1 768 résultats
1948réf. 500.1948Folio 14 x 10 ½ inches. Unpaginated with 40 black and white illustrations and 24 in color plus colored covers all by Matisse. Represents work by Matisse while in St Paul de Vence from1944 through 1948. Near fine. Editions de la Revue Verve books
1920réf. 45202Munich: Kurt Wolff Verlag 1920. First edition. Very good plus. Second year in a single bound volume of the Expressionist journal of the visual and literary arts with the scarce original lithographs and woodcuts by Masereel and others. The second two-book volume of the ambitious and influential Expressionist annual founded by Heise and Mardersteig who met as university students. To satisfy publisher Kurt Wolff half of each volume was dedicated to "poetry and humanity" the remainder given over to contemporary visual art and critical reaction. Among the contributors to this lavishly illustrated second volume are Rabindranath Tagore Franz Werfel Anatole France; Nele van de Velde Ernst Bloch and Ernst Josephson; plates include original lithographs and woodcuts by Karl Schmidt-Rottluff Frans Masereel Max Kaus Georg Erlich Erich Heckel and André Rouveyre. 14'' x 10.5''. Quarter vellum with gilt-stamped red paper boards red and gilt paper label mounted to spine. Plates in color and black and white tipped in to both volumes; all plates present and corresponding to index including original prints. 332 pages. Moderate edgewear to boards. Faint foxing to endpapers; previous owner's name in pen to title page. Kurt Wolff Verlag unknown
1920réf. 45202Munich: Kurt Wolff Verlag 1920. First edition. Very good plus. Second year in a single bound volume of the Expressionist journal of the visual and literary arts with the scarce original lithographs and woodcuts by Masereel and others. The second two-book volume of the ambitious and influential Expressionist annual founded by Heise and Mardersteig who met as university students. To satisfy publisher Kurt Wolff half of each volume was dedicated to "poetry and humanity" the remainder given over to contemporary visual art and critical reaction. Among the contributors to this lavishly illustrated second volume are Rabindranath Tagore Franz Werfel Anatole France; Nele van de Velde Ernst Bloch and Ernst Josephson; plates include original lithographs and woodcuts by Karl Schmidt-Rottluff Frans Masereel Max Kaus Georg Erlich Erich Heckel and André Rouveyre. 14'' x 10.5''. Quarter vellum with gilt-stamped red paper boards red and gilt paper label mounted to spine. Plates in color and black and white tipped in to both volumes; all plates present and corresponding to index including original prints. 332 pages. Moderate edgewear to boards. Faint foxing to endpapers; previous owner's name in pen to title page. Kurt Wolff Verlag unknown books
réf. 51-6492Paris: Revue Verve1958. Loose printed orange board cover with repaired spine. 36.7 x 26.5 cm. with separate text block. Paris: Revue Verve,1958 unknown
1983réf. 338179New York: Braziller & MOMA 1983. Limited. hardcover. very good. Matisse Henri. Introduction by Riva Castleman. Text translated by Sophie Hawkes. Illustrated with 20 double-page color plates. Large folio with all pages loose as issued in a clam shell box with blue cloth spine and paper label box is a bit dusty and with drink ring on front; spine lettering rubbed and dull; internally fine. New York: George Braziller & MOMA 1983. Special Edition for the Museum of Modern Art. Overall a very good copy internally spotless of this very scarce limited edition with plates un-bound. Special Edition for the Museum of Modern Art. A facsimile of the 1947 original edition of 250 numbered/signed copies. With facsimile of the original colophon signed by Matisse. Braziller & MOMA unknown
1983réf. 338179New York: Braziller & MOMA 1983. Limited. hardcover. very good. Matisse Henri. Introduction by Riva Castleman. Text translated by Sophie Hawkes. Illustrated with 20 double-page color plates. Large folio with all pages loose as issued in a clam shell box with blue cloth spine and paper label box is a bit dusty and with drink ring on front; spine lettering rubbed and dull; internally fine. New York: George Braziller & MOMA 1983. Special Edition for the Museum of Modern Art. Overall a very good copy internally spotless of this very scarce limited edition with plates un-bound. Special Edition for the Museum of Modern Art. A facsimile of the 1947 original edition of 250 numbered/signed copies. With facsimile of the original colophon signed by Matisse. Braziller & MOMA unknown books
