7 450 résultats
1957réf. 199997Switzerland: Skira 1957. First edition. Small hardcover. 153 pages. Part of the "Taste of Our Time" series. Features text by Otto Benesch translated from the German by James Emmons. Includes numerous tipped in color plates bibliography index of works index of names and a list of characters. A very good copy in cloth boards with some foxing and in a very good plus dust jacket with some light wear. Skira unknown books
1965réf. 146152Jerusalem: The Israel Museum 1965. First edition. Softcover. Exhibition catalog. Text in English French and Hebrew. Includes numerous black and white illustrations. A near fine copy in wrappers. The Israel Museum unknown books
1975réf. 138437Zurich: August Laube 1975. First edition. Softcover. Includes 20 black and white illustrations. A close to near fine copy in stapled wrappers with a sticker shadow to the front cover. Uncommon. August Laube unknown books
1969réf. 43049University Park & London: Pennsylvania State University Press 1969. First edition. pp. 1-xii1 -243 text volume; pp. 245-263 348 half-tone illustrations plate volume. 2 vols. 4to. Green buckram. Fine in dust jackets with slight wear. First edition. pp. 1-xii1 -243 text volume; pp. 245-263 348 half-tone illustrations plate volume. 2 vols. 4to. Pennsylvania State University Press unknown books
1991réf. UREMWEE00acmfRizzoli 1991. Fine. Rembrandt. A Weekend with Rembrandt. Bonafoux Pascal. NY: Rizzoli 1991. 64pp. Indexed. Illustrated. Bibliography. 4to. Hardcover. Book condition: Near fine. Dust Jacket Condition: Very good with light rubbing and yellowing. Rizzoli hardcover books
1987réf. RBUGREM00drpLes Editions de l'Amateur 1987. Very Good. Bugatti Rembrandt. Rembrandt Bugatti: Catalogue Raisonne. Des Cordes Jacques-Chalom; Des Cordes Veronique Fromanger. Paris: Les Editions de l'Amateur 1987. 333pp. Illustrated. Folio. Green cloth. Book condition: Very good with gently bumped corners. Dust Jacket Condition: Good with chipping and closed tears in edges. In DJ protector. Les Editions de l'Amateur hardcover books
1992réf. UREMREM00acmfYale University 1992. Fine. Rembrandt. Rembrandt: The Master and his Workshop: Paintings Drawings and Etchings 2 volumes. Brown Christopher; Thiel Pieter van. New Haven: Yale University 1992. 396 288pp. 4to. Cloth. Book condition: Near fine. Binding slightly loose on top edge on both volumes. Dust Jacket Condition: Very good with gentle rubbing and bumping for both. Yale University hardcover books
1985réf. 65440NY: Skira/Rizzola 1985. First US edition. Tall square 4to. 159 pp. Fine in fine dust jacket and fine publisher’s printed cardstock slipcase with a small price sticker to one panel. Illustrated with 69 color reproductions of paintings and drawings and 49 black and white illustrations of drawings and etchings. NY: Skira/Rizzola unknown books
réf. 141393919th century. Image size 5 in. x 6.25 in. Matted in frame measuring 12.5 in. x 13.5 in. In Very Good condition with mild age toning. Shelved at Rockville second floor. 1413939. Special Collections - Upstairs. unknown books
1859réf. 14143671859. In Very Good condition. Artwork measures 4.5 in by 6.5 in. Matted in frame measuring 13.5 in by 15.5 in. Shelved in PS1101. 1414367. Special Collections - Upstairs. unknown books
1872réf. 14143921872. In Very Good condition. Artwork measures 9 in by 11.5 in. Matted in frame measuring 14 in by 16.5 in. Shelved in PS1101. 1414392. Special Collections - Upstairs. unknown books
1920réf. 191129not identified: Prof. G. Goebel 1920. Hardcover. Good heavy wear to portfolio case covers are loose but holding top and bottom of porfolio case are detached pages are all clean with very light age toning all plates numbered 1-251 are present. Oversized portfolio blue and gray cloth over boards gilt spine printing contains loose plates hand-numbered 1-251 and mounted on thick cardboard. Text is in German. This is the first volume only of a 4 volume set of plates. At head of front cover: Illustrierter chronologischer Graphik-Katalog. 18x14x3.5" Prof. G. Goebel hardcover books
