2 665 résultats
réf. 16990Paris, Albert Skira, (1980-1981). In-4, 75-87-115 pp., reliure éditeur toile estampée d'une tête de taureau sur le plat supérieur (manque la jaquette illustrée).
réf. 271Palais des Beaux-Arts / Charleroi, 1985, (24,2 x 27,8 cm), 274 pages, couverture à rabats. Textes de Julian Gallego, Jürgen Glaesemer, Werner Spies, Jacques Dupin, Pere Gimferrer, Renilde Hammacher-Van den Brande, Francisco Calvo Serrailler, Robert Descharnes. Riche iconographie, soit 286 illustrations noir et couleurs in et hors-texte. Grand format en très bon état, léger jaunissement en haut et bas des couvertures, et en bord des pages, un minime manque de pelliculage en haut du premier plat de couverture.
1946réf. 1304Éditions de la Revue Verve, Tériade, Paris 1948. In-4 sous cartonnage recouvert d'une chemise illustrée rempliée. Couverture et page de titre en couleur spécialement composés par Picasso pour cet important numéro : 19 PLANCHES EN COULEURS contrecollées et nombreuses héliogravures en noir imprimées par Draeger Frères. Superbe exemplaire, à l'état de neuf. Provenance de l’exemplaire : Alice Tériade épouse de l’éditeur.
réf. 51-7324Paris: Maeght Derriere le Miroir mai 1964. . First Edition Derriere Le Miroir. Nr. 144-145-146. With 5 original lithographs by Pablo Picasso double-page in b/w/ M 1847 Joan Mirò Pierre Tal-Coat Raoul Ubac & Pierre Pallut. Folio 28 x 38 cm. .Original wraps. Text in French. Includes etching after Braque's 'Three Birds on a Purple Background'. With original lithographs by Picasso double-page Miró Tal-Coat Ubac and Pallut. 37.9x28 cm 15x11" printed portfolio wrappers. Text printed by Fequet et Baudier lithographs printed by Maeght. .Special issue of Derrière le Miroir dedicated to Georges Braque. Illustrations poems and essays by 27 contributors including Giacometti Chagall Miró and Picasso. .Condition:Wrappers worn and scuffed small closed tears at bottom spine; very good. Paris: Maeght, Derriere le Miroir, mai , 1964. paperback
réf. 51-1222Paris: Maeght Éditeur 1964. Folio 28 x 38 cm. with original lithographs by Picasso double page 38 x 56 cm Miró and others; photographs by May Ray and Brassai; other illustrations including color reproductions of works by Braque original printed wrappersFor Picasso: Cramer 124; Bloch 1847; Mourlot 401;For Miró: CramerFrom the collection of the late Picasso collector Stanley Seeger. Paris: Maeght Éditeur, 1964. unknown
1986réf. 66949Foundation. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 196 pp. With 143 ills. 85 col. and 109 reference ills. 29 x 24 cm. -- with a bonus offer-- . 1986. Foundation hardcover
1929réf. 011835Brussels: Varietes Publisher 1929. Wraps. Good. Printed wraps. Pagination run 473-544 plus 36 pages of ads and black and white plates unpaginated throughout. All text in French. An issue of this Belgian magazine devoted to contemporary views of various subjects of the day with a lean toward Modernism and Surrealism especially in the art world. This issue includes black and white line drawings by George Grosz and Jean Cocteau; black and white reproductions of paintings by Picasso Joan Miro Max Ernst etc. Edited by Paul Gustave Van Hecke a Belgian journalist art promoter and art dealer noted for his affinity for Surrealism. GOOD condition. Moderate uneven browning to the covers. Some creasing and bumping at the corners and extremities. Wrappers chipped with some loss along the spine. Varietes, Publisher unknown
1977réf. 85983Rizzoli. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Corresponds ti ISBN: 0847800938. 157 pages; 188 illustrations. -- with a bonus offer-- . 1977. 0847800938 . Rizzoli hardcover
1984réf. 84098S. n. | Paris 11 Janvier 1984 | 13.50 x 10 cm | une feuille + une enveloppe
réf. lc_97730L'Atelier Contemporain
1958Couverture d'Olivier Debré. Lingua del testo: francese. Editore: Editions Albin Michel, Paris; 1958. Pagine numerate: 318. Dimensioni: 17 x 22 cm circa. con numerose tavole a colori e in nero, fuori testo. Stato di conservazione: qualche leggera abrasione sui margini della sovraccoperta, qualche segno a matita e a pastello sulla sovraccoperta anteriore (si veda la fotografia), macchioline gialle sulle due pagine di guardia, qualche lieve e marginale ingiallimento (soprattutto sulle pagine frontali alle tavole) ma, nel complesso, un esemplare buono. Privo di scritte, sottolineature o altri segni nel testo. Nessuna Firma d'appartenenza o timbro. rilegatura editoriale con piatti in cartone flessibile e sovraccoperta illustrata, con alette. Numerosi gli artisti presenti nel volume: Gino Severini, Umberto Boccioni, Prampolini, James Ensor, Paul Klee, Maurice Utrillo, Amedeo Modigliani, Giorgio Morandi, Alberto Giacometti, André Lhote, Marquet, André Derain, André Masson, Mirò, Picasso, ....
