Soyer, RaphaelBiblio.com
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1972Best.-Nr. Q-0810904861H. N. Abrams 1972-01-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! H. N. Abrams hardcover
1997Best.-Nr. AME_9780792399001Kap 1997. 1st. Hardcover. New/New. _ Kap hardcover
2005Best.-Nr. DADAX052184276XCambridge University Press 2005-02-14. hardcover. New. 7.75x1.25x9.75. Buy with confidence. Excellent Customer Service & Return policy. Cambridge University Press hardcover
1999Best.-Nr. DADAX3540663509Springer 1999-01-01. paperback. New. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. Springer paperback
1986Best.-Nr. 0034894Boca Raton: CRC Press 1986. First Edition. Hardcover Hardcover. Fine Condition. 26cm x 18cm. viii 186 pages. Blue cloth silver lettering. A summary of past and present therapeutic uses and research of cannabis sativa. Contributors include Paul Consroe Stuart R. Snider Martin W. Adler Ellen B. Geller Martin Levitt Robert A. Archer Paul Stark Louis Lemberger Mark Segal M. Ross Johnson Lawrence S. Melvin and James D. P. Graham. Edited by Raphael Mechoulam 1930- an Israeli chemist known for the first isolation and synthesis of tetrahydrocannabinol THC the principal psychoactive in marijuana. Fine as issued with small binding blemish in cloth on lower board. Category: Ethnopharmacology & Psychedelia; 20th Century: 1980s; Psychology & Psychiatry. ISBN: 0849357721. ISBN/EAN: 9780849357725. Inventory No: 0034894. BZDB407 Ethnopharmacology & Psychedelia; 20th Century: 1980s; Psychology & Psychiatry. Unbranded ISBN: 0849357721 EAN: 9780849357725 Raphael Mechoulam Cannabinoids as Therapeutic Agents CRC Press hardcover
Best.-Nr. 33185490like new. unknown
2015Best.-Nr. x-1444332449Blackwell Pub 2015. Hardcover. New. 9th edition. 1312 pages. 11.10x8.43x1.57 inches. Blackwell Pub hardcover
Best.-Nr. Juanpebooks007581WE ship worldwide. Brand new 100%guarentee unknown
1849Best.-Nr. BOOKS20926London UK: David Bougue. G/NO DUSTJACKET. 1849. Cl/BrdHardcover. 4to. viii32pp.43 cover worn and frayed inside hinges weakened some minor foxing bookplate . David Bougue hardcover
1747Best.-Nr. 844301747. A Scarce Essay on Insolvency Written When Great Britain was Emerging as a Modern Commercial Power: OCLC Locates 1 Copy in a North American Law Library Courteville Raphael 1675-1772. Arguments Respecting Insolvency. Dedicated to the Rt. Hon. Arthur Onslow Esq; Speaker of the House of Commons. London: Printed for M. Cooper At the Globe in Pater-Noster-Row 1760. vii 1 32 pp. Octavo 7-1/4" x 4"; 18.4 x 10.2 cm. Disbound stab-stitched pamphlet. Moderate toning light soiling to exterior upper outside corner of last leaf lacking with no loss to text "6" in small early hand to head of title page. A very good copy overall. $350. Only edition of this rare insightful commentary on the intersections of credit ethics and British law at the dawn of the Industrial Revolution. Writing at a pivotal moment when Great Britain's domestic and global commerce increasingly relied on complex credit networks Courteville offers an early sophisticated critique of the social and economic costs of imprisonment for debt alongside a rigorous analysis of contemporary bankruptcy statutes. Rather than viewing insolvency through a purely punitive or moralistic lens Courteville treats it as an unavoidable structural reality of a modern commercial state. He proposes a series of pragmatic legal reforms aimed at balancing the rights of creditors with the economic rehabilitation of honest debtors. To support his arguments he performs a comparative legal analysis-most notably drawing parallels to the mercantile laws of Holland-and scrutinizes recent insolvency acts passed by Parliament to illustrate where current British legislation fell short. Raphael Courteville is a fascinatingly multifaceted figure of the Georgian era. While chiefly remembered today as a notable organist at St. James's Westminster and a hymn composer he was also an aggressive and prolific political writer. For years he served as a dedicated state pamphleteer under the payroll of Prime Minister Sir Robert Walpole frequently writing for The Daily Gazetteer under the pseudonym "Freeman"-a role that earned him the colorful nickname "Court-Evil" from his Tory detractors. This tract displays his characteristic polemical sharpness applied to legal and economic reform. OCLC locates 1 copy in a North American law library Library of Congress. English Short-Titl. unknown
