Soyer, RaphaelBiblio.com
25 417 résultats
1969réf. 58173New York: Maecenas Press / Random House 1969. First Edition; First Printing. Hardcover. Very Good in a Good dust jacket. Thumb-sized chip to jacket crown at front panel. A few tears to jacket crown at rear panel. Several creases to front flap and a few to rear flap. Small segment of front flap has been clipped out not price clipped. Heavy sunning to jacket at spine which spreads to part of rear panel.; 4to - over 9¾" - 12" tall. Maecenas Press / Random House hardcover
1969réf. nf3541SELF-REVEALMENT Random House/ Maecenas Press 1969 first edition fine in like dust-wrapper with a somewhat faded dust-wrapper spine. Profusely illustrated in both color and black & white. Inscribed by the artist to the former premier Walt Whitman collector bibliophile and philanthropist Charles Feinberg. Random House Maecenas Press unknown
1969réf. 50261New York: Maecenas 1969. First Edition. hardcover. fine/near fine. soyer. Illustrations in color and in black & white. Slim 4to black & tan cloth d.w. New York 1969. A fine copy in a near fine dust wrapper. Inscribed by the artist on the dedication page. Maecenas unknown
1969réf. 003086New York: Maecenas Press / Random House 1969. 120 pages.; color and b&w reproductions of the artist's work. " . an honest and poignant glimpse into the life emotions and artistic philosophy of one of America's foremost and most beloved painters." Nearly full-page signed pen illustration "Susanna nude and the Elders" with inscription on the eve of 1971. Inscribed by the artist. First Printing. Cloth. Very Good/Very Good. 4to. Maecenas Press / Random House Hardcover
1969réf. 561New York: Random House 1969. First edition. Hardcover. Orig. black and mustard cloth. Near fine in very good dust wrapper. 116 pages. Approximately forty illustrations many in full-color. The monograph is composed in the form of a journal kept by the artist over a three year period. Random House hardcover
réf. 11872Soyer Raphael. Soyer Raphael. SIXTEEN ETCHINGS. Associated American Artists NY 1965. From the Deluxe suite of 25 on Japan paper this copy number 24/25. There were a further 60 printed on BFK Rives paper of which numbers 26/85 through 50/85 were issued in portfolios and numbers 51/85 through 85/85 were offered for sale separately. Printed by Emiliano Sorini. Folio cloth Foreword by Carl Zigrosser 16 signed numbered etchings the first printed on the Title Page and the other 15 loose in folders as issued. Wear to the portfiolio flaps else Fine. hardcover
réf. 9801Soyer Raphael. Soyer Raphael. SIXTEEN ETCHINGS. Associated American Artists NY 1965. From the Deluxe suite of 25 on Japan paper this copy number 3/25. There were a further 60 printed on BFK Rives paper of which numbers 26/85 through 50/85 were issued in portfolios and numbers 51/85 through 85/85 were offered for sale separately. Printed by Emiliano Sorini. Folio cloth Foreword by Carl Zigrosser 16 signed numbered etchings the first printed on the Title Page and the other 15 loose in folders as issued. Laid in is the Prospectus a small booklet which reproduces the portfolio. Fine throughout. Rare. hardcover
1937réf. 33151937. Soyer Raphael. Soyer Raphael. SKETCH CLASS ART CLASS Cole 47. Etching 1937. 6 x 9 7/8 in. Edition of about 25. Executed for and printed by WPA Federal Art Project. Titled "Art Class" and signed in ink. "We used to have sketch groups. We artists would get together and hire a model then meet at someone's house and draw from the nude. I made many drawiings not only of the model but also of the whole scene of people drawing the model." Gettings #38 unknown
1937réf. 64541937. Soyer Raphael. Soyer Raphael. SKETCH CLASS ART CLASS Cole 47. Etching 1937. 6 x 9 7/8 in. Edition of about 25. Executed for and printed by WPA Federal Art Project and with its stamp verso. An unsigned copy of this scarce print. The group of prints Soyer did for the WPA project were printed in small editions and not all copies were signed. "We used to have sketch groups. We artists would get together and hire a model then meet at someone's house and draw from the nude. I made many drawiings not only of the model but also of the whole scene of people drawing the model." Gettings #38 unknown
