2 695 résultats
1960réf. 49020Paris.: Editions Surréalistes. 1960. Loose as issued in original publisher's printed wrappers with titles to front cover additional green wrapper and matching paper-covered board box paper label with printed title to spine. Small folio. 340 x 263 mm. Half-title leaf with Miró's original colour lithograph signed in pencil as frontispiece title leaf with homage 'En souvenir de Benjamin Péret' recto verso and following leaves with Ivsic's verse in French final leaf with justification and achevé d'imprimer verso. One of Miró's most beautiful books printed entirely on beautiful hand-made paper impressed with flower petals ferns and herbs.From the edition limited to 95 copies on 'Auverge à la main à pétales de fleures brin d'herbes et pointes de fougére du Moulin Richard-de-Bas' with this one of 75 numbered copies signed on the justification by Miró in coloured crayon and by Ivsic in black crayon; 20 lettered copies were also issued reserved for the artist and the poet.The entire book the text is the eponymous poem by the bilingual Yugoslav emigré poet and dramatist is printed on hand-made Auvergne paper inset with flower petals small leaves herbs and bracken tips.Also included inserted loose is the original publisher's announcement or prospectus printed on a green hand-made Auvergne 323 x 248 mm matching the paper used for the additional wrapper of the book. The prospectus indicates too that the first 25 numbered copies included an additional pull of Miro's lithograph; copy number also included Ivsic's manuscript.Cramer 61. Editions Surréalistes. unknown
1938réf. 48651Paris.: Editions Sagesse. 1938. Full tan polished calf by Pierre-Lucien Martin with his signature gilt to front turn-in and dated 1970 front and rear board with large abstract geometric onlays of crème caramel polished calf turquoise suede doublures and free endpapers smooth spine with title gilt t.e.g. original grey handmade paper wrappers with titles in black to front cover preserved matching wool-lined calf-backed paper board chemise with gilt title to spine and calf-edged slipcase. 8vo. 210 x 174 mm. Leaf with manuscript text by Paalen recto manuscript poem verso leaf with original etching as frontispiece by Miró printed in red on irregularly trimmed yellow paper and signed and numbered from the edition of 75 in pencil printed title three leaves with Paalen's verse leaf with justification recto. Sonja Sekula's copy of 'Sablier Couché' presented by Paalen with a manuscript poem Miró's superb signed frontispiece and bound by Pierre-Lucien Martin.From the edition limited to 75 numbered copies on Arches paper signed and numbered in ink by Alice Paalen on the justification and signed and numbered by Miró on the etched frontispiece.Paalen's presentation is in black ink to the initial blank: 'Celui qui a inspiré ce poèmea disparu comme / une vague disparait dans la mer après s'être élevée haut dans la lumière notre rencontre / a été celle de deux vagues venant en sens contraires / qui s'él`event et se à l'éxtrème de leur élan / à vous qui coulez sur la même pente que moi / Sonia que j'attendais Alice Paalen signed in blue / grey ink'; at the foot of the page Paalen quotes: ''Rendez-vous de rivière eau se recevant des nuages / et des sources eaux qui me lie à ton sort . '.The following page features Paalen's poem 'Mercure éteint' in blue ink. 'Mercure Eteint' was published in Paalen's 1941 collection 'Noir Animal'; here Paalen has dated the poem 'Mexico San Angel / Nuit du 29 mai 1940'. The lines quoted at the foot of the presentation i.e. 