Henri MatisseBiblio.com
1 895 résultats
réf. 133075Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 20th century 1906. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 19-8196Paris: Museum of Modern Art Paris ca. 1940s. Large format color reproduction print poster 28” x 22”. Very Good. Minor creasing and sun-fading. Printed in Paris. Paris: Museum of Modern Art, Paris, [ca. 1940s?]. unknown
1930réf. 3540Paris Henri Babou 1930 in-8 en feuilles [Paris, Henri Babou, 1930.] 7 planches gravées in-8 (feuilles : 21,7 x 14 cm, sujets : 7,8 x 8,5 cm pour deux d'entre elles ou 14,5 x 8,5 cm environ pour les cinq autres).
1999réf. ART32101120000222paris, Stock, 1999, 12 x 18,5, 123 pages sous couverture illustrée d'un portrait (vignette) d'Aragon.
1942réf. 117429Marseille Le Sagittaire 1942 1 vol. Broché in-8, broché, couverture illustrée à rabats, non coupé, 93 pp. Édition originale ornée de 3 dessins par Henri Matisse, dont un en couverture. Un des 86 exemplaires numérotés sur Arches, et parmi ceux-ci l'un des 16 justifiés hors commerce, en parfait état.
1942réf. 117429Marseille Le Sagittaire 1942 1 vol. Broché in-8, broché, couverture illustrée à rabats, non coupé, 93 pp. Édition originale ornée de 3 dessins par Henri Matisse, dont un en couverture. Un des 86 exemplaires numérotés sur Arches, et parmi ceux-ci l'un des 16 justifiés hors commerce, en parfait état.
réf. c3230Editions du Sagittaire,1942 ; in-8°, broché, couverture blanche rempliée imprimée en rouge et noir et illustrée en noir ;93pp.,1f.nch. ;étiquette de la Librairie Langaret à Riberac sur le repli du 1er plat ;quelques petites piqûres.1 portrait sur la couverture , 1 portrait à pleine page et 1 portrait hors texte d'après les dessins de Matisse.
réf. 6926Grégoire Gardette éditions, s.l., 1993. In-4, broché sous couverture rempliée et illustrée en couleurs, 159 pp. Préface, par Xavier Girard - 1942... - 1954 - Correspondance.
1986réf. 017981Paris Gallimard 1986 In 16 Collection " Folio " Texte intégral . - 276 p. , 300 gr.
1933réf. 014115Paris Etude Bellier 1933 In-4 Agrafé
1926réf. 123766Paris Hôtel Drouot 1926 1 vol. broché in-4, broché, couverture rempliée, non paginé, reproductions en noir. Rare catalogue de vente du 28 octobre 1926 comprenant 72 numéros de tableaux modernes, aquarelles, gouaches et dessins par Paul Cézanne, André Derain, Raoul Dufy, Roger de La Fresnaye, Juan Gris, Marie Laurencin, Henri Matisse, Camille Pissarro, Odilon Redon, Georges Rouault, Henri Rousseau et A. Dunoyer de Segonzac. Préface originale de Jean Cocteau consacrée à la figure de John Quinn, au "mouvement moderne" et une analyse de "La Bohémienne endormie" de Henri Rousseau. Avocat d'affaires américain, John Quinn (1870-1924) fut un grand mécène de l'art contemporain et finança notamment l'exposition de l'Armory Show en 1913 où Duchamp présenta son Nu descendant un escalier. En bonne condition.