1747Best.-Nr. 844301747. A Scarce Essay on Insolvency Written When Great Britain was Emerging as a Modern Commercial Power: OCLC Locates 1 Copy in a North American Law Library Courteville Raphael 1675-1772. Arguments Respecting Insolvency. Dedicated to the Rt. Hon. Arthur Onslow Esq; Speaker of the House of Commons. London: Printed for M. Cooper At the Globe in Pater-Noster-Row 1760. vii 1 32 pp. Octavo 7-1/4" x 4"; 18.4 x 10.2 cm. Disbound stab-stitched pamphlet. Moderate toning light soiling to exterior upper outside corner of last leaf lacking with no loss to text "6" in small early hand to head of title page. A very good copy overall. $350. Only edition of this rare insightful commentary on the intersections of credit ethics and British law at the dawn of the Industrial Revolution. Writing at a pivotal moment when Great Britain's domestic and global commerce increasingly relied on complex credit networks Courteville offers an early sophisticated critique of the social and economic costs of imprisonment for debt alongside a rigorous analysis of contemporary bankruptcy statutes. Rather than viewing insolvency through a purely punitive or moralistic lens Courteville treats it as an unavoidable structural reality of a modern commercial state. He proposes a series of pragmatic legal reforms aimed at balancing the rights of creditors with the economic rehabilitation of honest debtors. To support his arguments he performs a comparative legal analysis-most notably drawing parallels to the mercantile laws of Holland-and scrutinizes recent insolvency acts passed by Parliament to illustrate where current British legislation fell short. Raphael Courteville is a fascinatingly multifaceted figure of the Georgian era. While chiefly remembered today as a notable organist at St. James's Westminster and a hymn composer he was also an aggressive and prolific political writer. For years he served as a dedicated state pamphleteer under the payroll of Prime Minister Sir Robert Walpole frequently writing for The Daily Gazetteer under the pseudonym "Freeman"-a role that earned him the colorful nickname "Court-Evil" from his Tory detractors. This tract displays his characteristic polemical sharpness applied to legal and economic reform. OCLC locates 1 copy in a North American law library Library of Congress. English Short-Titl. unknown books
Best.-Nr. 59-0065Paris de l'Imprimerie Royal Cabinet Crozat 1729. Engraving by Claude du Flos retouched by Nicolas de Larmessin after the painting by RaphaëlImage size: 321 x 215 mmSheet size: 542 x 406 mmWater stain in upper margin.Plate number 24From "Recueil d'Estampes d'après les plus beaux Tableaux et d'après les plus beaux Desseins qui sont en France dans le Cabinet du Roy dans celuy de Monseigneur le Duc d'Orleans & dans d'autres Cabinets Tome Premier. Cabinet Crozat Volume 1 Paris, de l'Imprimerie Royal [Cabinet Crozat], 1729. unknown
1989Best.-Nr. 8545Toronto: Lumiere Press. Very Good with no dust jacket. 1989. Limited Edition. Hardcover. 0921542038 . 45 pp. With 12 colour photographs tipped in. Ltd Edition 167/170 with signatures by Goldchain Torosian and Manguel on the limitation page at the rear. Cream linen spine grey paper hardboards with very minor wear only except that there is a small very faint finger spot on the back cover. Interior first blank has pencil erasure otherwise crisp and clean. The portfolio of a series of photographs made in the mid-to-late eighties in México and Central América is introduced by noted anthologist and author Alberto Manguel and accompanied by an essay by photographer and publisher Michael Torosian. Beautifully printed on mould-made Frankfurt paper. A lovely copy of a scarce book. ; 45 pages; Signed by All Authors . Lumiere Press hardcover
