26.243 Ergebnisse
1772Best.-Nr. 17012Rome 1772. Copper engraving by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Good condition. Sight size: 43 x 17 inches. A highly decorative print from the famous "Loggie di Rafaele nel Vaticano" series with contemporary colouring of the highest quality from the golden age of the hand-coloured print. A very fine image from the first part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. This remarkable print one of the first to be published of the decoration of the Logge on the main storey of the Vatican apartments was probably planned as early as 1760 but was not executed until between 1772 and 1776. The project as a whole was carried out by the painter Gaetano Savorelli the draughtsman Ludovico Teseo the architect Pietro Camporesi and the engravers Giovanni Ottaviani and Giovanni Volpato. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. The whole series was of importance not just for the size and magnificent colouring of the prints but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and stimulated the taste for the "grotesque" in the neo-classical period. Cf. Brunet IV 1110; cf. Berlin Kat. 4068; cf. Lambert Pattern and Design V. & A.: 1983 p. 26; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 11; Raphael: Reproduktions-graphik aus vier Jahrhunderten Coburg: 1984 p. 104. unknown books
1772Best.-Nr. 17014Rome 1772. Copper engraving by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Good condition. Sight size: 43 x 17 1/4 inches. A highly decorative print from the famous "Loggie di Rafaele nel Vaticano" series with contemporary colouring of the highest quality from the golden age of the hand-coloured print. A very fine image from the first part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. This remarkable print one of the first to be published of the decoration of the Logge on the main storey of the Vatican apartments was probably planned as early as 1760 but was not executed until between 1772 and 1776. The project as a whole was carried out by the painter Gaetano Savorelli the draughtsman Ludovico Teseo the architect Pietro Camporesi and the engravers Giovanni Ottaviani and Giovanni Volpato. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. The whole series was of importance not just for the size and magnificent colouring of the prints but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and stimulated the taste for the "grotesque" in the neo-classical period. Cf. Brunet IV 1110; cf. Berlin Kat. 4068; cf. Lambert Pattern and Design V. & A.: 1983 p. 26; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 13;Raphael: Reproduktions-graphik aus vier Jahrhunderten Coburg: 1984 p. 104. unknown books
1772Best.-Nr. 14588Rome 1772. Copper engraving by Ottaviani after drawings by Ludovico Teseo printed in black with stunning later professional hand-colouring. Very good condition. A highly decorative print from the famous "Loggie di Rafaele nel Vaticano" series with later professional hand-colouring. A very fine image from the first part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work and executed by Raphael and his assistants between 1518-1519 in the Vatican. This remarkable print one of the first to be published of the decoration of the Logge on the main storey of the Vatican apartments was probably planned as early as 1760 but was not executed until between 1772 and 1776. The project as a whole was carried out by the painter Gaetano Savorelli the draughtsman Ludovico Teseo the architect Pietro Camporesi and the engravers Giovanni Ottaviani and Giovanni Volpato. The whole series was remarkable not just for the size and magnificent colouring of the prints but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and stimulated the taste for the "grotesque" in the neo-classical period. Cf. Brunet IV 1110; cf. Berlin Katalog 4068; cf. Lambert Pattern and Design V. & A.: 1983 p. 26; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 2; Raphael: Reproduktions-graphik aus vier Jahrhunderten Coburg: 1984 p. 104. unknown
1772Best.-Nr. 17013Rome 1772. Copper engraving by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Good condition. Three repaired tears to the left blank margin. Sight size: 31 1/8 x 18 1/4 inches. A highly decorative print from the famous "Loggie di Rafaele nel Vaticano" series with contemporary colouring of the highest quality from the golden age of the hand-coloured print. A very fine image from the first part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. This remarkable print one of the first to be published of the decoration of the Logge on the main storey of the Vatican apartments was probably planned as early as 1760 but was not executed until between 1772 and 1776. The project as a whole was carried out by the painter Gaetano Savorelli the draughtsman Ludovico Teseo the architect Pietro Camporesi and the engravers Giovanni Ottaviani and Giovanni Volpato. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. The whole series was of importance not just for the size and magnificent colouring of the prints but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and stimulated the taste for the "grotesque" in the neo-classical period. Cf. Brunet IV 1110; cf. Berlin Katalog 4068; cf. Lambert Pattern and Design V. & A.: 1983 p. 26; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 17; Raphael: Reproduktions-graphik aus vier Jahrhunderten Coburg: 1984 p. 104. unknown
