CARRACCI ANNIBALEBiblio.com
Carracci Annibale -Biblio.com
Scortica Agnelli.
rif. 0-06604Roma 1740 incisione originale di cm. 20 x 30 n° 14 inc. da S. Guillain e A. Algardi. unknown
Libreria Piani snc · Italia220,00 €
564 risultati
1646rif. 49068In Roma: Grignani 1646. Foglio di cm. 34 x 24. Ben conservato. Tavola n. 18 proveniente da: Diverse figure Al numero di ottanta Disegnate di penna Nell'hore di ricreatione da Annibale Carracci… Opera che divenne poi più celebre con il titolo di: "Le Arti di Bologna". Grignani unknown
rif. 0-06604Roma 1740 incisione originale di cm. 20 x 30 n° 14 inc. da S. Guillain e A. Algardi. unknown
rif. 0-06594Roma 1740 incisione originale di cm. 20 x 30 n° 19 inc. da S. Guillain e A. Algardi. unknown
rif. 0-06599Roma 1740 incisione originale di cm. 20 x 30 n° 37 inc. da S. Guillain e A. Algardi. unknown
rif. 0-06609Roma 1740 incisione originale di cm. 20 x 30 n° 28 inc. da S. Guillain e A. Algardi. unknown
rif. 0-06592Roma 1740 incisione originale di cm. 20 x 30 n° 17 inc. da S. Guillain e A. Algardi. unknown
rif. 0-06601Roma 1740 incisione originale di cm. 20 x 30 n° 41 inc. da S. Guillain e A. Algardi. unknown
rif. 0-06580Roma 1740 incisione originale di cm. 20 x 30 n° 6 inc. da S. Guillain e A. Algardi. unknown
1997rif. TH220671Hazlitt Gooden & Fox London 1997. 1st Edition. SOFTCOVER. Large Thick heavy 4to. in colour printed stiff card covers 160pp on thick art paper plates in colour and mainly b/w etc __CONDITION : An extremely well preserved AS NEW unread and unmarked copy. . __We always ship in PROTECTIVE CARD PARCELS Hazlitt, Gooden & Fox, London paperback
2010rif. C4482Munich: No Publisher Noted 2010. Very Good. 4to. A one off book attractively bound in printed woven back cloth and lettered on cover Presented to Ronald Searle on his 90th birthday with a note by Searle about this. In a typed signed note bound in at the front Andreas Bartsch curator / print expert explains in halting English that he has collected and bound up these 'colour copies' of drawings by the Carracci's and their students esp for Ronald Searle. 50 leaves printed recto only 46 images. Loosely inserted is a signed card from Andreas Bartsch and a good long letter from Searle to Andreas Bartsch apparently never sent about Carracci and the many happenings around his 90th birthday. It appears the book is a unicum - i.e. one copy only. Fine. No Publisher Noted, hardcover
rif. 17-5855London UK: Sotheby & Co. 1972. 4to. 210 pp. Hardcover. Auction Catalogue. Black and White Plates. From the Collection of Peter Selz Berkeley CA. Signed and dated “Peter Selz 1972.’ Very Good. London, UK: Sotheby & Co., 1972. hardcover
1910rif. 56735Carte panoramique géante en couleurs, format 56 x 22,5 cm, Carrache éditeur, cliché Rayssé, Pau, s.d. (vers 1910)
1910rif. 56734Carte panoramique géante en couleurs, format 56 x 22,5 cm, Carrache éditeur, Pau, s.d. (vers 1910)
1910rif. 56736Carte panoramique géante en couleurs, format 56 x 22,5 cm, Carrache éditeur, Pau, s.d. (vers 1910)
1910rif. 56731Carte panoramique géante en couleurs, format 58 x 23 cm, [ Carrache éditeur ], Pau, s.d. (vers 1910)
1925rif. LIQ-5140P. A La Nouvelle Cythere s.d. (1925). Grand in-4° demi chagrin bleu, dos à nerfs ornés de feurons et filets dorés.