2019Best.-Nr. 77604Zurich: JRP Ringier 2019. First Edition. Hardcover. Near fine. Inscribed by Charles Atlas to Howie Pyro 1960-2022 bassist DJ and longtime veteran of the New York punk and underground scenes on the front flyleaf. For almost 50 years New York-based artist Charles Atlas b.1949 has been a leading figure in film and video art creating seminal works documenting dance and performance art involving choreographers such as Merce Cunningham and Michael Clark as well as the fashion designer and performance artist Leigh Bowery. His network of collaborators and associates largely coincides with his circle of friends: many of his works from the 1980s and 1990s are portraits of fellow protagonists of the New York underground scene and the contemporary milieu employing a sub- and pop-cultural idiom to scrutinize aspects of bio-power and the politics of bodies and identity. The publication features commissioned essays by art historians and curators reflecting on Atlas' strategies and the themes that have shaped his oeuvre over the years. Octavo: 188 p. Original pictorial boards; issued without a dust jacket. Near fine. JRP | Ringier hardcover
1902Best.-Nr. 191212New York: Macmillan 1902. Hardcover. vii 261p. iii ads frontispiece and 7 plates mild foxing front hinge starting at publisher's device and frontis untrimmed fore-edge and bottom edge first edition according to Sisson page 6 and BAL 11873 blue-gray cloth titles in white decorations on cover and spine in red black and white spine titles abit rubbed otherwise very good. Macmillan hardcover
1902Best.-Nr. 191212New York: Macmillan 1902. Hardcover. vii 261p. iii ads frontispiece and 7 plates mild foxing front hinge starting at publisher's device and frontis untrimmed fore-edge and bottom edge first edition according to Sisson page 6 and BAL 11873 blue-gray cloth titles in white decorations on cover and spine in red black and white spine titles abit rubbed otherwise very good. Macmillan hardcover books
1987Best.-Nr. mon0003197171Consejo Superior de Investigacio 1987T. paperback. Very Good. 0.7874 7.0866 4.2520. Consejo Superior de Investigacio paperback
1916Best.-Nr. 6555Imprenta Nacional Bogota Colombia 1916; First Edition; 8vo; 287 pages; printed wraps. Over 200 fables in verse demonstrating universal moral truths published by distinguished Columbian national poet Rafael Jose de Pombo y Rebolledo 1833-1912 as part of his efforts to restore honesty responsibility integrity and charity to Colombian society which was in a disreputable state at the time. All entries either authored or personally collected and translated into Spanish by Pombo and first published here after discovery of the lost manuscript after his death. Very Good binding tight sound and square text clean crisp bright no ownership signatures or any other markings of any kind pages unopened. Text in Spanish. Quite rare. Imprenta Nacional paperback
1971Best.-Nr. 22294Harry N. Abrams Inc. . Fine in Very Good dust jacket. Hardcover. Grey cloth cover has very lightly rubbed caps and corners but cover is clean bright and in pristine condition. Boards and spine are straight. Binding is tight. Very faint erasure mark on top corner of front end sheet. Pages are clean and in near pristine condition. Dust jacket has light shelf rubbing but is in very good condition. DJ is in protective laminate. . 1971. Harry N. Abrams, Inc. hardcover
1934Best.-Nr. mon0003019075Casa Editora La Cronica y Varied 1934. Paperback. Good. . Cover shows minor wear tear chipping tanning and foxing. Pages are tanned. Casa Editora La Cronica y Varied paperback
Best.-Nr. 468730New York no date. Hardcover. Good. Portfolio 11 ½" x 14 ½". Contains thirteen loose plates: one mounted letterpress plate: "Key to Raphael's Hours" and 12 mounted sepia toned reproductive photographs of the famous set of 12 allegorical engravings circa 1803-06 after Raphael's Six Hours of the Day and Six Hours of the Night. The portfolio is bound in contemporary red cloth over beveled boards title lettered in gold on spine interior silk moire endpapers and flaps. Wear and dust soiling to the edges of the boards a few small tears and fraying to the flaps the letterpress plate is moderately toned good overall with all 12 photographic plates in very good condition. As noted by printmaker James Brust: "The twelve images represent the first six phases of the day and night respectively. Each has an allegorical figure of a beautiful woman draped in a gown and holding an object or animal floating gracefully across a dark background. A narrow strip along the bottom of each plate shows various animals with symbolic meaning also against a dark background." An attractive scarce set of 12 sepia toned photographs 5 ¾" x 8 ¾" mounted on thick cardboard plates 11" x 14". OCLC records three copies of only one similar portfolio published in New York by "Stroefer & Kirchner 1870s.". hardcover
