Miro, Clara JuarezBiblio.com
2 659 résultats
réf. 1793609640.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 3384677382.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1971réf. 34485Barcelona: Pilografa 1971. In tadellosem Zustand. 84 x 66 cm 33 x 26 inches. Poster for the celebration of the II Catalan legal congress that took place in 1971 organized by the Bar Association of Barcelona. Original lithograph in colours published in Barcelona in 1971. Edition: 1000 copies were printed. Plakat zur Feier des II. katalanischen Rechtskongresses der 1971 stattfand und von der Anwaltskammer von Barcelona organisiert wurde. Original-Farblithographie veröffentlicht in Barcelona 1971. Mourlot 1090; Picazo G. Joan Miros Posters no. 90 Pilografa unknown
1959réf. 015476Köln DuMont 1959 In-8 carré Cartonnage de L'éditeur Dédicacé par l'illustrateur
1928réf. 198044Paris: Edition Jeanne Bucher 1928. Limited Edition. Hardcover. Fair in boards. Binding cracked after 2nd FEP. Shelfwear on front/rear panels. Bottom front corner bumped.; Number 82 of 300 limited edition copies. Edition Jeanne Bucher hardcover
1928réf. 2448Paris Edition Jeanne Bucher. 1928. Drawings in color by Joan Miró. 8 color pochoirs after drawings by Miró colored by Jean Saudé on Arches paper. 4to published in a folio of 14pp. One of the limited edition of 300. Enclosed in the ORIGINAL LINEN FOLIO in pearl grey background with black numbers and green sun. Interior lined with black paper. 11 5/8 x 10 5/8 x 5/8. Housed in a new black clam shell case. Signed and dedicated by Lise Hirtz to Jane de Margerie. RARE. Miro created one of the most imaginative books for children and far beyond its time. Joan Miró was studying art in Barcelona and moved to Paris in 1919 He was introduced to a surrealists group in 1924 by his neighbor Andre Masson who shared his studio. He found among these artists the inspiration necessary for his work. But it was his humor that dominated his creations especially the black humor of the surrealists. In August 1927 Paul Eluard sent Miro the poems by Lisa Hirtz born Ann - Marie Meyer a friend of Breton. She was married to Paul Deharme 1898-1934 one of the pioneers of Radio France. In October 1927 Miró completed the gouaches a part of which would be executed for the 8 plates of this book. Jeanne Bucher 1872-1946 completed the book in 1928. The artistic involvement of the editor was an integral part of the work of preserving the creation of the avant-garde. Lisa Hirtz published Une Petite Pie in Pierre Chareau's gallery where she had opened her bookstore in 1925. Her interest in children's books was inspired by her grandson Pierre. Eight gouaches were executed by Miro for the colored plates which were then colored by the pochoir process by Saudé. Edition is limited to 300 copies. On Arches. Ref: Jean Bucher Un Galerie d'avant garde 1925-1946 Skira 1994. Eluard and his Painter Friends. Sante George Pompideau 1992. Cramer. Joan Miró Catalogue Raisonné des Livres Illustrés no. 1. Johnson. Artists' Books in the Modern Era p. 98. Andel. Avant-Garde Page Design 1900-1950 p. 330. Éditions Jeanne Bucher hardcover
1928réf. 2419Paris Edition Jeanne Bucher. 1928. MIRO JOAN 1893-1983. HIRTZ LISE. IL ETAIT UNE PETITE PIE THERE WAS ONCE A SMALL MAGPIE Drawings in color by Joan Miro. A folio of 8pp. of pochoir prints. Enclosed in the ORIGINAL LINEN FOLIO in pearl grey background with black and green letters and lined with black paper. 