25 504 résultats
1974réf. 215133New York: The Solomon R. Guggenheim Museum 1974. First edition. Softcover. 136 pages. Exhibition catalog. Features a preface by Thomas M. Messer along with an interview of Soto by Claude-Louis Renard that is in English French and Spanish. Includes 80 illustrations with 10 in color chronology list of previous exhibitions reviews and a bibliography. A near fine copy in wrappers with some slight sunning to the spine. The Solomon R. Guggenheim Museum unknown books
1967réf. 210054Paris: Galerie Denise René 1967. Hardcove. VG: In great condition- all the little cut flaps on the front are present and full! Clean body pages and solid binding. A white softcover book. The front cover is designed with many small cut strips able to flap freely on their own. Unpaginated. Illustrations in both color and black-and-white. Galerie Denise René unknown books
1965réf. 184534London: Signals 1965. First edition. Exhibition brochure for a show that ran October 14 through December 24 1965. Single sheet folded once to create 4 pages. Features a brief text by Umbro Apollonio. A near fine copy. Scarce ephemera. Signals unknown books
2022This is a fine softcover copy with no wear at all. Completely clean. Text in English. This catalog was prepared to accompany the exhibition at Perrotin Gallery in New York from March 5 to April 5, 2022. Essay by Jesus Fuenmayor. List of Works. Illustrated in color. 11" high X 8" wide, 80 pages. This book will be securely packed and shipped with tracking.
1970réf. 238584Zagabria: Galerije Suvremene Umjetnosti 1970. Brossura wrappers. Molto buono Very Good. Catalogo della mostra presso la Galerije Suvremene Umjetnosti Zagabria 19 giugno - 23 agosto 1970. Testo di Jean Clay. Con 22 illustrazioni in bianco e nero e una serigrafia originale a colori a piena pagina. Biografia. Cm 21x20. pp. 32. Molto buono Very Good. Edizione originale Original edition. Galerije Suvremene Umjetnosti, unknown
1967réf. 210054Paris: Galerie Denise René 1967. Hardcove. VG: In great condition- all the little cut flaps on the front are present and full! Clean body pages and solid binding. A white softcover book. The front cover is designed with many small cut strips able to flap freely on their own. Unpaginated. Illustrations in both color and black-and-white. Galerie Denise René unknown
1967réf. 211958Parigi: Edizione a cura della Galleria 1967. Brossura wrappers. Molto buono Very Good. Catalogo della mostra tenutasi presso la Galerie Denise René Parigi maggio - giugno 1967. Testo di Jean Clay. 31 illustrazioni a colori e in bianco e nero. Alcune fotografie in bianco e nero di André Morain Cy Perry Cornel Capa. Biografia dell'Artista. 8vo cm 23x23. pp. 32. Molto buono Very Good. . Edizione a cura della Galleria, unknown
1969réf. 107053Amsterdam: Stedelijk Museum 1969. Brossura wrappers. Ottimo Fine. Catalogo di mostra Stedelijk Museum Amsterdam 11 gennaio - 23 febbraio 1969 - Brussel Paleis voor Schone Kunsten e Bruxelles Palais des Beaux Arts 6 marzo - 4 aprile 1969. Testo in francese e olandese di Jean Clay. Testi di Soto in francese. Le illustrazioni fotografiche in bianco e nero mostrano i cinque spazi progettati direttamente dall'Artista all'interno del museo e il loro allestimento Pénétrable Cube à espace ambigue Saturation mouvante Environnement cinétique Extension verte Progression Jaune. Biografia attività espositiva bibliografia elenco delle 40 opere esposte. Cm 275x21. pp. 36. Ottimo Fine. . L'interesse di Soto si concentrò sulla possibilità di suscitare un effetto ottico di spostamento nella percezione dello spettatore con un'interazione tra forme colori e spazio. Se nei primi lavori l'artista insistette sulla ripetizione e la sovrapposizione di elementi bidimensionali nei lavori successivi introdusse anche il colore per generare spazi illusori attraverso il contrasto tra superfici monocromatiche. In seguito Soto sperimentò modi per estendere lo spazio fino ad avvolgere lo spettatore moltiplicando il numero di aste e fili di nylon delle sue opere. Creo così verso la fine degli anni Sessanta i primi Penetrables opere in cui il pubblico si muoveva all'interno di un monocromo espanso. Stedelijk Museum, unknown
