PÉRET, Benjamin - MIRÓ, JoanLivre Rare Book
2641 risultati
1956rif. 2198Paris, Albin Michel, 1956. Un volume in-8 (203 x 135 mm) broché, couverture illustrée imprimée. ÉDITION ORIGINALE. EXEMPLAIRE DE TÊTE COMPRENANT LA LITHOGRAPHIE ORIGINALE JUSTIFIÉE À 40 EX. ET SIGNÉE PAR JOAN MIRÓ. - TIRAGE : un des 37 exemplaires de tête sur vélin du marais (+ 3 nominatifs, soit 40 ex), celui-ci n° 14, les seuls à comporter la lithographie. - ILLUSTRATION : une lithographie originale en couleurs signée de Joan Miró ; 8 reproductions photographiques. ÉTAT DE NEUF, non coupé. RARISSIME. Bibliographie: Malet-Cramer, Miró, n° 35. - ENGLISH: PÉRET, Benjamin, and Joan MIRÓ: Anthologie de l’amour sublime (Anthology of Sublime Love). Paris, Albin Michel, 1956. One volume (203 x 135 mm), paperback, illustrated printed cover. HEAD COPY INCLUDING THE ORIGINAL LITHOGRAPHY JUSTIFIED 14/40 AND SIGNED BY JOAN MIRÓ. ORIGINAL FIRST EDITION. - EDITION: one of the 37 head copies on vellum of the marsh, this one n° 14, the only ones to include the lithograph.(+ 3 added nominative copies hc). - ILLUSTRATION: an original lithograph in colors numbered 14/40 and signed by Joan Miró; 8 photographic reproductions. NEW CONDITION, uncut. Very scarce. Bibliography: Malet-Cramer, Miró, n° 35.
1957rif. 45616Alès.: PAB. Pierre. André. Benoit. 1957 Mars. Loose as issued in original cream printed wrappers with titles in black to front cover. 12mo. 124 x 128 mm. Two blank leaves leaf with title recto leaf with Miró's signed engraving as frontispiece recto four leaves with Char's verse recto and verso final verso blank leaf with Miró's second engraving recto leaf with justification recto two blank leaves. René Char's De Moment en Moment published by PAB and illustrated by Miró.From the edition limited to 42 numbered copies on Auvergne à la main with this one of 36 numbered in Arabic numerals and signed by PAB in pencil; the first of Miró's engravings the frontispiece is signed by the artist in pencil.Miró's original prints for the book are burin engravings on celluloid. Char's prose poems were written in 1948 and 1949 respectively. Montpellier 287; Cramer 42. PAB. (P[ierre]. A[ndré]. B[enoit].). unknown
rif. 3631Valldemossa Mallorca: New Seizin Press / Libra Press 1999. THE LAST TRULY GREAT ILLUSTRATED BOOK OF THE TWENTIETH CENTURY: A BRILLIANT EXPOSITION OF JOAN MIRO'S WORK THAT REQUIRED SEVEN YEARS TO PRODUCE WITH TWENTY PENCIL-SIGNED ORIGINAL PRINTS BY NILS BURWITZ. Twenty texts about Miro by leading Spanish and Catalan intellectuals and artists including Camilo Jose Cela Rafael Alberti and Robert Graves who spent much of his life living in Mallorca. The texts are in Spanish or Catalan except for Graves' poem which is in English and all appear here in first edition. Each text is accompanied by a AN ORIGINAL COLOR FULL-PAGE HORS-TEXTE MIXED-MEDIA PRINT BY NILS BURWITZ JUSTIFIED AND SIGNED IN PENCIL BY THE ARTIST. These twenty highly complex prints are mostly etchings often with aquatint and embossing. They brilliantly illuminate various aspects of Miro's work--and unmistakably demonstrate Burwitz' artistic and technical virtuosity. EDITION LIMITED TO 125 COPIES ALL PRINTED ON EXTREMELY FINE HANDMADE PAPER AND SIGNED BY THE ARTIST IN THE COLOPHON. Large folio. Loose as issued in the original solander case covered with beautiful dyed fabric made in Mallorca. Ceramic plaque with the title mounted to the front cover. Housed in a cloth slipcase. FINE AND BRIGHT WITH NO DEFECTS. Laid in is a prospectus and a copy of the explanatory booklet--one of 1000 copies also signed by Burwitz--that contains reproductions of all of the prints portraits by Burwitz of course of all of the authors and translations of all of the texts into English and German and into Spanish for the Catalan texts and Catalan for the Spanish. A monumental and stunning work. Valldemossa, Mallorca: New Seizin Press / Libra Press, 1999 hardcover
