21.585 risultati
1937rif. 26021937. Soyer Raphael. Soyer Raphael. OLD MAN WARMING HIMSELF. Etching 1937 Cole 45. 9 7/8" x 5 7/8." Signed and titled in pencil and with the stamp "Federal Arts Project NYC WPA." Edition of about 25 See Gettings Raphael Soyer Sixty Five Years of Printmaking Hirshhorn Museum 1982 #36; Cole states edition is of unknown size. Rare. "I did these etchings from pen and ink drawings. In those days you would see people standing around doing nothing. I would sketch them all the time. Sometimes I would ask them to hold a pose and give them twenty-five or fifty cents. The man with his hands in front is warming his hands over the sidewalk grate." Soyer quoted in Gettings. unknown
1932rif. 51551932. Soyer Raphael. Soyer Raphael. JOHN REED CLUB - THE COMMITTEE. Lithograph 1932 Cole 22. Edition of 25 signed in pencil. 7 1/4 x 10 inches 185 x 255 mm. A fine impression but with a well-repaired tear top center. Scarce. John Reed Club Committee members pictured are Nemo Piccoli Adolf Wolff Walter Quirt Ivar Rose and Anton Refregier. We weren't poor. As I said before you know I had nothing to lose in the Depression so I didn't feel it very much. And as far as what happened politically I became a member of the John Reed Club. That was a club of writers and artists leftists all and I think Rebecca influenced me very much. She was more aware of the politics. She was more aware than I. And I still look back to this John Reed Club as a great kind of for me it was a great education. Nikolai Cikorsky indoctrinated me into the John Reed Club and. . . . Well there I knew what was taking place all the unrest all over the place the beginning of Nazism that you mentioned and the advance of Communism all those things you know. And I became aware of those things. And that was my political education the John Reed Club the John Reed Club for Artists and Writers. There were a number of writers there were a number of artists and. . . . And what's his name again William Gropper. Joe Jones. Philip Bard. A number of these people. And they were all left and all young in those days. And I came there completely as a novice. I didn't know much about it. Rebecca knew much more what was taking place. Raphael Soyer Smithsonian Oral History Archives interview with Milton Brown 1981. This is on loan to the Museum of the City of NY until ```````` unknown
1930rif. 56041930. Soyer Rapahel. Soyer Raphael. WASHINGTON SQUARE PARK Cole 18 Gettings 15. Lithograph 1930. 9 1/4 x 7 inches; 235 x 178 mm. Edition of about 25. Titled and signed in pencil and with the blindstamp of the printer "Jacob Friedland/Lithographic Printers/55 E. 9th Street N. Y. C." Provenance: Gift of the artist to Nathaniel Dick; Estate of Margaret Dick per annotation on frame backing paper. Margins apparently trimmed else in very good condition. Scarce. unknown
rif. 7705Soyer Raphael. Soyer Raphael. SPRINGTIME. Cole 56. Lithograph 1938. 14 x 17 1/4 inches; 356 x 440 mm. Signed and titled in pencil. Edition of about 25. Upper right corner professionally replaced else a very good impression in very good condition. Inscribed to "For Morris Carnovsky" in the margin just below the image.Together with The Mission and Bowery Nocturne of 1933 Cole 27 and 28 Springtime is one of three large format lithographs in which Soyer powerfully portrayed Depression-era scenes of New York City life. Although done in the studio it depicts Washington Square ParkA scarce and important item in Soyer's graphic oeuvre.Morris Carnovsky 1897-1992 was a distinguished American stage and screen actor whose long career included work with the Yiddish Theater the Provincetown Playhouse starring roles in Odets' "Awake and Sing" and "Golden Boy" the film "Life of Emile Zola" and acclaimed portrayals of King Lear and Shylock. He was blacklisted in 1950 but was cast by John Houseman in Ibsen's Enemy of the People.An interesting Association Copy of this rare print. unknown
rif. 7170Soyer Raphael. Soyer Raphael. BOWERY NOCTURNE. Cole 28. Lithograph 1933. 12 3/4 x 17 7/8 inches. Edition of 25. Signed in pencil. In excellent condition. Soyer considered this and its companion piece "The Mission" to be among his most important works as a printmaker. Rare. unknown