1920réf. 191130not identified: Prof. G. Goebel 1920. Hardcover. Good heavy wear to portfolio case covers are loose but holding top and bottom of porfolio case are detached pages are all clean with very light age toning plate # 517 is wrinkled there are two pages that appear to be misnumbered #286 appearing twice and no plate hand numbered 343 but the total number of plates is accurate. Oversized portfolio blue and gray cloth over boards gilt spine printing contains loose plates hand-numbered 252-520 and mounted on thick cardboard. Text is in German. This is the second volume only of a 4 volume set of plates. At head of front cover: Illustrierter chronologischer Graphik-Katalog. 18x14x3.5" Prof. G. Goebel hardcover books
1901réf. 190396Paris: Charles Sedelmeyer 1901. Softcover. Good- heavy shelfwear and tears to front cover missing spine and rear cover light smudging to text pages light age toning to pages all plates are present and otherwise clean. Brown wraps with gilt printing bw portrait mounted on front cover with gilt frame; 29 text pages plates numbered 401-485 each with descriptive text page and tissue guard sheet. Printed in edition of 75 numbered copies on Japan paper this being number 68. Text by Wilhelm Bode from the German by Florence Simmonds. 18x14x2.5" Charles Sedelmeyer paperback books
1920réf. 190761not identified: Prof. G. Goebel 1920. Hardcover. Good heavy wear to portfolio case covers are loose but holding top and bottom of porfolio case are detached pages are all clean with very light age toning all plates numbered 728-1001 are present plate number 733 is present but no longer attached. Oversized portfolio blue and gray cloth over boards gilt spine printing contains loose plates hand-numbered 728-1001 and mounted on thick cardboard. Text is in German. This is the fourth volume only of a 4 volume set of plates. At head of front cover: Illustrierter chronologischer Graphik-Katalog. 18x14x3.5" Prof. G. Goebel hardcover books
réf. 187033Paris: Reunion des Musees Nationaux 200. Paperback. VG light wear to wraps and block pages are otherwise clean and clear binding tight. Charcoal colored wraps with white lettering and bw illustration; 211 pp; illustrated throughout in bw and sepia toned illustrations. Text is in French. "La XIXe exposition de la collection Edmond de Rothschild est présentée au Musée du Louvre salle de la Chapelle aile Sully du 16 mars au 19 juin 2000 . organisée par le Département des arts graphiques du Musée du Louvre."--Title page verso. Includes bibliographical references pages 188-192 and index. Reunion des Musees Nationaux paperback books
1967réf. 2342056Koln: Verlag M. DuMont Schauberg 1967. Large Hardcover. Near Fine/Very Good. 0x0x0. Includes slipcase. Jacket edge wear laminate starting jacket toned. 1967 Large Hardcover. 150 pp. German text. Includes tipped in color plates. Rembrandt born July 15 1606 Leiden Netherlands—died October 4 1669 Amsterdam Dutch Baroque painter and printmaker one of the greatest storytellers in the history of art possessing an exceptional ability to render people in their various moods and dramatic guises. Rembrandt is also known as a painter of light and shade and as an artist who favoured an uncompromising realism that would lead some critics to claim that he preferred ugliness to beauty. Early in his career and for some time Rembrandt painted mainly portraits. Although he continued to paint—and etch and occasionally draw—portraits throughout his career he did so less frequently over time. Roughly one-tenth of his painted and etched oeuvre consists of studies of his own face as well as more-formal self-portraits a fact that has led to much speculation. - Britannica Verlag M. DuMont Schauberg hardcover books