Best.-Nr. 468730New York no date. Hardcover. Good. Portfolio 11 ½" x 14 ½". Contains thirteen loose plates: one mounted letterpress plate: "Key to Raphael's Hours" and 12 mounted sepia toned reproductive photographs of the famous set of 12 allegorical engravings circa 1803-06 after Raphael's Six Hours of the Day and Six Hours of the Night. The portfolio is bound in contemporary red cloth over beveled boards title lettered in gold on spine interior silk moire endpapers and flaps. Wear and dust soiling to the edges of the boards a few small tears and fraying to the flaps the letterpress plate is moderately toned good overall with all 12 photographic plates in very good condition. As noted by printmaker James Brust: "The twelve images represent the first six phases of the day and night respectively. Each has an allegorical figure of a beautiful woman draped in a gown and holding an object or animal floating gracefully across a dark background. A narrow strip along the bottom of each plate shows various animals with symbolic meaning also against a dark background." An attractive scarce set of 12 sepia toned photographs 5 ¾" x 8 ¾" mounted on thick cardboard plates 11" x 14". OCLC records three copies of only one similar portfolio published in New York by "Stroefer & Kirchner 1870s.". hardcover books
1972Best.-Nr. 517556New York: Write! On Press 1972. Softcover. Very Good. First edition. Quarto. Stapled wrappers. 28pp. Large stain on the spine thus very good. A photo-reproduced guide for women writers with an additional report of the 1971 Writers Conference sponsored by The American Society of Magazine Writers and The New School for Social Research. Raphael gives tips on a variety of topics affecting writers including "Sample Query Letter" "My First Writer's Conference by a Full Time Freelance Writing Mother" and selling articles to men's magazines. Write! On Press) unknown
1972Best.-Nr. 517556New York: Write! On Press 1972. Softcover. Very Good. First edition. Quarto. Stapled wrappers. 28pp. Large stain on the spine thus very good. A photo-reproduced guide for women writers with an additional report of the 1971 Writers Conference sponsored by The American Society of Magazine Writers and The New School for Social Research. Raphael gives tips on a variety of topics affecting writers including "Sample Query Letter" "My First Writer's Conference by a Full Time Freelance Writing Mother" and selling articles to men's magazines. Write! On Press) unknown books
1777Best.-Nr. 7514London: Published by John Boydell Cheapside 1777. Mezzotint. State iii/iii with the engraved inscription in thick and thin cursive letters. In good condition apart from some overall light surface soiling and foxing. Occasional rubbed creases throughout image. Laid down onto cream wove backing paper. Image size: 13 1/16 x 10 15/16 inches. This charming portrait of the fashionable Catherine Schindlerin expertly illustrates Smith's superior technique and artistic ingenuity. Catherine Schinderlin was a German singer and actress who began her career in London in 1775 the year Reynolds did this portrait for the Duke and Duchess of Dorset. It shows the actress in the role of the "Coquette" from an as yet unidentified play or opera. A highly influential figure in the late eighteenth-century British art world John Raphael Smith was the most robust and prolific printmaker of his time. During his prodigious career Smith produced nearly 400 prints 130 of which were of his own design. The remainder reproduced paintings by such noted British artists as Joshua Reynolds George Romney and Joseph Wright of Derby. Smith was an incredibly astute businessman and soon became an impresario of the print-publishing trade. At the 1783 exhibition of the Society of Artists Smith exhibited his print of the Prince of Wales. This clever bit of marketing precipitated his appointment as the Prince of Wales' mezzotint engraver immediately making him even more desirable to an art market hungry for quality prints. D'Oench D'Oench Copper into Gold Prints by John Raphael Smith 88; Frankau An Eighteenth Century Artist and Engraver John Raphael Smith 306 iii/iii; Chaloner Smith British Mezzotinto Portraits 147 iii/iii; Russell English Mezzotint Portraits and their States 147; O'Donoghue Catalogue of Engraved British Portraits.in the British Museum 1; Lennox-Boyd & Stogdon state iii/iii. Published by John Boydell, Cheapside unknown
