[Joan Miro] Remi LabrusseBiblio.com
2 665 résultats
2020réf. 169875Paris: Cahiers d'Art 2020. First Edition. Softcover. First Edition. As New. An overview of the work of Joan Miró with "Cahiers d'Art" with unpublished objects and pieces from the artist's collection. Fine and unread in a pictorial card box as issued still in publisher's shrinkwrap. Cahiers d'Art unknown
2006réf. 170700Paris: Daniel Lelong / Successió Miró 2006. First Edition. Hardcover. First Edition. Text in English. As New. Fine and unread in an about Fine dust jacket. Still in publisher's shrinkwrap. Oversize volume shipping billed at cost. Daniel Lelong / Successió Miró unknown
réf. DADAX0244423482New unknown
1985réf. 168583Zurich and Paris: Galerie Maeght Lelong 1985. First Edition. Softcover. First Edition. Text in French. Features work by Bacon Miro Chagall Appel Artigas and others. Lightly worn on the bottom edges else Near Fine in perfect-bound wrappers. Galerie Maeght Lelong unknown
1968réf. 168407Paris: Fondation Maeght 1968. Softcover. First French Edition. Text in French. Illustrated with over 100 black-and-white and color plates. Four-page folded lithograph laid in as issued. About Near Fine in perfect-bound wrappers with French flaps. Fondation Maeght unknown
réf. 67115Galerie Lelong & Co. 2010. hardcovers dusjackets1716 pages 6 vols. Illustrations col. & bw ill. Text; English NEW!!!! . The catalog raisonné of Miró's paintings consists of the following six volumes:; Miró Paintings I. 1908-1930 Jacques Dupin Hrsg. Galerie Lelong. Englisch. 256 Seiten ills. 26 x 33 cm. Leinen mit Schutzumschlag. 9782868820310 Miró Paintings II. 1931-1941 Jacques Dupin Hrsg. Galerie Lelong. Englisch. 268 Seiten. 26 x 33 cm. Leinen mit Schutzumschlag. 9782868820372 Miró Paintings III. 1942-1955 Jacques Dupin Hrsg. Galerie Lelong. Englisch. 368 Seiten. 26 x 33 cm. Leinen mit Schutzumschlag. 9782868820495 Miró Paintings IV. 1959-1968 Jacques Dupin Hrsg. Galerie Lelong. Englisch. 274 Seiten. 26 x 33 cm. Leinen mit Schutzumschlag. 9782868820563 Miró Paintings V. 1969-1975 Jacques Dupin Hrsg. Galerie Lelong. Englisch. 278 Seiten. 26 x 33 cm. Leinen mit Schutzumschlag. 9782868820624 Miró Paintings VI. 1976-1981 Jacques Dupin Hrsg. Galerie Lelong. Englisch. 272 Seiten ills. 26 x 33 cm. Leinen mit Schutzumschlag. 9782868820679 Galerie Lelong & Co. 2010 hardcover
1937réf. 88877Paris: Cahiers d'art 1937. Fine. Complete issue featuring Joan Miró's striking original stencil Cahiers d'art Paris 1937 25 x 32 cm broché First edition featuring the celebrated original color stencil ""Aidez l'Espagne!"" printed on Arches paper by Joan Miró. With literary contributions by Christian Zervos on Pablo Picasso's ""Guernica"" as well as texts by Jean Cassou Georges Duthuit Pierre Mabille Michel Leiris Paul Éluard René Char. Illustrated with numerous reproductions of works by Pablo Picasso and Joan Mirós ""Le faucheur"". Some rubbing and small tears to the spine as often a vertical crease to the rear wrapper otherwise a fresh and well-preserved copy. Cahiers d'art unknown
réf. 1152821976 . Etching and aquatint with carborundum in colours 1976 on Arches paper signed in pencil and numbered 40 from the edition of 50 there were also 12 Artist's Proofs printed by Morsang Paris published by Maeght Paris with full margins sheet: 1378 x 956 mm. 54 ½ x 38 in. Created in 1976 this dynamic image is part of a series of prints that Miró created in collaboration with printmaker Robert Dutrou using Henri Goetz's innovative carborundum printmaking technique. The title of the work translates as 'The Red Egret' and depicts the abstracted form of a bird in bold contrasting colours. The deep blues and blacks of the lower half of the composition are balanced by the empty negative space towards the top creating an intriguing visual tension. The sweeping curves and loops of thick black linework bring energy and movement to the image. This print not only showcases Miró's mastery of compositional design but also highlights his technical brilliance. Through the combined use of aquatint for background colours etching for the bird's outline and carborundum to add texture and depth Miró creates a striking visual effect. Dupin 930 1976 unknown
