[ALBERT-BIROT (Pierre)].Livre Rare Book
1 089 résultats
réf. 14631Dimensions : 238 x 162 mm.
1914In 8, pp. 36. Br. ed. Coll. Maestri moderni, n. I. Ed. originale
1962London, Crane Kalman Gallery, 26th April - 26th May 1962, in-4, br., pp. (20). Copertina con tav. appli- cata a col. Con 7 ill. in b.n., 5 a col., sempre applica e note biografiche sugli artisti.
1962St. Gallen, Galerie "Im Erker", 17. November 1962 - 10 Januar 1963, in-8, br., pp. 32, (4). Con ritratto e 16 tavole in b.n. e cronologia. (Testo in tedesco/inglese).
1912réf. ST20811Paris: Eugène Figuière et Cie 1912. FIRST EDITION. PRESENTATION COPY. 240 x 185 mm. 9 1/2 x 7 1/2". 44 pp. 2 leaves. STRIKING 3-D OPTICAL ILLUSION BINDING BY A. CONTRERAS stamp-signed on front turn-in WITH AN ALL-OVER DESIGN OF CUBES rendered in black white and silver morocco smooth spine. In older probably original brown woodgrain drop-back box backed with black buckram. With 26 black & white photographic reproductions of works by Cézanne Picasso Derain Braque Metzinger Laurencin Gleizes Léger Duchamp Picabia and original owner Juan Gris printed on glossy white paper. WITH A HALF TITLE INSCRIPTION in French OF GREAT IMPORTANCE FROM ONE OF THE CO-AUTHORS translated as: "To the painter Juan Gris with all my best wishes J Metzinger." Occasional underlinings in blue pencil. Text leaves with overall light browning and occasional foxing due to paper stock lower corner of half title restored and fore edge with minor chipping otherwise a fine copy the plates clean and bright and the binding unworn. Penned by two Cubist artists this is a highly resonant association copy of the first major treatise on the Cubism movement presented to noted Cubist painter Juan Gris and later put into an illusionistic binding composed of variably colored cubes that seem to jump off the surface. Albert Gleizes 1881-1953 and Jean Metzinger 1883-1956 had painted in both Post-Impressionist and Fauvist styles before their interest in exploring form and structure as well as light and color led them to the style that would become Cubism. Influenced by Cézanne's "brick-by-brick" technique and Poincaré's writings on space and time the new movement sought to examine objects from a mobile perspective and to depict multiple views of a subject in one painting. In "On Cubism" they explain: "An object has not one absolute form; it has many. It has as many as there are planes in the region of perception." The work features black & white illustrations of Cubist paintings by the authors and by fellow pioneers Picasso Braque Derain and Juan Gris to whom this copy was presented by Metzinger. Born in Madrid as José Victoriano González-Pérez 1887-1927 Gris studied engineering before moving to Paris to pursue art. First working as an illustrator for periodicals he was inspired by Metzinger to begin painting seriously. His training in engineering helped him appreciate the importance of mathematics in painting a realization triggered according to art historian John Richardson by Metzinger's painting "Le Goûter Tea Time" exhibited at the Salon d'Automne in 1911. Our volume was later in the collection of and probably bound for Chilean architect and collector Carlos Alberto Cruz 1939-2022. We have been unable to find more information on our binder "A. Contreras" but it seems possible that he was also Chilean as the Valparaiso-based Cruz owned a number of bindings signed with that name. Eugène Figuière et Cie unknown books