1965réf. 184534London: Signals 1965. First edition. Exhibition brochure for a show that ran October 14 through December 24 1965. Single sheet folded once to create 4 pages. Features a brief text by Umbro Apollonio. A near fine copy. Scarce ephemera. Signals unknown
1969réf. TN231971Marlborough-Gerson Gallery New York 1969. 1st Edition. SOFTCOVER. Large tall 4to. in colour printed stiff card covers 46pp on glossy art paper with 33 b/w plates and 2 colour on the covers. Catalogue to major 75 item exhibition of the op-artists work __CONDITION : VERY GOOD spine slightly rubbed covers a little tanned and slightly rubbed an otherwise well preserved clean and tight unmarked copy. . __ To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Marlborough-Gerson Gallery New York paperback
1963réf. 002840Krefeld: Museum Haus Lange / Kaiser Wilhelm Museum 1963. Book. Fine. Soft cover. 1st Edition. Rare exhibition catalog containing 3 original silkscreens; one printed black & white on a transparent plexiglass sheet one printed black & white on black cardboard one printed white on black cardboard. Each 32 x 23.5 cm displaying striped patterns causing an intense optical effect. The artworks are loosely laid in a black folder also containing a folded sheet with black & white plates 4 pp. and a sheet with text by Paul Wember in German French and Spanish 4 pp. Catalog and silkscreens are in very fine/mint condition. Rare item by the Venezuelan-born Op and Kinetic artist Jesus Rafael Soto. Museum Haus Lange / Kaiser Wilhelm Museum Paperback
1969réf. 59265Paris France: Musee D'Art Moderne De La Ville De Paris. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. 36 pp. With 35 ills. 1 col. . 23 x 23 cm. -- with a bonus offer-- . 1969. Musee D'Art Moderne De La Ville De Paris paperback
réf. 02230146.exp3DPaperback. Very Good. Inscribed by Soto on title page. Covers show light edge wear and edge curling. Binding intact. Text remains crisp clean and unmarked. paperback
1974réf. 260830031New York NY: The Solomon R. Guggenheim Foundation 1974. paperback. Very Good. 9x8x0. Minor shelf wear binding tight pages clean and unmarked. Original 1974 exhibition catalogue published by the Solomon R. Guggenheim Foundation for the landmark retrospective devoted to Venezuelan kinetic artist Jesús Rafael Soto 1923–2005 at the Solomon R. Guggenheim Museum New York.Soto: A Retrospective ExhibitionPublished: Solomon R. Guggenheim Foundation New York 1974Exhibition catalogue136 pagesDesign attributed to Malcolm GrearThe catalogue accompanied Soto's major 1974 Guggenheim retrospective and includes an interview with Soto by Claude-Louis Renard reproductions and documentation of works in the exhibition chronology bibliography and related reference material. The Guggenheim records English French and Spanish editions of the publication.Soto was one of the major figures in postwar kinetic and optical art and the Guggenheim retrospective represented an important institutional survey of his career.An attractive period catalogue in its own right with a striking minimalist/Op Art cover design. Jesus Rafael Soto Jesús Rafael Soto Soto retrospective Guggenheim Museum Solomon R Guggenheim 1974 exhibition catalog kinetic art Op Art optical art Venezuelan artist Latin American art Malcolm Grear museum catalog modern art contemporary art Penetrable kinetic sculpture The Solomon R. Guggenheim Foundation paperback
réf. 48447Neuchâtel (Suisse) : Editions du Griffon, 1984. Un volume pleine toile sous jaquette illustrée en couleurs 27,5x27,5cm de 272 pages sur papier couché avec 187 reproductions en couleurs. Très bon état.