réf. 118369Paris Maeght Editeur 1950. . Limited edition number 18 of 20 copies on Montval from a total edition of 253 signed by the author and illustrator; folio 37.5 x 28 cm; half-title 72 lithographed illustrations many full-page printed in black and colour by Joan Miro with an additional aquatint and lithographed plate heightened with crayon signed and dated 12 June 1950; original upper wrapper bound in collage of coloured paper and newsprint with lithographed design by Miro; binding signed and dated by Georges Leroux 1962 full beige calf covers decorated with elaborate title composed of onlaid coloured calf over 4 strips of inlaid black calf spine with names of artist and author onlaid in mottled calf gilt edges straw-weave doublures and endpapers calf-backed chemise and slipcase both with lithographed designs by Miro on covers a fine copy. Limited edition number 18 of 20 copies signed by the author and illustrator From the edition de tête with an additional lithograph heightened and signed by the artist. Tzara composed these poems without punctuation or capitalisation in 1945 at the psychiatric hospital of Saint-Alban at the invitation of Dr. Lucien Bonnafé. Miro's early books published before the war were sparsely illustrated and so this is considered his first significant artist's book. It also represents the artist's first publishing project in collaboration with Maeght. This copy is one of only 20 examples on velin de Montval. The additional plate has been considerably heightened by Miro in crayon and signed and dated using a mixture of colours. Combined with the exquisite binding by Leroux this is a superlative example of Miro's Parler Seul. Paris, Maeght Editeur, 1950. unknown
réf. 117890Paris Tériade 1966. . Limited edition one of 25 copies reserved for collaborators this being numbered XXV from a total edition of 205 signed by Miró in pencil on colophon; folio 43 x 33 cm. pp. viii 133 xv 13 lithographs printed in colours by Miroprinted by Mourlot on Arches wove paper all loose as issued in the publisher's printed wrappers cream coloured chemise and matching slipcase slipcase a little stained; a very attractive copy. Limited edition one of 25 copies reserved for collaborators Rare surrealist illustrations by miro; a key text of the Theatre of the Absurd This portfolio illustrates the play 'Ubu Roi' by the French writer Alfred Jarry that premiered in 1896 and was part of the genre of the Theatre of the Absurd which thrilled the Surrealists and Dadaist. It was adopted not only by Miró but also by other artists such as Max Ernst or Man Ray. Miró chose to create thirteen large colourful double-page lithographs for his 1966 illustrations of the play employing imagery that is characteristically biomorphic and humorous in keeping with themes of the play. The prints however are vividly coloured and finished and are perhaps slightly more painterly than most of Miró's graphic work. Paris, Tériade, 1966. unknown
1984réf. 382231-MD4New York : George Braziller 1984. Hardcover. Good. Facsimile of copy 75 of this 1958 book with a facsimile signature by Joan Miró. Original wrappers illustrations in colour throughout slipcase large 4to.; Without the 22-page softcover Publisher's Preface. New York : George Braziller hardcover
2022réf. 1-1250833663Flatiron Books 2022. Hardcover. New. 660 pages. 9.50x6.50x2.00 inches. Flatiron Books hardcover
réf. 115300Paris RLD 1985. . Limited edition one of 90 copies from a total edition of 146 large folio 64 x 53 cm; complete set of 13 etchings with aquatint 12 in colours five signed in pencil in- and hors-texte title text in French and justification on various papers signed in pencil on the justification by the artist and poet loose as issued original acetate-covered paper wrapper printed with the first etching beige cloth-covered portfolio box with title in white to spine the additional suite loose within paper wrappers a fine copy. One of 90 copies complete with 13 etchings A fine example of the complete portfolio of 13 etchings - five of which are signed. This is an incredibly fresh copy of Miro's impressive and large-scale work