2661 risultati
rif. 1376.1aaf39x47cm / 59.5x67 cm passepartout 40x50 cm. (Tiré de la revue Verve). Encadrement.
rif. 141527aafParis, Galerie Lelong, 1989, in-4to, 252 p., Joan Miró a spécialement exécuté pour ce livre 3 bois gravés originaux dans l'atelier de Joan Barbarà à Barcelone. ils figurent en couverture, en frontispice et à la page 9. reliure en toile bleue de l’éditeur sous Jaquette ill. en couleur (avec un bois gravé couleur). Emboitage carton. Etat de Neuf.
rif. 7777Affiche, lithographie 60,5 x 95,5. Trace de pli.
1991rif. 215710Weber : Daniel Lelong 1991. Limited Edition. Hardback. Limited edition of 1500 copies - this is no. 552. An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight bright clean and especially sharp-cornered. Literally as new and still in the publisher's protective brown paper packaging. ; 8vo 8"" - 9"" tall; 237 pages; This is the German edition of the third and final volume of Jacques Dupin's definitive catalog of the etchings of Joan Miró published in France by Daniel Lelong in 1991-a large and gorgeously printed and bound book limited to 1500 copies. Produced with Miro's full cooperation the catalog contains hundreds of vivid color reproductions of the artist's etchings including woodcuts engravings and stencils as well as original woodcuts that the artist made specifically for the book-two are bound into the book itself as the frontispiece and page 11 while the third is the dust jacket protected by a cardboard slipcase. Description: 237 p. : col. Illus ; 33 cm. Weber : Daniel Lelong hardcover
1991rif. 215713Weber : Daniel Lelong 1991. Limited Edition. Hardback. Limited edition of 1500 copies - this is no. 490. An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight bright clean and especially sharp-cornered. Literally as new and still in the publisher's protective brown paper packaging. ; 8vo 8"" - 9"" tall; 237 pages; This is the German edition of the third and final volume of Jacques Dupin's definitive catalog of the etchings of Joan Miró published in France by Daniel Lelong in 1991-a large and gorgeously printed and bound book limited to 1500 copies. Produced with Miro's full cooperation the catalog contains hundreds of vivid color reproductions of the artist's etchings including woodcuts engravings and stencils as well as original woodcuts that the artist made specifically for the book-two are bound into the book itself as the frontispiece and page 11 while the third is the dust jacket protected by a cardboard slipcase. Description: 237 p. : col. Illus ; 33 cm. Weber : Daniel Lelong hardcover
1973rif. 24947Paris: Maegth Editeur April 1973. Other. In excellent condition. 380 by 280mm 15 by 11 inches. With 3 full-page original color lithographs by Joan Miro and 8 further color illustrations text by Alexandre Cirici sobreteixims et sacs. Cramer 167 Maegth Editeur unknown
1965rif. 13562Paris: Maeght Éditeur 1965. Other. On the full sheet as published. Ca. 15 x 11 inches. Verso illustrated with an additional lithograph M. 377. 380 by 280mm 15 by 11 inches. 380 by 280mm 15 by 11 inches. Original lithograph in colors printed at Arte Adrien Maeght 1965 in Paris. Published in the catalogue Dèrriere le Miroir DLM for the exibition Cartons. Unnumbered edition published in DLM. Mourlot 378 verso Mourlot 377 Maeght Éditeur unknown