réf. 3846575828.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1971réf. 3203Pajaro Cascabel 1971. SOSA Rafael Gochez. POEMAS PARA LEER SIN MUSICA. Mexico: Pajaro Cascabel 1971. 8vo. pictorial wraps; 59 pages. First Edition. Sosa 1922-1986 was a Salvadoran poet and teacher. Signed presentation from Sosa on the front endpaper to Salvadoran author Alvaro Alfredo Betancourt Blanco dated 1972. Very Good little fade covers & bit of bumping upper corner. $125.00. Pajaro Cascabel unknown books
1971réf. 3203Pajaro Cascabel 1971. SOSA Rafael Gochez. POEMAS PARA LEER SIN MUSICA. Mexico: Pajaro Cascabel 1971. 8vo. pictorial wraps; 59 pages. First Edition. Sosa 1922-1986 was a Salvadoran poet and teacher. Signed presentation from Sosa on the front endpaper to Salvadoran author Alvaro Alfredo Betancourt Blanco dated 1972. Very Good little fade covers & bit of bumping upper corner. $125.00. Pajaro Cascabel unknown
1998réf. RO20257526MILLE ET UNE NUITS - CANAL PLUS. 1998. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 95 pages - quelques illustrations couleur. . . . Classification Dewey : 840.091-XX ème siècle
2011réf. 009841FINITUDE 2011 Un volume petit in-8 de 172 pages , couverture à rabats illustrée , ouvrage enrichi de videogrammes d ' Alain Le Saux , bon exemplaire . Bon Couverture souple
2017réf. 200328Boston: McMullen Museum of Art Boston College 2017. Paperback. Good Wraps are lightly edge/shelfworn; interior is clean and crisp; binding is solid. Purple wraps with colorful illustration and off-white lettering; 181 pp.; richly illustrated. Cuban painter Rafael Soriano 1920-2015 was an acclaimed master of geometric abstraction and a global figure in the twentieth-century art world his work resonated with such international artists of Latin American origin as Roberto Matta Rufino Tamayo and Wifredo Lam. As a result of the revolution in Cuba in 1959 Soriano left the country in 1962 for the United States. The effect of the Cuban revolution on his art as well as his aesthetics in general are the focus of this book an unprecedented examination of his entire oeuvre. Featuring more than ninety paintings pastels and drawings this bilingual English-Spanish catalog begins with a contextual analysis of Soriano s relationship to the Cuban avant-garde and his position within the emerging mid-century modernists. Essays then trace his evolving styles examining his work through the lens of surrealism and European and Latin American transnational aesthetics. The idea of exile and struggle is a leitmotif and is framed within questions of transcendence and spirituality. -- WorldCat. McMullen Museum of Art, Boston College paperback books
2011réf. 105103Museum. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 112 pages; illustrated with one black and white image and a number in color. -- with a bonus offer-- . 2011. 097882136X . Museum paperback
1964réf. 91311964 Paris, l'Avant-Scène, 1964,
1922réf. 54897Paris: Romagnol 1922. Limited first edition. Softcover. near fine. 1/300. Two volumes octavo. Vol. 1: 129 1 blank pp. frontispiece 16 three-quarter page colored vignettes scene divisions 8 hors texte full page colored plates; 20 woodcut ornaments in red and gray; Vol. 2: 56 plates loose in illustrated wrappers as issued comprising: two states each of the the cover illustration frontispiece and the 8 full page plates uncolored; colored with added reproductions of ink drawings -- the illustrator's studies -- appearing in the margin; 16 three-quarter page colored scene divisions and 20 woodcut ornaments all printed before letter. Illustrated tan paper wrappers with white and red lettering on the front covers protected in the original glassine as issued. Engraved images in the first volume and the first section of the second are protected in their original tissue guards. Housed in a custom decorative lustrous multicolored paper-covered slipcase with a protective insert for the spines lettered and embossed in red. Edition limited 301 copies this being a special unnumbered deluxe copy on japan paper of which 100 numbered copies are noted at the limitation page; unlike the ordinary numbered copies the limitation page here notes: "Exemplaire imprimé pour M. Georges Calmann-Levy." A notable limited illustrated edition of Sophocles' classic Greek tragedy issued with an additional full suite of