preserved in the original illustrated wrappers and publisher's box. The frontispiece of Passage de l'Egyptienne is signed as well as the four plates of Minutes Conjointes. André Pieyre de Mandiargues was a prominent French writer born in Paris in 1909. During the war he retreated to Monaco where in 1943 he published Dans les annees sordides. He returned to Paris at the end of the war and in 1947 after meeting André Breton he became involved in the activities of the Surrealists. As well as being a poet and novelist Mandiargues has written plays essays and art criticism. He won the Prix des Critiques in 1951 for Soleil des Loups and the Prix Goncourt in 1967 for La Marge. Paris, RLD, 1985. hardcover
réf. 1152861974 . Etching and aquatint in colours 1974 on Arches wove paper signed in pencil and numbered 49/50 from the edition of 50 printed by Morsang Paris published by Maeght Paris sheet: 1392 x 960 mm. 54 x 37 in. 'La Femme Toupie' bursts with vibrant splashes of bright green yellow and orange. Created in 1974 this print is part of a series of 60 that Miró made between 1974 and 1975 using a combination of etching and aquatint. Central to the composition is the figure of a woman outlined in thick black lines. While abstracted in Miró's signature style her large black eyes nose and red mouth emerge distinctly. She raises her arms high and kicks one leg out spinning with joyful motion. Stars crown her head while swirling grey and orange washes behind her head enhance the print's sense of dynamic movement. A playful and evocative print it conveys both spontaneity and a deep emotional resonance. Dupin 652 1974 unknown
réf. 1152911974 . Etching and aquatint in colours 1974 on Arches wove paper signed in pencil and numbered 43/50 from the edition of 50 printed by Morsang Paris published by Maeght Paris with full margins sheet: 1102 x 726 mm. 43 x 28 in. Created in 1974 this print is part of a series of 60 that Miró made between 1974 and 1975 using a combination of etching and aquatint. The title translates as 'The Tree-like Woman' and depicts an abstracted figure inviting viewers to further interpret the image. At the centre of the sheet a small face with red and blue eyes emerges while thick black lines branch out from her form. The fluidity of her figure is further enhanced by splashes of blue and green along with delicate scribbles and symbols that weave throughout the composition. These elements give the print both a dynamic energy and mythical quality showcasing Miró's ability to transform the human form into something both organic and otherworldly. Dupin 649 1974 unknown
réf. 1152921974 . Etching and aquatint in colours 1974 on Arches wove paper with the Maeght watermark signed in pencil and numbered from the edition of 50 printed by Morsang Paris published by Maeght Paris with full margins sheet: 1405 x 945 mm. 55¼ x 37¼ in. 'Le Somnambule' is a whimsical and energetic portrayal of Miró's signature symbols and motifs. The title suggests being in a dreamlike state hinting at the artist's fascination with exploring and expressing the subconscious mind in his art. Depicted in the composition is a dynamic combination of floating visual elements layered to create a sense of depth and movement. Subtle colour accents along with vigorous linework give the piece a playful spontaneity. Unexpected bursts of red orange and blue spots surround the central abstracted form hinting at a startled mask with wide eyes. Dominated by dark hues the print allows subtle areas of white to shine through the background enhancing the image's overall dreamlike quality. Dupin 656 1974 unknown
réf. 1152901974 . Etching with aquatint in colours 1974 on Arches paper signed in pencil and numbered 48/50 from the edition of 50 printed by Morsang Paris published by Maeght Paris with full margins sheet: 1378 x 965 mm. 54¼ x 38 in. The title of this work translates as 'The Pink Clown' and portrays a captivating abstract figure centred in the composition and brought to life through bold black lines. The figure is playful and full of movement reaching out towards the edges of the sheet. Crowned with a whimsical hat the figure is formed of vigorous linework that conveys its energetic and spirited nature. Unlike Miró's typical vibrant colour palette this print is dominated by a soft pink wash lending it a dreamlike atmosphere. Surrounding the central figure are unexpected stars and spontaneous scribbles heightening the image's sense of dreamlike fantasy. A work full of energy 'Le Pitre Rose' captures Miró's distinctive ability to evoke emotion and whimsy through simple yet dynamic forms and colours. Dupin 653 1974 unknown