1974rif. 022230Buffalo: Prometheus Books 1974. 1st Edition 2nd Printing. Cloth/Boards. Fine/Near Fine DJ. 290 Pp. Red Cloth. Second Printing Indicated. Inscribed To Dr. Joseph Jacobs Founder Of Pasadena Engineering Company Jacobs Engineering "Embattled Freedom Fighter With The Homage Of Sidney Hook Ditto Miro Todorovich. Prometheus Books hardcover
1975rif. 022231Buffalo: Prometheus Books 1975. First Edition . Hardcover. Fine/Near Fine. 281 Pp. Turquoise Cloth. First Printing. Hardcover First Printing. Inscribed To Dr. Joseph Jacobs Founder Of Pasadena Engineering Company Jacobs Engineering "Scientist And Humanist From Sidney Hook . And 'Comrade In Arms' Miro Todorovich". Prometheus Books hardcover
1978rif. 022229Buffalo: Prometheus Books 1978. First Edition . Hardcover. Fine/Near Fine. 296 Pp. Orange Cloth Gilt Blue Boards. First Printing. Inscribed To Dr. Joseph Jacobs Founder Of Pasadena Engineering Company Jacobs Engineering "Who Recognizes The Power Place And Limitratrions Of The State. Sidney Hook & Miro Todorovich". Prometheus Books hardcover
1939rif. 1305-BParis, Tériade 1939. 1 volume petit in-folio (35,5 x 26,5 cm), 140 pages, broché. L'illustration comprend : 10 LITHOGRAPHIES EN COULEURS d'après Georges BRAQUE, Georges ROUAULT, Andre DERAIN, Fernand LÉGER, Pierre BONNARD (2), Henri MATISSE (2), Paul KLEE et couverture composée par Aristide MAILLOL, de nombreuses illustrations et photographies en noir en héliogravure et en couleurs. Textes de Valéry, Gide, Giraudoux, Jarry, Alain, Rouault, Suarès, Vollard, Paulhan, Supervielle, Sartre, Michaux et des extraits du Livre de mon bord, de Reverdy. Superbe numéro, richement illustré de lithographie et d'héliogravures.
1958rif. 716Maeght éditeur, Paris 1952. In-folio (380 x 280 mm) en feuilles, 16 pages. LITHOGRAPHIES ORIGINALES DE TAL-COAT, UBAC ET GIACOMETTI. Lithographies d'après Georges Braque (couverture) et Joan Mirò. Poèmes de Pierre Reverdy, André du Bouchet, André Frénaud, Yves Bonnefoy, Jacques Prévert et René Char. DLM édité en janvier 1959 comme catalogue des éditions Maeght parues en 1958. Tirage original.
rif. 697943Paris: Weber Lelong 1984. Band 1 apart. - Nummer 1059 von 1600 im Druckvermerk nummerierten Exemplaren der Deutschen Ausgabe. - Der erste Band des Werkverzeichnisses versammelt Joan Mirós druckgrafische Arbeiten der Jahre 1928 bis 1960. - Mit dem eigens von Miró gestalteten Schutzumschlag und zwei eingebundenen farbigen Original-Holzschnitten. - Schuber etwas angerändert. Sonst sauberes und wohlerhaltenes Exemplar. 0 0 0 Paris: Weber Lelong 1984. unknown
1972rif. 12372AB1972. Zürich Maeght 1972. 32 : 235 cm. With 3 1 double-page original-coloured lithographs incl. wrapper by Joan Miro and 23 9 coloured Illustrations. Loose in original-wrappers. The original-lithograph by Miro printed at Maeght in Paris. - Cramer 163. unknown
1972rif. 12372ABZürich, Maeght, 1972. 32 : 23,5 cm. With 3 (1 double-page) original-coloured lithographs (incl. wrapper) by Joan Miro and 23 (9 coloured) Illustrations. Loose in original-wrappers.
1972rif. 223851972 Paris, Société Internationale d'Art "XXe siècle", Imprimerie Union, Mourlot, 1972, grand in-4, toile éditeur bleu clair à la Bradel illustré d'un motif doré, titre doré en long sur le dos, sous jaquette éditeur illustrée en couleurs d'une lithographie d'après Miro, sous étui cartonné bleu.
