Miro, Joan; Raymond QueneauBiblio.com
2 695 résultats
1975réf. 28610New York: Leon Amiel 1975. First edition. Hardcover. Fine condition. Joan Miró 1893 – 1983 was a Spanish painter sculptor and ceramist. One of 5000 copies of the English language edition of which this copy is #1503. This volume is the second of six published as a catalogue raisonné of Miro's lithographs. With 11 original lithographs and a number of color plates of Miro's work. Small folio 13 x 10 1/4" 253pp cream cloth with red title at spine original illustrated dj black title on spine and wraparound green paper slip with white title in protective mylar. Leon Amiel hardcover
1975réf. 63562Ediciones Poligrafa. Near Fine in Near Fine dust jacket. 1975. First. Hardcover. Spanish language text. Cream-colored cloth boards tight and straight corners sharp. Inner pages pristine. Dust jacket is flap-intact crisp and clean. Includes 12 original lithographs including dustjacket litho. Translation by Enrique Molina Campos Prologue by Raymond Queneau.; 253 pages . Ediciones Poligrafa hardcover
réf. 51-5504Paris: A.C. Mazo 1972. Complete with 11 full page color lithographs plus the lithograph on the dust-jacket. Catalogues nos. 1-122.In -4. Complère avec toutes les lithographies originales Pleine toile de l'éditeur jaquettes illustrées.Fine. Paris: A.C. Mazo, 1972 unknown
réf. 116240New York : Léon Amiel. hardcover. Like New. 13x10x1. As new clean tight and bright large hardcover in lithograph jacket cover by acetate over jacket. #1764 of edition of 5000. oversized and overweight. Please email for photos. New York : Léon Amiel hardcover
réf. 51-4865Geneva: Patrick Cramer 2002 Alan Wofsy Fine Arts distribution. Laminated boards. 22 x 31cm. 200pp. 108 reproductions including 50 in colors.The livre d’artiste A toute épreuve was a collaboration between the poet Paul Éluard 1895-1952 the artist Joan Miró 1893-1983 and the publisher Gérald Cramer 1917-1991 over the course of a decade 1948-1958. Cramer and Miró continued their collaboration on other books and gallery shows and this publication includes the letters from Miró to Cramer on these other project until 1980.Paul Eluard and the Genevoise publisher Gérald Cramer met in 1945. Eluard offered him A toute épreuve a painful memory of his break with Gala who left him for Dali. He also offered him his old friend Joan Miró who could illustrate his poems with whom Gérald Cramer immediately made contact. From this meeting through letters one of the great adventures of Western illustration was born. From 1947 for the needs of the company contacts multiplied between the artist and the publisher: meetings telephone interviews telegrams exhibitions . and letters.This correspondence which lasts almost thirty-five years remains one of the tangible signs of this fruitful relationship. Miró's hundreds of letters cards etc. are reproduced transcribed and commented on.Paul Eluard et l’éditeur genevois Gérald Cramer font connaissance en 1945. Eluard propose A toute épreuve souvenir douloureux de sa rupture avec Gala qui l’a quitté pour Dali. Il lui propose également son vieil ami Joan Miró susceptible d’illustrer ses poèmes avec lequel Gérald Cramer prend immédiatement contact. De cette rencontre par lettres interposées naît une des grandes aventures de l’illustration occidentale. Dès 1947 pour les besoins de l’entreprise les contacts se multiplient entre l’artiste et l’éditeur: rencontres entretiens téléphoniques télégrammes expositions… et lettres.Cette correspondance qui dure presque trente-cinq ans reste un des signes tangibles de cette fructueuse relation. La centaine de lettres cartes… de Miró est reproduite transcrite et commentée. 108 reproductions dont 50 en couleurs complètent le volume. Joan Miró-Gérald Cramer. Une correspondance à toute épreuve. Patrick Cramer Editeur 2002. Volume cousu fil de 200 pages 108 reproductions dont 50 en couleurs relié plein carton couverture illustrée en couleurs 31 x 245 cm. Geneva: Patrick Cramer, 2002 (Alan Wofsy Fine Arts distribution) hardcover
1975réf. 35718New York: Léon Amiel Publisher 1975. Hardcover. Near Fine. Hardcover. Number 188 of 5000 copies of the English language edition. This volume is one of six published as a catalogue raisonné of Miro's lithographs. This volume includes work produced between 1964-1969 with some of the lithographs from 1969 to appear in Volume IV. With 5 original lithographs and a number of color plates of Miro's work. In an illustrated dust jacket with titling to spine in black. With a clear plastic cover and orange wrap around paper slip with title and publisher name in white. Bound in cream cloth with black titling to spine. In near fine condition. In paper slipcase that is torn. 215 pages. Measures 10 x 12.75 inches. ART/062922. Léon Amiel Publisher hardcover
