2 466 résultats
1989réf. 52825New York: Rizzoli / AW Fine Arts Distribution / Poligrafa. New. 1989. Hardcover. 1556602480 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- Corresponds to ISBN: 1556602480. 237 pp. ; 317 illustrations most in color. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Complete Works Miró Rizzoli / AW Fine Arts (Distribution) / Poligrafa hardcover
1967réf. 68710Fernand Mourlot | Paris 1967 | 25.50 x 33 cm | en feuilles sous chemise et étui
1937réf. 88877Cahiers d'art | Paris 1937 | 25 x 32 cm | broché
2004réf. BIBLIO-45058M. Moleiro Editor Barcelona limited edition facsimile 2004 and commentary 2006. Limited edition of 987 numbered copies. 2 volscomprising facsimile: riginal full calf gilt 48 cm and commentary: cloth 4to 39 cm. facsimile: 356 pp many illuminated most heightened in gold; Commentary : 292 1 pp ills some colour. A superb full-size full-colour facsimile reproduction of the 13th/14th century ms. Latin 8846 Bibliothèque nationale de France Paris also known as the Anglo-Catalan psalter together with the English-language commentary volume. Text of the facsimile in in Latin in three parallel columns which present three different Latin translations of the Psalter: the Psalterium Romanum the Psalterium Hebraicum and the Psalterium Gallicanum. With more than 140 miniatures illuminated in gold and 190 decorated initials painted on a gold ground. Contents of the commentary volume include: : Brief description of the manuscript by Nigel Morgan; The Utrecht psalter and its copies by Nigel Morgan; The Anglo-Catalan psalter the Canterbury part by Nigel Morgan; Ferrer Bassa and the Anglo-Catalan psalter by Rosa Alcoy; The texts of the Anglo-Catalan psalter by Klaus Reinhardt; The illustrations of the Anglo-Catalan psalter by Nigel Morgan Rosa Alcoy. Bibliography. Also included is the CD issued by the publisher. From " Bibliographic Treasures and Medieval Maps": "This manuscript was illustrated in two different periods: 1 Canterbury c. 1200- 184 pages. It opens with what Leroquais called the Psalter prologue consisting of 8 extraordinary full-page miniatures and continues with 52 fascinating miniatures at the beginning of each Psalm. Most pages feature decorated initials. 2 Catalonia c. 1340: from page 185 onwards we find 46 miniatures framed by bright colours and divided into two or three bands each divided into two or three compartments.This section is characterised by the great iconographic freedom of the typological interpretation of both the Psalms and the New Testament prophecies. The architectural and plant details and motifs and the dress and colour range employed are very homogenous although certain stylistic variations indicate the participation of different artists from the same workshop. The part painted by Ferrer Bassa was in all likelihood commissioned by Peter the Ceremonious. Copy No. 335. Facsimile: Near Fine in the publisher's slipcase which has some small scratches and is stamped in gilt with the name Robert M. Wilson. Commentary volume and CD both as new in the publisher's shrinkwrap. M. Moleiro Editor, Barcelona, limited edition facsimile, 2004 and commentary 2006 hardcover
réf. 74898Joan Miro La Mélodie Acide 1980 The complete portfolio of 14 Lithographs In Original Slip Case Hand Numbered. 184 / 1500 Plate signed Published by Ediciones Poligrafa Reference: M. 1212-1225 Acquire a unique and valuable piece of surrealist art with Joan Miró's Melodie Acide limited edition portfolio. This stunning collection published in 1980 includes 14 vibrant lithographs perfectly capturing Miró's bold abstract style and signature use of color and form. Each lithograph is hand-signed in plate by the artist adding an extra layer of authenticity and rarity to this collection.
1977réf. 86652Paris France: Maeght. As New. 1977. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - -Corresponds to ASIN: B003H0Z66S. Volume III 3 : 215 pages. Illustrated. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Complete Works Miró Maeght hardcover
1966réf. B-21-120014Mano Guy Le vis Greek author illustrated by Miro. GLM Paris 1966. Nr. 27 of 60 numbered copies. Illustrated with an aquatint in color by Joan Miro. Signed in the bottom right corner Miro. GLM paperback
1966réf. B-21-120014Mano Guy Le vis Greek author illustrated by Miro. GLM Paris 1966. Nr. 27 of 60 numbered copies. Illustrated with an aquatint in color by Joan Miro. Signed in the bottom right corner Miro. GLM paperback books
réf. EXE-757Paris, Librairie José Corti, 1961. In-12, broché. Édition Originale. Illustrée d'une gravure sur celluloïd de Joan Miró, numérotée et signée. Tirage à 20 exemplaires numérotés.