réf. 7705Soyer Raphael. Soyer Raphael. SPRINGTIME. Cole 56. Lithograph 1938. 14 x 17 1/4 inches; 356 x 440 mm. Signed and titled in pencil. Edition of about 25. Upper right corner professionally replaced else a very good impression in very good condition. Inscribed to "For Morris Carnovsky" in the margin just below the image.Together with The Mission and Bowery Nocturne of 1933 Cole 27 and 28 Springtime is one of three large format lithographs in which Soyer powerfully portrayed Depression-era scenes of New York City life. Although done in the studio it depicts Washington Square ParkA scarce and important item in Soyer's graphic oeuvre.Morris Carnovsky 1897-1992 was a distinguished American stage and screen actor whose long career included work with the Yiddish Theater the Provincetown Playhouse starring roles in Odets' "Awake and Sing" and "Golden Boy" the film "Life of Emile Zola" and acclaimed portrayals of King Lear and Shylock. He was blacklisted in 1950 but was cast by John Houseman in Ibsen's Enemy of the People.An interesting Association Copy of this rare print. unknown
réf. 01-0702Emiliano Sorini 1977. Etching and aquatint. Fourth state. Dry stamp of the printer. One of 30 impresssions signed and numbered by the artist. 17.5 x 11.5 cm. Emiliano Sorini, 1977. unknown
réf. 13118Soyer Raphael. Soyer Raphael. STREET SCENE WITH MOSES SOYER. Gettings 113 not in Cole. Lithograph 1970. 19 1/4 x 14 1/4 inches; 488 x 362 mm. Edition of 150 printed by Burr Miller. Signed in pencil numbered 67/150 and inscribed "Best wishes to to Dave and Edith" In excellent condition. Nicely framed. unknown
réf. 7338Soyer Raphael. Soyer Raphael. STREET SCENE WITH MOSES SOYER. Gettings 113 not in Cole. Lithograph 1970. 19 1/4 x 14 1/4 inches; 488 x 362 mm. Edition of 150 printed by Burr Miller. Numbered 54/150 and signed in pencil. In excellent condition. Very attractively framed. unknown
réf. 7244Soyer Raphael. Soyer Raphael. STUDY FOR PEDESTRIANS. Cole 87 Gettings 64 the second state. Etching 1962. Artist's Proof there was no edition in this state and only about 8 in the first state. 5 15/16 x 6 3/4 inches; 151 x 171 mm. Inscribed "A.P." and signed in pencil. Annotated verso "the artist his daughter and her friend." A true "working proof" in very good condition. Rare. In the second state there is additional drypoint cross-hatching to Soyer's face and jacket and to the background. This is the first of four related plates on the "Pedestrian" theme and the first in which Soyer inserted his own likeness into the image See Soyer's comment at G.63. In Cole 88 G.65 Pedestrians - First Plate an additional female figure appears at Soyer's left. Cole 89 G. 66 Self-Portrait shows only the image of the artist and Cole 90 G. 67 Pedestrians 1963 shows additional figures to the right as well as the cityscape in the background. These latter two were included in the portfolio "Sixteen Etchings by Raphael Soyer." unknown
1932réf. 51551932. Soyer Raphael. Soyer Raphael. JOHN REED CLUB - THE COMMITTEE. Lithograph 1932 Cole 22. Edition of 25 signed in pencil. 7 1/4 x 10 inches 185 x 255 mm. A fine impression but with a well-repaired tear top center. Scarce. John Reed Club Committee members pictured are Nemo Piccoli Adolf Wolff Walter Quirt Ivar Rose and Anton Refregier. We weren't poor. As I said before you know I had nothing to lose in the Depression so I didn't feel it very much. And as far as what happened politically I became a member of the John Reed Club. That was a club of writers and artists leftists all and I think Rebecca influenced me very much. She was more aware of the politics. She was more aware than I. And I still look back to this John Reed Club as a great kind of for me it was a great education. Nikolai Cikorsky indoctrinated me into the John Reed Club and. . . . Well there I knew what was taking place all the unrest all over the place the beginning of Nazism that you mentioned and the advance of Communism all those things you know. And I became aware of those things. And that was my political education the John Reed Club the John Reed Club for Artists and Writers. There were a number of writers there were a number of artists and. . . . And what's his name again William Gropper. Joe Jones. Philip Bard. A number of these people. And they were all left and all young in those days. And I came there completely as a novice. I didn't know much about it. Rebecca knew much more what was taking place. Raphael Soyer Smithsonian Oral History Archives interview with Milton Brown 1981. This is on loan to the Museum of the City of NY until ```````` unknown
