Lodovico CarracciBiblio.com
543 risultati
rif. 159975Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 16th century c. 1602. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
rif. 159974Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 16th century c. 1602. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
rif. 159973Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 16th century c. 1602. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
rif. 11400, Paris, Editions des Musees Nationaux, 1994**, Broche, couverture d' editeur illustre n/b, 21x30cm, 159pp, illustre n/b. ISBN 9782711829361.
1665rif. 15439c1665-1690. Extremely rare. 17 x 13.5 cm. Fine impression beautiful original engraving with large margins and fine detailed lines. Contemporary ink notes on verso no affect at all. Loose without matting. Body of Christ lying on the ground his head resting on the Vrigin supported by another Mary; with St. John holding ChristÕs left hand and displaying its wound to St. Mary Magdalene. Stunning and very rare. Suitable for framing. Lairesse 1641-1711 born in Liege second son of painter Renier. Known for a facial deformity some will state syphilis RembrandtÕs portrait of Gerard at age 25 is a famous one. He was influenced by Rembrandt and later French neo-classical. In 1690 he lost his sight and concentrated on art theory. A draughtsman theatrical designer writer and theoretician he is best known as the celebrated Dutch painter in the years to follow RembrandtÕs death.Lairesse shows more detail and finer lines than Carracci in this beautiful scene which is in reverse of CarracciÕs original. We attribute this work to Lairesse by the original auction purchase of this print over 20 years ago. Though we find no other copies of this print in any institutions reference citations or for sale at time of description. It appears to be extremely rare. unknown
1870rif. j3185London: Fuller S B. G : in Good condition without dust jacket. Cover rubbed with loss to base of spine. Occasional foxing. Edge-soiling and curl to a few of the plates. 1870. First Edition thus. Green hardback half-leather cover with marbled boards. 280mm x 220mm 11" x 9". 105pp. 104 Fashion plates of which 98 are hand-coloured and 5 are fold-out. Heavy item - shipping supplement may apply for overseas. . Fuller, S B hardcover
1961rif. 14102Numéro 77, Mai 1961. Méry Laurent, Comment travaille Pierre Soulages, Brébiette, Dessins de Carrache pour la Galerie Farnèse. Photos en couleurs. Broché sous couverture illustrée Très bon Paris L'Œil 1961 1 volume in-folio
24 cm, bross. orig; pp. (12). Degica di Michelangelo Gualandi (acquirente), al piatto. testo ital. e francese
rif. 71-3176Rome: Gregorio Roisecco 1740. Etching. 260 x 163 mm. sheet. Good tears along sheet edges some soiling.Provenance: From the collection of the Late Frederick G. Ruffner Jr. founder of Gale Research Detroit. [Rome: Gregorio Roisecco, 1740]. unknown
rif. 71-3178Rome: Gregorio Roisecco 1740. Etching. 225 x 155 mm. sheet. Good tears along sheet edges some soiling.Provenance: From the collection of the Late Frederick G. Ruffner Jr. founder of Gale Research Detroit. [Rome: Gregorio Roisecco, 1740]. unknown
rif. 71-3177Rome: Gregorio Roisecco 1740. Etching. 238 x 160 mm. sheet. Good tears along sheet edges some soiling.Provenance: From the collection of the Late Frederick G. Ruffner Jr. founder of Gale Research Detroit. [Rome: Gregorio Roisecco, 1740]. unknown
rif. 71-3175Rome: Gregorio Roisecco 1740. Etching. 280 x 198 mm. sheet. Good scattered foxing.Provenance: From the collection of the Late Frederick G. Ruffner Jr. founder of Gale Research Detroit. [Rome: Gregorio Roisecco, 1740]. unknown
rif. 121396La famosa raccolta di Annibale Carracci costituita da una serie di disegni realizzati dall'Artista per passatempo e con l'intento di formare una sorta di guida accademica per i suoi allievi perchè li avessero a disposizione come modelli rimase utile agli scolari anche dopo la sua morte ancora per anni e anni; solo nel 1646 vennero raccolti da suoi familiari e consegnati al francese Simon Guillain affinché li incidesse. Proprio da quei modelli anche Mitelli sviluppo' in seguito la sua opera. Di quei disegni "Simon Guillain incise diversi soggetti 80 per la pubblicazione "Diverse figure al numero di ottanta disegnata di penna nell'hore di ricreatione da Annibale Carraci intagliate in rame e cavate dagli originali da Simone Gvilino" stampata a Roma da L. Grigniani nel 1646. La pubblicazione nota anche col titolo "Le arti di Bologna" ritrae figure popolaresche con spirito scanzonato. Nella prima edizione questi illustravano un trattato sull'imitazione del naturale nell'arte ma lo stesso Guillain ne fece una seconda edizione priva del testo dandole l'attuale titolo di "Arti di Bologna". Questi disegni ebbero in questo modo un'enorme diffusione e moltissimi artisti presero spunto dal modo di ritrarre del Carracci. I soggetti invece vennero ripresi solo più tardi in quanto nel corso del Seicento erano criticati come minori e di nessuna importanza.". Disponiamo delle seguenti tavole: CARRETTIERE CON ACQUA DI FIUME - MURATORE - VENDE PETTINI DA LINO E SETACCI - VENDE SOLFAROLI. CADAUNA unknown
Bologna, Lit. Algiolini e Coni, 1835, in-folio, legatura in mezza pelle moderna. Frontespizio coi ritratti dei Carracci e 27 magnifiche tavole litografiche. Solo due esemplari segnalati in ICCU.
