Yim, Dongwoo; Rafael LunaBiblio.com
2012réf. 103651PRAUD. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 400 pages; many illustrations most in color. -- with a bonus offer-- . 2012. 1935935585 . PRAUD paperback
2017réf. 131625Actar. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine -- with a bonus offer--; 6.5 X 1.1 X 9.2 inches; 364 pages . 2017. 1940291356 . Actar paperback
2017réf. 129837Actar. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - BRAND NEW FLAWLESS COPY NEVER OPENED - with a bonus offer--; 9.2 X 6.6 X 1.0 inches; 364 pages . 2017. 1940291356 . Actar paperback
réf. 18794528-nnew. unknown
1928réf. 66286Paris: Société du livre d'art 1928. Fine. Société du livre d'art Paris 1928 22 x 28.50 cm broché sous chemise et étui et un volume en feuilles sous chemise et étui Edition printed in 150 numbered and named copies on vellum and illustrated with 28 original etchings hors texte as well as woodcuts by Raphaël Drouart. Both slipcases are damaged and show either a lack to the upper edge or a large tear to the upper edge. Both chemises are fragile. Handsome copy. Our copy is exceptionally expanded with two original copperplates and a suite in black of the illustrations. The text is illustrated with decorations and frames of gilt and black head-pieces in Art Deco style. Société du livre d'art hardcover
1962réf. 30280Buenos Aires: La Arboleda Perdida 1962. Brossura wrappers. Ottimo Fine. Un disegno originale dell'Autore in copertina ogni volume reca un disegno diverso. Stampato in occasione del sessantesimo compleanno del poeta. 8vo. pp. 14. Ottimo Fine. Prima ed. di 29 es. numerati e firmati dall'A. Empujan en fin vientos de libertad marina a la poesía de Rafael Alberti llevándola a explorar todos los espacios de la historia de la mitología o de la experiencia humana: ''Yo te miraba oh Cádiz bahía de los mitos / . / Canas de antigüedad tus estelares fábulas / tus solares historias / oh gaditano mar de los perdidos / Atlantes vesperales jardines de la espuma / islas desvanecidas del Ocaso!'' Los pobres pescadores que salen del Guadalete hacia el mar son los mismos que arribaban a Tarsis en busca de oro y plata y estaño. El mar resume la historia y el mar compendia el sueño. ¿Qué escenario mejor podría soñarse para el encuentro amoroso de Venus y Príapo que el escenario del mar de Cádiz Uno de los más formidables poemas amorosos de la literatura universal de ese Diálogo entre Venus y Príapo acontece en esa bahía: «Amor! La noche se desvae. / Nos baña el mar. Oh luz!. El mundo canta. / Cae la luna. El viento.» La Arboleda Perdida, unknown
réf. 52-0004Paris: Imprimerie Royale ca. 1730s. Woodcut after Raphael. Etched metal plate by Charles Nicolas Cochin printed in black. Tone block printed in tan. 15.7 x 34.1 cm. Nagler 33. Le Blanc 25. AKA: Die Verleumdung des Apelles. La Calomnie peinte par Apelles. Paris: Imprimerie Royale, ca. 1730s. unknown
réf. 52-0012Paris: Imprimerie Royale ca. 1730s. Woodcut after Raphael. Etched plate in brown by Charles Nicolas Cochin. Two blocks printed in shades of brown. 25.3 x 25.4 cm. AKA: Hercule gaulois ou L’Eloquence. Paris: Imprimerie Royale, ca. 1730s. unknown
réf. 7733Soyer Raphael. Soyer Raphael. BEHIND SCREEN MODEL RESTING. Cole 68. Lithograph in colors 1949. 16 x 12 1/4 inches; 405 x 310 mm. Edition of 150 of which 75 were in black and 75 were in color Soyer used four stones - black green pale orange and brown. Signed in pencil. Cole identified this as Soyer's first color print but in his appendix he added as Cole 57A Young Woman Drying Herself which he dates from 1940 and also identifies as Soyer's first color print. In excellent condition. unknown
1935réf. 33141935. Soyer Raphael. Soyer Raphael. IN STUDIO. Lthograph 1935. 13 1/2 x 9 1/2 in. Editon of 100 Cole 37. With stamp of American Artists School. "First Annual Print Series" on verso. Signed in pencil. "This was done on the stone in my studio. Those are my sketches tacked on the wall." Gettings #28 unknown
1930réf. 56041930. Soyer Rapahel. Soyer Raphael. WASHINGTON SQUARE PARK Cole 18 Gettings 15. Lithograph 1930. 9 1/4 x 7 inches; 235 x 178 mm. Edition of about 25. Titled and signed in pencil and with the blindstamp of the printer "Jacob Friedland/Lithographic Printers/55 E. 9th Street N. Y. C." Provenance: Gift of the artist to Nathaniel Dick; Estate of Margaret Dick per annotation on frame backing paper. Margins apparently trimmed else in very good condition. Scarce. unknown
1902réf. 209555New York: G. P. Putnam's Sons 1902. First Edition; First Printing. Hardcover. Very Good in boards. Front hinge starting. Scarce first edition. G. P. Putnam's Sons hardcover
1658réf. LV2725A Paris: chez Adrien Menier a la Porte Saint-Victor 1658. 1658. 4to. 24 cm. 8 45 3 pp. 72 double-sided plates. Dedication signed: Du Fresne. With a special added engraved title page preceding the plates with the title: Briefve Histoire de l'Institution de toutes les Religions avec leurs habits granez par Odard Fialetti . . . 1658. Each plate has engraved descriptive text on facing page printed on verso of preceding plate. Contemporary red turkey morocco gilt-stamping and spine; neat restoration to spine corner bumped. Stamp on title and rear: Le Mrs. Marquis de Courtanvaux Le Tellier Marquis de Courtanvaux Francois-Cesar 1718-1781. CHOICE COPY IN A BEAUTIFUL CONTEMPORARY BINDING. Rare. First printing of an important book showing 72 standard costumes worn for 72 religious orders mostly Italian orders seventeenth century. There is a section devoted to the east and one plate to an order in India. Odoardo Fialetti whose real name was Edouard Viallet provided the remarkable engravings. The dedicatory epistle is addressed to Pierre de La Porte first valet de chambre of Louis XIV. / Trichet du Fresne described as erudite he took his education at the College de Guyenne Paris. While working for the brother of Louis XIII Gaston d'Orleans 1608-60 he acquired works of art on buying excursions. He began his career as a bookseller before becoming corrector at the newly established Imprimerie du Roi in 1640. In 1651 he published Leonardo da Vinci's treatise on painting Trattato della pittura which had circulated in manuscript form. His Trattato contained an early biography of Leonardo and Alberti and contained a list of books at the end forming the first annotated bibliography of art literature Dictionary of Art Historians. After the death of Naude he was appointed librarian of Queen Christina of Sweden. His own library comprised about 10000 volumes. Colbert acquired his manuscripts from his widow Francoise Duvivier for the Royal Library for 27700 livres. The printed books were bought by Nicolas Fouquet after whose disgrace and imprisonment they were confiscated and incorporated into the Royal Library in 1665. When in 1651 the Swedish Queen abdicated and emigrated to Italy Trichet followed her to Rome. REFERENCES: Blechet p.59; Pollard & Ehrman Table XXV; Taylor p. 265ff. See: Smith Paul J. "COGNITION IN EMBLEMATIC FABLE BOOKS: AEGIDIUS SADELER'S THEATRUM MORUM 1608 AND ITS RECEPTION IN FRANCE 1659–1743" Within: Cognition and the Book: Typologies of Formal Organisation of Knowledge in the Printed Book of the Early Modern Period; Series: Intersections Volume: 4. 2005. chez Adrien Menier, a la Porte Saint-Victor, 1658. unknown