réf. 16-6278Paris: Editions de la Revue Verve 1937. Small foliio. 26.5 x 36cm. Original wraps. with design by Braque.Very good. Book block detached frof spine but attached to back cover.The Four Elements Water -- Lithograph by Fernand Leger;A Few Reflections on the Disappearance of the Subject in Sculpture and Painting by Andre Gide;The Four Elements Air -- Lithograph by Joan Miro;Henri Matisse's Aviary in His Paris Studio: Photographic Documents by Brassai;Celestial Tresses: Photographs by Man Ray Blumenfeld and Cartier;Van Gogh as Prometheus by Georges Bataille;Le Bal des Sauvages: Fragments of a Fifteenth Century Tapestry;Reality in Eighteenth Century painting by Rene Huyghe;Four Pages of Colored Reproductions: includes Watteau Detroy Corot Delacroix Courbet David These pictures were shown at the Exhibition of the Masterpieces of French Art at the Palais National des Arts Paris 1937.;The Blood of the Martyrs by Maurice Heine: Documents relating to the assassinations of Marat and Le Pelletier; rThe Four Elements Fire -- Lithograph by RattnerFire by John Dos Passos;Murder by Federico Garcia LorcaGuernica by Picasso: Photographed by Dora Maar in Picasso's studio. Paris: Editions de la Revue Verve, 1937 paperback
1940réf. 2236Les Éditions de la Revue Verve, Paris 1940-1949. 8 volumes in-folio (36 x 26,5 cm) brochés sous couvertures rempliées illustrées : - n° 7 (1940). Les très riches heures du Duc de Berry. - n° 9 (1943). Les Fouquet de la Bibliothèque Nationale. - n° 10 (1943). Les très riches heures du Duc de Berry. - n° 11 (1945). Les Fouquet de Chantilly (Vie de Jésus). - n° 12 (1945). Les Fouquet de Chantilly (La Vierge et les Saints). - n° 14-15 (1946). Les Heures d'Anne de Bretagne. - n° 16 (1946). Le Livre des tournois du roi René. - n° 23 (1949). Le Livre du Cœur d’Amour épris du Roi René (Couverture composée spécialement par Henri Matisse). Environ 130 reproductions en couleurs imprimées par Draeger avec rehauts or, la plupart contrecollés. Exceptionnelle réunion complète en excellent état.
réf. 30426Taschen. GF665 2009 2 hardcovers is slipcase very good condition A perfect facsimile of Jazz a 20th century masterpiece This two-volume edition includes a perfect facsimile of Matisse's seminal cut-out work: Jazz. At last readers can experience Jazz as if holding the 1947 original. The reputation of Henri Matisse 1869–1954 as the most important artist of the modern era is rivaled only by Picasso—who himself said ""All things considered there is only Matisse."" Towards the end of his monumental career as a painter sculptor and lithographer an elderly sickly Matisse was unable to stand and use a paintbrush. So at almost 80 years of age he developed a new technique: he drew shapes on colored paper cut them out and pasted them together. These gouaches decoupées gouache cut-outs represented a revolution in modern art yet their simplicity was dismissed by many critics as the folly of a senile old man. Later critics realized that Matisse had found a brilliant solution to the age-old conflict between line and color—one that would profoundly influence generations of artists to come. Printed in exactly the same colors using paper and inks similar to the 1947 edition the facsimile volume allows readers to experience Jazz in its original unbound form. Printed in 18 colors on a small offset press 4 pages at a time to obtain the highest fidelity to the original Printed on Old Mill in 190 g/m² from Italian paper mill Fedrigoni. This paper is of archival quality and has a felt-like softness much like handmade paper As with the original this reprint is unbound and folded in signatures of 4 pages. It is protected by a French folded jacket and a hard-backed cover The second volume provides a thorough historical context to Matisse's cut-outs tracing their genesis in his 1930 trip to Tahiti through to his final years in Nice. Also included are other pivotal works from his later career including his contributions to Verve magazine and his exquisite decoration of the Vence Chapel. Includes rare and historic photographs by Matisse taken in Tahiti as well as photos of Matisse by Henri Cartier-Bresson Brassaï and the filmmaker Murnau. The text is supplemented by quotations from Matisse Picasso E. Tériade the publisher of Jazz and Verve the poets Louis Aragon Henri Michaux and Pierre Reverdy and Matisse's son-in-law Georges Duthuit. Taschen hardcover
réf. 055531Paris Musée des Arts Décoratifs 1961 in 8 (24,5x18,5) 1 volume broché, couverture à rabats illustrée, 74 pages [1], avec de nombreuses illustrations, dont 13 gouaches découpées reproduites en couleurs par Mourlot (3 sur double-page). La maquette et l'impression ont été réalisées par Mourlot. Première édition (First edition). Très bel exemplaire
1939réf. 116857Paris Tériade 1939 1 vol. broché in-4, broché, couverture illustrée par Maillol. Edition anglaise de ce numéro double avec des textes (en anglais) de Valéry, Gide, Paulhan, Reverdy, René Daumal, Michaux, Sartre... Photographies de Herebert List, Brassaï... Lithographies originales de Braque, Rouault, Léger, Bonnard, Matisse, Derain, Klee. Dos légèrement ridé, sinon très bon état.
