CarracheBiblio.com
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Best.-Nr. 2119172Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1866. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Best.-Nr. 2119481Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1867. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Best.-Nr. 124298Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 16th century n.d. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Best.-Nr. 136149Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 16th century n.d. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Best.-Nr. 152939Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 17th century 1611/12. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Best.-Nr. 159975Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 16th century c. 1602. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Best.-Nr. 333305Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1607. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Best.-Nr. 332945Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century ca. 1582. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
xilografia su foglio sciolto di dimensioni cm 39,5x26, che raffigura il santo in preghiera entro cornice con cartiglio. Porta le indicazioni “Ani. Caracci in. Mic. Bellelli fecit”. Il verso del foglio è manoscritto.
Best.-Nr. 5128Circa 1690. Dimensions of print roughly ten inches by six and a half wide. Mounted on a slightly larger piece of laid paper. Rubbed worn and heavily aged with small wormhole at foot. Ornate tomb with sphinxes ivy masks palette laurel wreath etc. Central head and shoulders image of Carracci above caption 'ANNIBALI CARRACCIO BONON. AETATIS SVAE ANN.XLIX Romae MDCXLVI'. 'A. Del.' in bottom left-hand corner. This is NOT the engraving by Pietro Aquila after Carlo Maratta in Aquila's 'Galeriae Farnesianae Icones' 1674. [Circa 1690?] unknown
2010Best.-Nr. C4482Munich: No Publisher Noted 2010. Very Good. 4to. A one off book attractively bound in printed woven back cloth and lettered on cover Presented to Ronald Searle on his 90th birthday with a note by Searle about this. In a typed signed note bound in at the front Andreas Bartsch curator / print expert explains in halting English that he has collected and bound up these 'colour copies' of drawings by the Carracci's and their students esp for Ronald Searle. 50 leaves printed recto only 46 images. Loosely inserted is a signed card from Andreas Bartsch and a good long letter from Searle to Andreas Bartsch apparently never sent about Carracci and the many happenings around his 90th birthday. It appears the book is a unicum - i.e. one copy only. Fine. No Publisher Noted, hardcover
1646Best.-Nr. 49067In Roma: Grignani 1646. Foglio di cm. 34 x 24. Ben conservato. Tavola n. 60 proveniente da: Diverse figure Al numero di ottanta Disegnate di penna Nell'hore di ricreatione da Annibale Carracci… Opera che divenne poi più celebre con il titolo di: "Le Arti di Bologna". Grignani unknown
1646Best.-Nr. 49068In Roma: Grignani 1646. Foglio di cm. 34 x 24. Ben conservato. Tavola n. 18 proveniente da: Diverse figure Al numero di ottanta Disegnate di penna Nell'hore di ricreatione da Annibale Carracci… Opera che divenne poi più celebre con il titolo di: "Le Arti di Bologna". Grignani unknown
Best.-Nr. 17-5855London UK: Sotheby & Co. 1972. 4to. 210 pp. Hardcover. Auction Catalogue. Black and White Plates. From the Collection of Peter Selz Berkeley CA. Signed and dated “Peter Selz 1972.’ Very Good. London, UK: Sotheby & Co., 1972. hardcover
Acquaforte su rame, mm. 272x160, applicata su supporto cartaceo dell'epoca. Monogramma inciso sulla lastra A.C. e n.14 (correzione a penna coeva con il numero '14'). Bellissima incisione tratta da "Diverse Figure al numero di ottanta, disegnate di penna nell'hore di ricreatione da Annibale Carracci intagliate in rame, e cavate dagli Originali da Simone Guilino Parigino, dedicate a tutti i Virtuosi et Intendenti della Professione della Pittura, e del Disegno" stampato a Roma nel 1646.
Acquaforte su rame, mm. 272x160, applicata su supporto cartaceo dell'epoca. Monogramma inciso sulla lastra A.C. e n.16 (correzione a penna coeva con il numero '14'). Bellissima incisione tratta da "Diverse Figure al numero di ottanta, disegnate di penna nell'hore di ricreatione da Annibale Carracci intagliate in rame, e cavate dagli Originali da Simone Guilino Parigino, dedicate a tutti i Virtuosi et Intendenti della Professione della Pittura, e del Disegno" stampato a Roma nel 1646.
Acquaforte acquarellatura novecentesca, mm. 272x160, più ampi marg. bianchi. Monogramma inciso sulla lastra Amb. Cara. In. Incisione su rame tratta da "Diverse Figure al numero di ottanta, disegnate di penna nell'hore di ricreatione da Annibale Carracci intagliate in rame, e cavate dagli Originali da Simone Guilino Parigino, dedicate a tutti i Virtuosi et Intendenti della Professione della Pittura, e del Disegno" stampato a Roma nel 1646.
Acquaforte con acquarellatura del '900, mm. 272x150, ampi marg. bianchi. Monogramma inciso sulla lastra A.C. e n.14. Incisione su rame tratta da "Diverse Figure al numero di ottanta, disegnate di penna nell'hore di ricreatione da Annibale Carracci intagliate in rame, e cavate dagli Originali da Simone Guilino Parigino, dedicate a tutti i Virtuosi et Intendenti della Professione della Pittura, e del Disegno" stampato a Roma nel 1646.