11 5/8 x 10 5/8 x 5/8. RARE. Enclosed in a black linen contemporary clam shell box. Her first publication was as Lisa Hirtz: Il était une petite pie There was a little magpie with 8 pochoirs by Joan Miró in 1928. She was the editor of Le Phare de Neuilly which frequently published articles relating to surrealism. Miro created one of the most imaginative books for children and far beyond its time. Joan Miro was studying art in Barcelona.He moved to Paris in 1919 he was introduced to a surrealists group in 1924 by his neighbor Andre Masson who shared his studio. He found among these artists the inspiration necessary for his work. But it was his humor that dominated his creations especially the black humor of the surrealists. In August 1927 Paul Eluard sent Miro the poems of Lisa Hirtz born Ann - Marie Meyer a friend of Breton. She was married to Paul Deharme 1898-1934 one of the pioneers of Radio France. Her first publication was as Lisa Hirtz: Il était une petite pie There was a little magpie with 8 pochoirs by Joan Miró in 1928. She was the editor of Le Phare de Neuilly which frequently published articles relating to surrealism. In October 1927 Miro completed the gouaches a part of which would be executed for the 8 plates of this book. Jeanne Bucher 1872-1946 completed the book in 1928. The artistic involvement of the editor was an integral part of the work of preserving the creation of the avant-garde. Lisa Hirtz published Une Petite Pie in Pierre Chareau's gallery where she had opened her bookstore in 1925. Her interest in children's books was inspired by her grandson Pierre. Eight gouaches were executed for the colored in plates which were created by Saudet. Edition is limited to 300 copies. Printed on Arches. Signed and dedicated by Lise Hirtz to Jane de Margerie. Jean Bucher Un Galerie d'avant garde 1925-1946 Skira 1994. Eluard and his Painter Friends. Sante George Pompideau 1992 Lisa Hirtz, Pierre Chareau's gallery.
1928réf. 2419Paris Edition Jeanne Bucher. 1928. MIRO JOAN 1893-1983. HIRTZ LISE. IL ETAIT UNE PETITE PIE THERE WAS ONCE A SMALL MAGPIE Drawings in color by Joan Miro. A folio of 8pp. of pochoir prints. Enclosed in the ORIGINAL LINEN FOLIO in pearl grey background with black and green letters and lined with black paper. 11 5/8 x 10 5/8 x 5/8. RARE. Enclosed in a black linen contemporary clam shell box. Her first publication was as Lisa Hirtz: Il était une petite pie There was a little magpie with 8 pochoirs by Joan Miró in 1928. She was the editor of Le Phare de Neuilly which frequently published articles relating to surrealism. Miro created one of the most imaginative books for children and far beyond its time. Joan Miro was studying art in Barcelona.He moved to Paris in 1919 he was introduced to a surrealists group in 1924 by his neighbor Andre Masson who shared his studio. He found among these artists the inspiration necessary for his work. But it was his humor that dominated his creations especially the black humor of the surrealists. In August 1927 Paul Eluard sent Miro the poems of Lisa Hirtz born Ann - Marie Meyer a friend of Breton. She was married to Paul Deharme 1898-1934 one of the pioneers of Radio France. Her first publication was as Lisa Hirtz: Il était une petite pie There was a little magpie with 8 pochoirs by Joan Miró in 1928. She was the editor of Le Phare de Neuilly which frequently published articles relating to surrealism. In October 1927 Miro completed the gouaches a part of which would be executed for the 8 plates of this book. Jeanne Bucher 1872-1946 completed the book in 1928. The artistic involvement of the editor was an integral part of the work of preserving the creation of the avant-garde. Lisa Hirtz published Une Petite Pie in Pierre Chareau's gallery where she had opened her bookstore in 1925. Her interest in children's books was inspired by her grandson Pierre. Eight gouaches were executed for the colored in plates which were created by Saudet. Edition is limited to 300 copies. Printed on Arches. Signed and dedicated by Lise Hirtz to Jane de Margerie. Jean Bucher Un Galerie d'avant garde 1925-1946 Skira 1994. Eluard and his Painter Friends. Sante George Pompideau 1992 Lisa Hirtz, Pierre Chareau's gallery. books