1965réf. 65401Paris, Louis Broder, 1965. 4°. Mit 14 tlw. farb. Orig.-Grafiken. 86 S., 11 Bll. (die ersten u. letzten beiden weiß), Lose Bogen in OKart.-Umschlag u. OHPgmt.-Decke in OPp.-Schuber.
1939réf. 1435-2Paris, NRF, Gallimard, 1939. in-4 broché, 70 pages, couverture imprimée. ÉDITION ORIGINALE de ce recueil contenant : "Trois chevaux aigus. Nous sommes. Nulle rupture. À l'ombre de ma porte. Poème perpétuel. L'or et l'eau froide. Trois poèmes inachevés. Les vainqueurs d'hier périront". Tirage : 5 Japon nacré et 15 vergé d'Arches numérotés et signés + les exemplaires non numérotés sur vélin du Marais (tirage probable à 500 ex.). Le notre, sur vélin du Marais est accompagné DES 4 SUPERBES LITHOGRAPHIES ORIGINALES DE MAX ERNST TIRÉES EN NOIR À PLEINE PAGE SUR VERGÉ DE HOLLANDE (seuls les 20 premiers exemplaires en grand papier contiennent ces lithographies). - Note bibliographique et historique : Max Ernst avait prévu une série de douze lithographies, mais seules quatre d’entre elles furent publiées dans l’édition de luxe à petit nombre. Un an plus tôt, en 1938, désapprouvant ses positions trotskystes, Éluard avait rompu avec Breton : À sa suite Max Ernst quitte le groupe surréaliste outré d’avoir à subir l’exigence de « saboter la poésie de Paul Éluard par tous les moyens » (in Centre Georges Pompidou, Paul Éluard et ses amis peintres, 1982, p.109).
1967réf. 68710Paris: Fernand Mourlot 1967. Fine. Fernand Mourlot Paris 1967 25.50 x 33 cm en feuilles sous chemise et étui Bouquet de rêves pour Neila Bouquet of Dreams for NeilaFernand Mourlot Paris 1967 25.5 x 33 cm in leaves in a chemise and slipcase Illustrated edition with 18 original insert lithographs in colour by Joan Miró one of 150 numbered copies on Rives vellum only print after 25 vellum and 25 non-trade. Very beautiful copy. Handwritten signature of Joan Miró on the print details page. Our copy is enriched with a handwritten inscription dated and signed by Joan Miró to Armand Blanc accompanied with an original drawing in pencil. Fernand Mourlot hardcover
1937réf. 88877Paris: Cahiers d'art 1937. Fine. Complete issue featuring Joan Miró's striking original stencil Cahiers d'art Paris 1937 25 x 32 cm broché First edition featuring the celebrated original color stencil ""Aidez l'Espagne!"" printed on Arches paper by Joan Miró. With literary contributions by Christian Zervos on Pablo Picasso's ""Guernica"" as well as texts by Jean Cassou Georges Duthuit Pierre Mabille Michel Leiris Paul Éluard René Char. Illustrated with numerous reproductions of works by Pablo Picasso and Joan Mirós ""Le faucheur"". Some rubbing and small tears to the spine as often a vertical crease to the rear wrapper otherwise a fresh and well-preserved copy. Cahiers d'art unknown
1934réf. 1529Llibreria Catalonia: np 1934. 1st Edition. Very Good. FIRST EDITION with the EXTREMELY RARE AND SOUGHT-AFTER POCHOIR BY MIRÓ From Here and There: Figures by the Sea; one of only five pochoirs created in his career. "After their first encounter Miró and the architect Sert continued to meet often through the group of painters sculptors and art critics of the cultural group known as ADLAN 1932-1936." Through the joint efforts of ADLAN and GATCPAC a group of architects active from 1930 to 1936 came "the most representative publication of that period: a special issue of the magazine D'Aci i d'Allà focusing on twentieth-century art-the 1934 Christmas issue-directly supervised by Joan Prats and Josep Lluís Sert and with the participation of Joan Miró in the first instance of a collaboration between the artist and the architect . The result of this joint effort was far more than a mere revision of contemporary visual arts; it became a guidebook to the new trends and to the avant-garde aesthetic providing information both about the art world and about the latest advances in the fields of housing and construction. Joan Miró was the main protagonist of the issue of D'Aci i d'Allà directed by Sert once again being praised as a contemporary primitive. In designing the cover and the famous pochoir specifically created for this issue Miró managed to convey the greatest expressive force with minimal resources using only red yellow and black against the white paper background" Vecchierini 46-48. The most sought-after issue of this Spanish magazine which contains an hors texte colour pochoir plate by Joan Miró Figures davant el mar printed in yellow red and black. There are also texts by C. Soldevila L. Fernández C. Zervos J. L. Sert J.V. Foix C. Sindreu M.A. Cassanyes A. Jakovsky and S. Gasch. Cramer 11. Barcelona: Llibreria Catalonia 1934. Size: 330 x 280 mm approx. 13 x 11 inches. Spiral bound in original illustrated wrappers. With original subscription form laid in. Very light wear to wrappers. Pochoir pristine. A remarkably well-preserved copy of a notoriously rare and fragile work. np unknown