1658réf. LV2725A Paris: chez Adrien Menier a la Porte Saint-Victor 1658. 1658. 4to. 24 cm. 8 45 3 pp. 72 double-sided plates. Dedication signed: Du Fresne. With a special added engraved title page preceding the plates with the title: Briefve Histoire de l'Institution de toutes les Religions avec leurs habits granez par Odard Fialetti . . . 1658. Each plate has engraved descriptive text on facing page printed on verso of preceding plate. Contemporary red turkey morocco gilt-stamping and spine; neat restoration to spine corner bumped. Stamp on title and rear: Le Mrs. Marquis de Courtanvaux Le Tellier Marquis de Courtanvaux Francois-Cesar 1718-1781. CHOICE COPY IN A BEAUTIFUL CONTEMPORARY BINDING. Rare. First printing of an important book showing 72 standard costumes worn for 72 religious orders mostly Italian orders seventeenth century. There is a section devoted to the east and one plate to an order in India. Odoardo Fialetti whose real name was Edouard Viallet provided the remarkable engravings. The dedicatory epistle is addressed to Pierre de La Porte first valet de chambre of Louis XIV. / Trichet du Fresne described as erudite he took his education at the College de Guyenne Paris. While working for the brother of Louis XIII Gaston d'Orleans 1608-60 he acquired works of art on buying excursions. He began his career as a bookseller before becoming corrector at the newly established Imprimerie du Roi in 1640. In 1651 he published Leonardo da Vinci's treatise on painting Trattato della pittura which had circulated in manuscript form. His Trattato contained an early biography of Leonardo and Alberti and contained a list of books at the end forming the first annotated bibliography of art literature Dictionary of Art Historians. After the death of Naude he was appointed librarian of Queen Christina of Sweden. His own library comprised about 10000 volumes. Colbert acquired his manuscripts from his widow Francoise Duvivier for the Royal Library for 27700 livres. The printed books were bought by Nicolas Fouquet after whose disgrace and imprisonment they were confiscated and incorporated into the Royal Library in 1665. When in 1651 the Swedish Queen abdicated and emigrated to Italy Trichet followed her to Rome. REFERENCES: Blechet p.59; Pollard & Ehrman Table XXV; Taylor p. 265ff. See: Smith Paul J. "COGNITION IN EMBLEMATIC FABLE BOOKS: AEGIDIUS SADELER'S THEATRUM MORUM 1608 AND ITS RECEPTION IN FRANCE 1659–1743" Within: Cognition and the Book: Typologies of Formal Organisation of Knowledge in the Printed Book of the Early Modern Period; Series: Intersections Volume: 4. 2005. chez Adrien Menier, a la Porte Saint-Victor, 1658. unknown books
réf. 16-4887Paris: la presse à bras 1932. Portfolio 49.5 x 36.2cm. Printed on handmade paper produced by the artist: Papier de Montval fil de lotus égyptien fabriqué par l'artiste monogramme MK sous une figure de femme assise dit 1ère fabrique à Vidalon-lès-annonay. One of 100 signed and numbered portfolios with 12 full sheet woodcuts of ballet dancers each signed and numbered by the artist.OCLC Number: 79038288.Broché en feuilles sous une chemise de papier fort imprimée. 4-12 planches-2-4 blanches. Parfait état hormis couverture un peu poussiéreuse.Tiré à 100 exemplaires numérotés et signées par Gaspard-Maillol celui-ci n° 41. Les 3 pages de préface sont illustrées par un bandeau ou un cul de lampe gravés par l'artiste. 12 planches gravées sur le monde de la danse signées et numérotées par l'artiste complet. Résumer des articles « El Paper de Montval d’Aristides Gaspar i Rafael Maillol » pp. 109 à 144 et « Le papier de Montval d’Aristide Gaspard et Raphaël Maillol » pp.145 à 182 d’Eric Forcada in « Entre édition et presse. Le papier d’hier à aujourd’hui » Actes de Colloques de la IIe Journée d’étude sur l’imprimerie de Perpignan édités par les « Publications de l’Olivier » et la Ville de Perpignan Saint Esteve avril 2005.Expertise by Lionel BRABANT et Amaury BONNETAIN. Paris: la presse à bras, 1932. unknown
