1089 risultati
rif. c2753Editions du Cercle d' Art, 1987, Diagonales ; fort in-8° broché, couverture rempliée blanche illustrée en couleurs, titre en noir; 414pp.Le pelliculage de l' ouvrage est entrain de se soulever, sinon bon exemplaire.
1958rif. 68706(Stuttgart), W. Kohlhammer, (1958). 138 S. Mit 1 Titelbild, zahlr. s/w Abb. im Text u. auf 48 Tafeln, außerdem 35 montierte Farbtafeln. 4to. 30 cm. OLn. mit illustr.Orig.-SU.
fort volume in-8, 414 pages, illustrustrations couleurs et n/b, broché. Très bel exemplaire. [EMB-@]
1912rif. ST20811Paris: Eugène Figuière et Cie 1912. FIRST EDITION. PRESENTATION COPY. 240 x 185 mm. 9 1/2 x 7 1/2". 44 pp. 2 leaves. STRIKING 3-D OPTICAL ILLUSION BINDING BY A. CONTRERAS stamp-signed on front turn-in WITH AN ALL-OVER DESIGN OF CUBES rendered in black white and silver morocco smooth spine. In older probably original brown woodgrain drop-back box backed with black buckram. With 26 black & white photographic reproductions of works by Cézanne Picasso Derain Braque Metzinger Laurencin Gleizes Léger Duchamp Picabia and original owner Juan Gris printed on glossy white paper. WITH A HALF TITLE INSCRIPTION in French OF GREAT IMPORTANCE FROM ONE OF THE CO-AUTHORS translated as: "To the painter Juan Gris with all my best wishes J Metzinger." Occasional underlinings in blue pencil. Text leaves with overall light browning and occasional foxing due to paper stock lower corner of half title restored and fore edge with minor chipping otherwise a fine copy the plates clean and bright and the binding unworn. Penned by two Cubist artists this is a highly resonant association copy of the first major treatise on the Cubism movement presented to noted Cubist painter Juan Gris and later put into an illusionistic binding composed of variably colored cubes that seem to jump off the surface. Albert Gleizes 1881-1953 and Jean Metzinger 1883-1956 had painted in both Post-Impressionist and Fauvist styles before their interest in exploring form and structure as well as light and color led them to the style that would become Cubism. Influenced by Cézanne's "brick-by-brick" technique and Poincaré's writings on space and time the new movement sought to examine objects from a mobile perspective and to depict multiple views of a subject in one painting. In "On Cubism" they explain: "An object has not one absolute form; it has many. It has as many as there are planes in the region of perception." The work features black & white illustrations of Cubist paintings by the authors and by fellow pioneers Picasso Braque Derain and Juan Gris to whom this copy was presented by Metzinger. Born in Madrid as José Victoriano González-Pérez 1887-1927 Gris studied engineering before moving to Paris to pursue art. First working as an illustrator for periodicals he was inspired by Metzinger to begin painting seriously. His training in engineering helped him appreciate the importance of mathematics in painting a realization triggered according to art historian John Richardson by Metzinger's painting "Le Goûter Tea Time" exhibited at the Salon d'Automne in 1911. Our volume was later in the collection of and probably bound for Chilean architect and collector Carlos Alberto Cruz 1939-2022. We have been unable to find more information on our binder "A. Contreras" but it seems possible that he was also Chilean as the Valparaiso-based Cruz owned a number of bindings signed with that name. Eugène Figuière et Cie unknown books
1912rif. 104266BBParis, Eugeène Figuière et Cie., (27. 12. 1912). 8°. 44 S., [38] Bl. mit 26 Tafeln. OBr. Douzième édition (fictive). (Collection "Tous les Arts").
