Joan MiroBiblio.com
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réf. 74920Joan Miró Obra Gràfica Graphic Work 1980 Lithograph in colors on Arches paper with full margins. Image size 78 x 58 cm Sheet size 94 x 70 cm Signed and numbered 57/75 in pencil there were also 20 hors commerce in Roman numerals Published by Fundació Joan Miró Literature: Fernand Mourlot 1210
réf. elala2537Paris: Louis Broder 1959. Limited to 150 copies on d'Ambert Rag Wove signed by Miró and Char – this one of 110 regular issue copies. This is the second preferred edition the first to contain the five exquisite small-scale colour etchings with aquatint and one woodcut by Miró. Nous Avons was first published the previous year by Pierre André Benoît with only one etching by Miró. Cramer 53. Dupin 247-52. The Artist & The Book 210. oblong 12mo. pp. 26 ff. 7incl 2 blanks. 5 etchings with aquatint by Miró printed in colours including wrapper illus. tissue guards. uncut. gatherings loose as issued. original wrs. silk clamshell box with woodcut by Miró. on upper cover light wear to box [Paris]: Louis Broder, [1959]
1960réf. 49020Paris.: Editions Surréalistes. 1960. Loose as issued in original publisher's printed wrappers with titles to front cover additional green wrapper and matching paper-covered board box paper label with printed title to spine. Small folio. 340 x 263 mm. Half-title leaf with Miró's original colour lithograph signed in pencil as frontispiece title leaf with homage 'En souvenir de Benjamin Péret' recto verso and following leaves with Ivsic's verse in French final leaf with justification and achevé d'imprimer verso. One of Miró's most beautiful books printed entirely on beautiful hand-made paper impressed with flower petals ferns and herbs.From the edition limited to 95 copies on 'Auverge à la main à pétales de fleures brin d'herbes et pointes de fougére du Moulin Richard-de-Bas' with this one of 75 numbered copies signed on the justification by Miró in coloured crayon and by Ivsic in black crayon; 20 lettered copies were also issued reserved for the artist and the poet.The entire book the text is the eponymous poem by the bilingual Yugoslav emigré poet and dramatist is printed on hand-made Auvergne paper inset with flower petals small leaves herbs and bracken tips.Also included inserted loose is the original publisher's announcement or prospectus printed on a green hand-made Auvergne 323 x 248 mm matching the paper used for the additional wrapper of the book. The prospectus indicates too that the first 25 numbered copies included an additional pull of Miro's lithograph; copy number also included Ivsic's manuscript.Cramer 61. Editions Surréalistes. unknown
1969réf. 27506Tirage de tête sur vélin gris avec la lithographie originale de Joan Miro, signée. Paris, G.L.M., (janvier) 1969. 1 vol. de (140 x 190 mm) de 25 p., [2] et 1 f. Maroquin taupe, titre doré en long, couvertures et dos conservés, étui bordé (reliure signée de Leroux, 1976). Édition originale. Un des [6] premiers exemplaires sur vélin gris (n° vi).