réf. 1152851975 . Etching and aquatint in colours 1975 on Arches paper with the Maeght watermark signed in pencil and numbered 39/50 from the edition of 50 printed by Morsang Paris published by Maeght Paris with full margins sheet: 1381 x 955 mm. 54¼ x 37¾ in. 'La Contre-Balancée' highlights Miró's continued departure from traditional artistic conventions in the final decades of his life and showcases the artist's mastery in creating layered emotive artworks. In this print Miró depicts the abstracted form of a figure inviting viewers to interpret the image in their own unique way. The dynamic contrast between bold black strokes and delicate thin lines adds depth without using representational perspective. Miró's signature black forms blend seamlessly with vibrant blue and red geometric shapes giving the image an overall compositional balance. This etching and aquatint print demonstrates Miró's remarkable ability to merge abstraction with figuration capturing a playful simplicity in a visually captivating manner. Dupin 754 1975 unknown
2001réf. 166204Paris: Reunion des Musees Nationaux 2001. First Edition. Hardcover. First Edition. Text in French. Published in conjunction with an exhibition held from October 9 2001 through January 14 2002 at the Galeries nationales du Grand Palais and from February 28 through May 26 2002 at the Museu Picasso in Barcelona. About Fine lightly rubbed on the rear board with no dust jacket as issued. Oversize volume shipping billed at cost. Reunion des Musees Nationaux unknown
réf. 112039Geneva. G. Cramer 1977. . Limited edition one of 15 copies with two additional etchings from a total edition of 83 folio 53.6 x 28 cm; complete example with 8 plates after Miro plus one etching to the vellum covers signed and numbered in pencil signed by Miro on the justification loose as issued; original printed vellum wrappers designed by Miro housed in the publisher's beige cloth with title printed in black a fine copy. Fine example of the complete portfolio with 8 plates two more than the regular edition all signed and numbered by Miro. In the original printed vellum wrappers. Gualtieri di San Lazzaro was an Italian writer and art publisher. For the majority of his life he resided in Paris where he published monographs focusing on the work of contemporary French and Italian artists. He was the founder of the periodical XXe Siècle. The eight plates are titled: 1. Signe Premier etching; 2. Le Miroir secret du feu et du froid linocut with intaglio over-printing in colour; 3. Retour à la position primitive etching with aquatint printed in colour; 4. Le Demi-Sommeil de l'attente etching with aquatint printed in colour; 5. La Destruction du Miroir etching with aquatint printed in colour; 6. Hommage à San Lazzaro etching with aquatint printed in colour; 7. Incertitude prolongée etching with aquatint printed in colour; 8. L'Ultime Menace etching with aquatint printed in colour. Cramer 229. Geneva. G. Cramer, 1977. hardcover
2019réf. 1-3731509369KIT Scientific Publishing 2019. Paperback. New. 138 pages. 8.31x5.83x0.43 inches. KIT Scientific Publishing paperback
2016réf. 1-3659906042LAP LAMBERT Academic Publishing 2016. Paperback. New. 192 pages. 8.66x5.91x0.44 inches. LAP LAMBERT Academic Publishing paperback
2018réf. 1-373150779XKIT Scientific Publishing 2018. Paperback. New. 116 pages. 8.19x5.59x0.32 inches. KIT Scientific Publishing paperback
2018réf. 1-3731506467KIT Scientific Publishing 2018. Paperback. New. 172 pages. German language. 8.27x5.83x0.39 inches. KIT Scientific Publishing paperback
2012réf. 1-3844235876epubli GmbH 2012. Paperback. New. 128 pages. German language. 8.27x5.83x0.29 inches. epubli GmbH paperback