1925Best.-Nr. 533276London: Hutchinson & Co 1925. Hardcover. Near Fine/Near Fine. First edition. 12mo. Bookplate of Lady Martin Harvey on the front pastedown corners a trifle bumped near fine in near fine pictorial dust jacket with tiny tears and very shallow nicking at the crown. Warmly Inscribed by Sabatini to Lady Harvey on the dedication page. Also laid in is a page and a quarter Autograph Letter Signed from Sabatini to Lady Martin warmly recounting their past acquaintance and sending along this copy of the book. Aside from the limited and signed set of the author's Collected Works Sabatini books are seldom found signed by the author. This title is exceptionally uncommon in jacket or signed and especially both. Hutchinson & Co hardcover
1922Best.-Nr. 54897Paris: Romagnol 1922. Limited first edition. Softcover. near fine. 1/300. Two volumes octavo. Vol. 1: 129 1 blank pp. frontispiece 16 three-quarter page colored vignettes scene divisions 8 hors texte full page colored plates; 20 woodcut ornaments in red and gray; Vol. 2: 56 plates loose in illustrated wrappers as issued comprising: two states each of the the cover illustration frontispiece and the 8 full page plates uncolored; colored with added reproductions of ink drawings -- the illustrator's studies -- appearing in the margin; 16 three-quarter page colored scene divisions and 20 woodcut ornaments all printed before letter. Illustrated tan paper wrappers with white and red lettering on the front covers protected in the original glassine as issued. Engraved images in the first volume and the first section of the second are protected in their original tissue guards. Housed in a custom decorative lustrous multicolored paper-covered slipcase with a protective insert for the spines lettered and embossed in red. Edition limited 301 copies this being a special unnumbered deluxe copy on japan paper of which 100 numbered copies are noted at the limitation page; unlike the ordinary numbered copies the limitation page here notes: "Exemplaire imprimé pour M. Georges Calmann-Levy." A notable limited illustrated edition of Sophocles' classic Greek tragedy issued with an additional full suite of plates. Vol.1 contains the text of Oedipus Rex "Oedipe Roi" in French and a significant portion of Raphaël Freida's original engravings and drawings integrated directly with the text. This integration is vital as Freida's artwork is not merely decorative; it serves to amplify the emotional intensity and psychological depth of the tragedy. The quality of the printing and the paper in this volume are of high importance. Volume 2 "États des Planches" States of the Plates is dedicated to showcasing the "states of the plates" providing a detailed look at the various stages of the engraving process allowing the viewer to observe the evolution of Freida's artwork from initial sketches to finished gorgeous engravings. This volume is of particular interest to those interested in the technical aspects of printmaking. It should be noted that surprisingly Freida's powerful illustrated edition has never been subsequently reissued. Volume one has some closed tearing on the original glassine and wrappers at the head and tail of the spine. A closed tear to the head of the spine itself. Volume with only a few minor instances of tearing to the glassine. Interiors with all images pristine and vibrant. Wrappers and glassines in very good- to very good interiors in near fine condition overall. Georges Calmann-Levy was at one time the head of the Calmann-Lévy publishing house in France the son of it's founder Kalmus "Calmann" Lévy 1819-1891. Romagnol unknown
1928Best.-Nr. 51501928. Soyer Raphael. Soyer Raphael. BRONX STREET. Lithograph 1928 Cole 11 Edition of 50 signed and dated in pencil. 7 x 8 3/4 inches 180 x 224 mm. Printed by Burr Miller. From Gettings: "This is Bourne Avenue in the Bronx the same street shown in Night Scene. I had finished an oil painting of this scene and copied it onto transfer paper. Miller then put it onto a lithographic stone and printed it." unknown
Best.-Nr. 9699Soyer Raphael. Soyer Raphael. GIRL AT TABLE. Cole 32. Lithograph 1934. Edition of 25. Titled and signed in pencil. 15 1/2 x 11 1/2 inches. In very good condition though with tape residue at the edges of the lower margin top and bottom far from the image. Rare. unknown