1926réf. 123766Paris Hôtel Drouot 1926 1 vol. broché in-4, broché, couverture rempliée, non paginé, reproductions en noir. Rare catalogue de vente du 28 octobre 1926 comprenant 72 numéros de tableaux modernes, aquarelles, gouaches et dessins par Paul Cézanne, André Derain, Raoul Dufy, Roger de La Fresnaye, Juan Gris, Marie Laurencin, Henri Matisse, Camille Pissarro, Odilon Redon, Georges Rouault, Henri Rousseau et A. Dunoyer de Segonzac. Préface originale de Jean Cocteau consacrée à la figure de John Quinn, au "mouvement moderne" et une analyse de "La Bohémienne endormie" de Henri Rousseau. Avocat d'affaires américain, John Quinn (1870-1924) fut un grand mécène de l'art contemporain et finança notamment l'exposition de l'Armory Show en 1913 où Duchamp présenta son Nu descendant un escalier. En bonne condition.
réf. ABE-1594291899877100 PAGES-23 CM X 30 CM-L'IDEALISTE ET LE VAMPIRE-IL ETAIT DEUX FOIS.-LUXE CALME ET BRUTALITE-DIALOGUE D'OUTRE TOMBE ENTRE LES DEUX PEINTRES-LIBRES ECHANGESSOUS INFLUENCE ET VICE VERSA-LA BELLE ABERRATION-LIBERTE POUR LA COULEUR-L'ELAN PRIMITIF-FRERES ENNEMIS-LE DELASSEMENT DE MATISSE-LES CREATURES DE PICASSO-DES TRIPES ET DU RYTHME-QUERELLE DE CHAPELLE-LA PARTIE CONTINUE-LES COMPAGNONS DE LA PALETTE-DEUX PETITS ENFANTS TEMOIGNENT, CLAUDE DUTHUIT, CLAUDE PICASSO-CULTURE EN TERRASSE-DEUX MAITRES ET BEAUCOUP D'ELEVES-NOIRE LUMIERE, CHRISTIAN LACROIX
1945réf. ABE-17749095218356 PAGES-43 CM X 59 CM-BILAN DE SIX MOIS D'OCCUPATION EN ALLEMAGNE EVITERONS-NOUS LA CATASTROPHE, PAR ANDRE MANDOUZE-PREMIER "ESSAYAGE" DE LA PAIX-DUFY OU LA JOIE-OLIVERO SALAZAR DICTATEUR QUAND MEME-VOLOGE, PAR ANDRE FROSSARD, DESSIN DE RIB-LE SALON D'AUTOMNE 1945, PAR SYNCHROME, DEMI-PAGE, 3 PHOTOS (PORTRAIT, PAR MATISSE-PIERRE DIRECTE, PAR DIDERON-PEINTURE, PAR BRAQUE)-UN ROMAN EXISTENTIALISTE LE SANG DES AUTRES, PAR GABRIEL MARCEL-BELA BARTOK, LE GRAND MUSICIEN HONGROIS EST MORT EN AMERIQUE, PAR FRED GOLDBECK-LA VIE DE L'ESPRIT DEUX CONCEPTIONS DU SALUT, PAR PIERRE EMMANUEL-REALISME ET SYMBOLE AU THEATRE ELISABETH OU LA FEMME SANS HOMME-CALIGULA, PAR MARC BEIGBEDER-UNE GIGANTESQUE "FOIRE AUX PUCES" INTERNATIONALE.MAIS LES "SURPLUS" AMERICAINS NE SONT PAS EN VENTE LIBRE
1971réf. 332800London: Thomas Gibson 1971. paperback. fine. Introduction by Paul Matisse. 6 x 8.25 inches pictorial wrappers. London: Thomas Gibson Fine Art 1971. Fine. Exhibitiion catalog. With separate folded sheet: Twelve etchings 1929. Both exhibits were held 14 April to 22 May 1971. Thomas Gibson unknown
1971réf. 332800London: Thomas Gibson 1971. paperback. fine. Introduction by Paul Matisse. 6 x 8.25 inches pictorial wrappers. London: Thomas Gibson Fine Art 1971. Fine. Exhibitiion catalog. With separate folded sheet: Twelve etchings 1929. Both exhibits were held 14 April to 22 May 1971. Thomas Gibson unknown books
réf. 3734072The Hague: Servire Press February 1935. 15pp. Octavo 8¾ x 5½ inches. Printed self-wrappers. Overall toning and some light foxing to wraps and margins of some pages; very good. “In later years Braque Eugene Jolas Matisse Andre Salmon and Tristan Tzara published jointly a Testimony against Gertrude Stein 1935 in which they denied her understanding of their work of Cubism and of painting in general. According to Braque ‘Miss Stein understood nothing of what went on around her’; and Salmon echoed this condemnation: ‘I had thought along with all our friends that she had really understood things. It is evident that she understood nothing except in a superficial way.’” NAW Published as “Transition Pamphlet no. 1. This is a supplement to Transition 1934–1935 no. 23 Not for sale separately.” unknown
