Carracci Annibale -Biblio.com
564 résultats
réf. 0-06605Roma 1740 incisione originale di cm. 20 x 30 n° 31 inc. da S. Guillain e A. Algardi. unknown
réf. 0-06598Roma 1740 incisione originale di cm. 20 x 30 n° 36 inc. da S. Guillain e A. Algardi. unknown
1589réf. 20541589. Good. Engraving on handmade laid paper 7 7/16 x 9 7/8 inches 190 x 250 mm the full sheet with slightly trimmed margins just inside the platemark -5 mm. In very good condition with some very minor mottled light staining on the verso perhaps adhesive residue from a former mount. Condition consistent with age. A 4th state impression of 5 before the addition of the text in the upper right image. unknown
réf. 121396La famosa raccolta di Annibale Carracci costituita da una serie di disegni realizzati dall'Artista per passatempo e con l'intento di formare una sorta di guida accademica per i suoi allievi perchè li avessero a disposizione come modelli rimase utile agli scolari anche dopo la sua morte ancora per anni e anni; solo nel 1646 vennero raccolti da suoi familiari e consegnati al francese Simon Guillain affinché li incidesse. Proprio da quei modelli anche Mitelli sviluppo' in seguito la sua opera. Di quei disegni "Simon Guillain incise diversi soggetti 80 per la pubblicazione "Diverse figure al numero di ottanta disegnata di penna nell'hore di ricreatione da Annibale Carraci intagliate in rame e cavate dagli originali da Simone Gvilino" stampata a Roma da L. Grigniani nel 1646. La pubblicazione nota anche col titolo "Le arti di Bologna" ritrae figure popolaresche con spirito scanzonato. Nella prima edizione questi illustravano un trattato sull'imitazione del naturale nell'arte ma lo stesso Guillain ne fece una seconda edizione priva del testo dandole l'attuale titolo di "Arti di Bologna". Questi disegni ebbero in questo modo un'enorme diffusione e moltissimi artisti presero spunto dal modo di ritrarre del Carracci. I soggetti invece vennero ripresi solo più tardi in quanto nel corso del Seicento erano criticati come minori e di nessuna importanza.". Disponiamo delle seguenti tavole: CARRETTIERE CON ACQUA DI FIUME - MURATORE - VENDE PETTINI DA LINO E SETACCI - VENDE SOLFAROLI. CADAUNA unknown
réf. 71-6518Rome: Gregorio Roisecco 1740. Etching. 24 x 16 cm sheet. Very Good sheet trimmed to the image tear at left sheet edge tear in right quadrant of image minor surface soiling. [Rome: Gregorio Roisecco, 1740]. unknown
réf. 71-6517Rome: Gregorio Roisecco 1740. Etching. 26.5 x 15.5 cm sheet. Very Good sheet trimmed to the image tear at bottom sheet edge minor surface soiling. [Rome: Gregorio Roisecco, 1740]. unknown
réf. 71-6519Rome: Gregorio Roisecco 1740. Etching. 28.5 x 16 cm sheet. Good sheet trimmed to the image tears along sheet edges missing areas at right sheet edge. [Rome: Gregorio Roisecco, 1740]. unknown
réf. 51-559417th Century. Engraving mounted on a support sheet 13.3 x 15.8cm. This print described in "Prints and Related Drawings by the Carracci Family: A Catalogue Raisonné " by Diane De Grazia Bohlin. Washington DC: National Gallery of Art 1979. Catalogue no. 20 Copy no. 3 copy in reverse p. 466. 17th Century unknown
réf. 16-5253Rome: Rubeis later 17th Century. Two engravings mounted on a support sheetEach 16 x 23c Rome: Rubeis, later 17th Century unknown
réf. 71-4018Firenze: La Societa Editrice circa 1841-1846. Stipple and line engraving. 49.5 x 34.4 cm. sheet. Drystamp of the publisher. Very Good. Light foxing and soiling in the margin areas.“Storia della pittura dal suo risorgimento in Italia dimostrata coi monumenti della Reale Galleria di Firenze.” OCLC no. 83041262. Firenze: La Societa Editrice, circa 1841-1846. unknown
réf. 71-4021Firenze: La Societa Editrice circa 1841-1846. Stipple and line engraving. 49.5 x 34.4 cm. sheet. Drystamp of the publisher. Very Good. Light foxing in the margin areas.“Storia della pittura dal suo risorgimento in Italia dimostrata coi monumenti della Reale Galleria di Firenze.” OCLC no. 83041262. Firenze: La Societa Editrice, circa 1841-1846. unknown
réf. 71-4027Firenze: La Societa Editrice circa 1841-1846. Stipple and line engraving. 49.5 x 34.4 cm. sheet. Drystamp of the publisher. Very Good. Light foxing in the margin areas.“Storia della pittura dal suo risorgimento in Italia dimostrata coi monumenti della Reale Galleria di Firenze.” OCLC no. 83041262. Firenze: La Societa Editrice, circa 1841-1846. unknown
réf. 71-4064Firenze: La Societa Editrice circa 1841-1846. Stipple and line engraving. 49.5 x 34.4 cm. sheet. Drystamp of the publisher. Very Good. Light foxing in the margin areas. “Storia della pittura dal suo risorgimento in Italia dimostrata coi monumenti della Reale Galleria di Firenze.” OCLC no. 83041262. Firenze: La Societa Editrice, circa 1841-1846. unknown
réf. 71-2467London: Jones & Co. circa 1836. Steel engraving. 10 1/2 x 8 in. sheet. Very Good some toning and foxing in sheet margins. London: Jones & Co., [circa 1836]. unknown
réf. 71-3175Rome: Gregorio Roisecco 1740. Etching. 280 x 198 mm. sheet. Good scattered foxing.Provenance: From the collection of the Late Frederick G. Ruffner Jr. founder of Gale Research Detroit. [Rome: Gregorio Roisecco, 1740]. unknown
réf. 71-3178Rome: Gregorio Roisecco 1740. Etching. 225 x 155 mm. sheet. Good tears along sheet edges some soiling.Provenance: From the collection of the Late Frederick G. Ruffner Jr. founder of Gale Research Detroit. [Rome: Gregorio Roisecco, 1740]. unknown
réf. 71-3176Rome: Gregorio Roisecco 1740. Etching. 260 x 163 mm. sheet. Good tears along sheet edges some soiling.Provenance: From the collection of the Late Frederick G. Ruffner Jr. founder of Gale Research Detroit. [Rome: Gregorio Roisecco, 1740]. unknown
