26 000 résultats
réf. 8411264807.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 8498973201.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 8493497622.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2006réf. 2-8493497622Arca Ediciones 2006. Perfect Paperback. New. Spanish language. 9.53x6.69x1.18 inches. Arca Ediciones paperback
1952réf. 17.2252Santander Distribuciones Mares Valencia: Bedia 1952. 1ª ed. . Rústica. 11.2x19. Bedia paperback
2026réf. LRB30004501Paris: Editions Recreasoft 2026 Idioma: Español. Aproximadamente 770 páginas. Español : Reimpresión bajo demanda. Edición original : 1909. Obra en español. Esta obra recopila documentos y discursos fundamentales de las Cortes de Cádiz también conocidas como Cortes de Cádiz que se celebraron entre 1810 y 1813. Constituyen un hito en la historia constitucional española sentando las bases del liberalismo político en el país. La antología compilada por Rafael Comenge y Dalmau ofrece una visión exhaustiva de los debates y decisiones que marcaron este periodo crucial. Imágenes del libro no contractuales English: Print-on-demand reprint. Original edition : 1909. Text in Spanish. This work compiles key documents and speeches from the Cortes of Cádiz held between 1810 and 1813. These Cortes were a landmark in Spanish constitutional history laying the foundations for political liberalism in the country. The anthology compiled by Rafael Comenge y Dalmau provides a comprehensive overview of the debates and decisions that shaped this crucial period. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback
réf. MN27031HAyuntamiento de Marchena 2001 Sevilla. 22x15. Rústica. tapa blanda. 230 pgs. Sello anterior poseedor de ex-libris. 680810 Ayuntamiento de Marchena, 2001, Sevilla. paperback
réf. 8432134287.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 8420638005.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1991réf. 100125355Lipari ediciones 1991. Bon Etat proche du très bon état intérieur propre dos légèrement creusé couverture un peu défraîchie. in8. 1991. Broché. 384 pages. Lipari ediciones unknown
réf. 0267695985.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2018réf. G8498953448I4N00VISOR LIBROS S.L. 2018. Paperback. Very Good. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. VISOR LIBROS, S.L. paperback
1999réf. 29163656831999, editorial Optima, in-8 cartonné, jaquette, Antología poética, ilustraciones de Rafael Alberti, ouvrage en espagnol | Etat : très bon état (Ref.: ref88955)
réf. 8490077355.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1993réf. green165418Philip Wilson Pub Ltd. Very Good. 0302006230. 1993 bright clean copy with dustjacket no markings Professional booksellers since 1981 . 1993. Hardcover. Philip Wilson Pub Ltd hardcover
1993réf. 176219London/New York: Zwemmer/English Heritage/Rizzoli 1993. Hardcover. VG. Black cloth boards with gilt lettering on spine color illustrated dust jacket 160 pp. with approximately 50 color and bw images. Catalogue from the exhibition of 61 works. Many were paintings and drawings but some were books letters etc. not pictured. With an introduction covering several topics including Sir Charles Hanbury Williams The Raphael copy for Northumberland House Paintings for British Patrons British Commissions and Contacts in Rome and much more. WIth a chronology of Meng's life and the catalogue of works annotated. " During his lifetime Anton Raphael Mengs 1728-79 was considered one of the most important painters in Europe but his reputation declined with the rise of Romanticism and has only begun to recover in recent years. Born in Aussig and brought up in Dresden he became Principal Painter to the royal courts of Saxony and Madrid but his main base was to be Rome. He never visited Great Britain refusing out of loyalty to his King the invitations he received to come and work here. Through the diplomat Sir Charles Hanbury Williams in Dresden Mengs was introduced to key members of the British circle in Florence such as the ambassador Sir Horace Mann who provided a crucial link between British travellers and the artistic circles of Rome. This was of course the heyday of the British Grand Tour and in many ways it was unnecessary for Mengs to go to Britain - Britain in the wealthy form of its youthful aristocracy came to him. As the Seven Years' War cut off Mengs's official source of income from the Elector of Saxony he was probably grateful to be able to turn to the lucrative field of Grand Tour portraiture. Mengs quickly became one of the central figures of the Neoclassical 'set' that gathered round the great German antiquarian Winckelmann. His studio was open to all and this period saw figures like Richard Wilson a friend whose portrait Mengs painted Robert Adam Allan Ramsay Robert Wood James 'Athenian' Stuart Piranesi and of course Mengs's great rival in the field of Grand Tour portraits Pompeo Batoni all at work and sharing ideas and tastes. Thomas Jenkins artist and the most famous dealer of the time was another friend. In this intellectual climate Mengs produced works for like-minded British patrons which were to have a strong influence on art in this country like the enormous copy after Raphael's School of Athens for