1859réf. 45229New York: Colton 1859. An Important American Artist's Print with Exhibition Ticket Large print of Rembrandt Peale's famous painting "The Court of Death" lithographed by Sarony Major & Knapp. Rembrandt Peale was the most accomplished son of the great American portrait painter Charles Willson Peale. The painting "The Court of Death" was the most ambitious of his works full 24 by 13 feet in size. Completed in 1820 it was displayed for a number of years at the Baltimore Peale Museum and then toured to other cities up through the time of the Civil War. By 1859 the painting had been sold to Gardiner Quincy Colton who published it in the present format and sold the prints for the low price of $1. Noted scholar Peter C. Marzio wrote: "Peale himself normally haughty and querulous provided a model of understated endorsement of the lithograph writing shortly before his death to Tristram Coffin on July 3 1860 'The drawing is correct and the Colouring considering the difficulty of the process & its cheapness gives a good general idea of the painting.'" Marzio further adds that this lithograph is among his favorites due to its importance in Peale's brilliant career not only as an artist but as a popularizer of art noting: "The painting is historically important as a very popular touring picture." This example is accompanied by a printed and illustrated receipt for the purchase of one print. The receipt "entitles the holder to an ownership of One Share in the original Painting valued at $25000; which will be disposed of as soon as 100000 Engravings are taken in such manner as they the associated owners shall determine." The receipt has a portrait of Peale on one end and of George Washington on the other. In a contemporary prospectus for the print the publisher touts the obvious truth that more profit could be made by selling 100000 prints at the low price of $1 than could be achieved by selling 5000 prints at $5. In addition to increasing his profit margins Colton clearly hoped to sell more prints based on the idea of buying into a share of the painting. A pair of items illustrating the distinct link between art and commerce. Chromolithographic print: 20 x 30 inches. Receipt: 3 x 7½ inches. Minor toning and soiling small tear at bottom edge. Very good. Peter C. Marzio DEMOCRATIC ART pp.51 216. GOLDSMITH 23085 ref. Last COLOR EXPLOSION pp.132-33. unknown books
réf. 1410629Second and final state. Finely executed antique etching after the celebrated Dutch master Rembrandt van Rijn depicting a richly detailed orientalist figural scene. The composition shows three robed figures in animated conversation beside an architectural archway rendered with the loose expressive linework and atmospheric shading that define Rembrandt's etching style. Particularly notable is the presence of the artist's signature "Rembrandt f." in the upper right appearing reversed-as expected in impressions taken directly from an etched plate. The print appears to be a later impression after the original 17th-century plate most likely dating to the 18th or 19th century. It is printed on wove paper and presented within an elegant and substantial period frame featuring richly figured wood veneer with ebonized beaded inner molding-an exceptional presentation that complements the refinement of the etching itself. Signed in reverse on plate. Accompanied by COA from Titus Fine Arts. Artwork measures ~4.3in. x 5.6in.; frame measures 19.5in. x 21.5in. Shelved at Dupont. 1410629. Shelved Dupont Bookstore. unknown books
1995réf. NF1269REMBRANDT -LIFE OF CHRIST Nelson 1995 first edition fine in like dust-wrapper. Contains 83 mostly full color plates accompanied with the scripture passage influencing the work of art. Nelson unknown books
réf. 925Peale is best known for his presidential portraits of George Washington and Thomas Jefferson. In this Autograph Letter Signed 8vo n.p. May 15 1857 Peale is likely writing to John Durand 1822-1908 painter and son of artist Asher B. Durand. John Durand co-founded a cultural and art periodical called "The Crayon" published from Jan 3 1855 to July 1861. Peale writes "After you left me this morning it occurred to me that possibly in your next number you would give a few words on the Exhibition here - In this case you might say that it contained nothing from my pencil & that I preferred to send a portrait my last work in my 80th Year to the New York Academy. which I have done - That of a Young Man." Nicely signed "Rembrandt Peale." The painting's title refers to his "Portrait of a Young Man." Peale had settled in Philadelphia by the time he wrote this letter and that city is likely the place to which he refers regarding