1934Best.-Nr. 122811934. Soyer Raphael. Soyer Raphael. TOWARD THE LIGHT Girl at Window. Lithograph 1934-35. Cole 35. 15 1/4" x 12 1/2". Edition of 25. Signed lower right and titled "Girl at Window" lower left. Printed by George Miller. A very rare and fine print. "This was done directly on the stone and was not based on a drawing or a painting. I just asked the model to face the light streaming through the window." Soyer quoted in Gettings Raphael Soyer - Sixty Five Years of Printmaking Hirshhorn Museum 1982. Until AAA began publishing Soyer's prints in editions of 250 his editions were very small usually 25 or 30. unknown
1934Best.-Nr. 20261934. Soyer Raphael. Soyer Raphael. TOWARD THE LIGHT Girl at Window. Lithograph 1934-35. Cole 35. 15 1/4" x 12 1/2". Edition of 25. Signed lower right and titled "Girl at Window" lower left. Printed by George Miller. A very rare and fine print. "This was done directly on the stone and was not based on a drawing or a painting. I just asked the model to face the light streaming through the window." Soyer quoted in Gettings Raphael Soyer - Sixty Five Years of Printmaking Hirshhorn Museum 1982. Until AAA began publishing Soyer's prints in editions of 250 his editions were very small usually 25 or 30. unknown
2000Best.-Nr. 93363CSIC. New. 2000. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ASIN: B003TL83FG. Text in Spanish. 77 pages. Época Catalogue Raisonne Catalog Raisonné Complete Works Catálogo Razonado Obra Completa Raisonnee -- with a bonus offer . CSIC paperback
2000Best.-Nr. 93364CSIC. New. 2000. Paperback. 8400074521 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ISBN: 8400074521. Text in Spanish. 77 pages. Época Catalogue Raisonne Catalog Raisonné Complete Works Catálogo Razonado Obra Completa Raisonnee -- with a bonus offer . CSIC paperback
1967Best.-Nr. 94067Da Capo. New. 1967. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - TEXT PRISTINE & UNMARKED TIGHT TO THE SPINE - - Corresponds to ASIN B000I9F3D2. 257 pages; 124 black and white illustrations. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee Da Capo hardcover
1978Best.-Nr. 94068Da Capo Pr. New. 1978. Hardcover. 0306709864 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Text pristine & unmarked tight to the spine - 257 pages. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee Da Capo Pr hardcover
1816Best.-Nr. 62954Paris, Ferra jeune 1816 3 volumes, in-12 plein veau jaspé ép., dos lisses richement ornés, p. de titre et de tom. en mar. rouge, tr. marbrées. Bien complet des 24 figures hors-texte en couleurs. Dos du tome 2 refait à l'identique, qqs restaurations, galeries de vers en marge intérieure aux tomes 1 et 2. Infimes rousseurs. Bon exemplaire.
Best.-Nr. 23566Paris, A. Romagnol, 1914. Fort in-folio, 426 pp., maroquin rouge mosaïqué de L.M. (Lucien Moulard, relieur à Blois) daté de 1950, filets dorés sur les plats, dos à nerfs, encadrement intérieur orné d'un double filet doré, tête dorée, couverture conservée, étui bordé (quelques frottements à l'étui qui est légèrement insolé, quelques taches éparses).
1772Best.-Nr. 14588Rome 1772. Copper engraving by Ottaviani after drawings by Ludovico Teseo printed in black with stunning later professional hand-colouring. Very good condition. A highly decorative print from the famous "Loggie di Rafaele nel Vaticano" series with later professional hand-colouring. A very fine image from the first part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work and executed by Raphael and his assistants between 1518-1519 in the Vatican. This remarkable print one of the first to be published of the decoration of the Logge on the main storey of the Vatican apartments was probably planned as early as 1760 but was not executed until between 1772 and 1776. The project as a whole was carried out by the painter Gaetano Savorelli the draughtsman Ludovico Teseo the architect Pietro Camporesi and the engravers Giovanni Ottaviani and Giovanni Volpato. The whole series was remarkable not just for the size and magnificent colouring of the prints but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and stimulated the taste for the "grotesque" in the neo-classical period. Cf. Brunet IV 1110; cf. Berlin Kat. 4068; cf. Lambert Pattern and Design V. & A.: 1983 p. 26; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 2; Raphael: Reproduktions-graphik aus vier Jahrhunderten Coburg: 1984 p. 104. unknown books
