Rafael SabatiniBiblio.com
25 504 résultats
1937réf. 13629London: Hutchinson & Co. Publishers Ltd 1937. Very Good/Very Good. London: Hutchinson & Co. Publishers Ltd. 1937. First Edition with publisher's catalog dated "Autumn 1937"at rear. Octavo. 415 pp. advertisements. Restored illustrated dust jacket details below with 8'6 net price to spine. Black cloth boards stamped in gilt. Jacket restored with archival backing and color touch-up along edges with evidence of prior chips along edges and spine and a long tear to rear; a bit of a textured quality to surface as a result of the backing. Boards bumped along edges rubbing to base of spine and long indentation to rear tracing same arc as tear to dust jacket. Binding is sound. Touch of foxing to top of text block but pages unmarked. Knight & Darley A.40.a. Hutchinson & Co. Publishers Ltd unknown
1937réf. 141637New York: P. F. Collier & Son 1937. Hardcover. Very Good in boards. P. F. Collier & Son hardcover
1937réf. 160452Boston And New York: Houghton Mifflin Company. Very Good. 1937. First US Edition; First Printing. Hardcover. A first printing of the first US edition in very good condition. Top of spine is frayed and endpages are tanned. Bookseller's sticker on front endpage. ; Louis XVII the Lost Dauphin of France his tragic youth his mysterious disappearance and the bold attempts after his supposed death to place an impostor on the French throne form the subject of this vivid Sabatini tale ; 8vo; 379 pages . Houghton Mifflin Company hardcover
1937réf. 160451Boston And New York: Houghton Mifflin Company. Near Fine in Near Fine dust jacket. 1937. First US Edition; First Printing. Hardcover. A first printing of the first US edition in near fine condition with dust-jacket of equal condition. Bottom of front cover is scuffed. Dust-jacket is brightly colored and attractive. ; Louis XVII the Lost Dauphin of France his tragic youth his mysterious disappearance and the bold attempts after his supposed death to place an impostor on the French throne form the subject of this vivid Sabatini tale ; 8vo; 379 pages . Houghton Mifflin Company hardcover
1976réf. 375384Berkeley: University of California 1976. Hardcover. Very Good/Very Good. First American edition. 323pp. Black and white illustrations. Very slightly bowed with remnants of sticker removal on the front pastedown and toning on the bottom edge of the front board else very good in a very good dust jacket with rubbing and fading. University of California hardcover books
1976réf. 327938Berkeley: University of California Press 1976. Hardcover. Fine/Near Fine. First American edition. Translated by Gabriel Berns. Fine in near fine dust jacket with spine lightly faded and short tears along the edges. University of California Press hardcover books
1976réf. Q-0520027868University of California Press 1976-01-01. Hardcover. New. In shrink wrap. Looks like an interesting title! University of California Press hardcover
1976réf. 25007like new hc w/dj University Of California Press hardcover
1774réf. 20165Rome 1774. Copper engraving on two joined sheets by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Neat marginal restoration. A stunning plate from "Logge di Rafaele nel Vaticano": with contemporary colouring of the highest quality from the golden age of the hand-coloured print. In the main panel the Lord appears to Isaac and tells him not to go down into Egypt but to stay in Gerara. A very fine image from the second part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. They were drawn by Gaetano Savorelli a Roman painter and draughtsman best known for his Raphael drawings and Pietro Camporesi a Roman architect who worked for Pope Clemens XIII and Pius VI on rooms for the Vatican Museum. The first to illustrate the famous frescoes these beautiful plates were probably planned as early as 1760 but were not executed until 1772 to 1776. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. They were remarkable not just for their size and magnificent colouring but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and did much to stimulate the taste for the "grotesque" in the Neo-classical period. A year after the death of his principal patron Julius II Raphael succeeded Donato Bramante in 1514 as the official Vatican architect. Having previously adorned the "Stanze" or chambers of Julius on the second floor of the papal apartments in the Vatican palace he was commissioned by Leo X in 1517 to decorate the adjacent Logge. He designed an elaborate cycle of ornamental frescoes for the room's ceiling vaults doors and auxiliary pillars which were executed by his assistants Giulio Romano and Giovanni da Udine. Twelve of the quadrilateral ceiling vaults were adorned with murals of familiar Old Testament scenes and one with a scene from the New Testament while the more decorative frescoes painted on the pilasters by Udine were covered with imaginative compositions of 'grotesque' motifs like foliage fruit and chimerical beasts. Cf. Brunet IV 1110 & 1111; cf. Berlin Katalog 4068 & 4066; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 22; cf. "Raphael: Reproduktions-graphik aus vier Jahrhunderten" Coburg 1984 104 & no. 245. unknown books
1774réf. 20165Rome 1774. Copper engraving on two joined sheets by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Neat marginal restoration. A stunning plate from "Logge di Rafaele nel Vaticano": with contemporary colouring of the highest quality from the golden age of the hand-coloured print. In the main panel the Lord appears to Isaac and tells him not to go down into Egypt but to stay in Gerara. A very fine image from the second part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. They were drawn by Gaetano Savorelli a Roman painter and draughtsman best known for his Raphael drawings and Pietro Camporesi a Roman architect who worked for Pope Clemens XIII and Pius VI on rooms for the Vatican Museum. The first to illustrate the famous frescoes these beautiful plates were probably planned as early as 1760 but were not executed until 1772 to 1776. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. They were remarkable not just for their size and magnificent colouring but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and did much to stimulate the taste for the "grotesque" in the Neo-classical period. A year after the death of his principal patron Julius II Raphael succeeded Donato Bramante in 1514 as the official Vatican architect. Having previously adorned the "Stanze" or chambers of Julius on the second floor of the papal apartments in the Vatican palace he was commissioned by Leo X in 1517 to decorate the adjacent Logge. He designed an elaborate cycle of ornamental frescoes for the room's ceiling vaults doors and auxiliary pillars which were executed by his assistants Giulio Romano and Giovanni da Udine. Twelve of the quadrilateral ceiling vaults were adorned with murals of familiar Old Testament scenes and one with a scene from the New Testament while the more decorative frescoes painted on the pilasters by Udine were covered with imaginative compositions of 'grotesque' motifs like foliage fruit and chimerical beasts. Cf. Brunet IV 1110 & 1111; cf. Berlin Katalog 4068 & 4066; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 22; cf. "Raphael: Reproduktions-graphik aus vier Jahrhunderten" Coburg 1984 104 & no. 245. unknown
réf. 314106Wright & Brown N/D c.1920s. FIRST EDITION super octavo red buckram boards gilt lettering to spine illus eps frontispiece xiii 251pp illus/photos VG light to moderate bruising to extrems moderate fading & soiling to spine moderate chafing & fading to front board 2cm closed tear- mended- to front board light chafing & soiling to boards light to moderate tanning & foxing to page edges light tanning & foxing to eps with prev. bookseller's sm label to rear pastedown prev. owner's name in ink to half title page & rear ep moderate foxing thorughout light cracking to some gutters Wright & Brown N/D (c.1920s?) hardcover
2002réf. 129677Melbourne: Melbourne Books 2002. 1st edition. As New. quarto. hardback with dust jacket 240pp. col. & b/w pls. maps notes bibliog. index Signed by Judith Raphael Buckrich on the title-page Melbourne Books hardcover
réf. B9781019980125Hardback. New. hardcover
réf. 1165109344.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1437310486.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1019980125.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 61797599MacMillan . Hardback. New. pp. 336 MacMillan hardcover
réf. 61800660MacMillan . Papeback. New. pp. 336 MacMillan unknown
réf. 12402839-nnew. unknown
réf. 12402839like new. unknown
réf. 6205803313.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1996réf. 027584Ernesto Armitano 1996. Hardcover. Fine. FINE clean hard cover ENGLISH edition in fine dust jacket. Large or heavy book and may require extra postage. No AMAZON international order on this title. Size: Folio Ernesto Armitano hardcover