Best.-Nr. 71-0968Paris: Galerie de Palais Royal Galerie del ducque de Orleans 1786-1808. Engraving. 37 x 24 cm. sheet. A proof before the text below the title. Sheet mounted at corners to support sheet. Very Good. Sheet trimmed. Light foxing throughout. Paris: [Galerie de Palais Royal [Galerie del ducque de Orleans], 1786-1808]. unknown
Best.-Nr. #[59786]Mountain landscape with figures. High mountains on the right. Below a village. Closer to the foreground two figures seen from behind. On the left trees and rocks. From the 'Recueil de 283 estampes gravées à l'eau forte d'après les dessins originaux. que Mons. Evrard Jabach de Cologne. possédait' or Cabinet Jabach. Everhard Jabach 1618-1695 was an eminent French collector of drawings. This ensemble of plates is drawn after Italian masters as the Carraccis Pietro da Cortona Titian Campagnola turned into print by Macé Corneille Jean-Baptiste and Michel-Ange and Pesne. Signed on the bottom; at left 'An. Carache delin:' numbered '23.F' signed on the right bottom:'JB Corneille Sculp Cum privuil Regis.' l Etching on fine laid paper with small margins; platemark: 285 x 405 mm total: 290 x 422 mm; in good conditions unknown
Best.-Nr. #[59782]River landscape with figures on the left. In the center a bridge on the river mountains towards the right a city on the left. From the 'Recueil de 283 estampes gravées à l'eau forte d'après les dessins originaux. que Mons. Evrard Jabach de Cologne. possédait' or Cabinet Jabach. Everhard Jabach 1618-1695 was an eminent French collector of drawings. This ensemble of plates is drawn after Italian masters as the Carraccis Pietro da Cortona Titian Campagnola turned into print by Macé Corneille Jean-Baptiste and Michel-Ange and Pesne. Signed on the bottom; at left 'An. Carache delin:' numbered '34.E' signed on the right bottom:'Massé. Sculp. Cum privuil Regis.' l Etching on fine laid paper with margins; platemark: 283 x 401 mm total: 290 x 419 mm; in very good conditions unknown
Best.-Nr. 59783River landscape with figures. A road descending towards the center of the composition. The river flows from right to left to open sea where some sailing boats are. Mountains in the background. High trees on the left and on the right. From the 'Recueil de 283 estampes gravées à l'eau forte d'après les dessins originaux. que Mons. Evrard Jabach de Cologne. possédait' or Cabinet Jabach. Everhard Jabach 1618-1695 was an eminent French collector of drawings. This ensemble of plates is drawn after Italian masters as the Carraccis Pietro da Cortona Titian Campagnola turned into print by Macé Corneille Jean-Baptiste and Michel-Ange and Pesne. Signed on the bottom; at left 'An. Carache delin:' numbered '27.E' signed on the right bottom:'Massé. Sculp. Cum privuil Regis.' Etching on fine laid paper with margins; platemark: 279 x 402 mm total: 286 x 410 mm; in good conditions unknown
Best.-Nr. 59787Landscape high trees on the left a village on the left background trees and some figures in the middle a pond in the center foreground. A man on a horse seen from behind riding towards the right background. From the 'Recueil de 283 estampes gravées à l'eau forte d'après les dessins originaux. que Mons. Evrard Jabach de Cologne. possédait' or Cabinet Jabach. Everhard Jabach 1618-1695 was an eminent French collector of drawings. This ensemble of plates is drawn after Italian masters as the Carraccis Pietro da Cortona Titian Campagnola turned into print by Macé Corneille Jean-Baptiste and Michel-Ange and Pesne. Signed on the bottom; at left 'Lud. Carache delin:' numbered '16.E' signed on the right bottom:'Massé. Sculp. Cum privuil Regis.' Etching on fine laid paper with margins; platemark: 284 x 406 mm total: 297 x 422 mm; in good conditions. Attached to a steel engraving by Jean-Baptiste-Marie Bury 1808-ca.1881 after Jean Arnould Leveil 1806-1866 with Roman ruines. unknown
Benati, Daniele and Eugenio Riccomini: Annibale Carracci. Exhibition: Bologna, Museo Civico Archeologico, 2006. 500pp with 180 colour illustrations. Paperback. 28x24cms. Monographic exhibition catalogue on Annibale Carracci, bringing together some 160 works from across Europe, America and Russia looking at the range of his oeuvre from portraits, genre pieces, religious and mythological paintings and altarpieces. Text in Italian. Monographic exhibition catalogue on Annibale Carracci, bringing together some 160 works from across Europe, America and Russia looking at the range of his oeuvre from portraits, genre pieces, religious and mythological paintings and altarpieces. Text in Italian
Best.-Nr. 0-06597Roma 1740 incisione originale di 305 x 20 alla battuta su foglio di 325 x 21 n° 80 inc. da S. Guillain e A. Algardi. unknown
