Joan MiroBiblio.com
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1963Best.-Nr. 74811Joan Miro Trace sur l'eau 1963 Original lithograph in colors on wove paper as its wrap-around cover These 10 color reproductions of the artist's watercolors printed on Marais onion skin paper either tipped down to support sheets or bound-in. From the unsigned and unnumbered edition of 900 there was also a deluxe edition of 100 The full sheets bound as issued; Maeght Editeur Paris pub.
1957Best.-Nr. 1543Henri Jonquières, Paris 1957. Un volume in-folio (387 x 292 mm) en feuilles sous couverture imprimée rempliée, chemise-étui de l'éditeur. Fac-similé de l'exemplaire enluminé et offert par Picasso à Dora Maar (édition Fabiani 1942) reproduisant l'ensemble des dessins originaux. Tirage à 2226 exemplaires : 226 sur vélin d'Arches comprenant une gravure à la gouge signée + 2000 sur vélin du Marais. Celui-ci exemplaire de collaborateur, nominatif, SIGNÉ PAR PICASSO AU CRAYON ROUGE à la justification. Exemplaire de choix réservé à M. Robert Rigault, imprimeur pour les Ateliers Duval. Ces exemplaires signés, hors le tirage de luxe avec la gravure et qui ne le sont pas, sont très rares car tous réservés et nominatifs. Parfait état.
Best.-Nr. 1901200874Paris: Maeght Editeur 1970. 1st Edition 1st Printing. Hardcover in Slipcase. Near Fine. Miró Joan. Loose leaves in illustrated wrappers as issued housed in publisher's light blue chemise and slipcase. Printed on velin de Lana folio pp. 30. With 2 original colour double-page lithographs by the artist and 6 after. One of 150 copies signed by Joan Miró at the colophon. CONDITION REPORT: Slipcase: Minor sunning at margins front and back. Small chip to fabric at one upper corner. Microscopic chip to fabric at front panel near upper corner left. VG. Chemise: upper cover bowing. One very small chip to each spine tip i.e. loss of blue fabric. Finger mark to upper cover. VG. Contents: One single spot to the upper margin of the first four pages artwork not affected. Otherwise excellent Fine. Maeght Editeur hardcover
1986Best.-Nr. 010342Genève La Revue des Belles-Lettres n°3-4 1986 fort in-8 Broché, couverture rempliée
1965Best.-Nr. 64656Ediciones Poligrafa | Barcelona s. d. [circa 1965] | 26.50 x 27.50 cm | reliure de l'éditeur
Best.-Nr. 207572 p. in-8, (Paris), 13 juillet 1956, à en-tête du Pont-Royal-Hôtel. Miró déménage durant l’année 1956 à Mallorca où il dispose d’un grand atelier conçu par son ami Josep Lluís Sert. C’est à cette époque qu’il reçoit la commande de deux murs de céramiques pour le siège de l’UNESCO à Paris. Jean Aubier publie Bagatelles végétales avec des textes de Michel Leiris et c’est aussi l’exposition des céramiques Terres de grand feu réalisées par Miró en collaboration avec Artigas à la galerie Mæght qui édite également une monographie avec des textes de Jacques Prévert et G. Ribemont-Dessaignes. “Cher ami, j ’ai été très touché par votre lettre qui m’encourage à travailler. L ’exposition restera ouverte jusqu’à la fin août, vous aurez peut-être la possibilité de la voir encore. Veuillez croire, mon cher Malraux, à mes meilleurs sentiments d’amitié et sympathie. Votre, Miró”.
1971Best.-Nr. 1753GLM, Paris 1971. Petit in-8 (195 x 140 mm) en feuilles, 46 pages sous couverture blanche à rabats imprimée en noir, étui de l'éditeur. Édition originale. Tirage : 103 exemplaires numérotés sur vélin d'Arches dont XV H.C. illustrés en frontispice d'UNE LITHOGRAPHIE ORIGINALE EN COULEUR DE JOAN MIRÓ signée au crayon. La lithographie a été tirée sur double feuillet (190 x 280 mm) par l'Imprimerie Arte à Paris. Exemplaire numéroté sur Arches. Parfait état dans son étui d'origine.
1965Best.-Nr. 74826Joan Miro FEMME ET OISEAU II/X from the Femmes Portfolio 1965 Edition: 50; 10 HC Image size: 39.5 x 38 cm Paper Size: 56 x 45 cm Signed in the plate Publisher: Arte Adrien Maeght Paris Reference: no. 108 in Cramer "Miro: The Illustrated Books"
1965Best.-Nr. 74827Joan Miro FEMME ET OISEAU I/X from the Femmes Portfolio 1965 Edition: 50; 10 HC Image size: 45.5 x 30 cm Paper Size: 56 x 45 cm Signed in the plate Publisher: Arte Adrien Maeght Paris Reference: no. 108 in Cramer "Miro: The Illustrated Books"
1965Best.-Nr. 74828Joan Miro FEMME ASSISE IV/V from the Femmes Portfolio 1965 Edition: 50; 10 HC Image size: 45.5 x 33 cm Paper Size: 56 x 45 cm Signed in the plate Publisher: Arte Adrien Maeght Paris Reference: no. 108 in Cramer "Miro: The Illustrated Books" "
1965Best.-Nr. 74829Joan Miro FEMME ASSISE III/V from the Femmes Portfolio 1965 Edition: 50; 10 HC Image size: 46 x 37 cm Paper Size: 56 x 45 cm Signed in the plate Publisher: Arte Adrien Maeght Paris Reference: no. 108 in Cramer "Miro: The Illustrated Books"
1965Best.-Nr. 74830Joan Miro FEMME ASSISE I/V from the Femmes Portfolio 1965 Edition: 50; 10 HC Image size: 45 x 36.2 cm Paper Size: 56 x 45 cm Signed in the plate Publisher: Arte Adrien Maeght Paris Reference: no. 108 in Cramer "Miro: The Illustrated Books"
1965Best.-Nr. 74831Joan Miro FEMME ASSISE II/II from the Femmes Portfolio 1965 Edition: 50; 10 HC Image size: 36 x 29 cm Paper Size: 56 x 45 cm Signed in the plate Publisher: Arte Adrien Maeght Paris Reference: no. 108 in Cramer "Miro: The Illustrated Books"
1965Best.-Nr. 74832Joan Miro FEMME ASSISE I/II from the Femmes Portfolio 1965 Edition: 50; 10 HC Image size: 38 x 31.8 cm Paper Size: 56 x 45 cm Signed in the plate Publisher: Arte Adrien Maeght Paris Reference: no. 108 in Cramer "Miro: The Illustrated Books"
Best.-Nr. 49037Paris: Maeght 1973. First Edition. Softcover. Fine. Folio. Lithographed covers with 2 double-page lithographs. Edition of 150 numbered copies signed by Miro. This is copy no. 150. Housed in the card chemise and slipcase. Slipcase with light edge-wear book and contents perfect. An excellent copy. Maeght unknown
1970Best.-Nr. 011169Paris Maeght 1970 In-2 En feuilles, couverture illustrée Edition originale Dédicacé par l'illustrateur
1964Best.-Nr. 18122René Crevel : REGARD. Ribaute-les-Tavernes, PAB, 1964. Un volume in-4 (20 x 26,5 cm) à l'italienne, en feuilles sous couverture rempliée imprimée. Édition originale de ce très beau poème d'amour de René Crevel. Illustrée en frontispice d’une GRAVURE ORIGINALE SIGNÉE D’ANDRÉ MASSON. Tirage unique à 19 exemplaires tous sur vélin d'Arches plus quelques exemplaires hors-commece réservés aux amis, comme celui-ci annoté "H.C." et signé au crayon par l'éditeur. L' EXEMPLAIRE EST ENRICHI DES DEUX GRAVURES SUPPLÉMENTAIRES RÉSERVÉES AUX 6 EX. DE TÊTE, SIGNÉES PAR MASSON. Deux amoureux nus et fièvreusement enlacés, un sujet de prédilection de l'artiste qui grave pour ce poème trois de ses plus belles pointes- sèches sur celluloïd. Il s'agit ici du plus grand format utilisé par PAB avec Masson et de son plus petit tirage. Le poème élégamment sensuel de René Crevel fut publié en premier lieu dans la revue Cap en 1924. "Ton regard couleur de fleuve / Est l'eau docile et qui change / Avec le jour qu'elle abreuve."
