2.665 Ergebnisse
Best.-Nr. 3846570974.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1936Best.-Nr. 70518NY: Transition 1936. Fall. 216 pp. Fine in illustrated wrappers. Cover art by Joan Miró. In addition to Kafka’s “Metamorphosis” prints work by Dylan Thomas Mondrian Klee Matisse Moholy-Nagy Cartier-Bresson Hugo Ball and Huelsenbeck on Dada and a discussion on “painting and reality” with Aragon Léger and Le Corbusier. From the library of Black Sparrow Press publisher John Martin with is discreet ownership ticket. NY: Transition, unknown books
1936Best.-Nr. 70518NY: Transition 1936. Fall. 216 pp. Fine in illustrated wrappers. Cover art by Joan Miró. In addition to Kafka’s “Metamorphosis” prints work by Dylan Thomas Mondrian Klee Matisse Moholy-Nagy Cartier-Bresson Hugo Ball and Huelsenbeck on Dada and a discussion on “painting and reality” with Aragon Léger and Le Corbusier. From the library of Black Sparrow Press publisher John Martin with is discreet ownership ticket. NY: Transition, unknown
1936Best.-Nr. 018744London / Paris: Faber And Faber Limited / Messageries Dawson 1936. FIRST EDITION first printing. Issued in original color illustrated wrappers paperback by Joan Miro dated 1936. Modest wear and slightly nibbled at the bottom of the front covern. Slightly age toned. Transition-a Quarterly Review Number 25 Fall 1936. Pieces by Franz Kafka the first installment of Metamporphosis Dylan Thomas Joan Miro Harry Brown Pierre Guegen Alfonso Reyes J.L. Sweeney Thomas Newman Chirstopher Young Hugo Ball Denis Devlin and Richard HuelsenbeckNo previous owner's names not exlibrary. Overall in GOOD condition. Photos available upon request. . First Edition. Original Wraps. Good. 8vo - over 7¾" - 9¾" tall. Paperback. Faber And Faber, Limited / Messageries Dawson Paperback
1963Best.-Nr. SE2611Oblong quarto mm 290x350. 22 leaves. Fifteen 10 color reproductions of the artist's watercolors printed on Marais onion skin paper; one of them on double page. Printer's wrappers used as dust-jacket an original lithograph in colors on wove paper. From the unsigned and unnumbered edition of 900. A very good copy book detached from the wrappers both in very good condition of preservation. A splendid series of watercolors by Spanish artist Joan Miró one of the most significant experimental artists of the 20th century. The work one of the most delicate ever created by Miró bears witness to the artist's interest in various artistic movements from American Expressionism—with particular attention to Pollock's dripping technique—to Surrealism. Maeght
Best.-Nr. 420Paris Maeght Ed. 1963. Quer-kl.4° 29 x 36 cm unpag. 2Bl. 2 Transparentbl. Titelbl. 14 Reprod. von Aquarellen auf Onion Skin du Marais mont. 3 Bl. Broschur UMschlg min. gebräunt innen tadellos. 1 von 900 Expl.; Auf Umschlag farbige Orig.Lithographie auf Vélin de Rives von Miro. 010 Paris, Maeght Ed., 1963 unknown
1963Best.-Nr. 74811Joan Miro Trace sur l'eau 1963 Original lithograph in colors on wove paper as its wrap-around cover These 10 color reproductions of the artist's watercolors printed on Marais onion skin paper either tipped down to support sheets or bound-in. From the unsigned and unnumbered edition of 900 there was also a deluxe edition of 100 The full sheets bound as issued; Maeght Editeur Paris pub.
1984Best.-Nr. 217941984 1 New-York, The Pace Gallery, 1984, in-4, couverture cartonnée illustrée en rouge et noir et spiralée, 54 pages.