1975réf. 35714New York: Léon Amiel Publisher 1975. Hardcover. Near Fine. Hardcover. One of 5000 copies of the English language edition this copy unnumbered. This volume is one of six published as a catalogue raisonné of Miro's lithographs. With 11 original lithographs and a number of color plates of Miro's work. In an illustrated dust jacket with titling to spine in black. With a clear plastic cover and green wrap around paper slip with title and publisher name in white. Very slight chipping to the bottom of the green paper slip. Also light chipping and fading to spine of dust jacket. Interior pages are near fine. 253 pages. Measures 10 x 12.75 inches. ART/062922. Léon Amiel Publisher hardcover
réf. 58484Genève Patrick Cramer 1989. 4° Fronti. 680 S. 1540 Reproduktionen davon 1300 in Farbe. OLwd. m. OU. in OLwd-Schmuckschuber. Schuber min. beschienen u. min. kratzspurig OU-Rücken leicht gebräunt innen tadell. Text frz. «Le catalogue raisonné décrit tous les livres illustrés albums et catalogues enrichis de gravures ou lithographies de Joan Miró. Ce volume débute par un poème écrit spécialement par P.A. Benoit suivi d’une préface de Rosa Maria Malet. Sont ensuite catalogués quelque 262 titres avec 1540 reproductions en noir et blanc ou en couleurs selon les originaux des œuvres qu’ils contiennent. Plusieurs photographies de Miró évoquant des périodes successives de sa vie viennent aussi agrémenter le texte. Les fac-similés des justifications des exemplaires décrits une bibliographie une double table chronologique et alphabétique des livres ainsi qu’un index des auteurs et des éditeurs complètent avantageusement cet ouvrage.» 010 Genève, Patrick Cramer, 1989 unknown
1979réf. 27034Barcelona: Galeria Maeght 1979. First edition. Miró Joan. Wrapperscorner slightly bent else fine. 32 x 23 cm. Cover and one additional original lithograph folded as issued. Galeria Maeght unknown
1994réf. 1148801Köln : DuMont, 1994. 336 S. : Ill. ; 23 cm, fadengeh. Orig.-Pappband.
réf. 29482New York The Museum of Modern Art 1959. Gr.8° 164 S. 148 oft farb. Abb. OLwd. m. OU Gutes Ex. 010 New York, The Museum of Modern Art, 1959 unknown
réf. 70094Paris Maeght 1975. 4° 253 S. zahlr. Abb. Mit 11 Original-Lithographien davon 5 doppelseitige und eine auf dem Schutzumschlag. OLwd. m. OU Bauchbinde u. Transparent-OU Tadellos. Préface de Raymond Queneau: «Miro et ses piéges». Catalogue et notices par F. Mourlot. Lithographies de 1953 à 1963. Avec 11 lithographies originales et une sur la jaquette. Text franz. 010 Paris, Maeght, 1975 unknown
réf. 51-0111Genf: Weber 1972-1992. 4to. 24.5 x 32cm. Joan Miro. Der Lithograph. Bänd 1-6. 6 Bände komplett. Band 1: 1930-1953. Band 2: 1953-1963. Vorwort von Raymond Queneau. Band 3: 1964-1969. Vorwort von Joan Teixidor. Band 4: 1969-1972. Vorwort von Nicolas und Elena Calas. Band 5: 1972-1975. Verzeichnis zusammengestellt von Patrick Cramer. Band 6: 1976-1981. Verzeichnis zusammengestellt von Patrick Cramer. Es fehlt die Originallithographien ausser den Schutzumschläge…. BAND II nur vorhanden auf Englisch oder Französisch. Wählen Sie welche Sprache. The complete set in 6 volumes lacking the 34 original color lithographs except the original lithograph dust-jackets are present. All volumes clothbound in dust jackets and acetate dust jackets; in excellent condition. Volume 1: 1930-1952 236 pages 189 color plates; Volume 2: 1953-1963 254 pages approx. 200 color plates; Volume 3: 1964-1968 217 pages and over 200 color plates; Volume 4: 1969-1972 210 pages and over 200 color plates; Volume 5: 1972-1975 192 pages 210 color plates; Volume 6: 1976-1981 200 pages 180 color plates. References: Freitag 6573; Cramer 160 198 230 and 249. Volume II only available in English or France. Customer can choose.The complete set in 6 volumes lacking the 34 original color lithographs except the original lithograph dust-jackets are present. All volumes clothbound in dust jackets and acetate dust jackets; in excellent condition. Volume 1: 1930-1952 236 pages 189 color plates; Volume 2: 1953-1963 254 pages approx. 200 color plates; Volume 3: 1964-1968 217 pages and over 200 color plates; Volume 4: 1969-1972 210 pages and over 200 color plates; Volume 5: 1972-1975 192 pages 210 color plates; Volume 6: 1976-1981 200 pages 180 color plates. References: Freitag 6573; Cramer 160 198 230 and 249. Genf: Weber, 1972-1992. hardcover
1994réf. 1070684München : Hirmer, 1994. 215 S. Mit zahlr. auch farb. Abb. Hardcover.