1932réf. 70431932. Soyer Raphael. Soyer Raphael. JOHN REED CLUB - THE COMMITTEE. Lithograph 1932 Cole 22. Edition of 25 signed in pencil. 7 1/4 x 10 inches 185 x 255 mm. In excellent condition. Scarce. John Reed Club Committee members pictured are Nemo Piccoli Adolf Wolff Walter Quirt Ivar Rose and Anton Refregier. We weren't poor. As I said before you know I had nothing to lose in the Depression so I didn't feel it very much. And as far as what happened politically I became a member of the John Reed Club. That was a club of writers and artists leftists all and I think Rebecca influenced me very much. She was more aware of the politics. She was more aware than I. And I still look back to this John Reed Club as a great kind of for me it was a great education. Nikolai Cikorsky indoctrinated me into the John Reed Club and. . . . Well there I knew what was taking place all the unrest all over the place the beginning of Nazism that you mentioned and the advance of Communism all those things you know. And I became aware of those things. And that was my political education the John Reed Club the John Reed Club for Artists and Writers. There were a number of writers there were a number of artists and. . . . And what's his name again William Gropper. Joe Jones. Philip Bard. A number of these people. And they were all left and all young in those days. And I came there completely as a novice and didn't know much about it. Rebecca knew much more what was taking place. Raphael Soyer Smithsonian Oral History Archives interview with Milton Brown 1981. unknown
réf. 7539Soyer Raphael. Soyer Raphael. THE LETTER. Cole 25. Lithograph 1933. Edition of 25. 14 1 /4 x 11 1/8 inches; 362 x 283 mm. image; 18 1/4 x 14 1/4 inches; 464 x 362 mm. sheet. Signed and titled in pencil. Rare. unknown
1944réf. 26001944. Soyer Raphael. Soyer Raphael. MODEL THE. Lithograph 1944 Cole 64. 11 3/4" x 7 3/4". Edition of 250 published by Asociated American Artists NY. Signed in pencil. Very good condition. unknown
1962réf. 52621962. Soyer Raphael. Soyer Raphael. SCREEN THE. Cole 85. Lithograph 1962. 18 1/2 x 14 inches. Edition of 100 signed and numbered in pencil. Excellent condition.A sensitive rendering of the model in the studio. Soyer still at his best. An unusually large print in his oeuvre and despite the size of the edition not often seen. unknown
1954réf. 54891954. Soyer Raphael. Soyer Raphael. SEAMSTRESS THE. Cole 75. Lithograph 1954. Edition of 250 published by A.A.A. 9 5/8 x 11 3/8 inches; 245 x 298 mm. Signed in pencil. With original A.A.A. label. Excellent condition. unknown
1932réf. 25991932. Soyer Raphael. Soyer Raphael. THE TEAM. Lithograph with hand coloring 1932 Cole 23. 14 3/4" x 11." Edition of 25 published by Associated American Artists NY. A unique or one of a few colored by Soyer. Signed in pencil. In very good condition but with traces of glue verso. unknown
réf. 7233Soyer Raphael. Soyer Raphael. THE WINDOW Cole 70. Lithograph 1954. Edition 250 published by Associated American Artists. 11 x 91/2 inches 282 x 243mm; Signed in pencil. In excellent condition. unknown
1934réf. 122811934. Soyer Raphael. Soyer Raphael. TOWARD THE LIGHT Girl at Window. Lithograph 1934-35. Cole 35. 15 1/4" x 12 1/2". Edition of 25. Signed lower right and titled "Girl at Window" lower left. Printed by George Miller. A very rare and fine print. "This was done directly on the stone and was not based on a drawing or a painting. I just asked the model to face the light streaming through the window." Soyer quoted in Gettings Raphael Soyer - Sixty Five Years of Printmaking Hirshhorn Museum 1982. Until AAA began publishing Soyer's prints in editions of 250 his editions were very small usually 25 or 30. unknown
1934réf. 20261934. Soyer Raphael. Soyer Raphael. TOWARD THE LIGHT Girl at Window. Lithograph 1934-35. Cole 35. 15 1/4" x 12 1/2". Edition of 25. Signed lower right and titled "Girl at Window" lower left. Printed by George Miller. A very rare and fine print. "This was done directly on the stone and was not based on a drawing or a painting. I just asked the model to face the light streaming through the window." Soyer quoted in Gettings Raphael Soyer - Sixty Five Years of Printmaking Hirshhorn Museum 1982. Until AAA began publishing Soyer's prints in editions of 250 his editions were very small usually 25 or 30. unknown
réf. 5607Soyer Raphael. Soyer Raphael. TWO FEMALE NUDES. Drawing charcoal. 12 7/8 x 11 inches; 328 x 280 mm. sheet. Signed in pencil. Two models nude each bending forward in a similar posture with right hand on hip left hand on knee. Provenance: Arnold Collection. unknown