1912rif. ST20811Paris: Eugène Figuière et Cie 1912. FIRST EDITION. PRESENTATION COPY. 240 x 185 mm. 9 1/2 x 7 1/2". 44 pp. 2 leaves. STRIKING 3-D OPTICAL ILLUSION BINDING BY A. CONTRERAS stamp-signed on front turn-in WITH AN ALL-OVER DESIGN OF CUBES rendered in black white and silver morocco smooth spine. In older probably original brown woodgrain drop-back box backed with black buckram. With 26 black & white photographic reproductions of works by Cézanne Picasso Derain Braque Metzinger Laurencin Gleizes Léger Duchamp Picabia and original owner Juan Gris printed on glossy white paper. WITH A HALF TITLE INSCRIPTION in French OF GREAT IMPORTANCE FROM ONE OF THE CO-AUTHORS translated as: "To the painter Juan Gris with all my best wishes J Metzinger." Occasional underlinings in blue pencil. Text leaves with overall light browning and occasional foxing due to paper stock lower corner of half title restored and fore edge with minor chipping otherwise a fine copy the plates clean and bright and the binding unworn. Penned by two Cubist artists this is a highly resonant association copy of the first major treatise on the Cubism movement presented to noted Cubist painter Juan Gris and later put into an illusionistic binding composed of variably colored cubes that seem to jump off the surface. Albert Gleizes 1881-1953 and Jean Metzinger 1883-1956 had painted in both Post-Impressionist and Fauvist styles before their interest in exploring form and structure as well as light and color led them to the style that would become Cubism. Influenced by Cézanne's "brick-by-brick" technique and Poincaré's writings on space and time the new movement sought to examine objects from a mobile perspective and to depict multiple views of a subject in one painting. In "On Cubism" they explain: "An object has not one absolute form; it has many. It has as many as there are planes in the region of perception." The work features black & white illustrations of Cubist paintings by the authors and by fellow pioneers Picasso Braque Derain and Juan Gris to whom this copy was presented by Metzinger. Born in Madrid as José Victoriano González-Pérez 1887-1927 Gris studied engineering before moving to Paris to pursue art. First working as an illustrator for periodicals he was inspired by Metzinger to begin painting seriously. His training in engineering helped him appreciate the importance of mathematics in painting a realization triggered according to art historian John Richardson by Metzinger's painting "Le Goûter Tea Time" exhibited at the Salon d'Automne in 1911. Our volume was later in the collection of and probably bound for Chilean architect and collector Carlos Alberto Cruz 1939-2022. We have been unable to find more information on our binder "A. Contreras" but it seems possible that he was also Chilean as the Valparaiso-based Cruz owned a number of bindings signed with that name. Eugène Figuière et Cie unknown
1912rif. 007034Paris Collection " Tous les arts ", Eugène Figuière et Cie 1912 In-4 Broché, couverture jaune Edition originale
1967rif. yd1747Les Presses Continentales Les documents français, Sélection Neiges d'Antan Broché 1967 ENVOI DE CÉSAR (sculpteur) In-12 (12 x 19 cm), broché, 190 pages, bel envoi de l'auteur et envoi du sculpteur César (créateur des statuettes des 'César') ; dos plissé et incurvé, taches à la couverture, bords un peu frottés, assez bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
1921rif. 002378Paris Povolozky 1921 In-8 Broché
In 8, pp. 164. Con 8 tavv. in b/n f. t. Lievi danni al d. Carton. coeva. Etichetta e timbro di possesso ad una sguardia. Traduzioni dal francese di Marisa Sutti. Ediz. originale non datata.
rif. AAG149C224Fondation M. & A. Maeght, 1966. In-8° broché carré, non paginé (60pp.) avec nombreuses reproductions et photographies en couleur et en N&B.
rif. AAG107C222Hall Nérolium. Fascicule In-16, catalogue d'exposition, avec quelques images en N&B. Elargi avec des cartes postales.
1942Mm 125x170 Edizione in 1500 esemplari numerati, il nostro è il n. 1040. Collana "Arte Moderna Italiana" - Brossura editoriale con sovraccoperta illustrata in nero, 35 pagine + 35 tavole in nero fuori testo. Tracce di polvere e piccoli strappi alla sovraccoperta causa scaffalatura, peraltro opera in buone/ottime condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
1961Mm 150x215 Volume rilegato in piena tela azzurra con sovraccoperta editoriale illustrata a colori, 579 pagine con tavole in nero non comprese nel testo. Opera in ottime condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
1964rif. 50670ABWien, Paul Neff 1964. Gr.8°. 526, (2) S. OLwd mit OU. Ein Gelenk minimal angeplatzt. Schutzumschlag etwas angerändert bzw. mit kl. Einrissen.