1928réf. 2448Paris Edition Jeanne Bucher. 1928. Drawings in color by Joan Miró. 8 color pochoirs after drawings by Miró colored by Jean Saudé on Arches paper. 4to published in a folio of 14pp. One of the limited edition of 300. Enclosed in the ORIGINAL LINEN FOLIO in pearl grey background with black numbers and green sun. Interior lined with black paper. 11 5/8 x 10 5/8 x 5/8. Housed in a new black clam shell case. Signed and dedicated by Lise Hirtz to Jane de Margerie. RARE. Miro created one of the most imaginative books for children and far beyond its time. Joan Miró was studying art in Barcelona and moved to Paris in 1919 He was introduced to a surrealists group in 1924 by his neighbor Andre Masson who shared his studio. He found among these artists the inspiration necessary for his work. But it was his humor that dominated his creations especially the black humor of the surrealists. In August 1927 Paul Eluard sent Miro the poems by Lisa Hirtz born Ann - Marie Meyer a friend of Breton. She was married to Paul Deharme 1898-1934 one of the pioneers of Radio France. In October 1927 Miró completed the gouaches a part of which would be executed for the 8 plates of this book. Jeanne Bucher 1872-1946 completed the book in 1928. The artistic involvement of the editor was an integral part of the work of preserving the creation of the avant-garde. Lisa Hirtz published Une Petite Pie in Pierre Chareau's gallery where she had opened her bookstore in 1925. Her interest in children's books was inspired by her grandson Pierre. Eight gouaches were executed by Miro for the colored plates which were then colored by the pochoir process by Saudé. Edition is limited to 300 copies. On Arches. Ref: Jean Bucher Un Galerie d'avant garde 1925-1946 Skira 1994. Eluard and his Painter Friends. Sante George Pompideau 1992. Cramer. Joan Miró Catalogue Raisonné des Livres Illustrés no. 1. Johnson. Artists' Books in the Modern Era p. 98. Andel. Avant-Garde Page Design 1900-1950 p. 330. Éditions Jeanne Bucher hardcover books
2004réf. 1831663Published by CRC Press 2004. 1st edition. Hardback. Very Good. Slightly better than very good condition with no wrapper. This volume includes a botanical chemical pharmacological and therapeutic survey of these species and a review of traditional uses. It covers cultivation harvesting drying storage and yield along with economic importance and market trends. Edited by Manuel Miro Jordal. Blue glazed boards. B/w illustrations a couple of colour illustrations. 232 pages including index. Boards lightly scuffed. Board corners lightly bumped. Contents clean. Published by CRC Press hardcover
2008réf. 46975Bielefield: Kerber Verlag 2008. Large 8vo. 264 pp. Publisher's card covers with flaps. Colour illustrated throughout. A little light edge wear very good. Bielefield: Kerber Verlag unknown
1952réf. 3070Paris, Éditions Verve, 1952. Un volume in-folio (37 x 27,5 cm), 158 pages non paginées, cartonnage de l'éditeur illustré d'une composition polychrome spécialement créée par Henri Matisse en papiers découpés couvrant les plats et tirée par Mourlot en lithographie, le dos titré. Édition originale. 126 PHOTOGRAPHIES REPRODUITES EN HÉLIOGRAVURE PAR DRAEGER publiées pour la première fois dans cet ouvrage. Premier grand recueil photographique d'Henri Cartier-Bresson, publié simultanément en version anglaise sous le titre de "The Decisive Moment". L'ouvrage, devenu mythique, rassemble 126 photographies prises entre 1930 et 1950, accompagnées d'un texte de l'auteur.
1969réf. RO30320682Unesco. 1969. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 109 pages. Texte sur une ou plusieurs colonnes. Ex-libris sur le 1er plat.. . . . Classification Dewey : 300-SCIENCES SOCIALES
1970réf. 74079México City: n. pub 1970. 14p. wraps. The Spanish anarchist exile had edited the anarchist youth newspaper 'Ruta' during the Civil War. n. pub unknown books
2008Mm 230x300 Brossura originale, 283 pagine profusamente illustrate a colori nel testo in lingua inglese - english text. Spedizione in 24 ore dalla conferma dell'ordine.
