CarracheBiblio.com
442 résultats
réf. 2087064Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1871. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 2087037Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1867. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 2087036Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1867. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 2119169Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1866. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 2087049Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1871. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 2088343Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1866. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 2119170Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1866. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 2087038Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1867. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 2087050Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1871. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 2088345Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1866. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 2119172Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1866. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 2088344Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1866. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 2119171Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1866. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1965réf. L025943Comunita Eur/Arte/Cultura 1965. First Edition. Trade Paperback. Very Good/No Jacket. 8vo - over 7¾" - 9¾" square 8vo 702ppplates Text in Italian. Catalogue prepared for the exhibition in the Calcografia Nazionale Rome April-May 1965 sponsored by the Comunita Europea dell'Arte e della Cultura; coverage of Agostino Annibale and Lodovico Carracci's engraved works. Introduction by Calvesi; catalogue proper by Calvesi and Casale. Scarce; not located in Freitag. A very good copy in wrappers slight rubbing and browning to wrappers; slight internal browning.Over 200 b/w Illustrations. Comunita Eur/Arte/Cultura paperback
réf. #[59786]Mountain landscape with figures. High mountains on the right. Below a village. Closer to the foreground two figures seen from behind. On the left trees and rocks. From the 'Recueil de 283 estampes gravées à l'eau forte d'après les dessins originaux. que Mons. Evrard Jabach de Cologne. possédait' or Cabinet Jabach. Everhard Jabach 1618-1695 was an eminent French collector of drawings. This ensemble of plates is drawn after Italian masters as the Carraccis Pietro da Cortona Titian Campagnola turned into print by Macé Corneille Jean-Baptiste and Michel-Ange and Pesne. Signed on the bottom; at left 'An. Carache delin:' numbered '23.F' signed on the right bottom:'JB Corneille Sculp Cum privuil Regis.' l Etching on fine laid paper with small margins; platemark: 285 x 405 mm total: 290 x 422 mm; in good conditions unknown
réf. #[59782]River landscape with figures on the left. In the center a bridge on the river mountains towards the right a city on the left. From the 'Recueil de 283 estampes gravées à l'eau forte d'après les dessins originaux. que Mons. Evrard Jabach de Cologne. possédait' or Cabinet Jabach. Everhard Jabach 1618-1695 was an eminent French collector of drawings. This ensemble of plates is drawn after Italian masters as the Carraccis Pietro da Cortona Titian Campagnola turned into print by Macé Corneille Jean-Baptiste and Michel-Ange and Pesne. Signed on the bottom; at left 'An. Carache delin:' numbered '34.E' signed on the right bottom:'Massé. Sculp. Cum privuil Regis.' l Etching on fine laid paper with margins; platemark: 283 x 401 mm total: 290 x 419 mm; in very good conditions unknown
réf. 71-0968Paris: Galerie de Palais Royal Galerie del ducque de Orleans 1786-1808. Engraving. 37 x 24 cm. sheet. A proof before the text below the title. Sheet mounted at corners to support sheet. Very Good. Sheet trimmed. Light foxing throughout. Paris: [Galerie de Palais Royal [Galerie del ducque de Orleans], 1786-1808]. unknown
réf. 2088269Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1865. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 2088267Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1865. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 2088270Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1865. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 2088268Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1865. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 51-559417th Century. Engraving mounted on a support sheet 13.3 x 15.8cm. This print described in "Prints and Related Drawings by the Carracci Family: A Catalogue Raisonné " by Diane De Grazia Bohlin. Washington DC: National Gallery of Art 1979. Catalogue no. 20 Copy no. 3 copy in reverse p. 466. 17th Century unknown