1975Best.-Nr. 31520Paris: Mourlot 1975. Other. In excellent condition. 325 by 250mm 12¾ by 9¾ inches. Original lithograph in colors printed and published at Mourlot 1975 in Paris. Unnumbered edition published in Lithograph II. Mourlot 1036 Mourlot unknown
1981Best.-Nr. V4906Amsterdam/Freiburg ( Roto Smeets/Herder) 1981 (= Erste deutsche Ausgabe). 8°, illustrierter Originalkarton, ohne Pagination, zahlreiche farbige Abbildungen
1981Best.-Nr. 504Heder, Freiburg, Basel, Wien, 1981. 45 Seiten, mit 29 farbigen , illustr. OPappe, sehr guter Zustand
1955Best.-Nr. 1911Paris, Maeght, 1955. Un volume in-folio en feuilles, couverture illustrée d'une gravure en couleurs à l'aquatinte et carborundum, vernie par l'artiste lui-même, étui-chemise éditeur décoré de collages de papiers de couleur. - 20 EAUX-FORTES ORIGINALES DE GEORGES BRAQUE : 16 gravures hors-texte exécutées en 1932 pour Ambroise Vollard, et 4 gravures réalisées en 1953 : la couverture en 5 couleurs vernie au pinceau par l'artiste, le frontispice en 2 couleurs, la tête de chapitre et le cul-de-lampe. - Tirage à 150 exemplaires numérotés sur Auvergne et signés par l'artiste. Celui-ci le n° 23 signé par Braque. Tirage unique - Conservé en parfait état. - Note historique : En 1931, Braque illustre la Théogonie du poète grec Hésiode (VIIe siècle av. J.-C) pour le marchand, éditeur et passionné de gravure, Ambroise Vollard. Le récit, consacré à la naissance de l’univers et à l’origine des dieux, est considéré comme l’un des grands textes de la mythologie grecque. Entre 1932 et 1935, l’artiste exécute une série de seize eaux-fortes qui seront publiées par Maeght en 1955 : ligne noire imprimée sur fond blanc pour les gravures et, en négatif, ligne blanche découpée sur fond noir pour les plâtres peints et gravés que Braque crée en parallèle. Comme les figures mythologiques et les natures mortes de l’époque, ces œuvres possèdent un style curvilinéaire et propice à la métamorphose. (The Artist and the Book 38). --- ENGLISH DESCRIPTION: GEORGES BRAQUE (1882-1963). THEOGONIA - the complete set of twenty (20) etchings, title paper, text in Greek by Hesiod, justification, and index of plates on Auvergne paper, watermark Montval, 1932-1955, one of the 150 (n. 23), signed in pencil on the the justification, published by Maeght Editeur, Paris, 1955, in mint good condition, loose (as issued), with paper wrappers, within black paper-covered boards and slipcase, with collage design on front and back, title, artist's and author's name on spine. Overall: 18 x 13 7/8 in. (457 x 352 mm.) Condition : near mint, a beautiful copy with the editor decorated slipcase in near mint condition too.
1991Best.-Nr. AME_9780395587775HMC 1991. 1st. Paperback. New/New. HMC paperback
1991Best.-Nr. Q-0395587778Houghton Mifflin P 1991-04-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Houghton Mifflin (P) paperback
1978Best.-Nr. 022229Buffalo: Prometheus Books 1978. First Edition . Hardcover. Fine/Near Fine. 296 Pp. Orange Cloth Gilt Blue Boards. First Printing. Inscribed To Dr. Joseph Jacobs Founder Of Pasadena Engineering Company Jacobs Engineering "Who Recognizes The Power Place And Limitratrions Of The State. Sidney Hook & Miro Todorovich". Prometheus Books hardcover
Best.-Nr. Harper-9781578637140Weiser Books. New. Weiser Books unknown
Best.-Nr. Harper-9781578637140Weiser Books. New. Weiser Books unknown
2022Best.-Nr. 14351London: Bloomsbury Publishing 2022. 1st Edition 1st Printing. Hardcover. Fine/Fine. 1st Printing. Signed to signature page. Fine unread copies. Number may vary. Bloomsbury Publishing hardcover
Best.-Nr. 9059960726.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1993Best.-Nr. mon0000047353Ediciones Poligrafa 1993-01-01. Hardcover. Like New. in x in x in. NOT FOR INTL SHIPPING Ediciones Poligrafa hardcover
Best.-Nr. ART 12/1-09TUDOR Book. Fine. FIirst Edition. A FINE FIRST IN PICTORIAL BOARDS WITH LITHO. TUDOR hardcover
1947Best.-Nr. B-2023-0414With 2 pochoirs in color by Miró and 40 prints in black and white by Miro. Michel Leiris. Published by Curt Valentin New York 1947. A collection of 42 prints of Miro' reproducing his beautiful surreal world the prints loose as issued are assembled in a paper wrap portfolio in red with pictorial front cover. This limited edition of 1500 unnumbered copies comes with a booklet with a text by Michel Leiris that is unfortunately missed. The 42 prints including the two color stencil plate are all in place in the red paper wraps. In very good conditions red paper folder worn. Curt Valentin books
1947Best.-Nr. B-2023-0414With 2 pochoirs in color by Miró and 40 prints in black and white by Miro. Michel Leiris. Published by Curt Valentin New York 1947. A collection of 42 prints of Miro' reproducing his beautiful surreal world the prints loose as issued are assembled in a paper wrap portfolio in red with pictorial front cover. This limited edition of 1500 unnumbered copies comes with a booklet with a text by Michel Leiris that is unfortunately missed. The 42 prints including the two color stencil plate are all in place in the red paper wraps. In very good conditions red paper folder worn. Curt Valentin
1975Best.-Nr. 022231Buffalo: Prometheus Books 1975. First Edition . Hardcover. Fine/Near Fine. 281 Pp. Turquoise Cloth. First Printing. Hardcover First Printing. Inscribed To Dr. Joseph Jacobs Founder Of Pasadena Engineering Company Jacobs Engineering "Scientist And Humanist From Sidney Hook . And 'Comrade In Arms' Miro Todorovich". Prometheus Books hardcover
Best.-Nr. 68-2410New York NY: Perls Galleries 1952. 8vo. 16 pp. Stapled Wraps Deckled Edges Very Good with minor sun-fading. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1952. paperback