1937rif. 1695741937. MIRO Joan. "Aidez l'Espagne." Pochoir print in Cahiers D'Art Year 12 No. 4-5. Edited by Christian Zervos. Illustrated throughout. Folio 320 x 250 mm. bound in original printed wrappers preserved in a new cloth folding box. Paris: Cahiers D'Art 1937. A fine copy of Miro's celebrated Civil War print contained in an issue of Cahiers D'Art primarily devoted to Picasso's masterpiece Guernica which had been displayed at the Paris World's Fair earlier in the year. Some insignificant wear to the cover the print in pristine condition. Cramer Joan Miró: The Illustrated Books no. IV. hardcover
1951rif. 22335EPalma de Mallorca Spain 1951. Original autograph letter signed by surrealist artist Joan Miro written on both sides of a single sheet of his personal 8 1/2” x 11” stationery printed “Son Abrines - Calamayor - Palma de Mallorca” at the upper right. Written by Miro in blue fountain pen in French translated in part: “November 3 ‘51 Dear friend I was afraid that you would have difficulties getting hold of my canvasses because you must understand that for the past year my output has been extremely limited. I absolutely had to exhibit the ‘Tronc d’arbre’ Tree Trunk which I consider to be a very important piece; apart from that Andre Breton has to repair it so as to conserve it better. Would you be so kind as to ask the press to send me as quickly as they can some “papier a report” for the lithography which I will engrave immediately. I live in the country and it is hard for me to get hold of the necessary material. After so many years I can’t find a text for ‘le Piege’ the Trap. These texts. My very best wishes Miro”. Fine condition. Spanish painter sculptor and ceramist Joan Miro 1893 - 1983 was one of the best known artists of the Surrealism movement which began in the early 1920s. One of its leaders was the French writer poet and anti-fascist Andre Breton to whom Miro refers in his letter. unknown
1961rif. 74776Joan Miró Composition for 'from XXe Siecle' No. 16 1961 Lithograph Numbered 58/75 in the lower left. Hand-signed in the lower right. Image Size: 33 x 23 cm Framed Size: 68 x 53 cm Reference: M. 274
1930rif. 96719Paris Editions de la Montagne 1930 1 vol. broché in-8, broché, couverture rempliée, non coupé, sous chemise demi-maroquin bleu nuit à coins et étui bordé (C. de Séguier), 98 pp. Édition originale ornée de 4 lithographies originales de Joan Miró. C'est la première fois que l'artiste utilise ce procédé pour illustrer un livre, et ses lithographies, en noir, frappent déjà par leur fluidité et par leur épure, avec un tracé proche du dessin. Un des 10 exemplaires de tête numérotés sur Japon impérial signés par le poète et l'artiste (après 1 exemplaire unique sur vieux japon), le nôtre sans la page manuscrite de Tzara mais enrichi d'un envoi autographe signé avec dessin (une tête de mort d'où fleurit une rose) à l'éditeur d'art Louis Broder : "ces cristaux précolombiens / des printemps de Paris / et l'affectueux souvenir de / Tristan Tzara / 21 mai 1952". Décoloration en bordure de la couverture, sinon bel exemplaire.
