Miro, JoanABAA
2 678 résultats
1987réf. 287351New York: Solomon R. Guggenheim Museum 1987. Softcover. Very Good. First edition. Very good in wrappers with light wear along the spine folds. Solomon R. Guggenheim Museum unknown books
1985réf. 066175Barcelona Spain: Ediciones Poligrafa 1985. First Edition . Hardcover. Near Fine/Very Good. 4 Vo; 3.5 Pounds. 263 Illustrations Including 143 in Color. dj in mylar; 118 clean unmarked pages Ediciones Poligrafa hardcover
1964réf. 215136London: The Arts Council of Great Britain 1964. First edition. Softcover. Exhibition catalog for a show that ran August 27 through October 11 1964 at the Tate Gallery in London and then October 31 through December 6 1964 at the Kunsthaus in Zurich. Features an introduction by Roland Penrose. Includes 4 color and numerous black and white illustrations. A very good copy in wrappers and from the library of the Marlborough Gallery with their marks. A curious copy as this copy has also been signed by artist William Copley on the rear cover. A very nice copy with an interesting provenance. The Arts Council of Great Britain unknown books
réf. SKB-13341NY: Abrams 1970. 4to. Hardbound in dust jacket. First edition. Profusely illustrated. Barely perceptible touch of yellowing to edges of some pages and edges of jacket but a fine copy tiny price sticker to front flap. NY: Abrams, [1970]. hardcover
réf. 101658797X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. A9781168594969New. unknown
réf. 8434304805.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1039186114.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1917réf. RO80277126E.Domenech. 1916-1917. In-12. Relié. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Papier jauni. 231 pages + 314 pages - signet conservé - tranche en tête dorée - livre en espagnol.. . . . Classification Dewey : 460-Langues espagnole et portugaise
1965réf. RO80212608Christie's. 1965. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 55 pages. Nombreuses illustrations en couleurs dans et hors texte. Texte sur 2 colonnes.. . . . Classification Dewey : 709-Histoire des arts
1972réf. R200104693René Dessagne. 1972. In-12. Broché. Etat d'usage, Tâchée, Dos satisfaisant, Quelques rousseurs. 235 pages.Envoi d'auteur en page de titre et sur carte de viiste, à l'encre. 2 photos disponibles.. . . . Classification Dewey : 97.2-Dédicace, envoi
réf. 048316285X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 3846570974.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2022réf. 014635Bloomsbury 2022. Hardcover. Fine. J. M. Miro. Ordinary Monsters . First U.K hardback printing. Bloomsbury 2022. Fine jacket priced £17.99. Fine boards. Sharp corners and spine. Brand new. Fine contents. No previous owner marks. Signed by author on title page. Book one of the Talents series. Big things expected of this series and touted by some leading authors in the Fantasy / Horror genre. Monster size book as well so inter post will be expensive. Not many signed around at present. Bloomsbury hardcover
2008réf. 46975Bielefield: Kerber Verlag 2008. Large 8vo. 264 pp. Publisher's card covers with flaps. Colour illustrated throughout. A little light edge wear very good. Bielefield: Kerber Verlag unknown
1977réf. 0019597London: Academy Editions. Bound in clean black cloth with clear white titles to front board and spine this dated 1977 hardcover First Edition is VG in VG dustjacketunclipped. 157pp with Introduction by Gaetan Picton. Studio Talk: Miro and Picon Unpublished Notebooks 1 to 7 The Murder of Painting to Ceramics Unpublished text illustrated by Miro List of 153 Illustrations. Condition all VG . Very Good. Hardcover. First Edition. 1977. Academy Editions hardcover
2007réf. K17NS1430Connaught Brown London 2007. 1st Edition. SOFTCOVER. 8vo in stiff card covers 21pp on thick glossy art paper colour plates etc. Price list loosely inserted __CONDITION : NEW copy. . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Connaught Brown, London paperback
2006réf. 1416Barcelona: Museu Nacional d'Art De Catalunya 2006. Paperback. Very Good. 310pp. Texts in Spanish w/ Catalan & French at the back. Very Good w/ minute edge/corner wears a minor dent on the back spine part. Museu Nacional d'Art De Catalunya paperback
2018réf. 9788661570650NNK international 2018. hardcover. NEW. . NNK international hardcover
1964réf. 38002Madrid: Cacharreria del Ateneo 1964. Paperback. Good. used book in good condition; some edgewear; All B/W Cacharreria del Ateneo paperback
1996réf. 012444Nice Profession Plastique, Musée d'art moderne et d'art contemporain 1996 In-4 carré Cartonnage éditeur
réf. 19221Barcelone, Galeria Maeght, s.d. [1974] In-folio, non paginé, en feuilles, couverture originale lithographiée en couleurs (frottements au dos)
1951réf. 20232New-York Pierre Matisse Gallery 1951 1 in-12 New-York, Pierre Matisse Gallery, 1951, petit in-12, relié par deux agrafes, titre imprimé en noir sur la couverture crème ajourée laissant apparaître le portrait de Rafols sur fond vert.
1959réf. 016369Paris Galerie Daniel Cordier 1959 In-12 en hauteur Broché, couverture illustrée Edition originale
1952Pieghevole (cm 16,5 x 12,5) con foto in b/n di Miro' mentre osserva un suo quadro, ill. in b/n a doppia pagina. Testo di presentazione di Gillo Dorfles, pittore e filosofo fra i fondatori del MAC (Movimento per l'Arte Concreta), alla mostra di Miro' del 1952 alla galleria dello Zodiaco di Roma. Dalla presentazione di Dorfles: 'Oggi, dopo la morte di Klee, Joan Miro' rappresenta forse la personalita' piu' viva e attuale nella pittura europea. Proprio perche' la sua arte, nutrita di tutte le esperienze dell'ultimo cinquantennio, e' a sua volta la progenitrice di nuove forme artistiche proiettate verso il futuro'.