1912réf. ST20811Paris: Eugène Figuière et Cie 1912. FIRST EDITION. PRESENTATION COPY. 240 x 185 mm. 9 1/2 x 7 1/2". 44 pp. 2 leaves. STRIKING 3-D OPTICAL ILLUSION BINDING BY A. CONTRERAS stamp-signed on front turn-in WITH AN ALL-OVER DESIGN OF CUBES rendered in black white and silver morocco smooth spine. In older probably original brown woodgrain drop-back box backed with black buckram. With 26 black & white photographic reproductions of works by Cézanne Picasso Derain Braque Metzinger Laurencin Gleizes Léger Duchamp Picabia and original owner Juan Gris printed on glossy white paper. WITH A HALF TITLE INSCRIPTION in French OF GREAT IMPORTANCE FROM ONE OF THE CO-AUTHORS translated as: "To the painter Juan Gris with all my best wishes J Metzinger." Occasional underlinings in blue pencil. Text leaves with overall light browning and occasional foxing due to paper stock lower corner of half title restored and fore edge with minor chipping otherwise a fine copy the plates clean and bright and the binding unworn. Penned by two Cubist artists this is a highly resonant association copy of the first major treatise on the Cubism movement presented to noted Cubist painter Juan Gris and later put into an illusionistic binding composed of variably colored cubes that seem to jump off the surface. Albert Gleizes 1881-1953 and Jean Metzinger 1883-1956 had painted in both Post-Impressionist and Fauvist styles before their interest in exploring form and structure as well as light and color led them to the style that would become Cubism. Influenced by Cézanne's "brick-by-brick" technique and Poincaré's writings on space and time the new movement sought to examine objects from a mobile perspective and to depict multiple views of a subject in one painting. In "On Cubism" they explain: "An object has not one absolute form; it has many. It has as many as there are planes in the region of perception." The work features black & white illustrations of Cubist paintings by the authors and by fellow pioneers Picasso Braque Derain and Juan Gris to whom this copy was presented by Metzinger. Born in Madrid as José Victoriano González-Pérez 1887-1927 Gris studied engineering before moving to Paris to pursue art. First working as an illustrator for periodicals he was inspired by Metzinger to begin painting seriously. His training in engineering helped him appreciate the importance of mathematics in painting a realization triggered according to art historian John Richardson by Metzinger's painting "Le Goûter Tea Time" exhibited at the Salon d'Automne in 1911. Our volume was later in the collection of and probably bound for Chilean architect and collector Carlos Alberto Cruz 1939-2022. We have been unable to find more information on our binder "A. Contreras" but it seems possible that he was also Chilean as the Valparaiso-based Cruz owned a number of bindings signed with that name. Eugène Figuière et Cie unknown
2002réf. PEINTURE333330122Lyon, Musée des beaux-Arts / Barcelone, Musée Picasso / Paris, RMN, 2001, 23,5 x 29,5, 237 pages cousues sous couverture souple illustrée. Iconographie noir & blanc et couleurs. Catalogue publié à l'occasion de l'exposition présentée au Museu Picasso du 28 mars au 5 août à Barcelone et au Musée des Beaux-Arts de Lyon du 6 septembre au 10 décembre 2001. Textes rédigés en espagnol.
1977Bucarest, Meridiane Publishing House - London, Murrays Sales and Service, 1977, 4to (cm. 31,5 x 24) legatura editoriale cartonato telato con sovraccoperta illustrata a colori, pp. 32 + 60 tavole in nero e a colori fuori testo. Testo in inglese
1980réf. 73783Berlin, 1980. 257 S. Mit zahlr. tls. farb. Abb. 4to (29,5 x 21 cm). OKart. mit farb. VDeckel-Illustr.
1966Paris, Réunion des Musées Nationaux, 1966, in-8, br., pp. 311, (1). Con 138 tavole in b.n., 4 a colori, note biografiche sugli artisti (Cezanne, Derain, Van Dongen, Gauguin, Marie Laurencin, Matisse, Modigliani, Monet, Picasso, Renoir, Rousseau, Sisley, Soutine, Utrillo) e bibliografia.
réf. 16668Paris, Galerie Françoise Tournié; Carennac, Galerie du Prieuré, 1953, 1 broché, dos insolé. in-8 de 24 pages, illustrations ;
1995Bologna, Galleria Marescalchi, 1995, 8vo cartonato editoriale con copertina illustrata a colori, pp. 167 con 8 tavole fotografiche in nero e 41 tavole a colori nel testo (I Maestri, 47) .