1663réf. 4850Rome: Da Gio. Giacomo de Rossi alla Pace al insegna di Parigi 1663. FIRST EDITION. Hardcover. Fine. Bound in modern quarter red morocco over marbled boards. A very good copy of the complete set of etchings. Some mostly mild soiling and staining a little heavier on two of the final plates and one small defect in plate 4 repaired. A complete set of etchings after the parietal frescoes in Palazzo Fava Bologna painted by the Carracci ca. 1593 depicting the story of Aeneas. The set comprises a title page 12 etched plates numbered from I to XII with the scenes of the cycle; and 4 additional sheets with 2 etchings per sheet reproducing the trompe l'oeil grisaille "statues" that divide the scenes. The title leaf includes the dedication to Lepoldo de Médici 1617-1675 with the Medici arms. The frescoes illustrating scenes from Books II and III of the "Aeneid" were etched by Giuseppe Maria Mitelli after drawings made by Flaminio Torri whose untimely death had prevented him from executing the plates himself. At the foot of the plates Mitelli attributes the individual scenes to one or another of the Carracci Annibale Agostino or Ludovico but these individual attributions do not always correspond to the conclusions of the most recent criticism. According to the Carracci biographer Carlo Cesare Malvasia "Felsina pittrice 1678 the frescoes were executed under the direction of Ludovico with at least two scenes Polyphemus and the Harpies being drawn by Ludovico and painted by Annibale. The Carracci - Annibale 1560-1609 his brother Agostino 1557-1602 and their cousin Ludovico 1555-1619- are among the most famous Bolognese painters of the last two decades of the sixteenth and the first part of the seventeenth centuries. Their artistic production took on a new importance in the history of Italian and European art of that time exerting a huge influence on subsequent generations. They gave life to an art based on a renewed awareness of nature and on the careful study of reality contributing to the development of the Baroque style which was opposed to the artificiality of late Mannerism. Towards the end of the sixteenth century the Carracci founded what has been called the first private school of painting of the modern age: the Accademia degli Incamminati. Annibale certainly the most talented of the three would be called to Rome to work for the powerful Farnese family while Ludovico and Agostino remained rooted in Bologna. But it is in Palazzo Fava that their "avvenetura" begins. Here the Carracci executed their first commission and the first important fresco cycle of their career. In 1584 thanks also to the intercession of Antonio Carracci father of Annibale and Agostino and tailor of the Fava family Count Filippo Fava entrusted the decoration of the entire "piano nobile" of the building to young artists who immediately gave proved their talent by creating an absolute jewel of Bolognese and Italian art. Thanks to the Fava family a family of patrons who played a fundamental role in the history and artistic development of Bologna Palazzo Fava became a place of study for the young artists of the time who were able to take advantage of mobile scaffolding to closely observe the adventures represented in the friezes of the cycle: those of Jason and Medea and in those of Aeneas the latter of which is reproduced here. https://genusbononiaeblog.it/i-carracci-palazzo-fava/ The engraver Giuseppe Maria Mitelli was renowned for the familiar playful carnivalesque and visionary themes of his etchings exemplified by allegorical figures genre scenes and images of everyday life in the streets of his native Bologna. He produced a large and varied body of work from genre scenes and fantastic imagery to reproductions of the works of the great Italian painters such as this suite. Mitelli was among the founders of Bologna's Accademia Clementina and was one of its first directors. For a full biography see "Agostino e Giuseppe Maria Mitelli" in Arte antica e moderna 3 1958 pp. 295-301. Da Gio. Giacomo de Rossi alla Pace al insegna di Parigi hardcover
1962réf. 40365Paris 1962. OU RECUEIL DE POSTURES ÉROTIQUES D'après les Gravures à l'eau-forte par cet Artiste célèbre Avec le Texte explicatif des Sujets Textband und Tafelband Maroquineinband.Vorsatz und hinteres Deckblatt mit Gold marmoriert. Kopfgoldschnitt. Schuber. Cercle du Livre Précieux 4°. Ldr. Literatur unknown
1920réf. 1408304Paris: Nouvelle Cythere c. 1920. Softcover. Quarto 10 80 pages. In Very Good minus condition. Bound in white covers. Chipping and tearing along edges of covers. Foxing and soiling to covers. Light soiling scattered throughout interior. Plate Nos. III and IV pages 9-12 and pages 73-76 loose but present. Shelved in Case 11. Facsimile of the edition published in 1798. 1408304. Shelved Dupont Bookstore. Nouvelle Cythere unknown