1962rif. 52621962. Soyer Raphael. Soyer Raphael. SCREEN THE. Cole 85. Lithograph 1962. 18 1/2 x 14 inches. Edition of 100 signed and numbered in pencil. Excellent condition.A sensitive rendering of the model in the studio. Soyer still at his best. An unusually large print in his oeuvre and despite the size of the edition not often seen. unknown
1937rif. 33151937. Soyer Raphael. Soyer Raphael. SKETCH CLASS ART CLASS Cole 47. Etching 1937. 6 x 9 7/8 in. Edition of about 25. Executed for and printed by WPA Federal Art Project. Titled "Art Class" and signed in ink. "We used to have sketch groups. We artists would get together and hire a model then meet at someone's house and draw from the nude. I made many drawiings not only of the model but also of the whole scene of people drawing the model." Gettings #38 unknown
1940rif. 18321940. Soyer Raphael. Soyer Raphael. YOUNG MODEL Lithograph 1940. Gettings 47 Cole 57 12 x 9 inches; 305 x 228 mm. Signed and titled "The Model" in pencil. AAA edition of 250. Matted some tape residue at edges verso else a very good impression. unknown
rif. 5609Soyer Raphael. Soyer Raphael. DRAWING OF A BOY I. Pencil on brown paper. c. 19 X 14 inches; 482 x 360mm. sheet. Signed. In very good condition except for chips at sheet edges; mounted to Japanese tissue for support. unknown
rif. 7734Soyer Raphael. Soyer Raphael. YOUNG WOMAN DRYING HERSELF. Cole 57A. Lithograph in color 1940. Edition of 300. 19 x 12 1/8 inches; 482 x 308 mm. Signed in pencil and numbered 193/300. In excellent condition. unknown
1917rif. 51541917. Soyer Raphael. Soyer Raphael. NIGHT SCENE. Etching c. 1917 not in Cole but related to Cole 6. One of only a few impressions signed in pencil. 5 1/8 x 6 inches. unknown
1966rif. 18311966. Soyer Raphael. Soyer Raphael. GREEK GIRL #3. Etching. 6 7/8" x 5 1/4" margins. Cole 111. Ed of 100 Signed and numbered. Commissioned by A.A.A. for the deluxe edition of the Cole catalogue raisonne. Excellent condition framed. unknown
1928rif. 56031928. Soyer Raphael. Soyer Raphael. EAST HOUSTON STREET. Lithograph 1928 Cole 15. 5 1/2 x 9 1/2 inches; 140 x 241 mm. Edition of about 50. Full margins. A repaired tear in the margin right and a light crease visible within the image upper right else a fine impression in very good condition. Very scarce. unknown
1963rif. 19001963. Soyer Raphael. Soyer Raphael. PEDESTRIANS. Etching 1963 Cole 90. Edition of 85 signed and numbered in pencil. 9 7/8" x 7 3/4". Very good condition framed. unknown
rif. 7243Soyer Raphael. Soyer Raphael. JAPANESE GIRL. Cole 118. Lithograph 1967. 9 x 15 1/4 inches; 219 x 390 mm. An Artists's Proof aside from the edition of 40 published by A.A.A. Inscribed "A.P." and signed in pencil. Printed by Irwin Hollander with his embossed monogram lower right. In excellent condition. An attractive infrequently seen print. "This is a Japanese girl who was one of Hollander's assistants.I did this with tusche. I enjoy working with tusche but it can be a tricky thing. It may come out or it may not. I now think it is better to work with tusche or crayon but not ot mix the two." Soyer quoted in Gettings Sixty Five Years of Printmaking item 95 p. 61. unknown
1954rif. 32991954. Soyer Raphael. Soyer Raphahel. BOY AND GIRL. Cole 72. Lithograph 1954. Edition of 250 published by A.A.A. 11 7/8 x 7 1/2 in. Annotated "A.P." and signed in pencil. unknown
1934rif. 20261934. Soyer Raphael. Soyer Raphael. TOWARD THE LIGHT Girl at Window. Lithograph 1934-35. Cole 35. 15 1/4" x 12 1/2". Edition of 25. Signed lower right and titled "Girl at Window" lower left. Printed by George Miller. A very rare and fine print. "This was done directly on the stone and was not based on a drawing or a painting. I just asked the model to face the light streaming through the window." Soyer quoted in Gettings Raphael Soyer - Sixty Five Years of Printmaking Hirshhorn Museum 1982. Until AAA began publishing Soyer's prints in editions of 250 his editions were very small usually 25 or 30. unknown
1935rif. 33141935. Soyer Raphael. Soyer Raphael. IN STUDIO. Lthograph 1935. 13 1/2 x 9 1/2 in. Editon of 100 Cole 37. With stamp of American Artists School. "First Annual Print Series" on verso. Signed in pencil. "This was done on the stone in my studio. Those are my sketches tacked on the wall." Gettings #28 unknown