1930rif. 96719Paris Editions de la Montagne 1930 1 vol. broché in-8, broché, couverture rempliée, non coupé, sous chemise demi-maroquin bleu nuit à coins et étui bordé (C. de Séguier), 98 pp. Édition originale ornée de 4 lithographies originales de Joan Miró. C'est la première fois que l'artiste utilise ce procédé pour illustrer un livre, et ses lithographies, en noir, frappent déjà par leur fluidité et par leur épure, avec un tracé proche du dessin. Un des 10 exemplaires de tête numérotés sur Japon impérial signés par le poète et l'artiste (après 1 exemplaire unique sur vieux japon), le nôtre sans la page manuscrite de Tzara mais enrichi d'un envoi autographe signé avec dessin (une tête de mort d'où fleurit une rose) à l'éditeur d'art Louis Broder : "ces cristaux précolombiens / des printemps de Paris / et l'affectueux souvenir de / Tristan Tzara / 21 mai 1952". Décoloration en bordure de la couverture, sinon bel exemplaire.
rif. 74897JOAN MIRÓ Arlequin Circonscrit 1973 Color lithograph on Arches Paper Edition "HC" lower left Hand signed lower right Sheet size 75.5 x 52.5 cm Published by Maeght Paris Printed by Arte Adrien Maeght Paris Reference Mourlot 887
THE LAST TRULY GREAT ILLUSTRATED BOOK OF THE TWENTIETH CENTURY: A BRILLIANT EXPOSITION OF JOAN MIRO'S WORK THAT REQUIRED SEVEN YEARS TO PRODUCE, WITH TWENTY PENCIL-SIGNED ORIGINAL PRINTS BY NILS BURWITZ. Twenty texts about Miro by leading Spanish and Catalan intellectuals and artists, including Camilo Jose Cela, Rafael Alberti, and Robert Graves (who spent much of his life living in Mallorca). The texts are in Spanish or Catalan (except for Graves' poem, which is in English), and all appear here in first edition. Each text is accompanied by a AN ORIGINAL COLOR FULL-PAGE HORS-TEXTE MIXED-MEDIA PRINT BY NILS BURWITZ, JUSTIFIED AND SIGNED IN PENCIL BY THE ARTIST. These twenty highly complex prints are mostly etchings, often with aquatint and embossing. They brilliantly illuminate various aspects of Miro's work--and unmistakably demonstrate Burwitz' artistic and technical virtuosity. EDITION LIMITED TO 125 COPIES, ALL PRINTED ON EXTREMELY FINE HANDMADE PAPER AND SIGNED BY THE ARTIST IN THE COLOPHON. Large folio. Loose as issued in the original solander case, covered with beautiful dyed fabric made in Mallorca. Ceramic plaque with the title mounted to the front cover. Housed in a cloth slipcase. FINE AND BRIGHT, WITH NO DEFECTS. Laid in is a prospectus and a copy of the explanatory booklet--one of 1,000 copies, also signed by Burwitz--that contains reproductions of all of the prints, portraits (by Burwitz, of course) of all of the authors, and translations of all of the texts into English and German (and into Spanish for the Catalan texts, and Catalan for the Spanish). A monumental and stunning work.
1957rif. 3181Henri Jonquières, Paris 1957. Un volume in-folio (387 x 292 mm) en feuilles sous couverture imprimée rempliée, chemise-étui de l'éditeur. Fac-similé de l'exemplaire enluminé et offert par Picasso à Dora Maar (édition Fabiani 1942) reproduisant l'ensemble des dessins originaux. Tirage à 2226 exemplaires : 226 sur vélin d'Arches comprenant une gravure à la gouge signée + 2000 sur vélin du Marais. Celui-ci exemplaire de luxe (n° 140) comportant LA LINOGRAVURE ORIGINALE gravée en 1939 et signée au crayon de couleur (vert) par PICASSO. Notre épreuve, imprimée sur une feuille de vélin d'Arches (37,5 x 28,2 cm), porte la justification 140/226 au crayon noir et la signature au crayon vert. La signature au crayon de couleur est très recherchée des amateurs. Catalogues raisonnés : Bloch 326 ; Baer 1028 ; Cramer Les Livres illustrés 84 ; MoMA 1017.1964.1-2.
1981rif. 86638Foundation. As New. 1981. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 210 pages; many illustrations. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Complete Works Foundation hardcover
1960rif. 1535Paris, Jean Hugues, 1960. Un volume petit in-4 (195 x 142 mm) broché. 31 pages + fnch., couverture blanche imprimée rempliée. Édition originale de ce recueil de quatorze poèmes en prose précédés d'un prologue par René Cazelles. L'ouvrage est orné d'UNE LITHOGRAPHIE ORIGINALE EN COULEURS DE JOAN MIRO. Tirage : 25 ex. avec la lithographie en trois états + 50 ex. avec la lithographie à l'état définitif + tirage typographique courant de 300 ex. tous sur Arches. Notre exemplaire est l' 1 des 25 de tête (n° 14) comprenant, sur un cahier dépliant formant triptyque, LA LITHOGRAPHIE EN 3 ÉTATS SIGNÉE AUX CRAYONS DE COULEUR ET JUSTIFIÉE 3/25 sur le deuxième volet : 1er état couleurs, 2ème état avec des modifications dans l'encadrement et ajout d'étoiles, 3ème état avec modification des couleurs et ajout d'un gaufrage. La typographie est dûe à l'imprimerie Union et le tirage de la lithographie à Mourlot. René Cazelles, ami de René Char, fut publié par Guy Lévy-Mano, Pierre-André Benoit, Aimé Maeght, Jean Hugues…
1959rif. 1719Alès, PAB, 1959. Un volume In-8° (232 x 175 mm), broché, couverture de papier bleu orné de papiers découpés (pour chaque exemplaire l'artiste a fait un découpage particulier et dessiné les étoiles à l'encre de Chine). 2 POINTES SÈCHES ORIGINALES EN BLEU, hors-texte à pleine page. Édition originale de ce court et spirituel poème pour enfant. Édition totale à 35 exemplaires + 5 HC, celui-ci bien signé à l'encre par l'auteur, l'artiste et l'éditeur au colophon.
rif. 2329Barcelona: Sala Gaspar 1972. FIRST EDITION. Chemise slipcase box. Fine. EXTREMELY RARE SIGNED LIMITED FIRST EDITION THE COMPLETE SET OF TEN STUNNING LARGE COLOR LITHOGRAPHS EIGHT DOUBLE PAGE PROVIDING A VISUAL NARRATIVE DOCUMENTING THE CREATION OF ONE OF MIRÓ'S MASTERPIECES THE TARRAGONA TAPESTRY. ONE OF ONLY 100 COPIES SIGNED BY MIRÓ. The Tarragona Tapestry was one of Miró's most ambitious works. Originally conceived of as a gift to the doctor who treated Miró's daughter after she was hit by a train the project grew to monumental proportions ultimately expanding to a size of 2.80 x 4.20 meters and requiring an innovative approach developed by Miró and the young artist Josep Royo for its creation. With stunning bright colors the lithographs in this collection beautifully recreate the images on the tapestry. With background text in Catalan Spanish French and English by Josep Royo Dr. Rafel Orozco who treated Miró's daughter and art critic Maria Lluisa Borràs. Complete with eight double-page lithographs and two single-page lithographs serving as the wrappers. Barcelona: Sala Gaspar 1972. Fifteen large 17x 11.75 inches single-folded sheets loose in lithographic self-wrapper original cloth chemise and slipcase. Housed in a spectacular custom box by book artist Sjoerd Hofstra. Light general wear to slipcase and chemise otherwise fine. RARE. Sala Gaspar unknown
