. Central head and shoulders image of Carracci above caption 'ANNIBALI CARRACCIO BONON. AETATIS SVAE ANN.XLIX Romae MDCXLVI'. 'A. Del.' in bottom left-hand corner. This is NOT the engraving by Pietro Aquila after Carlo Maratta in Aquila's 'Galeriae Farnesianae Icones' 1674. [Circa 1690?] unknown
Best.-Nr. 60537The Madonna seated with the infant Christ on her lap holds a bowl for the infant Baptist to drink from; S. Anne watches from behind with a hand raised.The preparatory drawing is at the Louvre ex coll. Mariette Inv. 7142.First engraving realized by Annibale Carracci after 1600 showing the signs of a renewed approach to engraving. Remarkable is in fact the strong chiaroscuro emphasized by the hatched background against which are disposed the sculpted figures. Although the figures are engaged in simple and natural activities the composition is carefully studied and masterfully engraved with regular hatchings and signs.This composition became immediately highly popular as its numerous copies testify seventeen are documented.From the second state the name of the publisher was added Nicolaes van Aelst publisher active in Brussels and Rome. In the latter city he had a workshop in via della Pace from 1582 to 1613. Three states of this print are documented however the exemplar at the Museum in Bologna Inv. 4730 is suggested to be a fourth state. Signed above right: 'Annib. Carracius in./ et fecit. 1606./ Nico van Aelst for.' Etching and engraving on laid paper with a vague circular watermark small margins; platemark: 123 x 161 mm total: 125 x 163 mm; state III/3 or III/4; warn out plate on the corners; on the verso cifres in characoal top right and left corner restored lower left margin also; selected literature: Bartsch 1818 XVIII vol. p.186 n. 9; Le Blanc 1854 p. 606 n. 6; Nagler 1858 p. 458 n. 1053; The Illustrated Bartsch 1980 p. 395 9-I 186 and 1996 39 2 Comm. p. 256n. 3906.020. unknown
Best.-Nr. BN377450Milano Mondadori Electa 2006. Italienischsprachiger Begleitband zur Ausstellung in Bologna u. Rom Italienischsprachiger Begleitband zur Ausstellung in Bologna u. Rom Annibale Carracci Milano, Mondadori Electa 2006. unknown
Best.-Nr. 225483Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Fng. Created in the unknown century 1606. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Best.-Nr. 164070Contentum Ltd. Loose sheet. New. Contentum Ltd. unknown
Best.-Nr. 164067Contentum Ltd. Loose sheet. New. Contentum Ltd. unknown
Best.-Nr. 225193Contentum Ltd. Loose sheet. New. Contentum Ltd. unknown
Best.-Nr. 225648Contentum Ltd. Loose sheet. New. Contentum Ltd. unknown
Best.-Nr. 226800Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Fng. Created in the unknown century 1650. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Best.-Nr. 226803Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Fng. Created in the unknown century 1650. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Best.-Nr. 226801Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Fng. Created in the unknown century 1650. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Best.-Nr. 226802Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Fng. Created in the unknown century 1650. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Best.-Nr. 164068Contentum Ltd. Loose sheet. New. Contentum Ltd. unknown
Best.-Nr. 164069Contentum Ltd. Loose sheet. New. Contentum Ltd. unknown
Best.-Nr. 124275Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 17th century n.d. Professionally printed on premium fine-art paper Photo Rag Bright White in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Best.-Nr. 124276Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 17th century n.d. Professionally printed on premium fine-art paper Photo Rag 308 premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Best.-Nr. 124277Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 17th century n.d. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Best.-Nr. 124274Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 17th century n.d. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown