21 457 résultats
réf. 18794528-nnew. unknown
1928réf. 66286Paris: Société du livre d'art 1928. Fine. Société du livre d'art Paris 1928 22 x 28.50 cm broché sous chemise et étui et un volume en feuilles sous chemise et étui Edition printed in 150 numbered and named copies on vellum and illustrated with 28 original etchings hors texte as well as woodcuts by Raphaël Drouart. Both slipcases are damaged and show either a lack to the upper edge or a large tear to the upper edge. Both chemises are fragile. Handsome copy. Our copy is exceptionally expanded with two original copperplates and a suite in black of the illustrations. The text is illustrated with decorations and frames of gilt and black head-pieces in Art Deco style. Société du livre d'art hardcover
réf. 52-0004Paris: Imprimerie Royale ca. 1730s. Woodcut after Raphael. Etched metal plate by Charles Nicolas Cochin printed in black. Tone block printed in tan. 15.7 x 34.1 cm. Nagler 33. Le Blanc 25. AKA: Die Verleumdung des Apelles. La Calomnie peinte par Apelles. Paris: Imprimerie Royale, ca. 1730s. unknown
réf. 52-0012Paris: Imprimerie Royale ca. 1730s. Woodcut after Raphael. Etched plate in brown by Charles Nicolas Cochin. Two blocks printed in shades of brown. 25.3 x 25.4 cm. AKA: Hercule gaulois ou L’Eloquence. Paris: Imprimerie Royale, ca. 1730s. unknown
réf. 7733Soyer Raphael. Soyer Raphael. BEHIND SCREEN MODEL RESTING. Cole 68. Lithograph in colors 1949. 16 x 12 1/4 inches; 405 x 310 mm. Edition of 150 of which 75 were in black and 75 were in color Soyer used four stones - black green pale orange and brown. Signed in pencil. Cole identified this as Soyer's first color print but in his appendix he added as Cole 57A Young Woman Drying Herself which he dates from 1940 and also identifies as Soyer's first color print. In excellent condition. unknown
1935réf. 33141935. Soyer Raphael. Soyer Raphael. IN STUDIO. Lthograph 1935. 13 1/2 x 9 1/2 in. Editon of 100 Cole 37. With stamp of American Artists School. "First Annual Print Series" on verso. Signed in pencil. "This was done on the stone in my studio. Those are my sketches tacked on the wall." Gettings #28 unknown
1930réf. 56041930. Soyer Rapahel. Soyer Raphael. WASHINGTON SQUARE PARK Cole 18 Gettings 15. Lithograph 1930. 9 1/4 x 7 inches; 235 x 178 mm. Edition of about 25. Titled and signed in pencil and with the blindstamp of the printer "Jacob Friedland/Lithographic Printers/55 E. 9th Street N. Y. C." Provenance: Gift of the artist to Nathaniel Dick; Estate of Margaret Dick per annotation on frame backing paper. Margins apparently trimmed else in very good condition. Scarce. unknown
1902réf. 209555New York: G. P. Putnam's Sons 1902. First Edition; First Printing. Hardcover. Very Good in boards. Front hinge starting. Scarce first edition. G. P. Putnam's Sons hardcover
1658réf. LV2725A Paris: chez Adrien Menier a la Porte Saint-Victor 1658. 1658. 4to. 24 cm. 8 45 3 pp. 72 double-sided plates. Dedication signed: Du Fresne. With a special added engraved title page preceding the plates with the title: Briefve Histoire de l'Institution de toutes les Religions avec leurs habits granez par Odard Fialetti . . . 1658. Each plate has engraved descriptive text on facing page printed on verso of preceding plate. Contemporary red turkey morocco gilt-stamping and spine; neat restoration to spine corner bumped. Stamp on title and rear: Le Mrs. Marquis de Courtanvaux Le Tellier Marquis de Courtanvaux Francois-Cesar 1718-1781. CHOICE COPY IN A BEAUTIFUL CONTEMPORARY BINDING. Rare. First printing of an important book showing 72 standard costumes worn for 72 religious orders mostly Italian orders seventeenth century. There is a section devoted to the east and one plate to an order in India. Odoardo Fialetti whose real name was Edouard Viallet provided the remarkable engravings. The dedicatory epistle is addressed to Pierre de La Porte first valet de chambre of Louis XIV. / Trichet du Fresne described as erudite he took his education at the College de Guyenne Paris. While working for the brother of Louis XIII Gaston d'Orleans 1608-60 he acquired works of art on buying excursions. He began his career as a bookseller before becoming corrector at the newly established Imprimerie du Roi in 1640. In 1651 he published Leonardo da Vinci's treatise on painting Trattato della pittura which had circulated in manuscript form. His Trattato contained an early biography of Leonardo and Alberti and contained a list of books at the end forming the first annotated bibliography of art literature Dictionary of Art Historians. After the death of Naude he was appointed librarian of Queen Christina of Sweden. His own library comprised about 10000 volumes. Colbert acquired his manuscripts from his widow Francoise Duvivier for the Royal Library for 27700 livres. The printed books were bought by Nicolas Fouquet after whose disgrace and imprisonment they were confiscated and incorporated into the Royal Library in 1665. When in 1651 the Swedish Queen abdicated and emigrated to Italy Trichet followed her to Rome. REFERENCES: Blechet p.59; Pollard & Ehrman Table XXV; Taylor p. 265ff. See: Smith Paul J. "COGNITION IN EMBLEMATIC FABLE BOOKS: AEGIDIUS SADELER'S THEATRUM MORUM 1608 AND ITS RECEPTION IN FRANCE 1659–1743" Within: Cognition and the Book: Typologies of Formal Organisation of Knowledge in the Printed Book of the Early Modern Period; Series: Intersections Volume: 4. 2005. chez Adrien Menier, a la Porte Saint-Victor, 1658. unknown books
réf. 16-4887Paris: la presse à bras 1932. Portfolio 49.5 x 36.2cm. Printed on handmade paper produced by the artist: Papier de Montval fil de lotus égyptien fabriqué par l'artiste monogramme MK sous une figure de femme assise dit 1ère fabrique à Vidalon-lès-annonay. One of 100 signed and numbered portfolios with 12 full sheet woodcuts of ballet dancers each signed and numbered by the artist.OCLC Number: 79038288.Broché en feuilles sous une chemise de papier fort imprimée. 4-12 planches-2-4 blanches. Parfait état hormis couverture un peu poussiéreuse.Tiré à 100 exemplaires numérotés et signées par Gaspard-Maillol celui-ci n° 41. Les 3 pages de préface sont illustrées par un bandeau ou un cul de lampe gravés par l'artiste. 12 planches gravées sur le monde de la danse signées et numérotées par l'artiste complet. Résumer des articles « El Paper de Montval d’Aristides Gaspar i Rafael Maillol » pp. 109 à 144 et « Le papier de Montval d’Aristide Gaspard et Raphaël Maillol » pp.145 à 182 d’Eric Forcada in « Entre édition et presse. Le papier d’hier à aujourd’hui » Actes de Colloques de la IIe Journée d’étude sur l’imprimerie de Perpignan édités par les « Publications de l’Olivier » et la Ville de Perpignan Saint Esteve avril 2005.Expertise by Lionel BRABANT et Amaury BONNETAIN. Paris: la presse à bras, 1932. unknown
1810réf. A278616 62 2 pages with as usual two reprints of earlier Nahuatl works: Doctrina breve sacada del catecismo mexicano que dispuso el P. Ignacio de Paredes; and José de la Mota Alabado en mexicano. 4 pages. Both Mexico: reimpresa Mariano Zúñiga de Ontiveros 1809. Octavo 6 1/4" x 4" bound in later stiff vellum edges tinted red. Medina Mexico 10289 and 10278; Medina Mexico 10504; Palau 297166 First edition The first new book in Nahuatl to be published since 1770. See León-Portilla Tepuztlahcuilolli impresos en náhuatl page 98. Palau calls for a frontispiece copperplate engraving of the Holy Trinity not noted in Medina and not found in the Oxford or University of Michigan examples online but present following the title page in the John Carter Brown Library example. Condition: Later stiff vellum minor staining; lacking endpapers lacking frontispiece red pencil note on page 54 front end paper detached else about very good. Manuel Antonio Valdés
1768réf. P4456Rome c.1768. Very Good. Notes: A fine engraving of the Raphael fresco of the various great minds that made up the "School of Athens" during the mid 18th century. The interior scene shows Greek philosophers Plato left and Aristotle right in the center surrounded by groups of other philosophers and mathematicians. In the lower left foreground Pythagoras writes in a book; at right Euclid demonstrates a compass to four young men. The scene is framed by an arch with the inscription: "Raphael in aedibus santius vatica pinx nis". Other figures that are believed to be represented are: Zeno of Citium Epicurus Heraclitus the "weeping" philosopher Democritus the "laughing" philosopher Boethius Averroes Alcibiades Antisthenes Raphael Aeschines Socrates Michelangelo Diogenes of Sinope Plotinus Zoroaster Ptolemy and Protogenes. Image Size : 515x733 mm 20.28x28.86 Inches Platemark Size : 565x741 mm 22.24x29.17 Inches Paper Size : 618x860 mm 24.33x33.86 Inches Coloring: Hand Colored Medium: Copper Engraving Categories: Views Europe Italy; Architectural General; unknown
1928réf. 49515N.p.:: Raphael 1928. on original studio mount matted framed and glazed. Very slight silvering at lower margin; otherwise very fine. . 7-3/4 x 5-3/4 inches image. Signed by G. Bernard Shaw and inscribed to Desmond Deane 16th Jan. 1928. Signed by the photographer lower right in pencil. Raphael, unknown
réf. 02-018520th cent. Woodcut print after Raphael. Two color blocks: olive green and dark gray. 169 x 82 mm. Printed on a single sheet with Herm. Nagler 22. Le Blanc 22. Kennedy 176. 20th cent. unknown
réf. 02-018420th cent. Woodcut print after Raphael. Two color blocks: olive green and dark gray. 168 x 80 mm. Nagler 22. Le Blanc 22. Kennedy 176. Printed on a single sheet with Caryatid. 20th cent. unknown
1935réf. 54381935. Soyer Raphael. Soyer Raphael. MOTHER AND CHILD. Drawing color pastels and pencil on paper. 15 3/8 x 11 1/4 inches; 390 x 283 mm. Signed in pencil. Pale toning overall else a beauiful image in very good condition. unknown
réf. 52-0015Paris: Imprimerie Royale ca. 1730s. Woodcut after Raphael. Etched plate by the Comte de Caylus printed in dark brown. Three blocks: in shades of orange-brown. 28.1 x 20.3 cm. Nagler 8. Le Blanc 7. AKA: Christus in Mitter seine Apostel. Jésus au milieu des apôtres. Paris: Imprimerie Royale, ca. 1730s. unknown
1929réf. 15341PRIMERA EDICION.- Madrid: Revista de Occidente 1929.- 164 p.; 8º 20 x 143 cm.; Excelente encuadrnación en Plena Piel Chagrén rojo conservando las cubiertas y la lomera originales estuche. La cubierta anterior original con unas manchas de oxido que también han dejado su sombra en la hoja 1ª de cortesía la lomera original algo desvaída y en la 2ª hoja de cortesía tiene en la parte superior manuscrito a tinta "Adolfo Martos Croosle París Noviembre 1934". Por lo demás impecable. LITERATURA Y FILOSOFÃA ESPAÑOLAS DE LOS SIGLOS XIX-XXI Y SU HISTORIA EN GENERAL Libro en español Revista de Occidente hardcover
1797réf. 6966Madrid: Imprenta de Sancha 1797. First Edition Primera edición. Hardcover Tapa dura. 204x135mm. 8x5¼". Madrid Imprenta de Sancha 1797. En 4º menor 204 x 135mm. 4-xv-1 330 2-cv pp. Encuadernación de la época en piel. Primera edición de este libro apreciado y poco común tocante a la historia del comercio entre España y América; ya Palau decía en su época que el libro escaseaba. A partir de la p. 330 un Apéndice con copias de algunos documentos citados en estas memorias históricas. Antúnez y Acevedo 1736-1800 cultivó el estudio de la jurisprudencia mercantil en todos sus ramos siendo un profundo conocedor de las leyes y costumbres del comercio hispano-indiano. Portada con ligeras manchas papel tostado. Libro raro en comercio. Imprenta de Sancha hardcover
1631réf. 6220Munich: Melchior Segen 1631. Contemporary vellum with two brass clasps blue edges. 12mo. With an engraved title page and 12 full-page engraved emblems by Raphael Sadeler. Revised and enlarged edition of one of the most attractive emblem books by the Jesuit author Jeremias Drexel 1581-1638. Born in Augsburg and active for most of his career in Munich Drexel was among the most celebrated Catholic devotional writers of the 17th century. After entering the Society of Jesus he gained renown as a preacher and was appointed court preacher to Maximilian I Elector of Bavaria 1573-1651. His numerous ascetical and devotional works achieved remarkable popularity throughout Europe appearing in many editions and translations.First published in 1622 the Zodiacus Christianus appeared in numerous editions; the present copy is the fifth. In the work Drexel transforms the 12 signs of the zodiac into Christian moral and spiritual emblems. Rejecting their astrological significance he interprets each sign allegorically as representing stages in the Christian life and symbols of divine providence and predestination. The work combines learned theological reflection with practical moral instruction illustrating the Jesuit use of emblematic imagery as a powerful instrument for meditation and religious education during the Counter-Reformation.The text is illustrated with a finely engraved series of emblematic plates by Raphael Sadeler 1561-1632 one of the most accomplished members of the celebrated Sadeler family of engravers. Rich in symbolic detail the engravings harmoniously combine biblical imagery classical motifs and emblematic devices making the work one of the finest examples of 17th-century Jesuit book illustration.The margins are slightly trimmed. Otherwise in very good condition.l Dünnhaupt p. 1377 5.13; USTC 2518976 2 copies; VD 17 23:267994Z; WorldCat 314128646 258194835; cf. Caillet 3250 Cologne ed. of 1634; Hollstein XXI Raphael Sadeler II 109-124 Munich ed. 1628; Landwehr German emblem books 229 Munich ed. 1618. Melchior Segen, hardcover
1922réf. ABC_47166Paris: Paul Geuthner 1922. Text volume in modern half cloth with the original publishers printed front wrapper mounted on the front board kept with the plates in a modern half cloth portfolio with velcro fasteners with the original publishers printed front wrapper for the atlas volume mounted on the front board. Small folio 21 x 29.5 cm. Text volume with 21 illustrations in the text mostly photographs. Atlas volume with 58 loose plates mostly plans and photographic views as issued. 2 volumes text and atlas. Third and final instalment of the Archaeological mission to Arabia series published by the Societé des Fouilles Archéologiques between 1909 and 1922 this issue dedicated entirely to the famous qusur or qasr: so-called desert castles of the Umayyad Caliphate 661-750 CE; AH 41-132: Quseir Amra a hunting lodge Qasr Al-Kharanah and Qasr Tuba in present-day northeastern Jordan. The authors found the previously published description of Qasr Harâna and Qasr Tûba faulty and unreliable and re-describe them completely. They give numbers of views of Qeseir Amra and a briefer description. The text includes also itineraries and historical and epigraphical notes. It is well arranged and seems to supply all the information that can possibly be wanted; the plans and views too are excellent. JRAS.Slight traces of worming in foot margin no loss of text. Folder slightly rubbed around the edges otherwise generally in good condition.l review no. 12 Journal of the Royal Asiatic Society vol. 57 1925 p. 161; WorldCat 490111584. Paul Geuthner, hardcover
1928réf. 66286Société du livre d'art | Paris 1928 | 22 x 28.50 cm | broché sous chemise et étui et un volume en feuilles sous chemise et étui
réf. 24617Encre sur papier, signée en bas à droite. 15,5 x 25,3 cm. Sous encadrement. Raphaël Lonné, lors d'une séance de spiritisme en 1950 (il est alors facteur à Biscarosse) découvre de nouvelles possibilités artistiques, en griffonnant des formes animales et humaines. Il va produire quantité d'œuvres de «poésie picturale» acquérant une renommée locale. Par l'intermédiaire du docteur Gaston Ferdière, il rencontre Jean Dubuffet en 1963 qui lui achètera plus de 450 dessins pour sa collection d'Art brut, et entretiendra une correspondance suivie avec l'artiste. Il devient célèbre à partir de 1971 avec des expositions à Bordeaux, Biarritz, Dax et Paris. Provenance : Maître Claude Robert, vente Raphaël Lonné 1971 (cachet au dos du cadre).
2011réf. Atlantic-9780415616485CRC Press 2011. 1. Hardcover. New. CRC Press hardcover
2011réf. Atlantic-9780415616485CRC Press 2011. 1. Hardcover. New. CRC Press hardcover