1939réf. 116857Paris Tériade 1939 1 vol. broché in-4, broché, couverture illustrée par Maillol. Edition anglaise de ce numéro double avec des textes (en anglais) de Valéry, Gide, Paulhan, Reverdy, René Daumal, Michaux, Sartre... Photographies de Herebert List, Brassaï... Lithographies originales de Braque, Rouault, Léger, Bonnard, Matisse, Derain, Klee. Dos légèrement ridé, sinon très bon état.
réf. 65339Paris Centre National D'Art et De Culture Georges Pompidou 1980. hardcover in slipcase both covered in natural linen cloth. large format. 42X27CM. xvii-followed by unpaginated section illustrating 289 notes in color with captions in French and English translation. most of these notes were not published previously. Very Fine condition. Preface by Pontus Hulten. One of 1000 numbered copies ; NUMBER 933. Paris Centre National D'Art et De Culture Georges Pompidou, 1980 hardcover
1937réf. 37981Paris, Hermann & Cie, 1937. (vo. 2 volumes, both in the orig. printed wrappers, both volumes uncut and partly unopened. Some wear to corners and edges, w. a bit of loss, vol. II missing part of lower spine. W. ownership signature (Carnap), the author's name (partly erased and library marking (that of Carnap?) on front wrappers. 44, (1)" 67, (2) pp. One plate and several text-illustrations to volume II.
1937réf. 37981Paris Hermann & Cie 1937. vo. 2 volumes both in the orig. printed wrappers both volumes uncut and partly unopened. Some wear to corners and edges w. a bit of loss vol. II missing part of lower spine. W. ownership signature Carnap the author's name partly erased and library marking that of Carnap on front wrappers. 44 1; 67 2 pp. One plate and several text-illustrations to volume II. First edition presentation-copy for Rudolf Carnap of this overlooked but in its time important work on the question of the telos or final aim of physics and biology. The first volume is inscribed "A Monsieur Rudolf Carnap/ Hommage de/ Georges Matisse" on front free end-paper and both volumes carry the signature of Carnap in pencil on front wrappers. Although now largely forgotten Georges Matisse 1874-1961 was a prominent thinker and a remarkable scholar who was considered important and influential in his own time. He contributed with several publications to the fields of science and philosophy and all of them are considered solid and interesting. His most famous works consist in the thee-volume cycle "La philosophie de la nature" 1938 "Le Rameau vivant du monde" 1947-49 and "L'Incoherence universelle" 1953-56 all published by the Presses Universitaires de France. The present work is thus published before what can be considered his actual breakthrough and represents us with thoughts very much in vogue at the time.As the title indicates the present work discusses the question of the motion of the appearances of nature towards their final aim. "L'explication des phénomènes naturels par l'idée de causes finales qui les dirigent est fréquemment adoptee encore." Vol. I Introduction.The first part of the work demonstrates that certain general principles do not apply to all appearances or that these principles contain something totally different than that which the non-physic could expect. "Malheureusement Presque tous ceux qui emploient le langage téléologique pour conter les événements croient que la finalité constitue une explication scientifiquement valuable c'est-à-dire qui precise les conditions necessaries et suffisantes de genèse du phenomena." Vol. I Introduction.The second part deals with the appearances of the living nature. Matisse tries to show that neither the way that the organisms are built nor the functions of the organs can be explained as striving towards an aim. This is explained among other things by the fact that many developments in nature lead not to the perseverance of the individual or the species but on the contrary to the death of it.The work evoked somewhat of an interest in the field of philosophy of science and was viewed as a valuable contribution to the answering of questions that occupy a position on the border of philosophy and science. In his own time Matisse was considered important and influential within this field. He attended the famous "Congrès International de Philosophie Scientifique" in Paris in 1935 which was organized primarily by Carnap.The present work was written shortly after this congress and published shortly before the first part of his main work. Carnap seems to have read the introduction in which there are a few pencil-underlinings and he has probably been more interested in the general thesis against teleology and preformation as a scientifically valuable explanation of the phenomena of nature than in the more thorough explanation of his ideas.Matisse graduated in biophysics in 1918 in Paris but early on he became interested in mathematics physics and epistemology the three fields of which are united in this interesting treatise. unknown
1993réf. BN471554Paris. Les Editions Du Cerf. 1993. 1993. LA CHAPELLE DE VENCE. JOURNAL D'UNE CREATION. LA CHAPELLE DE VENCE. JOURNAL D'UNE CREATION. Matisse Henri Marie-Alain Couturier und L-B Rayssiguier Paris. Les Editions Du Cerf. unknown
1952réf. 1269-CParis, Maeght éditeur, 1952. In-folio (762 x 560 mm) en trois feuilles. 9 DESSINS REPRODUITS EN LITHOGRAPHIE. Texte de Jean Bazaine : Clarté de Matisse. DLM édité pour la seconde exposition de dessins de MATISSE à la Galerie Maeght en mai 1952. Second tirage original tiré par l'Imprimerie Arte-Maeght. Exemplaire d'essai à plat en 3 feuilles non pliées, épreuves avec verso blanc. parfait état.