1927rif. 2199Paris, Éditions surréalistes, 1927. In-8 (22,8 x 16,8 cm), box crème, sur les plats décor de grandes lettres (DORMIR) en relief de même box, ponctué d'étoiles stylisées de différentes tailles en box vert, rouge et ivoire, titre à l'œser violine au premier plat, auteur et artiste au second, dos muet, tête rognée, doublures bord à bord de box crème, boîte de peau velours gris perle, couvertures et dos conservés, coffret avec le dos en box crème titré à l'œser (F. Brindeau - 2010). ÉDITION ORIGINALE illustrée de 14 dessins d'Yves Tanguy, dont la couverture reprise en page de titre et 3 hors-texte. - 14 DESSINS EN NOIR D'YVES TANGUY REPRODUITS, DONT LA COUVERTURE, LA PAGE DE TITRE ET LES 3 HORS TEXTE AQUARELLÉS PAR L'ARTISTE LUI-MÊME. Tirage à 210 exemplaires signés à l'encre par l'auteur et l'illustrateur Celui-ci un des 20 sur papier de Hollande (n° 26), second papier après 10 Japon, les seuls avec la couverture, la page de titre et les 3 hors-texte rehaussés à l'aquarelle par l'artiste (avec 5 Chine nominatifs). Élégante et virtuose reliure de François Brindeau. - Bibliographie : Monod, 8959. Peyré, Peinture et poésie, n° 28, p. 233. From Manet to Hockney 80. Castleman 179. Andel, Avant Garde Page Design 421. Superbe et très rare exemplaire. Photographies supplémentaires de l'ouvrage sur demande. ENGLISH DESCRIPTION :[TANGUY, Yves - PÉRET, Benjamin."Dormir dormir dans les pierres" (Sleeping sleeping in the stones). Paris, Éditions surréalistes, 1927. In-8 (22.8 x 16.8 cm), cream box, on the covers decorated with large embossed letters (DORMIR) from the same box, punctuated with stylized stars of different sizes in green, red and ivory box, title with a purple oeser on the first cover, author and artist on the second, blank spine, cropped head, edge to edge cream box linings, pearl gray velvet skin box, preserved covers and spine, box with cream box spine titled to the oeser (F. Brindeau - 2010). First edition illustrated with 14 drawings by Yves Tanguy, including the cover on the title page and 3 out of text. - 14 DRAWINGS IN BLACK BY YVES TANGUY, INCLUDING THE COVER, THE TITLE PAGE AND THE 3 IN-TEXT WATERCOLORED BY THE ARTIST HIMSELF. Edition of 210 copies signed in ink by the author and the illustrator. This one of 20 on Holland paper (n° 26), second paper after 10 Japan, the only ones with the cover, the title page and the 3 insets enhanced in watercolor by the artist (with 5 nominative China). First edition,first printing. Elegant and virtuoso binding by François Brindeau. Bibliography: Monod, 8959. Peyré, Painting and poetry, no. 28, p. 233. From Manet to Hockney 80. Castleman 179. Andel, Avant Garde Page Design 421. Superb and very rare copy. Additional photographs of the book on request.
rif. 74920Joan Miró Obra Gràfica Graphic Work 1980 Lithograph in colors on Arches paper with full margins. Image size 78 x 58 cm Sheet size 94 x 70 cm Signed and numbered 57/75 in pencil there were also 20 hors commerce in Roman numerals Published by Fundació Joan Miró Literature: Fernand Mourlot 1210
rif. elala2537Paris: Louis Broder 1959. Limited to 150 copies on d'Ambert Rag Wove signed by Miró and Char – this one of 110 regular issue copies. This is the second preferred edition the first to contain the five exquisite small-scale colour etchings with aquatint and one woodcut by Miró. Nous Avons was first published the previous year by Pierre André Benoît with only one etching by Miró. Cramer 53. Dupin 247-52. The Artist & The Book 210. oblong 12mo. pp. 26 ff. 7incl 2 blanks. 5 etchings with aquatint by Miró printed in colours including wrapper illus. tissue guards. uncut. gatherings loose as issued. original wrs. silk clamshell box with woodcut by Miró. on upper cover light wear to box [Paris]: Louis Broder, [1959]