'Rendez-vous de rivière . ' is from 'Les Appelants' which also features in 'Noir Animal'. A shortened version of the same quotation appears in a copy of 'Noir Animal' given by Paalen to André and Jacquéline Breton and their daughter Aube.The Sonia of Paalen's enigmatic presentation is the painter Sonja or Sonia Sekula 1918 - 1963 the Swiss-born New York-based Abstract Expressionist painter like Paalen she was also a poet and friend to the Surrealists in exile. Sekula knew Paalen in the 1940s - she remained married to Wolfgang Paalen until 1947 - and the pair had a short-lived but passionate affair: 'During a visit to the Onslow Fords in Morelia Alice had met and fallen in love with the Swiss artist Sonja Sekula who had exhibited in the group show '31 Women' at Peggy Guggenheim in 1943 and was now associated with the 'Indian Space' group in New York around Peter Busa. The two lived an open love affair . ' see Andreas Neufert's biography of Wolfgang Paalen. The presentation detailed above is also listed with the additional detail that Alice and Sonja's relationship had ended by August 1945.Alice Paalen 1904 - 1987 née Phillipot and later Rahon her mother's maiden name Surrealist poet and painter married the Austrian Surrealist Wolfgang Paalen in 1930. She participated in Surrealist activities during the early 1930s and had a significant liaison with Picasso before the publication of her first collection of poetry in 1936 A Mème La Terre the same year that she went to India with fellow poet and Surrealist Valentine Penrose. Further collections followed including the present volume Sablier Couché with the two poems 'Sablier Couché' and 'Muttra' and Noir Animal 1941 before she turned her attention to painting and changed her surname to Rahon. Many of Paalen's presentations feature quotations from her own poems as here.Cramer 5; see Andreas Neufert's 'Paalen: Life and Work Vol. 2 Under the Volcano: The DYN Project and Exile in Mexico 1939 - 1959' Norderstedt 2023 pp. 198 - 199. Editions Sagesse. unknown
réf. 1901200874Paris: Maeght Editeur 1970. 1st Edition 1st Printing. Hardcover in Slipcase. Near Fine. Miró Joan. Loose leaves in illustrated wrappers as issued housed in publisher's light blue chemise and slipcase. Printed on velin de Lana folio pp. 30. With 2 original colour double-page lithographs by the artist and 6 after. One of 150 copies signed by Joan Miró at the colophon. CONDITION REPORT: Slipcase: Minor sunning at margins front and back. Small chip to fabric at one upper corner. Microscopic chip to fabric at front panel near upper corner left. VG. Chemise: upper cover bowing. One very small chip to each spine tip i.e. loss of blue fabric. Finger mark to upper cover. VG. Contents: One single spot to the upper margin of the first four pages artwork not affected. Otherwise excellent Fine. Maeght Editeur hardcover
1965réf. 1901200743Paris: Maeght Editeur 1965. 1st Edition 1st Printing. Soft cover. Near Fine. Various. Published by Maeght Editeur Paris 1965. Loose signatures in illustrated wrappers as issued pp. 28. Published to mark the inauguration of the Fondation Maeght in Saint-Paul-de-Vence. With one original colour lithograph by Miró and one by Ubac. Colour reproductions by Braque Kandinsky Bonnard Miró and a double-page colour reproduction by Chagall. Condition: Near Fine. Maeght Editeur paperback
1948réf. 1901200742Paris: Galerie Maeght - Editions Pierre A Feu 1948. 2nd Edition . Soft cover. Very Good. Joan Miró. Loose leaves in illustrated wrappers as issued pp. 12. The stated 2nd edition of this early DLM which was originally published in November 1948 on the occasion of the the exhibition of paintings and ceramics by Joan Miró at the Galerie Maeght. With 7 original lithographs including the covers and one double-page which is often counted as two seperately in colour and 8 reproductions en noir. VG condition - not pristine bumped with small split to the wrappers at the crown other minor wear. Small bookseller sticky label to the lower corner of the rear cover. Contents Fine remains a nice copy. Galerie Maeght - Editions Pierre A Feu paperback
1967réf. 1901200190Paris: Maeght Editeur 1967. 1st Edition 1st Printing. Soft cover. Fine. 2 colour lithographs by Joan Miro in DLM 169 8 pages only including wrappers. Near Fine with minor crease across the lower corners. Maeght Editeur paperback
