21.585 risultati
1971rif. 31972AB1971. London Phaidon 1971. 19 cm wide x 27.2 cm high. 220 pages / Illustrated throughout. Original Hardcover with original dustjacket. Very good condition with only minor signs of wear. hardcover
rif. 77518London: W Foulsham. N.D. Paperback. Very Good. A complete run of 86 issues from 1875 to 1961 up to 1897 3rd or 4th editions published in the 1920s 6 copies lack their covers. Bound in original card covers; Small Octavo . W Foulsham paperback
rif. 38020Lyon, Roudil, et P., Librairie Saint-Paul, 1929, in 8° broché, XV-412 pages ; frontispice ; cachets ; couverture fanée avec petits manques.
1879rif. LL1Portugal's First Great Political Satirical Magazine a Complete Set Includes Portuguese Poetry 6vols; small folio; 315 issues COMPLETE. Contemporary half leather bindings red brown and green.2 color title pages and two chromolithographic cartoons; three full-page chromolithographic caricatures; black and white lithographs throughout. O António Maria was Portugal's first great political satire magazine directed by Portugal's first great political cartoonist Rafael Bordalo Pinheiro 1846-1905. The title meant as an exclamation expropriated the first half of the name of the reigning Portuguese Prime Minister António Maria Fontes Pereira. Like Puck O António Maria usually devoted its first last and center pages to cartoons. The text pages also were dotted with cartoon art. Among the contributors were the poet Guilherme de Azevedo "João Rialto" Ramalho Ortigão "João Ribaixo" Alfredo Morais Pinto "Pan-Tarantula" João Broa Emílio Pimentel Enrique Casanova António Ramalho Ribeiro Cristino Columbano Bordalo Pinheiro Manuel Gustavo and others. Initially the magazine struck a balance between cartoons and text but as it matured the text took a subservient position to cartoons and comic strips. Pinheiro used satire and irony in the pages of his magazine to oppose those in power and denounce the selfishness and corruption of the elites. All of Portugal's leading politicians and heads of first families appeared in caricature at one time or another in the weekly In 1884 the government revised the criminal code which seriously limited freedom of the press. It was in this repressive environment against which journalists generally adopted a passive attitude that led Pinheiro in his final issue to explain: "When in a meeting of journalists' I proposed an 18-day publishing moratorium to protest the shameful situation in which the Portuguese government has placed the Portuguese press it was pointed out that O António Maria as a weekly sheet would not be seriously affected by the resolution. So I take the execution of my proposal one step further: O António Maria closes its doors forever in a sign of mourning." #WorldCat: 2 copies in US Libraries.
rif. 70351Paris Joubert 1803. Large Folio 59.5 x 41.5 cm. 4 pp. Four large engraved plates. Later mottled half roan over paper boards resembling tree calf. Black morocco label with gilt title. Original printed wrappers bound in. = This work shows two - probably life-size - designs for candlesticks designed by Renaissance artists Raphael and Michelangelo on the occasion of a contest organized by Popes Julius II and Leo X. Each leaf shows either the top or the foot of a candle. The wrapper text extensively describing the candlesticks is printed in French and in English in two columns Armorial bookplate on the front pastedown. Some mostly marginal spotting. Otherwise a very good copy. Rare. Not in Brunet. hardcover
1866rif. 451247s.l. : s.n. 1866. First Edition. Hardcover. Very good portfolio copy in leather-backed cloth boards. Some light scuffs and speckling to covers with spine somewhat worn. Inside the prize sketches by Raphael are embossed on the upper margin by the awarding institution. The miscellaneous reproductions feature gilt outer edges. Some light smudges to leaves' margins with plates in very good condition. An overall well-preserved portfolio. Physical description; 30 loose leaves 29 cm. Contents; Twelve Raphael sketch reproductions on card stock constitute the Third Grade Prize in Art at the Warrington School of Art awarded in 1866 as introduced by the prize label and table of contents. An additional presumably later seventeen sketch reproductions are also enclosed with Raphael represented in addition other Renaissance artists. Subjects; Raphael 1483-1520—Reproductions. Art—Study and teaching—England—Warrington—19th century. Drawing Renaissance—Reproductions. [s.l.] : [s.n.] hardcover
rif. LFA-126733595Une plaquette de 14 pages, format 245 x 315 mm, illustrée, brochée, s.d., Monrocq Frères Editeurs-Imprimeurs, bon état
rif. 35566Paris - Furne, Jouvet et Cie - sans date (vers 1850) - 1 volume in-folio - Reliure demi chagrin brun à coins - Dos cinq nerfs très orné - tête dorée - Mors frottés - Coins émoussés - très bon état intérieur -
rif. 14963Paris, Crès (coll. "Maitres d'Autrefois"), 1931. In-4°, 122p. Broché, couverture rempliée.
rif. 24366Paris, Crès (coll. "Maitres d'Autrefois"), 1931. In-4°, 122p. Reliure demi-chagrin marron, couverture conservée.
rif. 55956P., Renouard, 1860, 2 volumes in 8° reliés demi veau fauve, dos à faux nerfs, étiquettes vertes, VIII-579 et 614 pages ; un mors fendu ; frottis et défauts ; quelques rousseurs.
rif. 35010Genève, Skira (coll. "Qui était?"), 1967. Gr. in-8° carré, 149p. Reliure cartonnée illustrée d'éditeur, sous jaquette illustrée et rhodoïd.
rif. 68079P., Ad. Le Clerc, 1833, grand in 8° broché, XVI-460 pages ; couverture imprimée (avec traces de poussière) ; quelques rousseurs.
rif. 38320Paris, Flammarion (coll. "Les classiques de l'art"), 1969. In-4°, 128p. Reliure pleine toile d'éditeur, sous jaquette illustrée.
rif. 6266Paris, Galeries nationales du Grand Palais, 1983. In-8 carré, broché, illustrations.
rif. 10387Genève, Skira / Musée du Luxembourg, 2001. In-4, broché.
rif. 4564Paris, Hachette et Cie, 1900, in Folio : 386 pp, br
rif. 525059P., RMN, 1983. In-8 carré, broché, 476 pp., 39 peintures, 137 dessins, 91 gravures et 6 tapisseries commentées et reproduites, dont 24 en coul. à pleine page. Section scientifique et téchnique. Bibliographie.