1972réf. Alibris.0007310NEW YORK: PIERRE MATISSE GALLERY 1972. Wraps. Good/No dust jacket. Good. No dust jacket. Ex-library. null March 21 to April 15 1972 exhibition catalogue. Library number taped near spine stamped inside wraps pocket to rear two blindstamps. Other than library indications a clean tight copy seldom used. PIERRE MATISSE GALLERY paperback
1968réf. B-2022-1020XXe Siècle N.31 Panorama 68 1968. With 2 original lithographs by Joan Miró tryptic and Serge Poliakoff. Many essays and illustrations. Another second volume of "Panorama 68" with no lithographs is offered with the complete one. Very good conditions. Cahiers d'Art, G. di San Lazzaro hardcover
1968réf. B-2022-1020XXe Siècle N.31 Panorama 68 1968. With 2 original lithographs by Joan Miró tryptic and Serge Poliakoff. Many essays and illustrations. Another second volume of "Panorama 68" with no lithographs is offered with the complete one. Very good conditions. Cahiers d'Art, G. di San Lazzaro hardcover books
1974réf. 95412ABBern, Benteli, 1974. 28,5 x 29 cm. Mit zahlr. (tls. farb.) Abb. u. 2 doppelblattgr. farb. Originallithographien von Joan Miró. 229 S. OLwd. m. OU. - Frisches Ex.
1974réf. 23575(Paris), Maeght, (1974). 228 S., 2 Bll. mit zahlr. teils farb., teils ganzseit. Textabb. (ohne die beiden Original-Lithographien). Kl.-4°. OLwd. (kl. Gebrssprn.) mit OU im Schuber.
1974réf. 12665AB(Paris), Maeght, (1974). 28,5 : 29,5 cm. 228 pages, 2 leaves With 2 double-page original-colour-lithographs by Joan Miró and many, partly coloured illustrations. Original-cloth with coloured illustrated original dust-jacket.
1981réf. 114301Bern: Benteli Verlag, 1981. 29 x 28,5 cm ; Leinen
1984réf. 84098Paris: S. n. 1984. Fine. S. n. Paris 11 Janvier 1984 13.50 x 10 cm une feuille une enveloppe Autograph signed card from Pierre-André Benoit 8 lines in black ink written from his château at Rivières-de-Theyrargues in the Gard which he has occupied since 1970 addressed to the bookseller Pierre Clerc to whom he extends his wishes for 1984. The card is illustrated on the recto with a reproduction of a drawing by Joan Miró accompanied by a phrase from Saint Teresa of Avila envelope included. The sunny winter favors PAB's good humor: "". une bonne année commencée avec le soleil ce qui donne envie de circuler."" "". a good year begun with sunshine which makes one want to get about."" who suggests to his bookseller friend that he come to lunch at his home soon. Poet painter engraver Pierre-André Benoit or P.A.B. was above all a typographer and printer who created more than 400 illustrated works bringing together the greatest post-war poets with the most talented painters of the second half of the twentieth century. P.A.B.'s productions were first realized on a small press installed in his apartment in Alès. They brought together his poet friends René Char André Breton Paul Éluard Paul Claudel Erik Satie Tristan Tzara and his painter friends Joan Miró Georges Braque Jean Dubuffet Francis Picabia Marcel Duchamp and Pablo Picasso. In 1949 he began to use celluloid engraving which allowed him to make the prints himself and to create the books entirely. From his modern château at Rivières-de-Theyrargues in the Gard he would end up illustrating his works himself while continuing to work with his faithful friends Camille Bryen and Pierre Alechinsky. S. n. unknown
1963réf. 197861Paris: Maeght Editeur 1963. Signed by the Artist; Number 87 of 150 created. Hardcover. Good slipcase/Good Boards/VG interior Slipcase is moderately edgeworn/foxed/toned/smudged; yellow folio boards are lightly edgeworn; spine in particular is lightly worn and smudged/bumped; interior is clean with light toning and minimal foxing with occasional smudging; page edges are lightly worn and lightly darkened. Yellow slipcase with mounted title card; hardcover yellow folio with black lettering on the spine; 25 2 pp.; richly illustrated some folded some color. Text in French. This is a Limited Edition 150 copies issue of Derriere Le Miroir printed on Rives Vellum; Signed by Miro number 87 of 150. Six original lithographs. Maeght Editeur hardcover
