26 428 résultats
réf. 12783Ed. Dilecta. Exposition Orlan présentée à l'Abbaye de Maubuisson, 2009. In-4 cartonnage éditeur, jaquette illustrée en couleurs. Texte de R. Vaneigem et entretien Orlan/Enthoven en français et en anglais. Nombreuses reproductions en couleurs d'oeuvres d'Orlan. Chronologie, bibliographie, etc. E.O. Très belle dédicace autographe d'une page d'Orlan en fin de volume.
réf. 202500706S.l., Les liens qui liberent , 2023 ; in-8, 295 pp., br.
réf. GF22459Photographie format 40 x 30 cm - beau tirage plastique noir et blanc - années 1980 pour l'émission "Apostrophes"-
1983réf. 51386San Jose: Laughing Bear Press 1983. First edition. 68. Fine in glossy illustrated wrappers. Poems by Dan Raphael poems and visual works by Karl Kempton and a play by Loris Essary. INSCRIBED by all three on the front free endpaper. San Jose: Laughing Bear Press unknown books
réf. 202305016Paris, Ginkgo editeur, 2006 ; in-8, 268 pp., br.
réf. GF12210Photographie 7,5x4 cm - collée sur carton - vers 1900 -
réf. GF18867Photographie 7,5x4 cm - collée sur carton - vers 1902 -
réf. 201503134Paris, Max Milo, 2013 ; in-8, 237 pp., br. Broché très bon état.
réf. 1787Jeunes Auteurs Réunis. 1955. In-8° broché. 246 pages. E.O. sur papier ordinaire.
réf. 6638J.A.R. 1957. In-8° broché. 246 pages. E.O. 1/1.000 sur fleur d'alfa, seul grand papier. Très propre.
1931réf. 27989Paris 1931 une photographie originale albuminée en noir, format : 18 x 13 cm pour la photo, sans date ( 1931), commentaire tapé à la machine au dos en bleu : "SUR LES ROUTES COUVERTES DE NEIGE, DANS LE RAID AUTOMOBILE PARIS-St RAPHAËL - PHOTO MEURISSE reproduction interdite ",
1850réf. 1791Original artwork. c.1850. Tondo watercolour and gilt painting on paper after Raphael's ceiling fresco representing 'Philosophy' depicting an allegorical female figure sat upon an elaborate marble throne with carved ancient symbols her clothes decorated with different designs emblematic of the four elements air fire water and earth in her hands are two books signifying the two main fields of her discipline: 'Naturalis' and 'Moralis'; she is flanked on either side by putti holding tablets inscribed "Causarum" and "Cognitio" standing upon a ground of clouds with a gilt background. 30 cm in diameter. Laid down to period card and contained within a nineteenth-century gilt card mount 47.5 x 40.5 cm. There is a very minor white dot to the foot of the clouds and some light foxing otherwise the painting is in very good condition. A highly-accomplished mid-nineteenth-century copy of Raphael's medallion representing the Allegory of 'Philosophy' on the ceiling of the Stanza della Segnatura in the Vatican Palace originally executed in 1509-11. Initially commissioned by Pope Julius II the medallion was one of four created by Raphael for what is thought to have been the Pope's library with the quartet representing the four areas of knowledge theology poetry philosophy and jurisprudence. [Original artwork]. hardcover
1971réf. 31972AB1971. London Phaidon 1971. 19 cm wide x 27.2 cm high. 220 pages / Illustrated throughout. Original Hardcover with original dustjacket. Very good condition with only minor signs of wear. hardcover
réf. 77518London: W Foulsham. N.D. Paperback. Very Good. A complete run of 86 issues from 1875 to 1961 up to 1897 3rd or 4th editions published in the 1920s 6 copies lack their covers. Bound in original card covers; Small Octavo . W Foulsham paperback
réf. 38020Lyon, Roudil, et P., Librairie Saint-Paul, 1929, in 8° broché, XV-412 pages ; frontispice ; cachets ; couverture fanée avec petits manques.
1879réf. LL1Portugal's First Great Political Satirical Magazine a Complete Set Includes Portuguese Poetry 6vols; small folio; 315 issues COMPLETE. Contemporary half leather bindings red brown and green.2 color title pages and two chromolithographic cartoons; three full-page chromolithographic caricatures; black and white lithographs throughout. O António Maria was Portugal's first great political satire magazine directed by Portugal's first great political cartoonist Rafael Bordalo Pinheiro 1846-1905. The title meant as an exclamation expropriated the first half of the name of the reigning Portuguese Prime Minister António Maria Fontes Pereira. Like Puck O António Maria usually devoted its first last and center pages to cartoons. The text pages also were dotted with cartoon art. Among the contributors were the poet Guilherme de Azevedo "João Rialto" Ramalho Ortigão "João Ribaixo" Alfredo Morais Pinto "Pan-Tarantula" João Broa Emílio Pimentel Enrique Casanova António Ramalho Ribeiro Cristino Columbano Bordalo Pinheiro Manuel Gustavo and others. Initially the magazine struck a balance between cartoons and text but as it matured the text took a subservient position to cartoons and comic strips. Pinheiro used satire and irony in the pages of his magazine to oppose those in power and denounce the selfishness and corruption of the elites. All of Portugal's leading politicians and heads of first families appeared in caricature at one time or another in the weekly In 1884 the government revised the criminal code which seriously limited freedom of the press. It was in this repressive environment against which journalists generally adopted a passive attitude that led Pinheiro in his final issue to explain: "When in a meeting of journalists' I proposed an 18-day publishing moratorium to protest the shameful situation in which the Portuguese government has placed the Portuguese press it was pointed out that O António Maria as a weekly sheet would not be seriously affected by the resolution. So I take the execution of my proposal one step further: O António Maria closes its doors forever in a sign of mourning." #WorldCat: 2 copies in US Libraries.