1971réf. 1901200243Paris: Maeght Editeur 1971. 1st Edition 1st Printing. Soft cover. Fine. Published by Maeght Editeur Paris December 1971. Loose signatures in illustrated wrappers as issued. A lovely complete copy of DLM No. 195 effectively a catalogue of forthcoming books to be published by Maeght. The front cover is an original lithograph by Ubac. Other artists featured include Calder Miró Giacometti Riopelle Tapies and Artigas. Condition: Excellent and clean. Fine. Maeght Editeur paperback
1956réf. 47790Paris.: Editions Albin Michel. 1956. Original publisher's printed wrappers with titles in red to front cover and spine front cover with repeated reproduction in relief in pink of a drawing by Ambroise Paré. 8vo. 202 x 135 mm. Half-title with 'Du Mème Auteur' verso leaf with Miro's original colour lithograph as frontispiece verso title with justification verso and Péret's text illustrated with reproductions on glossy paper throughout two leaves with 'tables' and final leaf with achevé d'imprimer. A very good copy of Péret's 'Anthologie de l'Amour Sublime' with Miro's signed colour lithograph.From the édition de tête limited to 37 numbered copies on vélin du Marais with the original colour lithograph signed and numbered by Miro as frontispiece with this one of seven hors commerce copies numbered in Roman numerals; an ordinary edition without the frontispiece was also issued.Miro's original colour lithograph printed by Mourlot Paris is numbered from the edition of 40.Also included inserted loose is a card for 'Editions Jean-Jacques Pauvert' to be filled out and sent in order to receive the 'Catalogue Illustré'.Cramer 35; Miro Lithographe 175. Editions Albin Michel. unknown
réf. 1616896280.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1969réf. 47495Paris.: GLM. 1969. Original publisher's cream printed wrappers with titles to front cover and spine in black. 8vo. 224 x 164 mm. Half-title with publisher's credit verso leaf with original colour lithograph frontispiece signed by Miró in pencil verso printed title and Char's verse final leaf with achevé d'imprimer and justification. An excellent copy of René Char's collection written in the spring of 1968 with Miro's signed lithograph frontispiece. From the edition limited to 885 copies with this one of 95 examples on vélin d'Arches with an original colour lithograph frontispiece by Joan Miro signed in pencil by the artist.Cramer 126. GLM. unknown
1957réf. 45616Alès.: PAB. Pierre. André. Benoit. 1957 Mars. Loose as issued in original cream printed wrappers with titles in black to front cover. 12mo. 124 x 128 mm. Two blank leaves leaf with title recto leaf with Miró's signed engraving as frontispiece recto four leaves with Char's verse recto and verso final verso blank leaf with Miró's second engraving recto leaf with justification recto two blank leaves. René Char's De Moment en Moment published by PAB and illustrated by Miró.From the edition limited to 42 numbered copies on Auvergne à la main with this one of 36 numbered in Arabic numerals and signed by PAB in pencil; the first of Miró's engravings the frontispiece is signed by the artist in pencil.Miró's original prints for the book are burin engravings on celluloid. Char's prose poems were written in 1948 and 1949 respectively. Montpellier 287; Cramer 42. PAB. (P[ierre]. A[ndré]. B[enoit].). unknown
réf. 137604Broché. Etat moyen. unknown
1998réf. SKU1109913Springer 1998-10-31. Hardcover. Like New. Boston 1998; glossy burgundy paper covered boards; very mild shelf wear; 8vo - over 7 3/4" to 9 3/4" tall; interior clean and unmarked; 207 pages. Springer hardcover
réf. 7308Abb.: 240x300 cm. Gebunden mit Schutzumschlag. 240x300 cm unknown
2017réf. 260521021ARizzoli 2017. Hardcover. New. 12x10x3. BRAND NEW. 3 Volume Set in Slipcase. Still Sealed in Publishers Shrinkwrap. Rizzoli hardcover
1993réf. 220302New York: Museum of Modern Art; Harry N. Abrams Inc. Publishers 1993. Cloth 484 pages illustrations some colour; 31 cm. Near fine. Firm binding clean inside copy. Age toning. Dust jacket toned with light edgewear protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A massive coffee-table book. Richly illustrated with colour plates. "Published to accompany a centennial exhibition at The Museum of Modern Art New York from October 1993 through early January 1994 this intensively researched volume contains more than 250 full-color reproductions that explore the entire range of the artist's career." - Publisher. . 1st. Hardcover. Near Fine/Very Good. 4to. Collectible. Museum of Modern Art; Harry N. Abrams, Inc., Publishers hardcover
