Carracci, AnnibaleBiblio.com
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Best.-Nr. 3492481Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1570. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
185324 cm, bross. orig; pp. (12). Degica di Michelangelo Gualandi (acquirente), al piatto. testo ital. e francese
1925Best.-Nr. LIQ-5140P. A La Nouvelle Cythere s.d. (1925). Grand in-4° demi chagrin bleu, dos à nerfs ornés de feurons et filets dorés.
1798Best.-Nr. FGN13-B-12Paris: A La Nouvelle Cythere 1798. Leather. Very Good Indeed. 12.5" by 9.5". None. A French description of the series of erotic engraved plates. Containing the descriptions only and bound in full calf. A French description of the series of erotic engraved plates depicting pairs of lovers in different positions of intercourse. Missing the twenty engraved plates by Carrachi and containing the text only. The plates depict couples and scenes from mythology including Jupiter and Juno Anthony and Cleopatra and Ovid sand Corinne. I Modi The Ways also known as The Sixteen Pleasures or under the Latin title De omnibus Veneris Schematibus is a famous erotic book of the Italian Renaissance in which a series of sexual positions were explicitly depicted in engravings. While the original edition was apparently completely destroyed by the Catholic Church fragments of a later edition survived. The second edition was accompanied by sonnets written by Pietro Aretino which described the sexual acts depicted. The original illustrations were probably copied by Agostino Caracci whose version survives. In a calf binding with gilt dentelles. Externally smart though with some rubbing and marks. Internally firmly bound. Pages are bright and clean with just the odd patch of foxing. Very Good Indeed A La Nouvelle Cythere hardcover
1980In-8 (cm. 26.60), cartonato editoriale, sovracoperta editoriale illustrata, pp. 269, (3). Con un testo in lingua francese. Minime, ininfluenti abrasioni superficiali ai tagli ed al dorso della sovracoperta; peraltro, volume in ottimo stato (nice copy).
2002Mm 250x310 Scritti di Cervellati, Varignana, Chiarini, Finaldi, Feigenbaum, Mazza, Morigi Govi, Viroli, Mossakowski, Emiliani, Pérez Sanchez, Perini, ecc.; fotografie di Monti, Breveglieri, Baldassari. Volume cartonato rigido di 397 pagine, numerose immagini a colori e in bianco e nero, sovraccoperta editoriale figurata a colori. Esemplare in ottime condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
1920Best.-Nr. 1408304Paris: Nouvelle Cythere c. 1920. Softcover. Quarto 10 80 pages. In Very Good minus condition. Bound in white covers. Chipping and tearing along edges of covers. Foxing and soiling to covers. Light soiling scattered throughout interior. Plate Nos. III and IV pages 9-12 and pages 73-76 loose but present. Shelved in Case 11. Facsimile of the edition published in 1798. 1408304. Shelved Dupont Bookstore. Nouvelle Cythere unknown
1962Best.-Nr. 40365Paris 1962. OU RECUEIL DE POSTURES ÉROTIQUES D'après les Gravures à l'eau-forte par cet Artiste célèbre Avec le Texte explicatif des Sujets Textband und Tafelband Maroquineinband.Vorsatz und hinteres Deckblatt mit Gold marmoriert. Kopfgoldschnitt. Schuber. Cercle du Livre Précieux 4°. Ldr. Literatur unknown
1663Best.-Nr. 4850Rome: Da Gio. Giacomo de Rossi alla Pace al insegna di Parigi 1663. FIRST EDITION. Hardcover. Fine. Bound in modern quarter red morocco over marbled boards. A very good copy of the complete set of etchings. Some mostly mild soiling and staining a little heavier on two of the final plates and one small defect in plate 4 repaired. A complete set of etchings after the parietal frescoes in Palazzo Fava Bologna painted by the Carracci ca. 1593 depicting the story of Aeneas. The set comprises a title page 12 etched plates numbered from I to XII with the scenes of the cycle; and 4 additional sheets with 2 etchings per sheet reproducing the trompe l'oeil grisaille "statues" that divide the scenes. The title