Northumberland House now in the Victoria and Albert Museum and Augustus and Cleopatra finished in 1761 for Henry Hoare of Stourhead - one of the crucial foundation works of Neo-classicism. Encouraged by Winckelmann Mengs committed his theory of art to paper and through works like his Gedanken uber die Schonheit which was to be translated into every major European language including English in 1792 his fame and influence spread. During the long eclipse of Mengs's reputation many of his paintings lay hidden in British collections to survive and finally be rediscovered; in some cases these works had been considered lost. This catalogue to accompany the exhibition 'Anton Raphael Mengs and his British Patrons' at the Iveagh Bequest Kenwood illustrates such works and it is hoped that as a result of it more 'lost' works will be unearthed." -website. Zwemmer/English Heritage/Rizzoli hardcover
1993réf. 176219London/New York: Zwemmer/English Heritage/Rizzoli 1993. Hardcover. VG. Black cloth boards with gilt lettering on spine color illustrated dust jacket 160 pp. with approximately 50 color and bw images. Catalogue from the exhibition of 61 works. Many were paintings and drawings but some were books letters etc. not pictured. With an introduction covering several topics including Sir Charles Hanbury Williams The Raphael copy for Northumberland House Paintings for British Patrons British Commissions and Contacts in Rome and much more. WIth a chronology of Meng's life and the catalogue of works annotated. " During his lifetime Anton Raphael Mengs 1728-79 was considered one of the most important painters in Europe but his reputation declined with the rise of Romanticism and has only begun to recover in recent years. Born in Aussig and brought up in Dresden he became Principal Painter to the royal courts of Saxony and Madrid but his main base was to be Rome. He never visited Great Britain refusing out of loyalty to his King the invitations he received to come and work here. Through the diplomat Sir Charles Hanbury Williams in Dresden Mengs was introduced to key members of the British circle in Florence such as the ambassador Sir Horace Mann who provided a crucial link between British travellers and the artistic circles of Rome. This was of course the heyday of the British Grand Tour and in many ways it was unnecessary for Mengs to go to Britain - Britain in the wealthy form of its youthful aristocracy came to him. As the Seven Years' War cut off Mengs's official source of income from the Elector of Saxony he was probably grateful to be able to turn to the lucrative field of Grand Tour portraiture. Mengs quickly became one of the central figures of the Neoclassical 'set' that gathered round the great German antiquarian Winckelmann. His studio was open to all and this period saw figures like Richard Wilson a friend whose portrait Mengs painted Robert Adam Allan Ramsay Robert Wood James 'Athenian' Stuart Piranesi and of course Mengs's great rival in the field of Grand Tour portraits Pompeo Batoni all at work and sharing ideas and tastes. Thomas Jenkins artist and the most famous dealer of the time was another friend. In this intellectual climate Mengs produced works for like-minded British patrons which were to have a strong influence on art in this country like the enormous copy after Raphael's School of Athens for Northumberland House now in the Victoria and Albert Museum and Augustus and Cleopatra finished in 1761 for Henry Hoare of Stourhead - one of the crucial foundation works of Neo-classicism. Encouraged by Winckelmann Mengs committed his theory of art to paper and through works like his Gedanken uber die Schonheit which was to be translated into every major European language including English in 1792 his fame and influence spread. During the long eclipse of Mengs's reputation many of his paintings lay hidden in British collections to survive and finally be rediscovered; in some cases these works had been considered lost. This catalogue to accompany the exhibition 'Anton Raphael Mengs and his British Patrons' at the Iveagh Bequest Kenwood illustrates such works and it is hoped that as a result of it more 'lost' works will be unearthed." -website. Zwemmer/English Heritage/Rizzoli hardcover books
1995formato 30X24. Brossura editoriale con alette pagine 85. Catalogo della Mostra tenuta a New York alla Baldacci Gallery. Con molte fotografie e opere a colori e in B/N. Traccia di umidita ma bella copia
2016Mm 210x305 Volume cartonato con sovraccoperta editoriale, 232 pagine profusamente illustrate con 319 immagini. A cura di Giuseppe Appella con la collaborazione di Bruna Fontana. Opera in stato di nuovo, sigillata. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
réf. QWA-5275Revue Europe, 1986, 224 p., in-8 br., numéro 685 de mai 1986, bon état
réf. FR20030Dos effrité, quelqus mini traits rouges en marges, ne gênent pas la lecture.
réf. 79700Museo del Prado, Madrid, 28,5 cm. 1929 kart.
réf. G9703244866I3N00Colegio De La Frontera Norte. Paperback. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Colegio De La Frontera Norte paperback
réf. 8432133698.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 6200806918.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