réf. 37502Rouen Imprimerie Rouennaise et Lainé 1970 in 8 (22,5x15) 1 volume broché, couverture muette illustrée, 109 pages, avec de nombreuses illustrations en noir et blanc. Catalogue de 55 numéros décrits et reproduits. Exposition itinérante organisée par l'Institute for the Arts Rice University Houston, puis présentée au Musée des Beaux-Arts de Rouen, Musée des Beaux-Arts de Nantes, Musée des Beaux-Arts de Lille, Musée des Beaux-arts de Chambéry, Musée des Beaux-arts de Toulouse. Bel exemplaire
1957pp. 52 non num. con 50 riproduz. in b/n e 4 a col. Copertina leggermente imbrunita con lievi segni del tempo. Ottimo stato di conservazione. Catalogo di un'esposizione, con introduz. di A. Frénaud. André Gustave Beaudin (Mennecy 1895 - Parigi 1979) fu un importante pittore francese postcubista, illustratore di libri, scultore ed incisore. Cfr. un'importante e lunga scheda firmata su Bénézit, 1, p. 923-925.
réf. ART232M2001 / 235 pages. Broché In-4. Editions Réunion des musée nationaux. Langue : Espagnol
1961réf. 140784New York, Saidenberg Gallery. 1961. 8 Seiten. 6 Abbildungen 8vo.OBroschur.
réf. AAG59C222Paris, René Drouin, 1947. In-4, (12) pp.-(24) planches en noir-(2) pp., broché, couverture rempliée (dos refait). Exemplaire justifié (n° 346) de ce catalogue de la première exposition de Pevsner, artiste qui suscitait l'admiration du Corbusier et qui, selon les mots de Drouin lui-même jetait entre l'art pur et le grand public un pont sensationnel. Textes d'introduction en français, allemand et anglais. Exemplaire dont la protection amateur de papier cristal s'effrite. Dos déchiré sur 5cms à partir de la coiffe de tête. Plats bon et propres. Intérieur frais. Charmant exemplaire
1957réf. 101718Cahiers Albert Gleizes 1957 Cahiers Albert Gleize, 1957, 36 p., broché, 2 planches hors-textes, fgune petite tache sur le second plat, bon état, pages non coupées (jamais lu).
1972In-8°, pp. 34 n.n. di riproduzioni delle opere esposte, 26 n.n. di biografie, 254, numerose ill. a colori e in b.n., bross. edit. fig. Macchie di umidità al d. Interno fresco.
1991réf. 127248Kunstverein fur die Rheinlande und Westfalen. 1991 Czech text. In-4 broché 30 cm sur 25. 454 pages. Couverture et dos légèrement passés et insolés, intérieur frais. Bon état d’occasion.
réf. AAG109C222Musée Guétharry. 2014. In-8° Carré dépliante avec une biographie de l'artiste, et quelques photographies en couleur.
1928réf. 163451928. Paris Étude de Maître F. Lair Dubreuil 14 Juin 1928 - Cartonné couv. rempliée 24 5 cm x 31 cm 93 pages ills photographiques noir & blanc - OEuvres de Bonnard Braque Chagall Delacroix Derain Juan Gris Picasso M. Luce Modigliani ... dont oeuvres importantes de Cézanne Renoir Toulouse-Lautrec sculptures... - Dos restauré sinon bon état
1989A clean, unmarked book with a tight binding. 144 pages. Exhibition catalog.
Barcelona, Edit. Polígrafa, 1997. Numerosas ilustraciones en color. 64 p. 4º. Guaflex editorial con sobrecubierta ilustrada algo rozada. Buen ejemplar. Text in Chinese.
1927réf. ABE-177540921506436 PAGES-21 CM X 29 CM-EN COUVERTURE DESSIN DE JEAN JACQUES ROUSSAU (LES RADICAUX SONT DIVISES)-DESSIN DE NOB PLEINE PAGE, APRES NEUF ANS-DESSIN DE GASSIER EN DOUBLES PAGES, ARMISTICE-MENAGE D'ARTISTES, BERTHE GASSIER-LE SALON D'AUTOMNE, 1 PAGE, TEXTE ET 2 DESSINS PAR MICHEL HERBERT, BARBOUILLEURS MODERNES