leaf includes the dedication to Lepoldo de Médici 1617-1675 with the Medici arms. The frescoes illustrating scenes from Books II and III of the "Aeneid" were etched by Giuseppe Maria Mitelli after drawings made by Flaminio Torri whose untimely death had prevented him from executing the plates himself. At the foot of the plates Mitelli attributes the individual scenes to one or another of the Carracci Annibale Agostino or Ludovico but these individual attributions do not always correspond to the conclusions of the most recent criticism. According to the Carracci biographer Carlo Cesare Malvasia "Felsina pittrice 1678 the frescoes were executed under the direction of Ludovico with at least two scenes Polyphemus and the Harpies being drawn by Ludovico and painted by Annibale. The Carracci - Annibale 1560-1609 his brother Agostino 1557-1602 and their cousin Ludovico 1555-1619- are among the most famous Bolognese painters of the last two decades of the sixteenth and the first part of the seventeenth centuries. Their artistic production took on a new importance in the history of Italian and European art of that time exerting a huge influence on subsequent generations. They gave life to an art based on a renewed awareness of nature and on the careful study of reality contributing to the development of the Baroque style which was opposed to the artificiality of late Mannerism. Towards the end of the sixteenth century the Carracci founded what has been called the first private school of painting of the modern age: the Accademia degli Incamminati. Annibale certainly the most talented of the three would be called to Rome to work for the powerful Farnese family while Ludovico and Agostino remained rooted in Bologna. But it is in Palazzo Fava that their "avvenetura" begins. Here the Carracci executed their first commission and the first important fresco cycle of their career. In 1584 thanks also to the intercession of Antonio Carracci father of Annibale and Agostino and tailor of the Fava family Count Filippo Fava entrusted the decoration of the entire "piano nobile" of the building to young artists who immediately gave proved their talent by creating an absolute jewel of Bolognese and Italian art. Thanks to the Fava family a family of patrons who played a fundamental role in the history and artistic development of Bologna Palazzo Fava became a place of study for the young artists of the time who were able to take advantage of mobile scaffolding to closely observe the adventures represented in the friezes of the cycle: those of Jason and Medea and in those of Aeneas the latter of which is reproduced here. https://genusbononiaeblog.it/i-carracci-palazzo-fava/ The engraver Giuseppe Maria Mitelli was renowned for the familiar playful carnivalesque and visionary themes of his etchings exemplified by allegorical figures genre scenes and images of everyday life in the streets of his native Bologna. He produced a large and varied body of work from genre scenes and fantastic imagery to reproductions of the works of the great Italian painters such as this suite. Mitelli was among the founders of Bologna's Accademia Clementina and was one of its first directors. For a full biography see "Agostino e Giuseppe Maria Mitelli" in Arte antica e moderna 3 1958 pp. 295-301. Da Gio. Giacomo de Rossi alla Pace al insegna di Parigi hardcover
1961Best.-Nr. 14102Numéro 77, Mai 1961. Méry Laurent, Comment travaille Pierre Soulages, Brébiette, Dessins de Carrache pour la Galerie Farnèse. Photos en couleurs. Broché sous couverture illustrée Très bon Paris L'Œil 1961 1 volume in-folio
Best.-Nr. 11400, Paris, Editions des Musees Nationaux, 1994**, Broche, couverture d' editeur illustre n/b, 21x30cm, 159pp, illustre n/b. ISBN 9782711829361.
1983Best.-Nr. LFA-126722015Un ouvrage de 135 pages, format 215 x 305 mml, illustré, relié simili-cuir, publié en 1983, B.N.P., bon état
2007In-4° pp. 302 con 81 tav. n.t. in parte a colori, bross. edit. ill. Come nuovo.