1810réf. A278616 62 2 pages with as usual two reprints of earlier Nahuatl works: Doctrina breve sacada del catecismo mexicano que dispuso el P. Ignacio de Paredes; and José de la Mota Alabado en mexicano. 4 pages. Both Mexico: reimpresa Mariano Zúñiga de Ontiveros 1809. Octavo 6 1/4" x 4" bound in later stiff vellum edges tinted red. Medina Mexico 10289 and 10278; Medina Mexico 10504; Palau 297166 First edition The first new book in Nahuatl to be published since 1770. See León-Portilla Tepuztlahcuilolli impresos en náhuatl page 98. Palau calls for a frontispiece copperplate engraving of the Holy Trinity not noted in Medina and not found in the Oxford or University of Michigan examples online but present following the title page in the John Carter Brown Library example. Condition: Later stiff vellum minor staining; lacking endpapers lacking frontispiece red pencil note on page 54 front end paper detached else about very good. Manuel Antonio Valdés
1768réf. P4456Rome c.1768. Very Good. Notes: A fine engraving of the Raphael fresco of the various great minds that made up the "School of Athens" during the mid 18th century. The interior scene shows Greek philosophers Plato left and Aristotle right in the center surrounded by groups of other philosophers and mathematicians. In the lower left foreground Pythagoras writes in a book; at right Euclid demonstrates a compass to four young men. The scene is framed by an arch with the inscription: "Raphael in aedibus santius vatica pinx nis". Other figures that are believed to be represented are: Zeno of Citium Epicurus Heraclitus the "weeping" philosopher Democritus the "laughing" philosopher Boethius Averroes Alcibiades Antisthenes Raphael Aeschines Socrates Michelangelo Diogenes of Sinope Plotinus Zoroaster Ptolemy and Protogenes. Image Size : 515x733 mm 20.28x28.86 Inches Platemark Size : 565x741 mm 22.24x29.17 Inches Paper Size : 618x860 mm 24.33x33.86 Inches Coloring: Hand Colored Medium: Copper Engraving Categories: Views Europe Italy; Architectural General; unknown
1928réf. 49515N.p.:: Raphael 1928. on original studio mount matted framed and glazed. Very slight silvering at lower margin; otherwise very fine. . 7-3/4 x 5-3/4 inches image. Signed by G. Bernard Shaw and inscribed to Desmond Deane 16th Jan. 1928. Signed by the photographer lower right in pencil. Raphael, unknown
réf. 02-018520th cent. Woodcut print after Raphael. Two color blocks: olive green and dark gray. 169 x 82 mm. Printed on a single sheet with Herm. Nagler 22. Le Blanc 22. Kennedy 176. 20th cent. unknown
réf. 02-018420th cent. Woodcut print after Raphael. Two color blocks: olive green and dark gray. 168 x 80 mm. Nagler 22. Le Blanc 22. Kennedy 176. Printed on a single sheet with Caryatid. 20th cent. unknown
1935réf. 54381935. Soyer Raphael. Soyer Raphael. MOTHER AND CHILD. Drawing color pastels and pencil on paper. 15 3/8 x 11 1/4 inches; 390 x 283 mm. Signed in pencil. Pale toning overall else a beauiful image in very good condition. unknown
réf. 52-0015Paris: Imprimerie Royale ca. 1730s. Woodcut after Raphael. Etched plate by the Comte de Caylus printed in dark brown. Three blocks: in shades of orange-brown. 28.1 x 20.3 cm. Nagler 8. Le Blanc 7. AKA: Christus in Mitter seine Apostel. Jésus au milieu des apôtres. Paris: Imprimerie Royale, ca. 1730s. unknown
réf. 100-33883Corgi. Paperback. New. In shrink wrap. Corgi paperback
2011réf. Atlantic-9780415616485CRC Press 2011. 1. Hardcover. New. CRC Press hardcover
2011réf. Atlantic-9780415616485CRC Press 2011. 1. Hardcover. New. CRC Press hardcover