réf. 27506Paris G.L.M. janvier 1969. 1 vol. de 140 x 190 mm de 25 p. 2 et 1 f. Maroquin taupe titre doré en long couvertures et dos conservés étui bordé reliure signée de Leroux 1976. . Édition originale. Un des 6 premiers exemplaires sur vélin gris n° vi. . En mai 1968 à l'écart des événements qui secouent la France René Char fait une crise cardiaque : de cette « expérience » il tire les poèmes du Chien de coeur qu'il publie un an plus tard évoquant le soir qui faillit l'emporter dans le texte liminaire qui ouvre le recueil : « Dans la nuit du 3 au 4 mai 1968 la foudre que j'avais si souvent regardée avec envie dans le ciel éclata dans ma tête m'offrant sur un fond de ténèbres propres à moi le visage aérien de l'éclair emprunté à l'orage le plus matériel qui fut. Je crus que la mort venait mais une mort où comblé par une compréhension sans exemple j'aurais encore un pas à faire avant de m'endormir d'être rendu éparpillé à l'univers pour toujours. Le chien de coeur n'avait pas geint. » Tous les poèmes furent composés entre juin et août 1968 à l'exception d'« Outrages » composé par bribes entre 1944 et 1967 ; ils dénoncent les distorsions de la société moderne et l'écart grandissant entre l'homme et la nature. Pour l'illustrer il fait appel à Joan Miró qui lui compose un frontispice. Une centaine de lithographies originales sont imprimées toutes signées pour accompagner les exemplaires du tirage de tête : 95 5 sur vélin d'Arches et six exemplaires sur vélin gris. Le tirage comprend également des exemplaires hors commerce sur vergé chiffon rose et sur vélin vert mais qui ne possèdent pas la lithographie sauf le premier des rose dans laquelle elle a été ajoutée. 790 exemplaires sur offset Roberstsau seront également imprimés pour lesquels le frontispice de Miró est reproduit au trait. Précieux exemplaire : celui de René Char qu'il l'avait fait relier par Leroux. Paris, G.L.M., (janvier) 1969. 1 vol. de (140 x 190 mm) de 25 p., [2] et 1 f. Maroquin taupe, titre doré en long, couvertures e unknown
réf. 15155Paris Editions d'Art Les Heures Claires 1965 in folio (38x29) 1 fort volume broché en faux-feuillets sous couverture rempliée, 220 pages et 5 faux-feuillets non chiffrés, avec 19 planches hors-texte en couleurs et un portrait de A. Warnod en frontispice (phototypie), sous boitage de l'éditeur. Préface de Pierre Brisson. Lithographies de Derain, et Van Dongen (tirées par Lucien Détruit), lithographies de Dufy, Matisse, Chagall, Dunoyer de Segonzac, Cavaillès, Terechkovitch et Carzou. Lithographies de Picasso, et Buffet (tirées par P.-J. Ballon), Lithographies de Miro (tirée par l'atelier Arte), eaux-fortes de Villon et Zadkine (tirée par Manuel Robbe), eau-forte de Braque (tirée par A. et P. Crommelynck). Original etchings by Braque, Jacques Villon, Zadkine. Original woodcuts by Vlaminck, Rouault, Pascin, Utrillo. Original lithographs by Derain, Dufy, Matisse, Van Dongen, Picasso, Chagall (engraved by Sorlier), Dunoyer de Segonzac, Cavaillès, Terechkovitch, Bernard Buffet, Carzou, Miro. Tirage limité à 250 exemplaires numérotés sur grand vélin d'Arches (limited to 250 copies), et quelques exemplaires hors-commerce. Notre exemplaire imprimé sur grand vélin d'Arches est un exemplaire d'artiste, il porte sur la justification la mention imprimée: exemplaire d'artiste. Cet exemplaire est enrichi d'une importante suite de 33 planches de divers états de la décomposition des couleurs de la lithographie de Picasso (sous chemise). Collationné complet. Très bel et rare exemplaire d'artiste ( Photographies sur demande / We can send pictures of this book on simple request )
1955réf. 1911Paris, Maeght, 1955. Un volume in-folio en feuilles, couverture illustrée d'une gravure en couleurs à l'aquatinte et carborundum, vernie par l'artiste lui-même, étui-chemise éditeur décoré de collages de papiers de couleur. - 20 EAUX-FORTES ORIGINALES DE GEORGES BRAQUE : 16 gravures hors-texte exécutées en 1932 pour Ambroise Vollard, et 4 gravures réalisées en 1953 : la couverture en 5 couleurs vernie au pinceau par l'artiste, le frontispice en 2 couleurs, la tête de chapitre et le cul-de-lampe. - Tirage à 150 exemplaires numérotés sur Auvergne et signés par l'artiste. Celui-ci le n° 23 signé par Braque. Tirage unique - Conservé en parfait état. - Note historique : En 1931, Braque illustre la Théogonie du poète grec Hésiode (VIIe siècle av. J.-C) pour le marchand, éditeur et passionné de gravure, Ambroise Vollard. Le récit, consacré à la naissance de l’univers et à l’origine des dieux, est considéré comme l’un des grands textes de la mythologie grecque. Entre 1932 et 1935, l’artiste exécute une série de seize eaux-fortes qui seront publiées par Maeght en 1955 : ligne noire imprimée sur fond blanc pour les gravures et, en négatif, ligne blanche découpée sur fond noir pour les plâtres peints et gravés que Braque crée en parallèle. Comme les figures mythologiques et les natures mortes de l’époque, ces œuvres possèdent un style curvilinéaire et propice à la métamorphose. (The Artist and the Book 38). --- ENGLISH DESCRIPTION: GEORGES BRAQUE (1882-1963). THEOGONIA - the complete set of twenty (20) etchings, title paper, text in Greek by Hesiod, justification, and index of plates on Auvergne paper, watermark Montval, 1932-1955, one of the 150 (n. 23), signed in pencil on the the justification, published by Maeght Editeur, Paris, 1955, in mint good condition, loose (as issued), with paper wrappers, within black paper-covered boards and slipcase, with collage design on front and back, title, artist's and author's name on spine. Overall: 18 x 13 7/8 in. (457 x 352 mm.) Condition : near mint, a beautiful copy with the editor decorated slipcase in near mint condition too.