Mm 245x303 Volume rilegato in tela con sovraccoperta, 187 pagine con illustrazioni in nero e a colori lungo l'intero testo. Introduzione di Renato Roli. Edizione per la Cassa di Risparmio di San Miniato. Opera in buone condizioni. Spedizione in 24 ore dalla conferma dell'ordine.
Emiliani, Andrea ed.: Ludovico Carracci. Exhibition: Bologna, Museo Civico Archeologico, 1993. cix, 365pp with 82 colour plates, 5 colour and 68 monochrome illustrations. Paperback. 28x25cms. Fully-illustrated catalogue of the paintings - selected mostly from museum and private collections in Italy - each one accompanied by description, detailed commentary and bibliography. Catalogue supported by biographical profile, essays on the life and works, and introductory essay setting Carracci within the context of Bologna during the second half of the 16th century. With bibliography, iconographical index of the works exhibited. Text in Italian. Fully-illustrated catalogue of the paintings - selected mostly from museum and private collections in Italy - each one accompanied by description, detailed commentary and bibliography. Catalogue supported by biographical profile, essays on the life and works, and introductory essay setting Carracci within the context of Bologna during the second half of the 16th century. With bibliography, iconographical index of the works exhibited. Text in Italian
Mm 250x310 Scritti di Cervellati, Varignana, Chiarini, Finaldi, Feigenbaum, Mazza, Morigi Govi, Viroli, Mossakowski, Emiliani, Pérez Sanchez, Perini, ecc.; fotografie di Monti, Breveglieri, Baldassari. Volume cartonato rigido di 397 pagine, numerose immagini a colori e in bianco e nero, sovraccoperta editoriale figurata a colori. Esemplare in ottime condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
30 cm, brossura illustrata con risvolti; p. xxxii, 567, numerose illustrazioni in nero e a colori nel testo anche a piena pagina, copiosa bibliografia
(Bologna - Arte - Pittura - Carracci - Palazzo Ghisilardi Fava - Sala di Giasone) Cm 20 x 20, brossura editoriale illustrata a colori, pp. LXXI,(1),341,(5), con numerose ill. a colori ed in b/n nel testo. Saggio introduttivo di Andrea Emiliani. Con scritti di Luigi Spezzaferro, Giampiero Cammarota, Angelo Mazza, Maria Luigia Pagliani, Fabio Bondi. Catalogo della mostra tenuta nei locali della Pinacoteca Nazionale di Bologna dal 13 ottobre al 16 dicembre 1984. Volume ben conservato.
In-4 (cm. 29), tela editoriale, sovracoperta editoriale illustrata con alette, con custodia, pp. 93, con numerose tavole fuori testo a colori. In ottimo stato (nice copy).
30 cm, ril. in tela, titolo al dorso, sovracop. illustrata; p. xxxii, 567, numerose illustrazioni in nero e a colori anche a piena pagina, copiosa bibliografia
2010rif. 88245Museum; Yale University Press. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English.100 pages; 61 illus. -- with a bonus offer--; Born in Bologna Annibale Carracci 15641609 was one of the most revolutionary artists of the late Renaissance. Even before turning twenty he rebelled against convention by investing his art with a sense of naturalism uncommon to paintings of the period. His early painting The Butcher’s Shop a cherished work in the Kimbell Art Museum’s collection marks the beginning of Carracci’s artistic journey and remains one of his most powerfully naturalistic works. This fascinating study explores the origins and significance of The Butcher’s Shop placing it within the artist’s own career as well as the broader context of Italian painting. Detailing the uniqueness and vitality of Carracci’s style C. D. Dickerson emphasizes the remarkable plein-air quality of the painting and explains how Carracci may have achieved this utterly novel effect though in fact executing the work indoors in his studio. He also sets Carracci’s work in the tradition of butcher’s shop paintings in Renaissance Italy analyzes the painting in relation to the reality of the occupation at the time and investigates where in Bologna such a butcher’s shop might have stood. . 2010. 0300166400 . Museum; Yale University Press paperback
1990rif. 014553Paris Réunion des Musées Nationaux 1990 In-4 Broché, couverture illustrée à larges rabats Dédicacé par l'auteur
in-16°, pp. 18 nn. con 24 itav. f.t. Leg. in cartonato edit. figurato.
Mm 115x170 Brossura editoriale con bandelle di pp. VIII-257 con 52 tavole in bianco e nero fuori testo. Piccolo segno a penna al piato anteriore, piccolissima lacuna al piede del dorso. Opera in buone condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE. WORLDWIDE DELIVERY.