2009réf. 002381Koln: Taschen 2009. Book. Fine. Hardcover. 2 volumes bound in cream cloth with mounted illustration in matching slipcase. The Jazz volume is a facsimile of the 1947 edition. Printed on 38 loose folded sheets in paper wrapper. Color plates and text in black & white. The Cut-Outs volume is illustrated with color plates some folding and black & white photographs. 334 pp. 395 x 295 cm. A very fine set almost as new in original publishers shipping box. Very heavy set may require extra postage. . Taschen Hardcover
réf. 16-3783Paris: Revue Verve 1940. 4to. 26.5 x 35.5. Original wraps over boards good with slight tears at spine. French edition. Lithograph cover by Matisse printed by Mourlot after a gouache paper cut-out: La symphonie chromatique. Calendrier by Derain 23 pages; Coucher de Soleil sur la Méditerranée by Bonnard. Paris: Revue Verve, 1940 paperback
1965réf. 2410250340xbvkParis, Librairie Académique Perrin, MCMLXV (1965). 25 sections of each 2 inserted loose doublesheets of thick paper 'Vélin Arjomari' (=200 pages in total) with 193 (2 +5) partly numbered pages of texts, autograph- and musical-score facsimiles and 28 mostly colour lithographs; first 4 and last 5 blank sheets included (of which the very first and the very last one is laid under the interior large flaps of the dustjacket). - Loose in cardboard-cover with titled cardboard-dustjacket in a gilt-titled strong half-leatherette folder with marbled panels which again is protected by the publishers stiff cardboard-slipcase with fullsize colour-lithographs by Marcelle Oury on both sides; Folio (ca. 32 x 25 x 6 cm; ca. 3 kg.).
réf. 016276Genève - Molard Administrateur Pierre Caillet - Directeur Albert Skira 0 Journal En feuilles
réf. 25320Paris Mercure-Publicité 1945. Grand in-4 en feuilles, non paginé, au format 33 x 26 cm. Magnifique couverture illustrée d'une lithographie en couleur de Christian Bérard. Dos bien carré. Plats et intérieur frais. Textes inédits de Jean Cassou, Lise Deharme, Paul Éluard, Clara Malraux, Armand Salacrou, Jean Wiener et André Ulmann avec des illustrations tirées en lithographie par Christian Bérard, Valentine Hugo, Henri Matisse, Marie Laurencin, Touchagues, Pablo Picasso, Fougeron et Jean Effel. Etat superbe proche du parfait. Tirage unique à 2000 exemplaires numérotés sur arches ( n° 118 ). Rare édition originale publiée sous la direction de Boris Kochno, à l'occasion de trois soirées organisées par L'Union Nationale des Intellectuels.
réf. 2940Monaco (Cannes, Imprimerie Robaudy), 1943 ; in-folio, broché en feuilles ; : Bonnard (étude de femme dans son bain) ; ; 2 nus de Maillol dont un sur feuille double ; 2 expressions de Matisse ; 1 satire de Picasso sur feuille double ; À Holderlin par Pierre Emmanuel, texte manuscrit lithographié sur papier jaune bouton-d'or ; dessin en deux tons de Léon Zack ; couverture rempliée bleu-gris imprimée en noir et rouge-EDITION ORIGINALE, exemplaire N°624 des 1030 exemplaires de cette revue Manque la litho de DUFY, sinon parfait etat interieur exterieur
réf. 11087[Chez l'auteur]. Au 19 de la rue Servandoni. 1927. In-4°, reliure plein veau lisse gris perle, large pièce de titre sur le premier plat, tranche supérieure dorée, couverture conservée, étui. 16 lithographies en couleurs, tirées par Mourlot. Non paginé [54 pages]. E.O. et premier tirage des illustrations de Jean Bruller. 1/175 sur vélin d'Arches à la forme. Bel exemplaire, bien relié (dos légèrement éclairci). Peu courant.
1955réf. 1782[Alès], PAB, 1955. Une plaquette 8°, en feuilles, couverture rempliée. Édition originale. 1 GRAVURE ORIGINLE SIGNÉE DE CAMILLE BRYEN EN FRONTISPICE. 1/40 exemplaires numérotés sur papier d'Auvergne, seul grand papier, signé par Pierre André Benoît. (PAB, 241)