1928réf. 198044Paris: Edition Jeanne Bucher 1928. Limited Edition. Hardcover. Fair in boards. Binding cracked after 2nd FEP. Shelfwear on front/rear panels. Bottom front corner bumped.; Number 82 of 300 limited edition copies. Edition Jeanne Bucher hardcover
1928réf. 2419Paris Edition Jeanne Bucher. 1928. MIRO JOAN 1893-1983. HIRTZ LISE. IL ETAIT UNE PETITE PIE THERE WAS ONCE A SMALL MAGPIE Drawings in color by Joan Miro. A folio of 8pp. of pochoir prints. Enclosed in the ORIGINAL LINEN FOLIO in pearl grey background with black and green letters and lined with black paper. 11 5/8 x 10 5/8 x 5/8. RARE. Enclosed in a black linen contemporary clam shell box. Her first publication was as Lisa Hirtz: Il était une petite pie There was a little magpie with 8 pochoirs by Joan Miró in 1928. She was the editor of Le Phare de Neuilly which frequently published articles relating to surrealism. Miro created one of the most imaginative books for children and far beyond its time. Joan Miro was studying art in Barcelona.He moved to Paris in 1919 he was introduced to a surrealists group in 1924 by his neighbor Andre Masson who shared his studio. He found among these artists the inspiration necessary for his work. But it was his humor that dominated his creations especially the black humor of the surrealists. In August 1927 Paul Eluard sent Miro the poems of Lisa Hirtz born Ann - Marie Meyer a friend of Breton. She was married to Paul Deharme 1898-1934 one of the pioneers of Radio France. Her first publication was as Lisa Hirtz: Il était une petite pie There was a little magpie with 8 pochoirs by Joan Miró in 1928. She was the editor of Le Phare de Neuilly which frequently published articles relating to surrealism. In October 1927 Miro completed the gouaches a part of which would be executed for the 8 plates of this book. Jeanne Bucher 1872-1946 completed the book in 1928. The artistic involvement of the editor was an integral part of the work of preserving the creation of the avant-garde. Lisa Hirtz published Une Petite Pie in Pierre Chareau's gallery where she had opened her bookstore in 1925. Her interest in children's books was inspired by her grandson Pierre. Eight gouaches were executed for the colored in plates which were created by Saudet. Edition is limited to 300 copies. Printed on Arches. Signed and dedicated by Lise Hirtz to Jane de Margerie. Jean Bucher Un Galerie d'avant garde 1925-1946 Skira 1994. Eluard and his Painter Friends. Sante George Pompideau 1992 Lisa Hirtz, Pierre Chareau's gallery.