1960rif. 49020Paris.: Editions Surréalistes. 1960. Loose as issued in original publisher's printed wrappers with titles to front cover additional green wrapper and matching paper-covered board box paper label with printed title to spine. Small folio. 340 x 263 mm. Half-title leaf with Miró's original colour lithograph signed in pencil as frontispiece title leaf with homage 'En souvenir de Benjamin Péret' recto verso and following leaves with Ivsic's verse in French final leaf with justification and achevé d'imprimer verso. One of Miró's most beautiful books printed entirely on beautiful hand-made paper impressed with flower petals ferns and herbs.From the edition limited to 95 copies on 'Auverge à la main à pétales de fleures brin d'herbes et pointes de fougére du Moulin Richard-de-Bas' with this one of 75 numbered copies signed on the justification by Miró in coloured crayon and by Ivsic in black crayon; 20 lettered copies were also issued reserved for the artist and the poet.The entire book the text is the eponymous poem by the bilingual Yugoslav emigré poet and dramatist is printed on hand-made Auvergne paper inset with flower petals small leaves herbs and bracken tips.Also included inserted loose is the original publisher's announcement or prospectus printed on a green hand-made Auvergne 323 x 248 mm matching the paper used for the additional wrapper of the book. The prospectus indicates too that the first 25 numbered copies included an additional pull of Miro's lithograph; copy number also included Ivsic's manuscript.Cramer 61. Editions Surréalistes. unknown
1969rif. 27506Tirage de tête sur vélin gris avec la lithographie originale de Joan Miro, signée. Paris, G.L.M., (janvier) 1969. 1 vol. de (140 x 190 mm) de 25 p., [2] et 1 f. Maroquin taupe, titre doré en long, couvertures et dos conservés, étui bordé (reliure signée de Leroux, 1976). Édition originale. Un des [6] premiers exemplaires sur vélin gris (n° vi).
rif. 27506Paris G.L.M. janvier 1969. 1 vol. de 140 x 190 mm de 25 p. 2 et 1 f. Maroquin taupe titre doré en long couvertures et dos conservés étui bordé reliure signée de Leroux 1976. . Édition originale. Un des 6 premiers exemplaires sur vélin gris n° vi. . En mai 1968 à l'écart des événements qui secouent la France René Char fait une crise cardiaque : de cette « expérience » il tire les poèmes du Chien de coeur qu'il publie un an plus tard évoquant le soir qui faillit l'emporter dans le texte liminaire qui ouvre le recueil : « Dans la nuit du 3 au 4 mai 1968 la foudre que j'avais si souvent regardée avec envie dans le ciel éclata dans ma tête m'offrant sur un fond de ténèbres propres à moi le visage aérien de l'éclair emprunté à l'orage le plus matériel qui fut. Je crus que la mort venait mais une mort où comblé par une compréhension sans exemple j'aurais encore un pas à faire avant de m'endormir d'être rendu éparpillé à l'univers pour toujours. Le chien de coeur n'avait pas geint. » Tous les poèmes furent composés entre juin et août 1968 à l'exception d'« Outrages » composé par bribes entre 1944 et 1967 ; ils dénoncent les distorsions de la société moderne et l'écart grandissant entre l'homme et la nature. Pour l'illustrer il fait appel à Joan Miró qui lui compose un frontispice. Une centaine de lithographies originales sont imprimées toutes signées pour accompagner les exemplaires du tirage de tête : 95 5 sur vélin d'Arches et six exemplaires sur vélin gris. Le tirage comprend également des exemplaires hors commerce sur vergé chiffon rose et sur vélin vert mais qui ne possèdent pas la lithographie sauf le premier des rose dans laquelle elle a été ajoutée. 790 exemplaires sur offset Roberstsau seront également imprimés pour lesquels le frontispice de Miró est reproduit au trait. Précieux exemplaire : celui de René Char qu'il l'avait fait relier par Leroux. Paris, G.L.M., (janvier) 1969. 1 vol. de (140 x 190 mm) de 25 p., [2] et 1 f. Maroquin taupe, titre doré en long, couvertures e unknown