rif. AAG118C2231966, Centro Internazionale delle Arti e del Costume Palazzo Grassi, coll. Momenti n°3, Venezia. In-8 carré, relié, toilé éditeur jaune sous rhodoïd illustré, n. p.. Catalogue de l'exposition du mouvement Die Spur au Palazzo Grassi en 1966. Textes de Paolo Marinotti et des membres du mouvement en italien et en allemand. Inclut l'appendice de traduction en anglais, français et allemand. Rhodoïd partiellement émoussé (manque au niveau de la coiffe de queue). Toilé bon. Intérieur agréable. Charmant exemplaire en bel état
rif. 112488aafZürich, Juris Druck + Verlag, 1973, in-8vo, 317 S., Original-Broschüre.
2018rif. PEINTUREE85858581023Paris, Robert Laffont, "Bouquins", 13 x 20, 2008, 1852 pages sous couverture souple illustrée.
rif. AAG35C2211974, Centro de Arte M11, Sevilla. In-8, Relié, dos toilé et plats cartonnés, approx. 100 pages non numérotées. Avec de nombreuses photographies et reproductions en noir et blanc.Mis en page très novatrice pour l'époque. Intérieur frais et agréable, extérieur propre (à signaler un frottement au bas du premier plat et de même au dos). Bel exemplaire
1960Toulouse Collège d'Occitanie sans date, vers 1960. In-8 broché, 246 pages. Envoi autographe. Maillol immortel. Le sculpteur Iché .Pour un musée Costa. La bête du Gévaudan par Auricoste. De la naissance à la constance du cubisme. Robert Delanay, maître et théoricien des contrastes simultanés. Albert Gleizes ou l'aboutissement roman du cubisme. ....Très bon état.
2011Mm 145x225 Collection "Itinéraries du savoir". Brossura editoriale di 297 pagine. Esemplare in ottime condizioni. Testo in lingua francese - french text. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
rif. AAG27C2211992, COAC, Demarcación de Tenerife, Comisión de cultura . In-4 à l'italienne, broché, environ 30pp. non numérotées. Envoi de l'auteur au couple Viseux. Nombreuses reproductions couleurs pleine page. Couverture correcte. Aimable exemplaire
1956rif. 19741956 PARIS. LOUIS CARRE. 1956. BROCHURE IN-8 (19,5 X 28,5 X 1 CENTIMETRES ENVIRON) DE 29 PAGES, COUVERTURE ROUGE, TITRE IMPRIME EN BLANC SUR LE PLAT SUPERIEUR. ILLUSTRE DE 6 DESSINS EN NOIR, DONT 3 HORS TEXTE. IMPRIME PAR UNION ET MOURLOT. TIRAGE LIMITE A 1000 EXEMPLAIRES SUR VELIN D'ARCHES.
1982rif. 13576Hamburg, Hamburger Kunsthalle, 1981/1982. 135 S. Mit sehr zahlr., tls. farb. Abb. 4to. OBrosch.
1920In-8 p., legat. edit. in cartonato (piccola mancanza al dorso), con una belliss. grande composizione cubista (una veduta di Montmartre) al piatto anter. e una più piccola al poster., pp. 55,(5), con 5 ill. nel t. e 42 tavv. f.t.: sono opere di Picasso, Léger e Braque. "Edizione originale" di questa monografia, uno dei libri chiave nella storia della diffusione dell'estetica cubista, pubblicata sotto pseudonimo dal celebre mercante d'arte "Kahnweiler". "Kahnweiler (Daniel Henry), scrittore d'arte e mercante di quadri francese, d'origine tedesca (Mannheim 1884). Stabilitosi a Parigi nel 1902, ha diretto varie gallerie, interessandosi soprattutto a Derain, Vlaminck, Picasso, Braque, Gris e Léger", cosi' Larousse,VIII, p. 412. Pagine uniformem. ingiallite per la qualità della carta, altrim. ben conservato.