15901 23x16.3 cm., 11, [1], 255, [1], 71, [1], 40, [8] pp., bel frontespizio inciso che include il ritratto del Tasso in medaglione e una veduta di Genova, il tutto entro bordura architettonica, i venti canti illustrati da 20 magnifiche incisioni a piena pagina disegnate dal pittore genovese Bernardo Castello e incise da Agostino Carracci (9) e da Giacomo Franco (11), legatura seicentesca in pergamena con titolo manoscritto al dorso, sguardie settecentesche, leggermente smarginato, lievi fioriture e bruniture uniformi, leggero alone ad alcune pagine, tracce di tarlo al margine inferiore di diverse carta senza pregiudizio, un rinforzo al margine interno al verso del frontespizio, restauro senza pregiudizio al margine esterno di pag. 245, nel complesso buon esemplare Prima edizione illustrata dal Castello, con la tavola del Canto Quarto non duplicata con quella del Canto Quinto. Gamba, 426: "Stimatissima edizione, principalmente per l'ornamento delle figure? E' da osservare che nel canto IV non sia duplicata la figura che sta nel canto V?".
Best.-Nr. 51-559417th Century. Engraving mounted on a support sheet 13.3 x 15.8cm. This print described in "Prints and Related Drawings by the Carracci Family: A Catalogue Raisonné " by Diane De Grazia Bohlin. Washington DC: National Gallery of Art 1979. Catalogue no. 20 Copy no. 3 copy in reverse p. 466. 17th Century unknown
1913(Pittura bolognese - Carracci) In 8°, legatura coeva in mezza pergamena con ampie punte, al dorso impressioni dorate e tassello in pelle rosso scuro con titoli in oro, carta marmorizzata monocroma ai piatti, guardie in carta decorata, pp. (6),306,(2), con 16 tavole in bianco e e nero fuori testo. Volume solido e ben conservato.
1999Mm 175x245 Collana "Biblioteca di Storia dell'Arte" - Testo a cura di Andrea De Marchi, traduzione di Guenter Schwabe e Gemma Buonanno. Volume in copertina rigida con sovraccoperta, 720 pagine con 499 figure in nero nel testo. Opera in ottime condizioni. Spedizione in 24 ore dalla conferma dell'ordine.
1993Mm 255x290 Opera in due tomi in tela editoriale con sovraccoperta figurata e astuccio di cartone, 847 pagine complessive, illustrazionioni in nero e a colori nel testo. Il primo tomo è a cura di Andrea Emiliani e la sovraccoperta ha piccoli segni d'uso. Il secondo tomo è a cura di Jadranka Bentini e Lucia Fornari Schianchi. I volumi sono stati pubblicati da Nuova Alfa - Electa per il Credito Romagnolo. Ottimo stato. Spedizione entro 24 ore dalla conferma dell'ordine.
1995Mm 250x295 Volume in copertina rigida, sovraccoperta editoriale, cartone protettivo originale, 334 pagine con 410 illustrazioni in nero e a colori nel testo. Condizioni del libro: nuovo - brand new. Spedizione in 24 ore dalla conferma dell'ordine.
Best.-Nr. 2088269Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1865. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Best.-Nr. 2088267Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1865. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Best.-Nr. 2088270Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1865. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Best.-Nr. 2088268Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1865. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Best.-Nr. 71-0968Paris: Galerie de Palais Royal Galerie del ducque de Orleans 1786-1808. Engraving. 37 x 24 cm. sheet. A proof before the text below the title. Sheet mounted at corners to support sheet. Very Good. Sheet trimmed. Light foxing throughout. Paris: [Galerie de Palais Royal [Galerie del ducque de Orleans], 1786-1808]. unknown
Best.-Nr. #[59786]Mountain landscape with figures. High mountains on the right. Below a village. Closer to the foreground two figures seen from behind. On the left trees and rocks. From the 'Recueil de 283 estampes gravées à l'eau forte d'après les dessins originaux. que Mons. Evrard Jabach de Cologne. possédait' or Cabinet Jabach. Everhard Jabach 1618-1695 was an eminent French collector of drawings. This ensemble of plates is drawn after Italian masters as the Carraccis Pietro da Cortona Titian Campagnola turned into print by Macé Corneille Jean-Baptiste and Michel-Ange and Pesne. Signed on the bottom; at left 'An. Carache delin:' numbered '23.F' signed on the right bottom:'JB Corneille Sculp Cum privuil Regis.' l Etching on fine laid paper with small margins; platemark: 285 x 405 mm total: 290 x 422 mm; in good conditions unknown