rif. 15155Paris Editions d'Art Les Heures Claires 1965 in folio (38x29) 1 fort volume broché en faux-feuillets sous couverture rempliée, 220 pages et 5 faux-feuillets non chiffrés, avec 19 planches hors-texte en couleurs et un portrait de A. Warnod en frontispice (phototypie), sous boitage de l'éditeur. Préface de Pierre Brisson. Lithographies de Derain, et Van Dongen (tirées par Lucien Détruit), lithographies de Dufy, Matisse, Chagall, Dunoyer de Segonzac, Cavaillès, Terechkovitch et Carzou. Lithographies de Picasso, et Buffet (tirées par P.-J. Ballon), Lithographies de Miro (tirée par l'atelier Arte), eaux-fortes de Villon et Zadkine (tirée par Manuel Robbe), eau-forte de Braque (tirée par A. et P. Crommelynck). Original etchings by Braque, Jacques Villon, Zadkine. Original woodcuts by Vlaminck, Rouault, Pascin, Utrillo. Original lithographs by Derain, Dufy, Matisse, Van Dongen, Picasso, Chagall (engraved by Sorlier), Dunoyer de Segonzac, Cavaillès, Terechkovitch, Bernard Buffet, Carzou, Miro. Tirage limité à 250 exemplaires numérotés sur grand vélin d'Arches (limited to 250 copies), et quelques exemplaires hors-commerce. Notre exemplaire imprimé sur grand vélin d'Arches est un exemplaire d'artiste, il porte sur la justification la mention imprimée: exemplaire d'artiste. Cet exemplaire est enrichi d'une importante suite de 33 planches de divers états de la décomposition des couleurs de la lithographie de Picasso (sous chemise). Collationné complet. Très bel et rare exemplaire d'artiste ( Photographies sur demande / We can send pictures of this book on simple request )
1955rif. 1911Paris, Maeght, 1955. Un volume in-folio en feuilles, couverture illustrée d'une gravure en couleurs à l'aquatinte et carborundum, vernie par l'artiste lui-même, étui-chemise éditeur décoré de collages de papiers de couleur. - 20 EAUX-FORTES ORIGINALES DE GEORGES BRAQUE : 16 gravures hors-texte exécutées en 1932 pour Ambroise Vollard, et 4 gravures réalisées en 1953 : la couverture en 5 couleurs vernie au pinceau par l'artiste, le frontispice en 2 couleurs, la tête de chapitre et le cul-de-lampe. - Tirage à 150 exemplaires numérotés sur Auvergne et signés par l'artiste. Celui-ci le n° 23 signé par Braque. Tirage unique - Conservé en parfait état. - Note historique : En 1931, Braque illustre la Théogonie du poète grec Hésiode (VIIe siècle av. J.-C) pour le marchand, éditeur et passionné de gravure, Ambroise Vollard. Le récit, consacré à la naissance de l’univers et à l’origine des dieux, est considéré comme l’un des grands textes de la mythologie grecque. Entre 1932 et 1935, l’artiste exécute une série de seize eaux-fortes qui seront publiées par Maeght en 1955 : ligne noire imprimée sur fond blanc pour les gravures et, en négatif, ligne blanche découpée sur fond noir pour les plâtres peints et gravés que Braque crée en parallèle. Comme les figures mythologiques et les natures mortes de l’époque, ces œuvres possèdent un style curvilinéaire et propice à la métamorphose. (The Artist and the Book 38). --- ENGLISH DESCRIPTION: GEORGES BRAQUE (1882-1963). THEOGONIA - the complete set of twenty (20) etchings, title paper, text in Greek by Hesiod, justification, and index of plates on Auvergne paper, watermark Montval, 1932-1955, one of the 150 (n. 23), signed in pencil on the the justification, published by Maeght Editeur, Paris, 1955, in mint good condition, loose (as issued), with paper wrappers, within black paper-covered boards and slipcase, with collage design on front and back, title, artist's and author's name on spine. Overall: 18 x 13 7/8 in. (457 x 352 mm.) Condition : near mint, a beautiful copy with the editor decorated slipcase in near mint condition too.