plates. Vol.1 contains the text of Oedipus Rex "Oedipe Roi" in French and a significant portion of Raphaël Freida's original engravings and drawings integrated directly with the text. This integration is vital as Freida's artwork is not merely decorative; it serves to amplify the emotional intensity and psychological depth of the tragedy. The quality of the printing and the paper in this volume are of high importance. Volume 2 "États des Planches" States of the Plates is dedicated to showcasing the "states of the plates" providing a detailed look at the various stages of the engraving process allowing the viewer to observe the evolution of Freida's artwork from initial sketches to finished gorgeous engravings. This volume is of particular interest to those interested in the technical aspects of printmaking. It should be noted that surprisingly Freida's powerful illustrated edition has never been subsequently reissued. Volume one has some closed tearing on the original glassine and wrappers at the head and tail of the spine. A closed tear to the head of the spine itself. Volume with only a few minor instances of tearing to the glassine. Interiors with all images pristine and vibrant. Wrappers and glassines in very good- to very good interiors in near fine condition overall. Georges Calmann-Levy was at one time the head of the Calmann-Lévy publishing house in France the son of it's founder Kalmus "Calmann" Lévy 1819-1891. Romagnol unknown books
1922réf. 54897Paris: Romagnol 1922. Limited first edition. Softcover. near fine. 1/300. Two volumes octavo. Vol. 1: 129 1 blank pp. frontispiece 16 three-quarter page colored vignettes scene divisions 8 hors texte full page colored plates; 20 woodcut ornaments in red and gray; Vol. 2: 56 plates loose in illustrated wrappers as issued comprising: two states each of the the cover illustration frontispiece and the 8 full page plates uncolored; colored with added reproductions of ink drawings -- the illustrator's studies -- appearing in the margin; 16 three-quarter page colored scene divisions and 20 woodcut ornaments all printed before letter. Illustrated tan paper wrappers with white and red lettering on the front covers protected in the original glassine as issued. Engraved images in the first volume and the first section of the second are protected in their original tissue guards. Housed in a custom decorative lustrous multicolored paper-covered slipcase with a protective insert for the spines lettered and embossed in red. Edition limited 301 copies this being a special unnumbered deluxe copy on japan paper of which 100 numbered copies are noted at the limitation page; unlike the ordinary numbered copies the limitation page here notes: "Exemplaire imprimé pour M. Georges Calmann-Levy." A notable limited illustrated edition of Sophocles' classic Greek tragedy issued with an additional full suite of plates. Vol.1 contains the text of Oedipus Rex "Oedipe Roi" in French and a significant portion of Raphaël Freida's original engravings and drawings integrated directly with the text. This integration is vital as Freida's artwork is not merely decorative; it serves to amplify the emotional intensity and psychological depth of the tragedy. The quality of the printing and the paper in this volume are of high importance. Volume 2 "États des Planches" States of the Plates is dedicated to showcasing the "states of the plates" providing a detailed look at the various stages of the engraving process allowing the viewer to observe the evolution of Freida's artwork from initial sketches to finished gorgeous engravings. This volume is of particular interest to those interested in the technical aspects of printmaking. It should be noted that surprisingly Freida's powerful illustrated edition has never been subsequently reissued. Volume one has some closed tearing on the original glassine and wrappers at the head and tail of the spine. A closed tear to the head of the spine itself. Volume with only a few minor instances of tearing to the glassine. Interiors with all images pristine and vibrant. Wrappers and glassines in very good- to very good interiors in near fine condition overall. Georges Calmann-Levy was at one time the head of the Calmann-Lévy publishing house in France the son of it's founder Kalmus "Calmann" Lévy 1819-1891. Romagnol unknown