1772Best.-Nr. 17013Rome 1772. Copper engraving by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Good condition. Three repaired tears to the left blank margin. Sight size: 31 1/8 x 18 1/4 inches. A highly decorative print from the famous "Loggie di Rafaele nel Vaticano" series with contemporary colouring of the highest quality from the golden age of the hand-coloured print. A very fine image from the first part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. This remarkable print one of the first to be published of the decoration of the Logge on the main storey of the Vatican apartments was probably planned as early as 1760 but was not executed until between 1772 and 1776. The project as a whole was carried out by the painter Gaetano Savorelli the draughtsman Ludovico Teseo the architect Pietro Camporesi and the engravers Giovanni Ottaviani and Giovanni Volpato. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. The whole series was of importance not just for the size and magnificent colouring of the prints but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and stimulated the taste for the "grotesque" in the neo-classical period. Cf. Brunet IV 1110; cf. Berlin Kat. 4068; cf. Lambert Pattern and Design V. & A.: 1983 p. 26; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 17; Raphael: Reproduktions-graphik aus vier Jahrhunderten Coburg: 1984 p. 104. unknown books
2005Best.-Nr. 86962Arcos Verlag. New. 2005. Hardcover. 3935339216 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 296 pages; over 130 illustrations including 32 in color. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee Arcos Verlag hardcover
2001Best.-Nr. 91034IDE Et CALENDE. New. 2001. Paperback. 2825801534 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 336 pages; illustrated in black and white. Catalogue Raisonne Catalog Raisonné Complete Works La Vie et L'uvre Oeuvre Raisonnee -- with a bonus offer . IDE Et CALENDE paperback
1915Best.-Nr. 57649N.p. 1915. old staple at corner. Slight creasing; very attractive original condition. 4to. With extensive deletions alterations and additions by the author. A story about a dandy who takes on a bet that he cannot capture a certain highwayman. unknown
1969Best.-Nr. 91020Weidenfeld & Nicolson. As New. 1969. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 128pp. Pages; 64 color plates 379 black and white illustrations. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee -- with a bonus offer . Weidenfeld & Nicolson hardcover
2005Best.-Nr. 87162Lanoo. New. 2005. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Dutch. 198 pages; illustrated. Catalogue Raisonne Catalog Raisonné Complete Works Catalogus Het Complete Oeuvre Raisonnee Lanoo hardcover
1774Best.-Nr. 17011Rome 1774. Copper engraving by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Good condition. Shaved within plate mark expert neat repairs to left margin one just affecting the image area. A stunning plate from "Logge di Rafaele nel Vaticano": with contemporary colouring of the highest quality from the golden age of the hand-coloured print. A very fine image from the second part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. They were drawn by Gaetano Savorelli a Roman painter and draughtsman best known for his Raphael drawings and Pietro Camporesi a Roman architect who worked for Pope Clemens XIII and Pius VI on rooms for the Vatican Museum. The first to illustrate the famous frescoes these beautiful plates were probably planned as early as 1760 but were not executed until 1772 to 1776. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. They were remarkable not just for their size and magnificent colouring but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and did much to stimulate the taste for the "grotesque" in the Neo-classical period. A year after the death of his principal patron Julius II Raphael succeeded Donato Bramante in 1514 as the official Vatican architect. Having previously adorned the "Stanze" or chambers of Julius on the second floor of the papal apartments in the Vatican palace he was commissioned by Leo X in 1517 to decorate the adjacent Logge. He designed an elaborate cycle of ornamental frescoes for the room's ceiling vaults doors and auxiliary pillars which were executed by his assistants Giulio Romano and Giovanni da Udine. Twelve of the quadrilateral ceiling vaults were adorned with murals of familiar Old Testament scenes and one with a scene from the New Testament while the more decorative frescoes painted on the pilasters by Udine were covered with imaginative compositions of 'grotesque' motifs like foliage fruit and chimerical beasts. The biblical scene depicted shows the infant brothers Cain and Abel vying for their mother's attention. Adam is sowing nearby. Cf. Brunet IV 1110 & 1111; cf. Berlin "Kat". 4068 & 4066; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 22; cf. "Raphael: Reproduktions-graphik aus vier Jahrhunderten" Coburg 1984 104 & no. 245. unknown books
Best.-Nr. 12843Soyer Raphael. LIFE CLASS. Cole 42A. Lithograph 1937. Edition size not known but likely very small. Titled and signed in pencil and with the blindstamp of the printer: "Jacob Friedland/Lithographic Printing/55 East 9th Street N.Y.C." 5 7/8 x 8 1/2 inches image 10 x 12 1/4 inches sheet. Light matstain else in excellent condition. unknown