1972rif. 230601972 Paris, Société Internationale d'Art "XXe siècle", Imprimerie Union, Mourlot, 1972, grand in-4, toile éditeur bleu clair à la Bradel illustré d'un motif doré, titre doré en long sur le dos, sous jaquette éditeur illustrée en couleurs d'une lithographie d'après Miro.
1992rif. 104388New York: Rizzoli 1992. Hardcover. fine. 1st American Edition. 237pp. Quarto in original off-white cloth and dust jacket with colour illustrations and 2 original wood engavings including frontispiece on rag paper. fine 1992 Rizzoli hardcover
1984rif. 26760New York New York: George Braziller Inc. 1984. The George Braziller reproduction of the 1958 original by Eluard & Miro; with the separate essay on the making of the book and its background by Anne Hyde Greet. Approx. 10 1/4" x 13 1/4" size; illustrated softcovers contained in hard over-cover & slipcase. some edge tips wear to case & over-cover spine; in very good condition. . First Edition. Slipcase. Good. Illus. by Joan Miro. George Braziller, Inc. hardcover
1968rif. 168407Paris: Fondation Maeght 1968. Softcover. First French Edition. Text in French. Illustrated with over 100 black-and-white and color plates. Four-page folded lithograph laid in as issued. About Near Fine in perfect-bound wrappers with French flaps. Fondation Maeght unknown
1968rif. 168407Paris: Fondation Maeght 1968. Softcover. First French Edition. Text in French. Illustrated with over 100 black-and-white and color plates. Four-page folded lithograph laid in as issued. About Near Fine in perfect-bound wrappers with French flaps. Fondation Maeght unknown books
2012rif. 47142London: Victoria Miro Gallery 2012. New edition. Hardcover. Fine condition. Square Quarto. Unpaginated. Original boards featuring Kusama art housed in gold paper-covered slipcase with blind-stamped lettering on cover. Yellow and red endpapers. Originally published by Victoria Miro in 2008 new edition 2012 on the occasion of the exhibition from February 7 - April 5 2012. Beautifully produced publication featuring Yayoi Kusama's art. Her work has feminist as well as minimalist pop art and abstract expressionistic attributes. The majority of Kusama's work presented in this two volume catalog feature her paintings a few installations small sculptures and a brief photographic documentation of one of her performances. The photographs of Kusama's extraordinary work in volume one are by Alexander Atwater and Stephen Brayne in volume two by Stephen White. Trained in the traditional Japanese painting style called nihonga Kusama was touched by American Impressionism. She moved to New York in 1958 embracing the rise of the counterculture of the late 1960s. Slipcase with light rubbing. Victoria Miro Gallery hardcover
2012rif. 47142London: Victoria Miro Gallery 2012. New edition. Hardcover. Fine condition. Square Quarto. Unpaginated. Original boards featuring Kusama art housed in gold paper-covered slipcase with blind-stamped lettering on cover. Yellow and red endpapers. Originally published by Victoria Miro in 2008 new edition 2012 on the occasion of the exhibition from February 7 - April 5 2012. Beautifully produced publication featuring Yayoi Kusama's art. Her work has feminist as well as minimalist pop art and abstract expressionistic attributes. The majority of Kusama's work presented in this two volume catalog feature her paintings a few installations small sculptures and a brief photographic documentation of one of her performances. The photographs of Kusama's extraordinary work in volume one are by Alexander Atwater and Stephen Brayne in volume two by Stephen White. Trained in the traditional Japanese painting style called nihonga Kusama was touched by American Impressionism. She moved to New York in 1958 embracing the rise of the counterculture of the late 1960s. Slipcase with light rubbing. Victoria Miro Gallery hardcover books
rif. 027-8New York: Pierre Matisse Gallery 1956. Wittenborn Art Books distribution. With two original lithographs by Joan Miró: Cover and fold-out plate. Wraps. 28 pp. Cramer no. 38. Mourlot nos. 171 and 172. New York: Pierre Matisse Gallery, 1956. Wittenborn Art Books, distribution. paperback