1934réf. 1529Llibreria Catalonia: np 1934. 1st Edition. Very Good. FIRST EDITION with the EXTREMELY RARE AND SOUGHT-AFTER POCHOIR BY MIRÓ From Here and There: Figures by the Sea; one of only five pochoirs created in his career. "After their first encounter Miró and the architect Sert continued to meet often through the group of painters sculptors and art critics of the cultural group known as ADLAN 1932-1936." Through the joint efforts of ADLAN and GATCPAC a group of architects active from 1930 to 1936 came "the most representative publication of that period: a special issue of the magazine D'Aci i d'Allà focusing on twentieth-century art-the 1934 Christmas issue-directly supervised by Joan Prats and Josep Lluís Sert and with the participation of Joan Miró in the first instance of a collaboration between the artist and the architect . The result of this joint effort was far more than a mere revision of contemporary visual arts; it became a guidebook to the new trends and to the avant-garde aesthetic providing information both about the art world and about the latest advances in the fields of housing and construction. Joan Miró was the main protagonist of the issue of D'Aci i d'Allà directed by Sert once again being praised as a contemporary primitive. In designing the cover and the famous pochoir specifically created for this issue Miró managed to convey the greatest expressive force with minimal resources using only red yellow and black against the white paper background" Vecchierini 46-48. The most sought-after issue of this Spanish magazine which contains an hors texte colour pochoir plate by Joan Miró Figures davant el mar printed in yellow red and black. There are also texts by C. Soldevila L. Fernández C. Zervos J. L. Sert J.V. Foix C. Sindreu M.A. Cassanyes A. Jakovsky and S. Gasch. Cramer 11. Barcelona: Llibreria Catalonia 1934. Size: 330 x 280 mm approx. 13 x 11 inches. Spiral bound in original illustrated wrappers. With original subscription form laid in. Very light wear to wrappers. Pochoir pristine. A remarkably well-preserved copy of a notoriously rare and fragile work. np unknown books
réf. 04-0952Paris: Editions de la Montagne 1930. 165 x 251 mm. One of 65 copies on Arches from the total deluxe edition of 121. Signed in ink by the artist and author on the colophon. Original wrappers in glassine. Pages partially uncut. With 4 original lithographs: Mourlot nos. 2-5. Presented in a cloth chemise and quarter-morocco slipcase. Cramer 1; Rauch 163. Paris: Editions de la Montagne, 1930. hardcover
réf. 28433Paris Maeght Éd. Pierre à Feu n° 139-140 juin-juillet 1963. 1 vol. 280 x 380 mm de 28 p. En feuilles sous couverture illustrée en couleurs. . L’un des plus importants numéros de Derrière le miroir consacrés à Miró. 6 lithographies originales en couleurs dont 4 en double page 380 x 560 mm et 1 en 3 volets 380 x 830 mm ainsi que 3 reproductions en noir. Précieux exemplaire de René Char avec un envoi signé au recto de la couverture : « Pour René Char fraternellement Miró ». . Le lien entre Miró et Char trouve son origine dans l'entremise de Christian et Yvonne Zervos au sortir de la guerre. Leur première collaboration se fera pour l'édition de Fête des arbres et du chasseur en 1948 et la lithographie qui l'ouvre. Plusieurs PAB et GLM suivront jusqu'au point d'orgue de 1964 et l'édition chez Maeght du Flux de l'aimant avec dix-sept pointes-sèches. L'année précédente Aimé Maeght aura donné pour Derrière le miroir cette admirable livraison double d'été avec la célèbre lithographie en triple page placée en son centre. La chaleureuse et fraternelle dédicace de Miró à Char n'est pas une posture mais une sincère envolée d'un artiste vers le poète français avec lequel il aura le plus collaboré et marque un sincère témoignage de l'artiste vers le poète avec lequel il aura le plus collaboré. Plouvier souligne dans le Dictionnaire Char combien « l'irradiation de la vie inexprimable posée par Char au principe de sa création a trouvé en Miró l'équivalent de son espace ». Au même titre que Picasso Brauner Giacometti de Staël ou Braque Miró dans l'oeuvre de René Char est promu au titre quasi générique d' « allié substantiel ». Exceptionnelle et rare provenance. Paris, Maeght, Éd. Pierre à Feu, n° 139-140, juin-juillet 1963. 1 vol. (280 x 380 mm) de 28 p. En feuilles, sous couverture i unknown
1963réf. 28433Précieux exemplaire de René Char, dédicacé par Miró Paris, Maeght, Éd. Pierre à Feu, n° 139-140, juin-juillet 1963. 1 vol. (280 x 380 mm) de 28 p. En feuilles, sous couverture illustrée en couleurs. L’un des plus importants numéros de Derrière le miroir consacrés à Miró. 6 lithographies originales, en couleurs, dont 4 en double page (380 x 560 mm) et 1 en 3 volets (380 x 830 mm), ainsi que 3 reproductions en noir. Précieux exemplaire de René Char, avec un envoi signé au recto de la couverture : « Pour René Char, fraternellement, Miró ».