1703rif. 5770Rome: Gaetano Zenobi 1703. First edition. Octavo 23 cm; 114 2 pages. Vignette with arms of Pope Clement XI flanked by putti on title page. LACKS FRONTISPIECE PORTRAIT. Decorated letters and ornaments in text. Bound in mottled calf weak at joints and worn at extremities. Early inscription abraded at base of title page. Pages lightly toned with occasional stains. References: Cicognara 2404; Anthony Blunt "Don Vincenzo Vittoria" in The Burlington Magazine 109:766 1967 31-32. The author was a Spanish engraver and printer who lived and worked in Rome for part of his life. The text is a defense of Raphael and others from some dismissive remarks made by Carlo Cesare Malvasia in his promotion of the Carracci and of the Bolognese school "La Felsina Pittrice" 1678. Vittoria wrote the material probably in Spanish while still living in Valencia. In the preface he apologizes for his Italian which "lacks purity." The significance of the book according to the art historian Anthony Blunt lies in the author's descriptions of several drawings by Raphael and his contemporaries which are either lost or known only in engraved copies. Condition noted. Gaetano Zenobi unknown
1703rif. 5770Rome: Gaetano Zenobi 1703. First edition. Octavo 23 cm; 114 2 pages. Vignette with arms of Pope Clement XI flanked by putti on title page. LACKS FRONTISPIECE PORTRAIT. Decorated letters and ornaments in text. Bound in mottled calf weak at joints and worn at extremities. Early inscription abraded at base of title page. Pages lightly toned with occasional stains. References: Cicognara 2404; Anthony Blunt "Don Vincenzo Vittoria" in The Burlington Magazine 109:766 1967 31-32. The author was a Spanish engraver and printer who lived and worked in Rome for part of his life. The text is a defense of Raphael and others from some dismissive remarks made by Carlo Cesare Malvasia in his promotion of the Carracci and of the Bolognese school "La Felsina Pittrice" 1678. Vittoria wrote the material probably in Spanish while still living in Valencia. In the preface he apologizes for his Italian which "lacks purity." The significance of the book according to the art historian Anthony Blunt lies in the author's descriptions of several drawings by Raphael and his contemporaries which are either lost or known only in engraved copies. Condition noted. Gaetano Zenobi unknown books
rif. 7147Paris, Fr. Janet, s.d., [début XIXe]. In-8°, maroquin vert du temps à grain long, dos lisse orné, frise dorée en encadrement sur les plats. 22 planches d'estampes gravées sur cuivre (env 10 x 7,5 cm hors marges). Dos un peu usagé, quelques légères traces de frottements sur les plats, coins et coupes frottés. Menues rousseurs éparses n'affectant pas les gravures, petite fente à la charnière d'un feuillet. Détail des tableaux : Scène du Déluge d'après Girodet, Madeleine repentante d'après Lebrun, La Vierge à la chaise d'après Raphaël, La Vierge au poisson d'après Raphaël, Saint Jean Evangéliste d'après Dominiquin, La Madona di S. Sisto d'après Raphaël, Vierge aux candélabres d'après Raphaël, La Transfiguration d'après Raphaël, La Magdelena di Corregio d'après Le Corrège, Les Sabines d'après David, L'enlèvement de Déjanire d'après Le Guide, La Vierge aux rochers d'après Léonard de Vinci, L'éducation d'Achille d'après Regnault, Marius à Minturnes d'après Drouais, Les Thermopyles d'après David, Didon d'après Guérin, Entrée de Henri IV dans Paris d'après Gérard, Les joueurs de dames d'après John Burnet, Les joueuses de cartes d'après John Burnet (1822), La Vierge au donataire, ditte de Foligno, d'après Raphaël, Le chien de l'aveugle Frélon d'après Mongin, La Vierge au linge d'après Raphaël.
rif. 23850Paris, Furne et Perrotin, [1851]. In-plano, 4 pp. 12 pl., demi-chagrin à coins rouge, doubles filets dorés sur les plats, dos à nerfs orné de fleurons dorés, tête dorée (petits frottements et épidermures, rousseurs).
1932rif. 18230Crès 1932 “Maîtres d’autrefois” In-4 demi-maroquin noir à coins, dos à nerfs, couvertures et dos conservés, 121 pp & 105 reproductions hors-texte, 30 dans le texte. Bel exemplaire.
1967rif. 23446Skira 1967 In-8, format carré, pleine toile blanche illustrée, sous jaquette illustrée, photographies pleines pages et doubles pages en noir et en couleurs, 150 pp. Bon état d’occasion.
rif. 15951Skira 1967 In-8, format carré, pleine toile blanche illustrée, sous jaquette illustrée, photographies pleines pages et doubles pages en noir et en couleurs, 150 pp. Bon état doccasion. Présentation de la vie du peintre Raphaël. Bon état doccasion