réf. 1776563123.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1972réf. 216277New York: Tudor Publishing Company 1972. First U.S. edition and first printing. Hardcover. Attractively printed monograph on Miro that looks at his aquatints drawings drypoints etchings lithographs book illustrations and posters. Features an introduction by Joseph E. Young. Includes two original lithographs. A tight near fine copy in blue cloth boards wit some slight tapping to the top rear corner and a vintage bookstore sticker to the rear pastedown and in a very good plus dust jacket with some minor wear and from the library of the Marlborough Gallery library with their sticker to the spine but otherwise free of marks and in a very good slipcase that has some wear. Lithographs in fine condition. A very nice copy with an interesting provenance. Please note that this is a heavy book and will require extra shipping. Tudor Publishing Company unknown
1972réf. 60149NY: Tudor Publishing Company. Fine in Good dust jacket. First Edition. Hardcover. Original gilt-stamped blue cloth. Includes the two original color lithographs bound in. The endpapers show minor textile specks common to the 1972 pulp stock bluish specks . Clean tight and unmarked. The DJ shows slight laminate lifting and minor age toning slight rubbing mostly to the rear panel. The slipcase shows mild soil and wear.; Folio 13" - 23" tall; 202 pages . 1972. Tudor Publishing Company hardcover
1972réf. 31180New York: Tudor Publishing Company 1972. 1st Edition. Hardcover. Dust Jacket Included. Miro. Miro. 1st Edition. Hardcover. Taillandier Yvon; Miro Joan. INDELIBLE MIRO: Aquatints Drawings Drypoints Etchings Lithographs Book Illustrations Posters / by Yvon Taillandier. with an Introd. by Joseph E. Young Translated from the French by Phyllis Freeman: New York: Tudor Publishing Company 1972. First English Edition. Folio. pp. 202. profusely illustrated. many colour many full & double-page six fold-outs. three colour lithographs including one original lithograph as dustwrapper. A fine copy in like dustwrapper with a small bump to the top edge in the publisher's blue paper covered cardboard slipcase in essentially fine condition. Freitag 6586. Tudor Publishing Company hardcover
1972réf. 216277New York: Tudor Publishing Company 1972. First U.S. edition and first printing. Hardcover. Attractively printed monograph on Miro that looks at his aquatints drawings drypoints etchings lithographs book illustrations and posters. Features an introduction by Joseph E. Young. Includes two original lithographs. A tight near fine copy in blue cloth boards wit some slight tapping to the top rear corner and a vintage bookstore sticker to the rear pastedown and in a very good plus dust jacket with some minor wear and from the library of the Marlborough Gallery library with their sticker to the spine but otherwise free of marks and in a very good slipcase that has some wear. Lithographs in fine condition. A very nice copy with an interesting provenance. Please note that this is a heavy book and will require extra shipping. Tudor Publishing Company unknown books
1972anglais In-4 de 202 pp.; album toilé bleu sous jaquette illustrée de l'éditeur. Illustrated with 2 original color lithographs, plus 115 color and black & white plates, some double-page and folding. Frontispice Lithograph pulled by Jean Célestin at Mourlot and Lithograph on pages 16-17 pulled at the Imprimerie Arte by René Le Moigne. Petites usures aux bords de la jaquette, intérieur frais.
1922réf. 58200Paris, A la Maison des Amis des Livres, mars 1922, 1922 in-8, agrafé, 32 pp. Textes de Léon-Paul Fargue, Paul Leclère, Gabriel Miro, Michel Yell, etc.
1922réf. 58200Paris, A la Maison des Amis des Livres, mars 1922, 1922 in-8, agrafé, 32 pp. Textes de Léon-Paul Fargue, Paul Leclère, Gabriel Miro, Michel Yell, etc.
1993réf. BN81329Madrid Ave del Paraíso Ediciones 1993 1993. 1993. Interiores de Miro en el Pabellon Mudéjar de Sevilla. Madrid Ave del Paraíso Ediciones 1993 unknown
1993réf. 105756Madrid Ave del Paraíso Ediciones 1993 1 vol. broché in-4, broché, couv. illustrée, 216 pp., nombreuses reproductions en couleurs. Texte en espagnol. Très bon état.