1975réf. 35718New York: Léon Amiel Publisher 1975. Hardcover. Near Fine. Hardcover. Number 188 of 5000 copies of the English language edition. This volume is one of six published as a catalogue raisonné of Miro's lithographs. This volume includes work produced between 1964-1969 with some of the lithographs from 1969 to appear in Volume IV. With 5 original lithographs and a number of color plates of Miro's work. In an illustrated dust jacket with titling to spine in black. With a clear plastic cover and orange wrap around paper slip with title and publisher name in white. Bound in cream cloth with black titling to spine. In near fine condition. In paper slipcase that is torn. 215 pages. Measures 10 x 12.75 inches. ART/062922. Léon Amiel Publisher hardcover
1975réf. 35714New York: Léon Amiel Publisher 1975. Hardcover. Near Fine. Hardcover. One of 5000 copies of the English language edition this copy unnumbered. This volume is one of six published as a catalogue raisonné of Miro's lithographs. With 11 original lithographs and a number of color plates of Miro's work. In an illustrated dust jacket with titling to spine in black. With a clear plastic cover and green wrap around paper slip with title and publisher name in white. Very slight chipping to the bottom of the green paper slip. Also light chipping and fading to spine of dust jacket. Interior pages are near fine. 253 pages. Measures 10 x 12.75 inches. ART/062922. Léon Amiel Publisher hardcover
2019réf. 2-0691191190Princeton Univ Pr 2019. Hardcover. New. 130 pages. 10.25x8.25x0.75 inches. Princeton Univ Pr hardcover
réf. 125443Sicania 1989. 96 pages colour illustrations and 71 black and white plates. Paperback Text in Italian. Sicania, 1989. paperback
1973réf. 24326Paris: Galerie Maeght 1973. Single sheet. Near Fine. The single-sheet April 10 1973 invitation containing a Miro lithograph folded evenly in half and produced by the formidable Galerie Maeght of Paris. Bright and Near Fine. Galerie Maeght unknown
1967réf. 24353Paris: Fernand Mourlot 1967. Card Wrappers. Near Fine/Near Fine. Joan Miro. Lovely 1967 Joan Miro artist's book including 19 of his original lithographs.ONE OF 25 COPIES AN "HORS COMMERCE" COPY reserved "aux auteurs et aux artisans du livre" within the larger limitation of 200 copies. This copy is signed twice by Joan Miro including a warm insription to Lebanese poet Salah Stetie 1929-2020. The book's artistic director the renowned French publisher and typographer Henri Jonquieres 1895-1975 also inscribed this copy at the colophon to the poet Stetie. A crisp very sharp copy to boot. Clean and Near Fine in its lavish unbound card wrappers which contain all the loose signatures as issued. Including its original glassine dustjacket as well. Neatly housed in an off-white printed cloth chemise and the publisher's unprinted slipcase which both show just a bit of light wear. Fernand Mourlot unknown
réf. 085764Paris: 2006. 391pp with 440 colour and monochrome illustrations. Cloth 33x26cms. ISBN: 2868820743. Catalogue of the important body of sculpture by the 20th century Spanish master. Text in English. Text in English. Catalogue raisonné. Paris: 2006. hardcover
1935réf. 75435New York: University of New York 1935. Fine. University of New York New York February 1935 15.50 x 23 cm agrafé First edition of the inaugural bulletin of the ""Gallery of Living Art"" the painting acquisitions department of New York University. This bulletin presenting the gallery's most recent purchasestwo canvases by Hans Arp one by Piet Mondrian one by Joan Miró and the latest by Fernand Légerserves as a supplement to the catalogue issued in December 1933. Rare and handsome copy despite a small stain at the head of the front cover. University of New York unknown