1935Best.-Nr. 219305New York 1935. Half length portrait of the artist head turned to left. Vintage gelatin silver print. Atelier stamp on verso and docketed in pencil giving the subject of the photograph date and the number of negative and print "II i 25". 1 vols. 35 x 28 cm. Approximately 14 x 11 inches. Matted and framed. Half length portrait of the artist head turned to left. Vintage gelatin silver print. Atelier stamp on verso and docketed in pencil giving the subject of the photograph date and the number of negative and print "II i 25". 1 vols. 35 x 28 cm. Approximately 14 x 11 inches. Published in Portraits: The Photographsyof Carl Van Vechten 1978 edited by Saul Mauriber. Provenance: The estate of Saul Mauriber Van Vechten's assistant and executor of Van Vechten's photography estate and the compiler of Portraits: The Photography of Carl Van Vechten 1978 unknown
1935Best.-Nr. 219305New York 1935. Half length portrait of the artist head turned to left. Vintage gelatin silver print. Atelier stamp on verso and docketed in pencil giving the subject of the photograph date and the number of negative and print "II i 25". 1 vols. 35 x 28 cm. Approximately 14 x 11 inches. Matted and framed. Half length portrait of the artist head turned to left. Vintage gelatin silver print. Atelier stamp on verso and docketed in pencil giving the subject of the photograph date and the number of negative and print "II i 25". 1 vols. 35 x 28 cm. Approximately 14 x 11 inches. Published in Portraits: The Photographsyof Carl Van Vechten 1978 edited by Saul Mauriber. Provenance: The estate of Saul Mauriber Van Vechten's assistant and executor of Van Vechten's photography estate and the compiler of Portraits: The Photography of Carl Van Vechten 1978 unknown books
1967Best.-Nr. 019024The Redfern Gallery 1967. Limited Edition . Soft cover. Very Good/Very Good. 4to - over 9¾ - 12" tall. lithographic siftcover. Spine slightly darkened spine ends slightly rubbed. a few marks to the back cover. Small tear bottom of front cover. All pages and plates in fine condition. The Redfern Gallery London 1966. PP.50. 10 " x 7.5 ". Limited Edition catalogue of 1500 copies on Chiffon De Mandeure paper for an exhibition to celebrate the achievements of Galerie Maeght at the Redfern Gallery London Nov 1966 - Jan 1967. Illustrated with 9 Original Colour Lithographs including 2 by Miro one being the front cover and one each by Chagall Calder Ubac Tal-Coat Chillida Steinberg and Kelly. Also illustrated is a Braque after an etching and Giacometti after a lithograph. A five page appreciation of Maeght Editeur by John Russell introduces the catalogue. The Redfern Gallery paperback
1952Best.-Nr. 510480Editions De La Verve 1952. First Edition. Hardcover. FINE. Tall 4to 35.5cm. Sewn binding in lithographic printed paper over boards with original design by Braques. George Braque honorary double issue Profusely illustrated with original lithographs created for this issue by Miro Bores Chagall Matisse and others. Spine paper chipped at head moderately toned and splitting at a few points otherwise exceedingly clean and sharp internal text with crisp bright paper. COMPLETE with all lithographs. A binding very prone to wear--much nice than commonly seen. Editions De La Verve hardcover
Best.-Nr. 002592Paris: Maeght Editeur 1972. Book. Illus. by Joan Miro. Very Good. Hardcover. Signed by Illustrators. 1st Edition. Loose sheets in cover and cloth covered box. The complete set of 3 etchings with aquatint in color and 2 carborandom etchings on one folded sheet: one printed in black and the opposite sheet printed in white. One color etching has a 11 cm. closed tear which has been professionally repaired but is still visible see or ask for images. Poem in French by Andre Frenaud printed on Bristol paper. Text pages are preceded by printed color metallic paper representing mirrors. Original cover with four folded flaps and a collage from colored-paper cut-outs. Grey cloth-covered box with white and silver lettering on spine. Published as a tribute to Jeroen Bosch. SIGNED by both Miro and Frenaud on the colophon page. From a limited edition of 225 copies this is number 7. The cloth of the portfolio box has wear to corners. 465 x 325 cm. Maeght Editeur Hardcover
1962Best.-Nr. 85985Abrams. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - - Corresponds to ASIN: B000OTAIFO. 596 pages; 1158 illustrations. -- with a bonus offer-- . 1962. Abrams hardcover
1962Best.-Nr. 85986Abrams. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - - Corresponds to ASIN: B001MJH8WG. 596 pages; 1158 illustrations. -- with a bonus offer-- . 1962. Abrams hardcover
1965Best.-Nr. 173321Paris: Presse artisanale de Gaston Puel 1965. No. 8 of 50 with signed etching one of the 50 printed on vellum of Rives of a total of 350 copies of this printing. Paperback. VG as new. Small white printed paper with glassine cover 162 x 128 mm loosely folded contents include one etched plate signed in pencil by Miro and limitation statement at rear. Sheets and pages are unopened. This copy signed and numbered viii/xxx in pencil by Miro. Glassine protective sheet over etching. Extremely rare printed in this format after the large format of 1964 which had 17 prints by Miro. Presse artisanale de Gaston Puel paperback