réf. 71-3177Rome: Gregorio Roisecco 1740. Etching. 238 x 160 mm. sheet. Good tears along sheet edges some soiling.Provenance: From the collection of the Late Frederick G. Ruffner Jr. founder of Gale Research Detroit. [Rome: Gregorio Roisecco, 1740]. unknown
réf. 71-0968Paris: Galerie de Palais Royal Galerie del ducque de Orleans 1786-1808. Engraving. 37 x 24 cm. sheet. A proof before the text below the title. Sheet mounted at corners to support sheet. Very Good. Sheet trimmed. Light foxing throughout. Paris: [Galerie de Palais Royal [Galerie del ducque de Orleans], 1786-1808]. unknown
réf. 17-5855London UK: Sotheby & Co. 1972. 4to. 210 pp. Hardcover. Auction Catalogue. Black and White Plates. From the Collection of Peter Selz Berkeley CA. Signed and dated “Peter Selz 1972.’ Very Good. London, UK: Sotheby & Co., 1972. hardcover
réf. 51-4685Paris : Aux Bureaux des Modes Parisiennes circa 1850. Hand titled wraps and 15 numbered handcolored plates. Label of A. Wagner Librairie Artistique ParisCOMPTE-CALIX François Claudius. Costumes du Directoire. Paris Moine et Falconer vers 1860. In-4 broché Paris : [Aux Bureaux des Modes Parisiennes, circa 1850] paperback
réf. 51-1610Rome: Dominico de Rossi Jo. Jacobi Jo. Jacobi de Rubeis circa 1690. Oblong folio. 47 x 69 cm. 18.5 x 27.25 inches page size. Suite of 4 unnumbered and 20 numbered engravings. 24 of 25 plates lacking plate no. 9. Housed in a custom portfolio with painted boards leather spine large embossed leather label leather ties and leather corners by the celebrated Russian-American binder Alexandr Sasha Mosalov. OCLC Number: 26691776.Lit. Annibale Carracci e I suoi incisori Ecole française de Rome 1986: D-1-25 Rome: Dominico de Rossi, Jo. Jacobi (Jo. Jacobi de Rubeis), circa 1690. hardcover
2007réf. C86905Merigo. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened --Text in Italian. 216 pages with many illustrations including color plates. Catalogue Raisonne Catalog Raisonné Complete Works Catalogo Ragionato Catalogo delle Opere L'Opera Completa Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . 2007. Merigo hardcover
2005réf. C93668Harvey Miller Publishers; Et Al. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ISBN: 1872501184. 450 pages. Description: "The primary goal of Ludovico Carracci and the Art of Drawing is to provide a ground-breaking model for a new kind of book on Italian drawings. In addition to covering the traditional scholarly terrain of chronology style and connoisseurship this book utilizes up-to-date art historical methods including considerations of the historical context of Bologna its impact on Ludovico's art and a new portrayal of the role of women and women artists in the city. He was a prolific draftsman who produced over 300 extant drawings. His drawings offer the key to his artistic personality because he conceived his original subjects and planned his dramatic compositions in these sheets. Like most Italian artists of the early modern period Ludovico developed his ideas in drawings and began painting only after his conceptions had been finalized. Thus his drawings reveal how he thought how his ideas changed and which features of a composition were most important or challenging to his creative imagination. The Carracci have always been considered some of the most important draftsmen in Italian art for their revival of drawing the human figure from life in the course of designing paintings. But Ludovico's drawings were not only preparatory studies for pictures. He was also an innovator in developing finished compositional drawings that were produced as works of art in their own right made for sale to a new audience of private collectors in Bologna." Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details; L'Arte del Disegno; The primary goal of Ludovico Carracci and the Art of Drawing is to provide a ground-breaking model for a new kind of book on Italian drawings. In addition to covering the traditional scholarly terrain of chronology style and connoisseurship this book utilizes up-to-date art historical methods including considerations of the historical context of Bologna its impact on Ludovico's art and a new portrayal of the role of women and women artists in the city. He was a prolific draftsman who produced over 300 extant drawings. His drawings offer the key to his artistic personality because he conceived his original subjects and planned his dramatic compositions in these sheets. Like most Italian artists of the early modern period Ludovico developed his ideas in drawings and began painting only after his conceptions had been finalized. Thus his drawings reveal how he thought how his ideas changed and which features of a composition were most important or challenging to his creative imagination. The Carracci have always been considered some of the most important draftsmen in Italian art for their revival of drawing the human figure from life in the course of designing paintings. But Ludovico's drawings were not only preparatory studies for pictures. He was also an innovator in developing finished compositional drawings that were produced as works of art in their own right made for sale to a new audience of private collectors in Bologna. . 2005. 1872501184 . Harvey Miller Publishers; Et Al hardcover
1979réf. C91557National Gallery of Art. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 533 pages. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . 1979. National Gallery of Art paperback