réf. 3864424070.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1961réf. 27032Geneva: Pierre Matisse Gallery 1961. First edition. Miró Joan. Wrappers the covers an original lithograph by Miró. Faint wear to spine. Frontispiece photo of Miró. 29 cm. Pierre Matisse Gallery unknown
1973réf. 34708Paris: Galerie Maeght 1973. In very good condition. 83 x 56.6 cm 3275 x 22.25 inches. Joan Miro. Poster produced for the exhibition at Galery Maeght 1973. Original Plakat entworfen für die Ausstellung in der Galerie Maeght 1973. Galerie Maeght unknown
1981réf. BN62576Arena Verlag 1981. Hardcover/gebunden. mit leichten Gebrauchsspuren! Arena Verlag hardcover
réf. 1152821976 . Etching and aquatint with carborundum in colours 1976 on Arches paper signed in pencil and numbered 40 from the edition of 50 there were also 12 Artist's Proofs printed by Morsang Paris published by Maeght Paris with full margins sheet: 1378 x 956 mm. 54 ½ x 38 in. Created in 1976 this dynamic image is part of a series of prints that Miró created in collaboration with printmaker Robert Dutrou using Henri Goetz's innovative carborundum printmaking technique. The title of the work translates as 'The Red Egret' and depicts the abstracted form of a bird in bold contrasting colours. The deep blues and blacks of the lower half of the composition are balanced by the empty negative space towards the top creating an intriguing visual tension. The sweeping curves and loops of thick black linework bring energy and movement to the image. This print not only showcases Miró's mastery of compositional design but also highlights his technical brilliance. Through the combined use of aquatint for background colours etching for the bird's outline and carborundum to add texture and depth Miró creates a striking visual effect. Dupin 930 1976 unknown
réf. 04-1637Paris: Maeght 1953. Folio 11 x 15 in. Double-page lithograph. 15 x 22 inches. Folded in middle as issued. Extracted from DLM #119. Mourlot no. 265. Paris: Maeght, 1953. unknown
1969réf. 185242Paris: Maeght éditeur 1969. Printed by Morsang Paris. Edition of 75. Etching aquatint with carborundum in colours and embossing on Arches paper. Signed in pencil by Miro lower right numbered lower left. Sheet size: 105.6 x 68.3 cm. Framed size: 121.5 x 84.5 cm. Presented in a handmade gold leaf and black gesso frame with acrylic glazing. Excellent condition. Dupin Engravings vol II 497. unknown
réf. 2418Venice edizioni "La Biennale di Venezia". 1981. Large oblong 4to. 24pp. of text with commentary by Jacques Dupin with 34 illlustrations in color for the ballet scenes and costumes by Miró including the front and back covers. Spiral binding. First publication and edition of the drawings . The world premiere took place on September 25 1981 at the Teatro La Fenice de Venezia. Sylvano Bussotti composer Joseph Russello choreography Ballet pantomine by Jacques Dupin. The 32 plates are titled in french and the text is in Italien. In good condition with some soiling to the covers. Numbered from the edition of 1200 200 of which were HC. Photos are available upon request. unknown
1998réf. 89788México Fundación Cultural Televisa 1998. Paperback. Good. 271p. color plates illus. photos glossary bibl. wrps large 4to. Includes interviews biographical chronology and essays by Octavio Paz Pierre Schneider Jacques Dupin Agnès de la Beaumelle and others. The works by the Spanish artist 1893-1983 are explicated by authorities. In large format on heavy stock. México, Fundación Cultural Televisa paperback
réf. 1152851975 . Etching and aquatint in colours 1975 on Arches paper with the Maeght watermark signed in pencil and numbered 39/50 from the edition of 50 printed by Morsang Paris published by Maeght Paris with full margins sheet: 1381 x 955 mm. 54¼ x 37¾ in. 'La Contre-Balancée' highlights Miró's continued departure from traditional artistic conventions in the final decades of his life and showcases the artist's mastery in creating layered emotive artworks. In this print Miró depicts the abstracted form of a figure inviting viewers to interpret the image in their own unique way. The dynamic contrast between bold black strokes and delicate thin lines adds depth without using representational perspective. Miró's signature black forms blend seamlessly with vibrant blue and red geometric shapes giving the image an overall compositional balance. This etching and aquatint print demonstrates Miró's remarkable ability to merge abstraction with figuration capturing a playful simplicity in a visually captivating manner. Dupin 754 1975 unknown
réf. 1152911974 . Etching and aquatint in colours 1974 on Arches wove paper signed in pencil and numbered 43/50 from the edition of 50 printed by Morsang Paris published by Maeght Paris with full margins sheet: 1102 x 726 mm. 43 x 28 in. Created in 1974 this print is part of a series of 60 that Miró made between 1974 and 1975 using a combination of etching and aquatint. The title translates as 'The Tree-like Woman' and depicts an abstracted figure inviting viewers to further interpret the image. At the centre of the sheet a small face with red and blue eyes emerges while thick black lines branch out from her form. The fluidity of her figure is further enhanced by splashes of blue and green along with delicate scribbles and symbols that weave throughout the composition. These elements give the print both a dynamic energy and mythical quality showcasing Miró's ability to transform the human form into something both organic and otherworldly. Dupin 649 1974 unknown