1928rif. 2448Paris Edition Jeanne Bucher. 1928. Drawings in color by Joan Miro. 8 color pochoirs after drawings by Miró colored by Jean Saudé on Arches paper. 4to published in a folio of 8pp. One of the limited edition of 300. Enclosed in the ORIGINAL LINEN FOLIO in pearl grey background with black numbers and green sun. Interior lined with black paper. 11 5/8 x 10 5/8 x 5/8. Housed in a new black clam shell case. Signed and dedicated by Lise Hirtz to Jane de Margerie. RARE. Miro created one of the most imaginative books for children and far beyond its time. Joan Miro was studying art in Barcelona and moved to Paris in 1919 He was introduced to a surrealists group in 1924 by his neighbor Andre Masson who shared his studio. He found among these artists the inspiration necessary for his work. But it was his humor that dominated his creations especially the black humor of the surrealists. In August 1927 Paul Eluard sent Miro the poems by Lisa Hirtz born Ann - Marie Meyer a friend of Breton. She was married to Paul Deharme 1898-1934 one of the pioneers of Radio France. In October 1927 Miro completed the gouaches a part of which would be executed for the 8 plates of this book. Jeanne Bucher 1872-1946 completed the book in 1928. The artistic involvement of the editor was an integral part of the work of preserving the creation of the avant-garde. Lisa Hirtz published Une Petite Pie in Pierre Chareau's gallery where she had opened her bookstore in 1925. Her interest in children's books was inspired by her grandson Pierre. Eight gouaches were executed by Miro for the colored plates which were then created by Saudet. Edition is limited to 300 copies. On Arches. Ref: Jean Bucher Un Galerie d'avant garde 1925-1946 Skira 1994. Eluard and his Painter Friends. Sante George Pompideau 1992. Cramer. Joan Miró Catalogue Raisonné des Livres Illustrés no. 1. Johnson. Artists' Books in the Modern Era p. 98. Andel. Avant-Garde Page Design 1900-1950 p. 330. Éditions Jeanne Bucher, Paris hardcover books
1928rif. 2419Paris Edition Jeanne Bucher. 1928. MIRO JOAN 1893-1983. HIRTZ LISE. IL ETAIT UNE PETITE PIE THERE WAS ONCE A SMALL MAGPIE Drawings in color by Joan Miro. A folio of 8pp. of pochoir prints. Enclosed in the ORIGINAL LINEN FOLIO in pearl grey background with black and green letters and lined with black paper. 11 5/8 x 10 5/8 x 5/8. RARE. Enclosed in a black linen contemporary clam shell box. Her first publication was as Lisa Hirtz: Il était une petite pie There was a little magpie with 8 pochoirs by Joan Miró in 1928. She was the editor of Le Phare de Neuilly which frequently published articles relating to surrealism. Miro created one of the most imaginative books for children and far beyond its time. Joan Miro was studying art in Barcelona.He moved to Paris in 1919 he was introduced to a surrealists group in 1924 by his neighbor Andre Masson who shared his studio. He found among these artists the inspiration necessary for his work. But it was his humor that dominated his creations especially the black humor of the surrealists. In August 1927 Paul Eluard sent Miro the poems of Lisa Hirtz born Ann - Marie Meyer a friend of Breton. She was married to Paul Deharme 1898-1934 one of the pioneers of Radio France. Her first publication was as Lisa Hirtz: Il était une petite pie There was a little magpie with 8 pochoirs by Joan Miró in 1928. She was the editor of Le Phare de Neuilly which frequently published articles relating to surrealism. In October 1927 Miro completed the gouaches a part of which would be executed for the 8 plates of this book. Jeanne Bucher 1872-1946 completed the book in 1928. The artistic involvement of the editor was an integral part of the work of preserving the creation of the avant-garde. Lisa Hirtz published Une Petite Pie in Pierre Chareau's gallery where she had opened her bookstore in 1925. Her interest in children's books was inspired by her grandson Pierre. Eight gouaches were executed for the colored in plates which were created by Saudet. Edition is limited to 300 copies. Printed on Arches. Signed and dedicated by Lise Hirtz to Jane de Margerie. Jean Bucher Un Galerie d'avant garde 1925-1946 Skira 1994. Eluard and his Painter Friends. Sante George Pompideau 1992 Lisa Hirtz, Pierre Chareau's gallery. books