rif. 8623Eau-forte et burin .Faussement attribué à Annibal Carrache, alors qu'il s'agit d'une estampe anonyme d'après Augustin Carrache. In L'art érotique sous la Renaissance, tome 3, page 860. en feuille Très bon 24,5 x 44,5 cm
rif. LCS-18404Première et célèbre édition de l’Arétin d’Augustin Carrache, «le plus artistique des Livres érotiques…» (H. Cohen, col. 88). A la Nouvelle Cythère [Paris, Didot, 1798]. Grand in-4 de 1 feuillet pour le faux-titre (relié à l’époque sans le titre), 10 pp. de préface, (1) f. de table et d’errata, 80 pp. et 20 gravures numérotées à pleine page hors textes protégées par des serpentes, veau fauve marbré, roulette dorée autour des plats, dos lisse orné, pièce de titre en maroquin rouge, roulette intérieure, tranches dorées. Reliure de l’époque. 301 x 225 mm.
1910rif. 56729Carte panoramique géante en couleurs, format 56 x 23 cm, Carrache éditeur, Pau, s.d. (vers 1910)
rif. GF18971Lithographie d'après Maurin - format 49 x 31 cm marges comprises - quelques piqures en marge -
rif. GF19022Lithographie d'après Hesse - format 49 x 31 cm marges comprises - quelques piqures en marge -
rif. 14373Rare estampe, coupée à la marque du cuivre et contrecollée. En feuille Moyen 1 volume in-8°
1688rif. 16537Paris, Auboüin, Emery et Clousier (Imprimerie Antoine Lambin), 1688 ; in-12, veau jaspé, dos à nerfs décoré et doré, pièce de titre grenat, roulette sur les coupes, tranches rouges mouchetées (reliure d’époque) ; (20), 304 pp.
1987In-4 (cm. 28.80), tela editoriale, sovracoperta editoriale illustrata, pp. 243, (1), con numerose illustrazioni in bianco e nero e a colori nel testo, ed una tavola più volte ripiegata fuori testo. Carta delle “giornate” e nota tecnica a cura di Carlo Giantomassi. Rappezzo adesivo e tracce di polvere al piatto posteriore bianco della sovracoperta; peraltro, volume in buono stato (good copy).
2005rif. C93668Harvey Miller Publishers; Et Al. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ISBN: 1872501184. 450 pages. Description: "The primary goal of Ludovico Carracci and the Art of Drawing is to provide a ground-breaking model for a new kind of book on Italian drawings. In addition to covering the traditional scholarly terrain of chronology style and connoisseurship this book utilizes up-to-date art historical methods including considerations of the historical context of Bologna its impact on Ludovico's art and a new portrayal of the role of women and women artists in the city. He was a prolific draftsman who produced over 300 extant drawings. His drawings offer the key to his artistic personality because he conceived his original subjects and planned his dramatic compositions in these sheets. Like most Italian artists of the early modern period Ludovico developed his ideas in drawings and began painting only after his conceptions had been finalized. Thus his drawings reveal how he thought how his ideas changed and which features of a composition were most important or challenging to his creative imagination. The Carracci have always been considered some of the most important draftsmen in Italian art for their revival of drawing the human figure from life in the course of designing paintings. But Ludovico's drawings were not only preparatory studies for pictures. He was also an innovator in developing finished compositional drawings that were produced as works of art in their own right made for sale to a new audience of private collectors in Bologna." Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details; L'Arte del Disegno; The primary goal of Ludovico Carracci and the Art of Drawing is to provide a ground-breaking model for a new kind of book on Italian drawings. In addition to covering the traditional scholarly terrain of chronology style and connoisseurship this book utilizes up-to-date art historical methods including considerations of the historical context of Bologna its impact on Ludovico's art and a new portrayal of the role of women and women artists in the city. He was a prolific draftsman who produced over 300 extant drawings. His drawings offer the key to his artistic personality because he conceived his original subjects and planned his dramatic compositions in these sheets. Like most Italian artists of the early modern period Ludovico developed his ideas in drawings and began painting only after his conceptions had been finalized. Thus his drawings reveal how he thought how his ideas changed and which features of a composition were most important or challenging to his creative imagination. The Carracci have always been considered some of the most important draftsmen in Italian art for their revival of drawing the human figure from life in the course of designing paintings. But Ludovico's drawings were not only preparatory studies for pictures. He was also an innovator in developing finished compositional drawings that were produced as works of art in their own right made for sale to a new audience of private collectors in Bologna. . 2005. 1872501184 . Harvey Miller Publishers; Et Al hardcover