1963réf. 197860Paris: Maeght Editeur 1963. Signed by the Artist; Number 122 of 150 created. Hardcover. Fair slipcase/Good Boards/Good interior Slipcase is heavily worn/foxed and broken and will need to be reinforced; yellow folio boards are lightly edgeworn; spine in particular is worn and scuffed with a chip in the paper with heavy foxing; interior is clean but lightly foxed with occasional smudging; page edges are toned and lightly worn. Plain off-white slipcase; hardcover yellow folio with black lettering on the spine; 25 2 pp.; richly illustrated some folded some color. Text in French. This is a Limited Edition 150 copies issue of Derriere Le Miroir printed on Rives Vellum; Signed by Miro number 122 of 150. Six original lithographs. Maeght Editeur hardcover
1963réf. 197861Paris: Maeght Editeur 1963. Signed by the Artist; Number 87 of 150 created. Hardcover. Good slipcase/Good Boards/VG interior Slipcase is moderately edgeworn/foxed/toned/smudged; yellow folio boards are lightly edgeworn; spine in particular is lightly worn and smudged/bumped; interior is clean with light toning and minimal foxing with occasional smudging; page edges are lightly worn and lightly darkened. Yellow slipcase with mounted title card; hardcover yellow folio with black lettering on the spine; 25 2 pp.; richly illustrated some folded some color. Text in French. This is a Limited Edition 150 copies issue of Derriere Le Miroir printed on Rives Vellum; Signed by Miro number 87 of 150. Six original lithographs. Maeght Editeur hardcover books
1963réf. 197860Paris: Maeght Editeur 1963. Signed by the Artist; Number 122 of 150 created. Hardcover. Fair slipcase/Good Boards/Good interior Slipcase is heavily worn/foxed and broken and will need to be reinforced; yellow folio boards are lightly edgeworn; spine in particular is worn and scuffed with a chip in the paper with heavy foxing; interior is clean but lightly foxed with occasional smudging; page edges are toned and lightly worn. Plain off-white slipcase; hardcover yellow folio with black lettering on the spine; 25 2 pp.; richly illustrated some folded some color. Text in French. This is a Limited Edition 150 copies issue of Derriere Le Miroir printed on Rives Vellum; Signed by Miro number 122 of 150. Six original lithographs. Maeght Editeur hardcover books
réf. 1212Montréal, Les Éditions de l'Hexagone, (1957). In-8 (22.8 cm) 53 pages, (1) feuillet, illustré d'une planche couleurs hors-texte de Juan Miró, tirée à la sérigraphie aux ateliers de Jean-Pierre Beaudin. Broché. Couverture illustrée de Gilles Carle, légèrement salie, autrement très bel exemplaire. Édition originale, un des 100 exemplaires numérotés sur Byronic blanc orné d'une gouache originale de Miró, seul tirage sur grand papier. Exemplaire no LXIII avec cet envoi: « Pour France Johnson, ces poèmes du temps présent... Jean-Guy Pilon, juillet 1957 ». DOLQ III, 481-483.
réf. 3016Montréal, Les Éditions de l'Hexagone, (1957). In-8 (22.8 cm) 53 pages, (1) feuillet, illustré d'une planche couleurs hors-texte de Juan Miró, tirée à la sérigraphie aux ateliers de Jean-Pierre Beaudin. Broché. Coin supérieur droit de la couverture taché, autrement très bel état. Couverture illustrée de Gilles Carle avec sa signature datée de 1999 en 3e de couverture. Édition originale, un des 100 exemplaires numérotés sur Byronic blanc orné d'une gouache originale de Miró, seul tirage sur grand papier. Exemplaire no XL avec cet envoi au faux-titre par l'auteur: « Pour Madame Andrée Larivière en lui présentant mes hommages et toute mon admiration. Jean-Guy Pilon, juillet '57 ». DOLQ III, 481-483.
