Sadeler, Raphael (I)Biblio.com
21 452 résultats
réf. 3202171Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1598. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 3202172Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1598. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 3202173Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1598. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 3202174Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1598. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2016réf. 156430New York: Cheim & Read 2016. Hardcover. VG. Color wraps. 44 pp. profusely illustrated in color. On title page: J Lasker. Issued in conjunction with a 2016 exhibition of artwork by American artist Jonathan Lasker b. 1948. With an essay by Raphael Rubinstein and many full-color examples. A large-format catalogue oversized. Cheim & Read hardcover books
2013réf. 023464Aldama Fine Art Mexico 2013. Book. Fine Condition. Cloth. 96 pages. Hardcover. Texts in Spanish. Minimal shelfwear to the edges. Else the binding is tight the edges and corners on the boards are sharp the jacket is bright and unblemished and the interior is clean and free of markings. Bound in illustrated paper covered boards wrapped in an illustrated paper jacket and published on the occasion of the exhibition held from May 15-June 30 2013. Aldama Fine Art, Mexico Hardcover
2013réf. 1001522NEW ~ Trilingual Spanish-English-Japonese tribute to the great Mexican graphic artist Jose Guadalupe Posada. Color images throughout on antique-color paper recalling the late-nineteenth early-twentieth century heyday of Posada's broadside images and prolific production for publisher Antonio Vanegas Arroyo. 282 pp. Chronology. Indices. Bibliography. CONACULTA ISBN: 9786075161938. Brand new book purchased from the publisher in Mexico. Weight and size may incur additional international shipping charges. In stock. Usually ships in 3 days. INSTITUTO CULTURAL DE AGUASCALIENTES / CONSEJO NACIONAL PARA LA CULTURA Y LAS ARTES (CONACULTA) hardcover
1953réf. 69142NY: International Publishers 1953. Paperback. Very good. Paperback. 24pp. Darkened overall with a closed tear to the top of the rear else very good in publisher's stapled wraps. International Publishers paperback books
1953réf. 19032New York: International Publishers 1953. Pamphlet. 24p. staplebound pamphlet slightly worn touch of rust to staples else very good condition. Rodrígues was a leader of the Cuban Popular Socialist Party; Colon a New York-based Puerto Rican communist writer. International Publishers unknown books
2005réf. 103117Barcelona: Mayo Ediciones 2005. Second Edition. Hardbound. As New. Color illustrated boards. 191 pp. profusely illustrated in color. Text is in Spanish. Mayo Ediciones hardcover books
1991réf. 208458Barcelona Spain: Art Foundation 1991. First edition and first printing. Hardcover. Monograph on Spanish artist Josep Bofill. Text in Catalan English French and Spanish by Porcel Baltasar and Rafael Santos Torroella. Includes numerous color illustrations a chronology checklist and biographical information. A very good copy in black cloth boards with some scattered foxing to the page edges and some slackness to the binding and in a near fine dust jacket. Art Foundation unknown
1991réf. 208458Barcelona Spain: Art Foundation 1991. First edition and first printing. Hardcover. Monograph on Spanish artist Josep Bofill. Text in Catalan English French and Spanish by Porcel Baltasar and Rafael Santos Torroella. Includes numerous color illustrations a chronology checklist and biographical information. A very good copy in black cloth boards with some scattered foxing to the page edges and some slackness to the binding and in a near fine dust jacket. Art Foundation unknown books
1986réf. SBBIH-PU3LCZNUQIIAEdiciones Mayo 1986. apparel. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Ediciones Mayo unknown
1774réf. 20167Rome 1774. Copper engraving on two joined sheets by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Neat marginal restoration. A stunning plate from "Logge di Rafaele nel Vaticano": with contemporary colouring of the highest quality from the golden age of the hand-coloured print. The main panel shows Joseph telling his brothers of his prophetic dreams "Hear my dream which I dreamed. I thought we were binding sheaves in the field: and my sheaf arose as it were and stood and your sheaves standing about bowed down before my sheaf . I saw in . another dream as it were the sun and the moon and eleven stars worshipping me." A very fine image from the second part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. They were drawn by Gaetano Savorelli a Roman painter and draughtsman best known for his Raphael drawings and Pietro Camporesi a Roman architect who worked for Pope Clemens XIII and Pius VI on rooms for the Vatican Museum. The first to illustrate the famous frescoes these beautiful plates were probably planned as early as 1760 but were not executed until 1772 to 1776. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. They were remarkable not just for their size and magnificent colouring but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and did much to stimulate the taste for the "grotesque" in the Neo-classical period. A year after the death of his principal patron Julius II Raphael succeeded Donato Bramante in 1514 as the official Vatican architect. Having previously adorned the "Stanze" or chambers of Julius on the second floor of the papal apartments in the Vatican palace he was commissioned by Leo X in 1517 to decorate the adjacent Logge. He designed an elaborate cycle of ornamental frescoes for the room's ceiling vaults doors and auxiliary pillars which were executed by his assistants Giulio Romano and Giovanni da Udine. Twelve of the quadrilateral ceiling vaults were adorned with murals of familiar Old Testament scenes and one with a scene from the New Testament while the more decorative frescoes painted on the pilasters by Udine were covered with imaginative compositions of 'grotesque' motifs like foliage fruit and chimerical beasts. Cf. Brunet IV 1110 & 1111; cf. Berlin Katalog 4068 & 4066; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 22; cf. "Raphael: Reproduktions-graphik aus vier Jahrhunderten" Coburg 1984 104 & no. 245. unknown
1774réf. 20167Rome 1774. Copper engraving on two joined sheets by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Neat marginal restoration. A stunning plate from "Logge di Rafaele nel Vaticano": with contemporary colouring of the highest quality from the golden age of the hand-coloured print. The main panel shows Joseph telling his brothers of his prophetic dreams "Hear my dream which I dreamed. I thought we were binding sheaves in the field: and my sheaf arose as it were and stood and your sheaves standing about bowed down before my sheaf . I saw in . another dream as it were the sun and the moon and eleven stars worshipping me." A very fine image from the second part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. They were drawn by Gaetano Savorelli a Roman painter and draughtsman best known for his Raphael drawings and Pietro Camporesi a Roman architect who worked for Pope Clemens XIII and Pius VI on rooms for the Vatican Museum. The first to illustrate the famous frescoes these beautiful plates were probably planned as early as 1760 but were not executed until 1772 to 1776. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. They were remarkable not just for their size and magnificent colouring but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and did much to stimulate the taste for the "grotesque" in the Neo-classical period. A year after the death of his principal patron Julius II Raphael succeeded Donato Bramante in 1514 as the official Vatican architect. Having previously adorned the "Stanze" or chambers of Julius on the second floor of the papal apartments in the Vatican palace he was commissioned by Leo X in 1517 to decorate the adjacent Logge. He designed an elaborate cycle of ornamental frescoes for the room's ceiling vaults doors and auxiliary pillars which were executed by his assistants Giulio Romano and Giovanni da Udine. Twelve of the quadrilateral ceiling vaults were adorned with murals of familiar Old Testament scenes and one with a scene from the New Testament while the more decorative frescoes painted on the pilasters by Udine were covered with imaginative compositions of 'grotesque' motifs like foliage fruit and chimerical beasts. Cf. Brunet IV 1110 & 1111; cf. Berlin Katalog 4068 & 4066; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 22; cf. "Raphael: Reproduktions-graphik aus vier Jahrhunderten" Coburg 1984 104 & no. 245. unknown books
réf. 554996Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 18th century 1784. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 554995Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 18th century 1784. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 554997Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 18th century 1784. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 554998Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 18th century 1784. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1607réf. 15553Italy:: Giovanni Orlandi 1607. First edition. Rare. Print: 7.25 x 5.25 inches. Single leaf. Excellent impression minor wear to edges corners cut away trimmed to just outside borders signed at lower left corner and numbered at lower right corner Ô31Õ. Suitable for framing. Joseph speaks before the throne of the Pharaoh who listens to him with great attention. From a complete set of 50 paintings of the Raphael Bible etched by Sisto Badalocchio and Giovanni Lanfranco after RaphaelÕs frescoes in the loggias of the Vatican. Lanfranco 1582-1647 ranks alongside Pietro da Cortona 1596-1669 and Guercino 1591-1666 as one of the leading Old Masters of High Baroque painting in Rome. A master of visual illusion his architectural and easel work had a very strong influence on painting in Naples inspiring many Baroque artists. Badalocchio fl 1607 Italian painter and engraver born in Parma was pupil of Agostino Carraci and Annibale Carracci he is best known for this work. BM: L 4.28. Bartsch XVIII.355.12. [Giovanni Orlandi,] unknown
réf. 02-02001783. Woodcut print after Raphael. Four color blocks: light green medium green dark green very dark green. 213 x 280 mm. Nagler 4. Le Blanc 4. Kennedy 165. 1783. unknown
réf. 510577Contentum Ltd. Loose sheet. New. Contentum Ltd. unknown
réf. 510574Contentum Ltd. Loose sheet. New. Contentum Ltd. unknown
réf. 510575Contentum Ltd. Loose sheet. New. Contentum Ltd. unknown
réf. 510576Contentum Ltd. Loose sheet. New. Contentum Ltd. unknown