1928réf. 2419Paris Edition Jeanne Bucher. 1928. MIRO JOAN 1893-1983. HIRTZ LISE. IL ETAIT UNE PETITE PIE THERE WAS ONCE A SMALL MAGPIE Drawings in color by Joan Miro. A folio of 8pp. of pochoir prints. Enclosed in the ORIGINAL LINEN FOLIO in pearl grey background with black and green letters and lined with black paper. 11 5/8 x 10 5/8 x 5/8. RARE. Enclosed in a black linen contemporary clam shell box. Her first publication was as Lisa Hirtz: Il était une petite pie There was a little magpie with 8 pochoirs by Joan Miró in 1928. She was the editor of Le Phare de Neuilly which frequently published articles relating to surrealism. Miro created one of the most imaginative books for children and far beyond its time. Joan Miro was studying art in Barcelona.He moved to Paris in 1919 he was introduced to a surrealists group in 1924 by his neighbor Andre Masson who shared his studio. He found among these artists the inspiration necessary for his work. But it was his humor that dominated his creations especially the black humor of the surrealists. In August 1927 Paul Eluard sent Miro the poems of Lisa Hirtz born Ann - Marie Meyer a friend of Breton. She was married to Paul Deharme 1898-1934 one of the pioneers of Radio France. Her first publication was as Lisa Hirtz: Il était une petite pie There was a little magpie with 8 pochoirs by Joan Miró in 1928. She was the editor of Le Phare de Neuilly which frequently published articles relating to surrealism. In October 1927 Miro completed the gouaches a part of which would be executed for the 8 plates of this book. Jeanne Bucher 1872-1946 completed the book in 1928. The artistic involvement of the editor was an integral part of the work of preserving the creation of the avant-garde. Lisa Hirtz published Une Petite Pie in Pierre Chareau's gallery where she had opened her bookstore in 1925. Her interest in children's books was inspired by her grandson Pierre. Eight gouaches were executed for the colored in plates which were created by Saudet. Edition is limited to 300 copies. Printed on Arches. Signed and dedicated by Lise Hirtz to Jane de Margerie. Jean Bucher Un Galerie d'avant garde 1925-1946 Skira 1994. Eluard and his Painter Friends. Sante George Pompideau 1992 Lisa Hirtz, Pierre Chareau's gallery. books
1940réf. 1730601940. HUGNET Georges. Complete set of all four "butterfly books" each in original wrappers as issued; oblong 16mo. 95 x 145 mm in a cloth folding box. Paris: The Author 1940-1941. Each of these four pamphlets was clandestinely printed at the beginning of the German occupation and distributed only among close friends of the artist and poet Georges Hugnet 1906-1974 an active figure in Dada and Surrealist circles. The first in this series "Non vouloir" is one of only 20 copies printed on verge antique from an edition of just 26 total it is printed in red and features a reproduction of an illustration by Miró on the title-page verso and is inscribed by "a CecileEluard de tout coeur Georges Hugnet". The second in the series "Pablo Picasso" is one of 200 copies printed in brown with black zincographs by Picasso engulfing the text throughout. The third is "Marcel Duchamp" from an edition of 200 copies printed in blue features a single print tipped onto the title-page verso of the "Moustache and Beard of L.H.O.O.Q." -- arguably the cornerstone of Dadaism -- in which Duchamp's original metal stencil was applied in graphite on paper by pochoir. "Like the smile of the Cheshire Cat Duchamp's graffiti additions to the Mona Lisa now hover in space" d'Harnoncourt & McShine p. 304. "The stencil was originally made for the addition of those details to the reproduction of L.H.O.O.Q. in The Box in a Valise" Bonk p. 241. The final one "Au 'depens des mots'" is one of an edition of 200 printed in gold with black accents on the title-page. Inscribed "a ma petite CecileEluard de tout coeur Georges Hugnet". Each of the butterfly books is a rare survival; together they form an outstanding group much like the artists themselves. A rare survival in immaculate condition. Goeppert Pablo Picasso: The Illustrated Books 35. Schwarz The Complete Work of Marcel Duchamp 483. Johnson Artists' Books in the Modern Era 1870-2000 115. Naumann 5.33 p. 143. hardcover
1940réf. 1730601940. HUGNET Georges. Complete set of all four "butterfly books" each in original wrappers as issued; oblong 16mo. 95 x 145 mm in a cloth folding box. Paris: The Author 1940-1941. Each of these four pamphlets was clandestinely printed at the beginning of the German occupation and distributed only among close friends of the artist and poet Georges Hugnet 1906-1974 an active figure in Dada and Surrealist circles. The first in this series "Non vouloir" is one of only 20 copies printed on verge antique from an edition of just 26 total it is printed in red and features a reproduction of an illustration by Miró on the title-page verso and is inscribed by "a CecileEluard de tout coeur Georges Hugnet". The second in the series "Pablo Picasso" is one of 200 copies printed in brown with black zincographs by Picasso engulfing the text throughout. The third is "Marcel Duchamp" from an edition of 200 copies printed in blue features a single print tipped onto the title-page verso of the "Moustache