1937rif. 51511937. Soyer Raphael. Soyer Raphael. FURNISHED ROOM. Etching 1937 Cole 48. Edition of 25 or fewer signed and titled in pencil. Published by the W.P.A. Federal Arts Project with its ink stamp in the margin lower left. 7 x 8 3/4 inches 180 x 224 mm. Three parallel printing creases right else a fine impression in excellent condition of this very scarce print. One of Soyer's most affecting images of the period of the depression. unknown
1938rif. 22571938. Soyer Raphael. Soyer Raphael. PROTECTED. Lithograph 1938 Cole 55. 13 3/8" x 6 1/4" signed and titled in pencil. From the AAA edition of 250. Faint staining in upper margin not affecting mage. unknown
1937rif. 64541937. Soyer Raphael. Soyer Raphael. SKETCH CLASS ART CLASS Cole 47. Etching 1937. 6 x 9 7/8 in. Edition of about 25. Executed for and printed by WPA Federal Art Project and with its stamp verso. An unsigned copy of this scarce print. The group of prints Soyer did for the WPA project were printed in small editions and not all copies were signed. "We used to have sketch groups. We artists would get together and hire a model then meet at someone's house and draw from the nude. I made many drawiings not only of the model but also of the whole scene of people drawing the model." Gettings #38 unknown
rif. 3197Soyer Raphael. Soyer Raphael. GIRL AT DOORWAY GIRL AT WINDOW. Etching 1941. 9 1/2 x 6 7/8 in. Edition of 250 published by AAA. Cole 58. Signed and titled in pencil "Girl at Window." Margins trimmed to about 1" from platemark. unknown
rif. 7244Soyer Raphael. Soyer Raphael. STUDY FOR PEDESTRIANS. Cole 87 Gettings 64 the second state. Etching 1962. Artist's Proof there was no edition in this state and only about 8 in the first state. 5 15/16 x 6 3/4 inches; 151 x 171 mm. Inscribed "A.P." and signed in pencil. Annotated verso "the artist his daughter and her friend." A true "working proof" in very good condition. Rare. In the second state there is additional drypoint cross-hatching to Soyer's face and jacket and to the background. This is the first of four related plates on the "Pedestrian" theme and the first in which Soyer inserted his own likeness into the image See Soyer's comment at G.63. In Cole 88 G.65 Pedestrians - First Plate an additional female figure appears at Soyer's left. Cole 89 G. 66 Self-Portrait shows only the image of the artist and Cole 90 G. 67 Pedestrians 1963 shows additional figures to the right as well as the cityscape in the background. These latter two were included in the portfolio "Sixteen Etchings by Raphael Soyer." unknown
1932rif. 70431932. Soyer Raphael. Soyer Raphael. JOHN REED CLUB - THE COMMITTEE. Lithograph 1932 Cole 22. Edition of 25 signed in pencil. 7 1/4 x 10 inches 185 x 255 mm. In excellent condition. Scarce. John Reed Club Committee members pictured are Nemo Piccoli Adolf Wolff Walter Quirt Ivar Rose and Anton Refregier. We weren't poor. As I said before you know I had nothing to lose in the Depression so I didn't feel it very much. And as far as what happened politically I became a member of the John Reed Club. That was a club of writers and artists leftists all and I think Rebecca influenced me very much. She was more aware of the politics. She was more aware than I. And I still look back to this John Reed Club as a great kind of for me it was a great education. Nikolai Cikorsky indoctrinated me into the John Reed Club and. . . . Well there I knew what was taking place all the unrest all over the place the beginning of Nazism that you mentioned and the advance of Communism all those things you know. And I became aware of those things. And that was my political education the John Reed Club the John Reed Club for Artists and Writers. There were a number of writers there were a number of artists and. . . . And what's his name again William Gropper. Joe Jones. Philip Bard. A number of these people. And they were all left and all young in those days. And I came there completely as a novice and didn't know much about it. Rebecca knew much more what was taking place. Raphael Soyer Smithsonian Oral History Archives interview with Milton Brown 1981. unknown
rif. 9699Soyer Raphael. Soyer Raphael. GIRL AT TABLE. Cole 32. Lithograph 1934. Edition of 25. Titled and signed in pencil. 15 1/2 x 11 1/2 inches. In very good condition though with tape residue at the edges of the lower margin top and bottom far from the image. Rare. unknown