réf. 20624New York: Raphael Tuch & Sons Co. Ltd. Good/No Dust Jacket As Issued. A vibrant survivor of the Edwardian nursery. This charming alphabet book part of the legendary 'Father Tuck's Mother Goose Series' represents the pinnacle of early 20th-century children's lithography. Utilizing Raphael Tuck's Untearable linen process the book was designed to withstand the rough handling of children while providing a rich visual introduction to the alphabet. Each letter is paired with anthropomorphic animals and classic nursery-rhyme vignettes rendered in the lush saturated colors that made Tuck the most famous name in the "toy book" trade. KEY FEATURES Publisher Heritage: Produced by Raphael Tuck & Sons Publishers to Their Majesties the King & Queen known for the finest color printing of the era. Material: Printed on untearable linen; a tactile and durable format that replaced traditional paper for high-use nursery books. Visuals: Features 12 pages of alternating full-color lithographs and detailed black-and-white illustrations. Theme: An anthropomorphic alphabet where animals take on the roles of classic Mother Goose characters. CONDITION: Good to Very Good -- A remarkably sturdy example of a book meant for heavy use. The original stapled binding is strong and structural. The linen shows expected "hand-soiling" and age-toning throughout. There is minor loss to the rear cover and tiny chips to the front cover edges but the lithography remains bright and the text is fully legible. 7.25 x 8.5 inches. HISTORICAL SIGNIFICANCE -- Raphael Tuck & Sons was a powerhouse of the Victorian ephemera world. Their Father Tuck brand was synonymous with quality utilizing German chromolithography that was far superior to most American or British competitors. These linen books were a technological response to the destructiveness of young readers; finding one today with the staples intact and the colors still poping provides a rare window into the visual landscape of a turn-of-the-century childhood. SUBJECTS: Children's Literature Raphael Tuck Alphabet Books Anthropomorphic Art Edwardian Ephemera Mother Goose Toy Books Linen Books Early 20th Century Juvenilia. Raphael Tuch & Sons, Co., Ltd unknown
réf. 70351Paris Joubert 1803. Large Folio 59.5 x 41.5 cm. 4 pp. Four large engraved plates. Later mottled half roan over paper boards resembling tree calf. Black morocco label with gilt title. Original printed wrappers bound in. = This work shows two - probably life-size - designs for candlesticks designed by Renaissance artists Raphael and Michelangelo on the occasion of a contest organized by Popes Julius II and Leo X. Each leaf shows either the top or the foot of a candle. The wrapper text extensively describing the candlesticks is printed in French and in English in two columns Armorial bookplate on the front pastedown. Some mostly marginal spotting. Otherwise a very good copy. Rare. Not in Brunet. hardcover
1866réf. 451247s.l. : s.n. 1866. First Edition. Hardcover. Very good portfolio copy in leather-backed cloth boards. Some light scuffs and speckling to covers with spine somewhat worn. Inside the prize sketches by Raphael are embossed on the upper margin by the awarding institution. The miscellaneous reproductions feature gilt outer edges. Some light smudges to leaves' margins with plates in very good condition. An overall well-preserved portfolio. Physical description; 30 loose leaves 29 cm. Contents; Twelve Raphael sketch reproductions on card stock constitute the Third Grade Prize in Art at the Warrington School of Art awarded in 1866 as introduced by the prize label and table of contents. An additional presumably later seventeen sketch reproductions are also enclosed with Raphael represented in addition other Renaissance artists. Subjects; Raphael 1483-1520—Reproductions. Art—Study and teaching—England—Warrington—19th century. Drawing Renaissance—Reproductions. [s.l.] : [s.n.] hardcover
réf. LFA-126733595Une plaquette de 14 pages, format 245 x 315 mm, illustrée, brochée, s.d., Monrocq Frères Editeurs-Imprimeurs, bon état
réf. 35566Paris - Furne, Jouvet et Cie - sans date (vers 1850) - 1 volume in-folio - Reliure demi chagrin brun à coins - Dos cinq nerfs très orné - tête dorée - Mors frottés - Coins émoussés - très bon état intérieur -
réf. 14963Paris, Crès (coll. "Maitres d'Autrefois"), 1931. In-4°, 122p. Broché, couverture rempliée.
réf. 24366Paris, Crès (coll. "Maitres d'Autrefois"), 1931. In-4°, 122p. Reliure demi-chagrin marron, couverture conservée.
réf. 55956P., Renouard, 1860, 2 volumes in 8° reliés demi veau fauve, dos à faux nerfs, étiquettes vertes, VIII-579 et 614 pages ; un mors fendu ; frottis et défauts ; quelques rousseurs.
réf. 35010Genève, Skira (coll. "Qui était?"), 1967. Gr. in-8° carré, 149p. Reliure cartonnée illustrée d'éditeur, sous jaquette illustrée et rhodoïd.