and Beard of L.H.O.O.Q." -- arguably the cornerstone of Dadaism -- in which Duchamp's original metal stencil was applied in graphite on paper by pochoir. "Like the smile of the Cheshire Cat Duchamp's graffiti additions to the Mona Lisa now hover in space" d'Harnoncourt & McShine p. 304. "The stencil was originally made for the addition of those details to the reproduction of L.H.O.O.Q. in The Box in a Valise" Bonk p. 241. The final one "Au 'depens des mots'" is one of an edition of 200 printed in gold with black accents on the title-page. Inscribed "a ma petite CecileEluard de tout coeur Georges Hugnet". Each of the butterfly books is a rare survival; together they form an outstanding group much like the artists themselves. A rare survival in immaculate condition. Goeppert Pablo Picasso: The Illustrated Books 35. Schwarz The Complete Work of Marcel Duchamp 483. Johnson Artists' Books in the Modern Era 1870-2000 115. Naumann 5.33 p. 143. hardcover books
1928réf. 2448Paris Edition Jeanne Bucher. 1928. Drawings in color by Joan Miró. 8 color pochoirs after drawings by Miró colored by Jean Saudé on Arches paper. 4to published in a folio of 14pp. One of the limited edition of 300. Enclosed in the ORIGINAL LINEN FOLIO in pearl grey background with black numbers and green sun. Interior lined with black paper. 11 5/8 x 10 5/8 x 5/8. Housed in a new black clam shell case. Signed and dedicated by Lise Hirtz to Jane de Margerie. RARE. Miro created one of the most imaginative books for children and far beyond its time. Joan Miró was studying art in Barcelona and moved to Paris in 1919 He was introduced to a surrealists group in 1924 by his neighbor Andre Masson who shared his studio. He found among these artists the inspiration necessary for his work. But it was his humor that dominated his creations especially the black humor of the surrealists. In August 1927 Paul Eluard sent Miro the poems by Lisa Hirtz born Ann - Marie Meyer a friend of Breton. She was married to Paul Deharme 1898-1934 one of the pioneers of Radio France. In October 1927 Miró completed the gouaches a part of which would be executed for the 8 plates of this book. Jeanne Bucher 1872-1946 completed the book in 1928. The artistic involvement of the editor was an integral part of the work of preserving the creation of the avant-garde. Lisa Hirtz published Une Petite Pie in Pierre Chareau's gallery where she had opened her bookstore in 1925. Her interest in children's books was inspired by her grandson Pierre. Eight gouaches were executed by Miro for the colored plates which were then colored by the pochoir process by Saudé. Edition is limited to 300 copies. On Arches. Ref: Jean Bucher Un Galerie d'avant garde 1925-1946 Skira 1994. Eluard and his Painter Friends. Sante George Pompideau 1992. Cramer. Joan Miró Catalogue Raisonné des Livres Illustrés no. 1. Johnson. Artists' Books in the Modern Era p. 98. Andel. Avant-Garde Page Design 1900-1950 p. 330. Éditions Jeanne Bucher hardcover
1928réf. 2448Paris Edition Jeanne Bucher. 1928. Drawings in color by Joan Miró. 8 color pochoirs after drawings by Miró colored by Jean Saudé on Arches paper. 4to published in a folio of 14pp. One of the limited edition of 300. Enclosed in the ORIGINAL LINEN FOLIO in pearl grey background with black numbers and green sun. Interior lined with black paper. 11 5/8 x 10 5/8 x 5/8. Housed in a new black clam shell case. Signed and dedicated by Lise Hirtz to Jane de Margerie. RARE. Miro created one of the most imaginative books for children and far beyond its time. Joan Miró was studying art in Barcelona and moved to Paris in 1919 He was introduced to a surrealists group in 1924 by his neighbor Andre Masson who shared his studio. He found among these artists the inspiration necessary for his work. But it was his humor that dominated his creations especially the black humor of the surrealists. In August 1927 Paul Eluard sent Miro the poems by Lisa Hirtz born Ann - Marie Meyer a friend of Breton. She was married to Paul Deharme 1898-1934 one of the pioneers of Radio France. In October 1927 Miró completed the gouaches a part of which would be executed for the 8 plates of this book. Jeanne Bucher 1872-1946 completed the book in 1928. The artistic involvement of the editor was an integral part of the work of preserving the creation of the avant-garde. Lisa Hirtz published Une Petite Pie in Pierre Chareau's gallery where she had opened her bookstore in 1925. Her interest in children's books was inspired by her grandson Pierre. Eight gouaches were executed by Miro for the colored plates which were then colored by the pochoir process by Saudé. Edition is limited to 300 copies. On Arches. Ref: Jean Bucher Un Galerie d'avant garde 1925-1946 Skira 1994. Eluard and his Painter Friends. Sante George Pompideau 1992. Cramer. Joan Miró Catalogue Raisonné des Livres Illustrés no. 1. Johnson. Artists' Books in the Modern Era p. 98. Andel. Avant-Garde Page Design 1900-1950 p. 330. Éditions Jeanne Bucher hardcover books
réf. EXE-781Paris, Louis Broder, 1971. In-folio en feuilles, chemise en vélin de l’édition. EDITION ORIGINALE. Illustrée de 15 lithographies originales en couleurs de Joan Miró. Tirage à 195 exemplaires, celui-ci le numéro II, signé par l’artiste.