1957réf. 1839Louis Broder, Paris 1957. Collection "Miroir du poète" n° VI. Un volume in-12 carré (167 x 136 mm), en feuilles, 42 pages, sous couverture de papier japon à rabats titrée en rouge sur le premier plat. Chemise et étui de l'éditeur noir et gris titré en rouge sur le dos. Édition originale de ce recueil de 7 poèmes de Robert Desnos inédits en volume. 4 GRAVURES ORIGINALES À L'EAU-FORTE ET AQUATINTE EN COULEURS (150 x 120 mm). La typographie est dûe à l'imprimerie Union et le tirage de la gravure à Robert Dutrou. Édition : 120 exemplaires numérotés sur vélin de Rives BFK. Celui-ci, l'exemplaire n°2 est signé par André Masson au colophon. Il comporte UNE SUITE COMPLÈTE DES GRAVURES ET DE LA DÉCOMPOSITION DES COULEURS : chaque épreuve de l'état final est justifiée 5/7 et signée au crayon par l'artiste, chaque épreuve de la décomposition des couleurs est justifiée 5/7 et monogrammée au crayon par l'artiste. 16 planches signées au total. Sixième volume de la collection "Miroir du poète" qui en comporte 7. Un huitième volume prévu n'a jamais vu le jour, mais la maquette existe. Le volume en parfait état, l'emboîtage de même (Saphire-Cramer 42). ENGLISH : André Masson - Robert Desnos, : Mines de Rien, Collection Miroir du Poète VI, Louis Broder, Paris, 1957. 4 aquatints printed in colours, 1957, on BFK Rives, title, text, list of contents, justification and the set of four, the justification signed in pencil by André Masson. copy numbered on vélin de Rives paper, from the total edition of 130. This one, copy no. 2, includes A COMPLETE SUITE OF THE ENGRAVINGS AND DECOMPOSITION OF COLORS: each proof of the final state is justified 5/7 and signed in pencil by the artist, each proof of the decomposition of colors is justified 5/7 and monogrammed in pencil by the artist. There is 16 signed plates in total. The set is in mint++ condition in its original slipcase, perfect. overall S. 177 x 153mm. (Cramer 42).
1965réf. 85192Sous e?tui borde?. Reliure janse?niste plein maroquin grenat. Dos lisse avec auteur, artistes et titre dore?s avec points a? l?oeser colore?. Toutes tranches dore?es. Doublures bord a? bord et gardes de veau gris. Couverture et dos conserve?s. Reliure signe?e ALIX.E?dition orne?e de 14 gravures (bois, eau-forte, pointe-se?che, lithographie) de Jean ARP, Hans BELLMER, Camille BRYEN, HAYTER, Oscar DOMINGUEZ, Max ERNST, Wifredo LAM, Alberto GIACOMETTI, Valentine HUGO, Man RAY, Andre? MASSON, Joan MIRO, WOLS.
