2 665 résultats
grand in-8°, 58 pages entierement illustre en couleurs, rel. cartonnage ill. plast. Tres bel exemplaire.. [TX-1]
1988The catalogue raisonnÈ of the holdings of the MirÛ Foundation in Barcelona. 556 pp. 1679 items, from all phases of MirÛ's career, reproduced and thoroughly described. All works reproduced in black & white, with many also reproduced as large color plates. An extremely important work, as it is the largest corpus of unquestionably authentic MirÛ works ever published (MirÛ and his family donated all of the items). Especially important for authenticating drawings, which constitute the majority of the works catalogued. Large 4to. Publisher's cloth. Dustjacket. FINE AND BRIGHT, with no defects. LIKE NEW.
réf. 15-8089New York: Perls Gallery 1962. 8vo. 12 pp. Stapled Wrappers Very Good. Illustrations. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of ParisArtists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York: Perls Gallery, 1962. unknown
réf. 15-8088New York: Perls Gallery 1961. 8vo. 12 pp. Stapled Wrappers Very Good. Illustrations. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of ParisArtists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York: Perls Gallery, 1961. unknown
réf. 1350345407.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 50939960-nnew. unknown
réf. 1763Galerie Engelberts, Genève, juillet-sept. 1970.
1967réf. s00026257London: Faber & Faber Ltd 1967. First English language edition. Hardcover. Very Good. First printing 1967. Large quarto cloth hardcover heavily illustrated some in color 29 pp. plates clean unmarked text Very Good copy some soiling or age-toning to the pages soiling and discoloration to the covers covers also with rubbing and light wear no dust jacket. Faber & Faber Ltd hardcover
réf. 29481o.J. 29 S.Text, Frontispitz sowie 64 ganzseitige farbige u. s/w Abbildungen. Orig.-Halbleinen u. Orig.-Umschlag.
1966réf. 37888-1Stuttgart, Kohlhammer 1966. 2°. 29 S. Text. Mit 64 teils farb. Abb. Original-Halbleinenband mit Schutzumschlag.
An early and important edition of this major work. Drawing by Miro reproduced on cover. 8vo. Original wraps. Covers lightly soiled and worn. Some internal spotting. But still good, and structurally sound.
2026réf. x-0197825052Oxford University Press Inc 2026. Hardcover. New. 160 pages. 6.14x0.50x9.25 inches. Oxford University Press Inc hardcover
2026réf. x-0197825060Oxford University Press Inc 2026. Paperback. New. 160 pages. 6.24x0.48x9.23 inches. Oxford University Press Inc paperback
réf. 53918552like new. unknown
réf. 53918552-nnew. unknown
2000réf. mon0004235258Oxford University Press 7/31/2026 12:00:01 A. paperback. Like New. 0.4800 9.2300 6.2400. Oxford University Press paperback
réf. 0197825052.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1986réf. 17084Montpellier, Fata Morgana, 1986. In-8 broché de 49-[7] pages sous couverture à rabats imprimée de l'éditeur.
1992réf. BN447974L'Erma di Bretschneider 1992. 1992. Agrigento e la Sicilia greca Agrigento e la Sicilia greca Braccesi L. und E. De Miro L'Erma di Bretschneider unknown
2018ill., br. Come molti gruppi indipendenti, anche i Giardini di Mirò nascono in un garage. La storia di una delle band più influenti della scena underground italiana parte alla fine degli anni Novanta a Cavriago: nel paese in provincia di Reggio Emilia due amici e compagni di scuola - Corrado Nuccini e Giuseppe Camuncoli - provano a formare un gruppo, influenzati in egual misura dal rock americano dei Sonic Youth e da quello italiano dei Massimo Volume. Dopo poco si uniscono a loro Jukka Reverberi, Mirko Venturelli, Luca di Mira ed Emanuele Reverberi: nuove voci che danno al combo un respiro più internazionale. Il libro ripercorre la parabola artistica del gruppo dagli inizi infatuati delle sonorità del post-rock fino alle sperimentazioni della maturità con l'hip-hop, l'elettronica e la musica da film. Il viaggio è arricchito dalle interviste ai musicisti, produttori e amici che hanno lavorato con il gruppo.
réf. 460979Maeght Editeur Paris 1960 Numéro 119 de mars 1960, de cette revue in-folio ( 380 X 280 mm ) de 36 pages, en feuilles sous couverture illustrée d'une lithographie en couleurs de Raoul UBAC. Lithographies originales en couleurs de BRAQUE, CHAGALL, MIRO, BAZAINE, UBAC, PALAZUELO et CHILLIDA. Lithographies originales en noir de FIEDLER et Alberto GIACOMETTI. Lithographies en couleurs d'après KANDINSKY et LEGER. Textes de CHAR, CENDRARS, VOLBOUDT, BROSSA, QUENEAU, LECLERCQ, FRENAUD, TARDIEU, HERNANDEZ, GUILLEN et DU BOUCHET. Edition originale publiée en mars 1960 pour l'exposition d'œuvres de BRAQUE, CHAGALL, KANDINSKY, LEGER, .... Petit manque au dos, bel exemplaire.
réf. 15-8091New York: Perls Gallery 1957-60. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of ParisArtists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York: Perls Gallery, 1957-60. unknown
réf. 15-8094New York: Perls Gallery 1959. 8vo. Oblong French Fold Sheets Deckled Laid Paper Very Good. Illustrated Cover. Scarce. 4 pp.The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of ParisArtists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York: Perls Gallery, 1959. unknown
1992réf. 67972Univ of Pennsylvania Pr. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ISBN: 9065380329. Text in Dutch French English and German with portions in French only. 220 pp. With 99 ills. 80 col. . 25 x 23 cm. Description: "Illuminates diverse explorations of ceramics by six major European artists through a chiefly pictorial survey of 80 painted vessels tiles plates and sculptural objects dating mainly from the 1950s and 60s." -- with a bonus offer--; 1.25 x 9.75 x 9 Inches . 1992. 9065380329 . Univ of Pennsylvania Pr hardcover
1948réf. 2245Maeght Editeur, Paris 1948. Un volume petit in-folio (385 X 285 mm) en feuilles, 54 feuillets non paginés, couverture illustrée en couleur rempliée + supplément de 20 feuillets pour la période 1947-1955. Portfolio toilé à lacets sérigraphié en couleurs sur le premier plat. Édition originale pour l'ensemble. La couverture est une lithographie originale en couleur. Texte autographe Georges BRAQUE enluminé page à page d'environ 110 compositions de l'artiste imprimées en lithographie par Mourlot Frères. Tirage à 95 ex sur Arches et 750 exemplaires sur Marais non numérotés, celui-ci l'un des 750 sur vélin du Marais. Ensemble très rare dans le superbe portfolio illustré. Un document essentiel pour la compréhension des choix et de l'évolution artistiques de Georges Braque tout au long de sa vie. Parfait état.