réf. LCS-10379Edition originale de cet ouvrage illustré par Miro. Paris, 1978. In-4 carré en feuilles. Conservé dans la couverture d’origine illustrée par Miro. Boite de protection en toile jaune. Édition originale, tirée à 175 exemplaires sur vélin d’Arches, celui-ci numéroté 8/175. Il a en outre été tiré 20 exemplaires hors commerce.
réf. TBF40Paris 1978. Square 4to in sheets. Preserved in the original wrappers illustrated by Miro. Yellow cloth protective box. First edition printed in 175 copies on velin d'Arches paper this one numbered 8/175. Besides 20 copies were printed not for sale. The work is illustrated with three original etchings made by Miro including one on the cover and on forming a triptych. The author signed the colophon and the artist the triptych. A very beautiful copy of this sought-after artist book extremely well preserved in the original illustrated wrappers. Français Paris 1978. In-4 carré en feuilles. Conservé dans la couverture d'origine illustrée par Miro. Boite de protection en toile jaune. Edition originale tirée à 175 exemplaires sur vélin d'Arches celui-ci numéroté 8/175. Il a en outre été tiré 20 exemplaires hors commerce. L'ouvrage est illustré de trois eaux-fortes originales de Miro dont une en couverture et une formant triptyque. L'auteur a signé le colophon et l'artiste le triptyque. Très bel exemplaire de ce livre d'artiste recherché extrêmement bien conservé dans la couverture illustrée originale. paperback
réf. 86653Maeght; Tudor; Amiel. As New. N.D. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - - Volumes I through VI published between 1972 and 1992. The set includes over 30 original lithographs and many other illustrations. Volume 1: 236 pages; Volume 2: 254 pages; Volume 3: 217 pages; Volume 4: 210 pages; Volume 5: 190 pages; Volume 6: 210 pages. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Complete Works Miró Maeght; Tudor; Amiel hardcover
1939réf. 1435Paris, NRF, Gallimard, 1939. in-4 (260 x 200 mm) broché, toutes marges, 70 pages, couverture imprimée rempliée. ÉDITION ORIGINALE TRÈS RARE de ce recueil contenant : "Trois chevaux aigus. Nous sommes. Nulle rupture. À l'ombre de ma porte. Poème perpétuel. L'or et l'eau froide. Trois poèmes inachevés. Les vainqueurs d'hier périront". Tirage : 5 Japon nacré + 15 vergé d'Arches. Celui-ci l' un des 15 ex. numérotés sur vergé d'Arches (n°12), SIGNÉ PAR PAUL ÉLUARD ET MAX ERNST, ACCOMPAGNÉ DE 4 SUPERBES LITHOGRAPHIES ORIGINALES À PLEINE PAGE TIRÉES EN NOIR SUR VERGÉ DE HOLLANDE DE MAX ERNST (seuls les 20 premiers exemplaires en grand papier contiennent ces lithographies). - Note bibliographique et historique : Max Ernst avait prévu une série de douze lithographies, mais seules quatre d’entre elles furent publiées dans l’édition de luxe à petit nombre. Un an plus tôt, en 1938, désapprouvant ses positions trotskystes, Éluard avait rompu avec Breton : À sa suite Max Ernst quitte le groupe surréaliste outré d’avoir à subir l’exigence de « saboter la poésie de Paul Éluard par tous les moyens » (in Centre Georges Pompidou, Paul Éluard et ses amis peintres, 1982, p.109).