réf. 1062551971 . Lithograph in colours 1971 on Japon nacré paper signed in pencil from the edition of 120 printed by Mourlot published by Tériade Paris 50.4 x 66.2 cm. 19¾ x 26 in. Cramer Books 146 1971 unknown
réf. 1062561971 . Lithograph in colours 1971 on Japon nacré paper signed in pencil from the edition of 120 printed by Mourlot published by Tériade Paris 50.4 x 66.2 cm. 19¾ x 26 in. Cramer Books 146 1971 unknown
1959réf. 2220Pfullingen, Günther Neske Verlag, 1959. Un volume in-4 (279 x 211 mm), reliure éditeur toilée gris clair, dos à la bradel, plat supérieur illustrée d’un dessin de Arp reproduit. ÉDITION ORIGINALE. Texte en allemand. - EXEMPLAIRE DE TÊTE AVEC SEPT GRAVURES DE HANS ARP SIGNÉES AU CRAYON. - TIRAGE : un des 33 exemplaires de tête, celui-ci numéroté X, signé par Hans Arp, les seuls à comporter toutes les gravures signées. Rarissime et magnifique, les gravures de toute beauté. Références : Arntz 396-402b - Tiessen I, 46. - ENGLISH DESCRIPTION : Pfullingen, Günther Neske Verlag, 1959. A volume in-4 (279 x 211 mm). Publisher's cloth binding, light gray canvas, back to the bradel, upper cover illustrated with a drawing by Arp reproduced. ORIGINAL FIRST EDITION, with the text in German. HEAD COPY WITH 7 ORIGINAL ENGRAVINGS BY HANS ARP SIGNED IN PENCIL. - EDITION: one of 33 deluxe copies, this one numbered X, signed by Hans Arp, the only ones to include all the signed seven engravings. - ILLUSTRATION: 7 original etchings signed by Hans Arp. Extremely scarce , the engravings of great beauty. Literature: Arntz 396-402b - Tiessen I, 46. GERMAN DESCRIPTION: MONDSAND. Gedichte. Mit 7 signierten Original-Radierungen von Arp. Pfullingen, Neske, 1959. 4°. [32] Bll. (das erste u. letzte weiss). Original-Seideneinband mit Rückentitel u. Deckelillustration. In privatem Schuber. - Erste Ausgabe. - Eines von 33 römisch nummerierten Exemplaren (X) der Vorzugsausgabe, im Druckvermerk zusätzlich von Arp signiert. - Druck der Radierungen bei Fequet & Baudier in Paris. Schönes Exemplar (Arntz 396-402b - Tiessen I, 46).
1956réf. 2198Paris, Albin Michel, 1956. Un volume in-8 (203 x 135 mm) broché, couverture illustrée imprimée. ÉDITION ORIGINALE. EXEMPLAIRE DE TÊTE COMPRENANT LA LITHOGRAPHIE ORIGINALE JUSTIFIÉE À 40 EX. ET SIGNÉE PAR JOAN MIRÓ. - TIRAGE : un des 37 exemplaires de tête sur vélin du marais (+ 3 nominatifs, soit 40 ex), celui-ci n° 14, les seuls à comporter la lithographie. - ILLUSTRATION : une lithographie originale en couleurs signée de Joan Miró ; 8 reproductions photographiques. ÉTAT DE NEUF, non coupé. RARISSIME. Bibliographie: Malet-Cramer, Miró, n° 35. - ENGLISH: PÉRET, Benjamin, and Joan MIRÓ: Anthologie de l’amour sublime (Anthology of Sublime Love). Paris, Albin Michel, 1956. One volume (203 x 135 mm), paperback, illustrated printed cover. HEAD COPY INCLUDING THE ORIGINAL LITHOGRAPHY JUSTIFIED 14/40 AND SIGNED BY JOAN MIRÓ. ORIGINAL FIRST EDITION. - EDITION: one of the 37 head copies on vellum of the marsh, this one n° 14, the only ones to include the lithograph.(+ 3 added nominative copies hc). - ILLUSTRATION: an original lithograph in colors numbered 14/40 and signed by Joan Miró; 8 photographic reproductions. NEW CONDITION, uncut. Very scarce. Bibliography: Malet-Cramer, Miró, n° 35.
1957réf. 45616Alès.: PAB. Pierre. André. Benoit. 1957 Mars. Loose as issued in original cream printed wrappers with titles in black to front cover. 12mo. 124 x 128 mm. Two blank leaves leaf with title recto leaf with Miró's signed engraving as frontispiece recto four leaves with Char's verse recto and verso final verso blank leaf with Miró's second engraving recto leaf with justification recto two blank leaves. René Char's De Moment en Moment published by PAB and illustrated by Miró.From the edition limited to 42 numbered copies on Auvergne à la main with this one of 36 numbered in Arabic numerals and signed by PAB in pencil; the first of Miró's engravings the frontispiece is signed by the artist in pencil.Miró's original prints for the book are burin engravings on celluloid. Char's prose poems were written in 1948 and 1949 respectively. Montpellier 287; Cramer 42. PAB. (P[ierre]. A[ndré]. B[enoit].). unknown