1935réf. 89791The Hague: Servire Press 1935. First Edition. Octavo. Printed staple-bound self-wrappers; 15pp. Mild foxing to covers slight wear; Very Good. Uncommon pamphlet published as "Transition Pamphlet no. 1" and distributed as a supplement to Transition no. 23 1934-1935. The six authors defend themselves and their artistic movements against their characterization in Stein's Autobiography of Alice B. Toklas: "These documents invalidate the claim of the Toklas-Stein memorial that Miss Stein was in any way concerend with the shaping of the epoch she attempts to describe." The pamphlet was never available for sale separately. Servire Press unknown
1935réf. 77652The Hague:: The Servire Press July 1935. First edition. publisher's self wrappers. Wrappers slightly tanned at edges; text much less so. 8vo. Transition Pamphlet no. 1. The Servire Press, unknown
1935réf. 89791The Hague: Servire Press 1935. First Edition. Octavo. Printed staple-bound self-wrappers; 15pp. Mild foxing to covers slight wear; Very Good. Uncommon pamphlet published as "Transition Pamphlet no. 1" and distributed as a supplement to Transition no. 23 1934-1935. The six authors defend themselves and their artistic movements against their characterization in Stein's Autobiography of Alice B. Toklas: "These documents invalidate the claim of the Toklas-Stein memorial that Miss Stein was in any way concerend with the shaping of the epoch she attempts to describe." The pamphlet was never available for sale separately. Servire Press unknown books
1939réf. 45820New York: Crown Publishers. Very Good in Very Good dust jacket. 1939. First Edition; First Printing. Hardcover. B&W Photographs & Color Plates; 4to 11" - 13" tall; 246 pages; 1939 Crown Publishers. Stout oversize HC/DJ. 1st edition. Soundly bound and unmarked in original color pictorial dust jacket. Illustrated with b&w photographs and halftones along with about 30 plates from paintings by Matisse Picasso Berard etc. Generally quite neat but with light to moderate doxing to front edge of page block and some foxing to the front edges of the color plates and occasionally to edge of adjacent pages of text. Expected toning in the endpage gutters almost ubiquitous in books printed in the 30's. Just trace shelf evidence to jacket edges short closed tear to crown of spine panel and mild dulling at spine. Laid in at rear is a 1943 program for the Ballet Russe de Monte Carlo prsentation of Les Sylphides at the Locust Theater in Philadelphia. VG/VG . Crown Publishers hardcover
1978réf. Q-0807608866George Braziller Inc 1978-10-17. Paperback. New. In shrink wrap. Looks like an interesting title! George Braziller Inc paperback
1978réf. 70359Scranton Pennsylvania U.S.A.: George Braziller. Fine. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 127 page monograph; many color and black and white illustrations. -- with a bonus offer--; 041017; Matisse Henri The Cut-Outs of Henri Matisse MATISSE HENRI 1869 1954 ART . 1978. 0807608866 . George Braziller paperback
réf. 6932George Braziller, New York, 1978. In-4, broché sous couverture illustrée en couleurs, 127 pp. Introduction - Notes - Appendix - Bibliography - List of Color Plates - Color Plates - In Matisse's Studio.
1978réf. 207229New York: George Braziller 1978. First edition. Hardcover. 127 pages. Includes numerous color and black and white illustrations. A tight near fine copy in cloth boards and from the library of Lucas Samaras with estate stamp to the front free endpaper and in a near fine dust jacket with some very minor wear. A nice copy with an interesting provenance. George Braziller unknown books