1963réf. 3909Les Heures Claires, Paris 1959-1963. 12 volumes in-folio en feuilles (34 x 26 cm) sous couvertures imprimées rempliées, chemises et étuis décorés de l'éditeur. - 100 AQUARELLES ORIGINALES HORS-TEXTE DE SALVADOR DALI GRAVÉES SUR BOIS EN COULEURS par Raymond Jacquet. Exemplaire de grand luxe : 1 des 150 ex. numérotés sur pur chiffon de Rives filigrané comprenant : Les 6 volumes du texte illustré des 100 aquarelles gravées sur bois en couleurs en hors-texte + LA SUITE COMPLÈTE DES 100 BOIS EN COULEURS.+ LA SUITE COMPLÈTE DU TRAIT GRAVÉ SUR CUIVRE TIRÉ EN BLEU + UNE SUITE DE LA DÉCOMPOSITION DES COULEURS D'UNE PLANCHE POUR CHAQUE VOLUME. Les 6 ouvrages sont en parfait état et bien complets des 100 gravures et des 3 doubles-feuillets de justification numérotés. Les 6 volumes de suites sont collationnés et bien complets en parfaite condition. Les planches belles aux couleurs lumineuses. Les 12 emboîtages sont en parfait état de conservation. Très bel exemplaire du tirage de luxe de cette monumentale et célèbre édition. ÉTAT DE NEUF. (Références : Michler & Lopsinger, 1039 à 1138 ; Field pages 189 à 200). Provenance : acquise en 1963 directement auprès de Joseph Foret et conservée dans la même famille jusqu'à aujourd'hui. Photographies supplémentaires sur demande. - ENGLISH DESCRIPTION: Dante : LA DIVINE COMÉDIE. 100 wood-engraved plates in color. Les Heures Claires, Paris 1959-1963. 12 folio volumes in loose sheets (34 x 26 cm), under folded printed covers, original decorated slipcases of the publisher. Including THE 100 WATERCOLORS OUT OF TEXT BY SALVADOR DALI ENGRAVED ON WOOD IN COLORS by Raymond Jacquet. This one is 1 of 150 deluxe copies numbered on Rives with watermark : The 6 volumes with the Dante's text illustrated with 100 color wood engravings + THE COMPLETE SUITE OF THE 100 COLOR WOOD ENGRAVINGS + THE COMPLETE SUITE OF THE COPPER ENGRAVED LINE ART PRINTED IN BLUE + A SUITE OF THE COLOR "DECOMPOSITIONS" OF ONE PLATE FOR EACH VOLUME. The 6 volumes are in perfect condition and complete with all 100 engravings and the 3 numbered double-page justifications. The 6 volumes of suites have been collated and are complete and in perfect condition. The plates are beautiful with luminous colors. The 12 slipcases are in perfect condition. A very fine and scarce deluxe copy of this monumental and celebrated edition. MINT CONDITION. (References: Michler & Lopsinger, 1039 to 1138; Field pages 189 to 200). More pictures on request.
1966réf. B-26-090003Alfred Jarry and Joan Miro' Illustrator. Tériade Éditeur Paris 1966. Complete portfolio comprising loose sheets and gatherings in the original paper wrapper original linen-covered hard chemise with spine title and original linen slipcase. Illustrated with 13 double-page original color lithographs by Miro on Arches wove paper with watermark. Signed in pencil in the colophon by Miro and numbered 96/180. This copy is from the edition of 180 numbered examples from a total edition of 205 copies. Ubu Roi is one of Joan Miró's most celebrated artist's books in which he transforms Alfred Jarry's absurd and satirical drama into a vibrant visual language of explosive color expressive forms and surreal imagery. The central character Père Ubu created by Jarry embodies greed deception and the abuse of power becoming a lasting symbol of political and social corruption. This fascinating anti-hero inspired some of Miró's most inventive graphic achievements combining literary inspiration with unparalleled chromatic intensity. Ref: Cramer #107 - Mourlot 394 397 400 403 406 409 412 415 418 421 424 427 430 In very good conditions Tériade Éditeur hardcover
1966réf. B-26-090003Alfred Jarry and Joan Miro' Illustrator. Tériade Éditeur Paris 1966. Complete portfolio comprising loose sheets and gatherings in the original paper wrapper original linen-covered hard chemise with spine title and original linen slipcase. Illustrated with 13 double-page original color lithographs by Miro on Arches wove paper with watermark. Signed in pencil in the colophon by Miro and numbered 96/180. This copy is from the edition of 180 numbered examples from a total edition of 205 copies. Ubu Roi is one of Joan Miró's most celebrated artist's books in which he transforms Alfred Jarry's absurd and satirical drama into a vibrant visual language of explosive color expressive forms and surreal imagery. The central character Père Ubu created by Jarry embodies greed deception and the abuse of power becoming a lasting symbol of political and social corruption. This fascinating anti-hero inspired some of Miró's most inventive graphic achievements combining literary inspiration with unparalleled chromatic intensity. Ref: Cramer #107 - Mourlot 394 397 400 403 406 409 412 415 418 421 424 427 430 In very good conditions Tériade Éditeur hardcover books
1975réf. 1485101975. MIRÓ Joan. Adonides. By Jacques Prévert. 2 59 10 pp. Illustrated with an original Miró coloured etching with aquatint signed and numbered by Miró in pencil and 44 etchings with aquatint printed in colours most of them with blind-stamping throughout. Folio 403 x 355 mm loose in a wrapper of Auvergne paper with blind-stamped image on front and back laid into blue cloth box blue green red and yellow cloth labels on spine in a cloth folding box. Paris: Maeght Editeur 1975. The Prévert text is written in the author's script throughout with Miró's amorphous and euphoric colour objects scribbles and imagery splashed across every page in around and on top of the text. "Some of the poems are reproduced inside a frame etched and pulled dry based on copperplates engraved in 1947 by Miró in the Atelier 17 in New York" Dupin Miró Engraver p. 200. The book also contains two blind-stamped original Miró images Dupin 878 & 879. A very fine copy of this felicitous Miró title. Limited to 225 copies signed by Miró Prévert and Maeght on the colophon; this being one of the 200 with the large hors texte etching signed by Miró laid in at the front. Cramer Miró Illustrated Books 203. Dupin Miró Engraver III 878-925. hardcover
1975réf. 1485101975. MIRÓ Joan. Adonides. By Jacques Prévert. 2 59 10 pp. Illustrated with an original Miró coloured etching with aquatint signed and numbered by Miró in pencil and 44 etchings with aquatint printed in colours most of them with blind-stamping throughout. Folio 403 x 355 mm loose in a wrapper of Auvergne paper with blind-stamped image on front and back laid into blue cloth box blue green red and yellow cloth labels on spine in a cloth folding box. Paris: Maeght Editeur 1975. The Prévert text is written in the author's script throughout with Miró's amorphous and euphoric colour objects scribbles and imagery splashed across every page in around and on top of the text. "Some of the poems are reproduced inside a frame etched and pulled dry based on copperplates engraved in 1947 by Miró in the Atelier 17 in New York" Dupin Miró Engraver p. 200. The book also contains two blind-stamped original Miró images Dupin 878 & 879. A very fine copy of this felicitous Miró title. Limited to 225 copies signed by Miró Prévert and Maeght on the colophon; this being one of the 200 with the large hors texte etching signed by Miró laid in at the front. Cramer Miró Illustrated Books 203. Dupin Miró Engraver III 878-925. hardcover books
1968réf. 188282Paris: Maeght éditeur 1968. A variant image was also printed in reverse titled polytheme. Printed by Arte Adrien Maeght. Edition of 75. Drypoint and cement imprint on Mandeure rag paper right edge deckled. Signed in pencil by Miro lower right numbered lower left. Sheet size: 104 x 75 cm. Framed size: 126.3 x 93.6 cm. Presented in a handmade gold leaf frame with acrylic glazing. Excellent condition. Presented in a handmade gold leaf frame with conservation acrylic glazing. Dupin 451 unknown