the Exhibition. Earlier in the year of our letter 1857 Peale made prints that he called "Monochrome of Washington." When he lectured at the New York Historical Society on June 16 he displayed Washington portraits including a Monochrome decorated with cord and tassel. see journals at Penn State Univ. on line Peale painted his first portrait at the age of 17 of President George Washington in 1795. Over the course of his long and prolific career as portrait painter Peale would paint over 70 pictures of Washington portraits of President Thomas Jefferson as well as Chief Justice John Marshall. In addition to painting the Founding Fathers Peale created many portraits including the one referenced in our letter. Letters of Peale mentioning one of his works are particularly uncommon. Matted with bust length albumen print of the artist attached to a mat possibly not the original mat. Corners of the print are somewhat damaged image is somewhat faded. The portrait print of the artist matches the tone of Peale's letter and creates a handsome pairing. unknown books
2017réf. 1411679Ithaca: Cornell University Press 2017. Hardcover. Octavo v x xiii 343 pages. In Very Good minus condition. Bound in the publisher's pictorial white cloth bearing green brown and black lettering to the spine. Boards have slight plus wear including slight soiling and tiny bumps to the corners. Slight cocking to the spine. Text block has slight wear including mild damp staining to the tail/lower fore edges. Illustrated. Text in English German and Japanese. Inscribed by Elizabeth Markham and Rembrandt Wolpert "Rembrandt and Elizabeth" . NOTE: Shelved in Locked Annex Column CC. 1411679. FP New Rockville Stock. Cornell University Press hardcover books
2022réf. 214385Zwolle Netherlands: WBooks 2022. Hardcover. VG. White boards with color illustration on cover white text. 336 pp. Color and some bw illustrations. "This book follows the fortunes of a fascinating painting along two lines. First is the history of the painting as a precious collector's object a story almost too unlikely to be true. In 1823 it was bought by the future King Willem II as one of his first purchases for the greatest collection of paintings ever assembled by a Dutch individual. For nearly a hundred years it remained with his heirs coming to Weimar. Then in 1921 it was stolen from the Weimar Museum to turn up in 1945 in Dayton Ohio owned by a man who said he bought it in 1934 from a German sailor on the New York waterfront. What followed is revealed in this book for the first time based on declassified U.S. government information. In 1947 the U.S. government seized the Rembrandt under such strict terms that 20 years later when it wanted to return it to Germany it was forced to go into legislative and diplomatic gymnastics to do so. Upon its return an heir to the Weimar title sued for its restitution and after seven years of one trial after another she got it. She sold it in 1983 to the private collector who still owns it. Since 1921 it has been on public display only for 10 days in Dayton 1947 and 10 weeks in Washington 1967. The book also traces the critical history of the painting as a Rembrandt. In 1969 his authorship was disputed by Horst Gerson an opinion that was seconded by the Rembrandt Research Project. Examining all the evidence and arguments the eminent Rembrandt specialist Gary Schwartz comes to the conclusion that there is no reason not to accept the painting for what it looks like - a self-portrait of the great master painted by his own hand"--. WBooks hardcover books
1934réf. 197289New York: Weyhe 1934. Hardcover. Good Boards are lightly toned at the edges; boards are foxed/lightly scuffed; textblock edges are foxed; interior is clean; binding is solid./Good Toned/scuffed/smudged. Grey boards with brown and blue lettering; XLIII 444 pages; mostly illustrations. Plain dj. Text in German. Weyhe hardcover books
1839réf. 198062Philadelphia/Boston: H. Perkins/Perkins and Marvin 1839. Hardcover. Fair Brown boards are very loose and heavily worn all over; boards are bowed at the corners; covers are very loose and starting at both ends; spine strip is heavily damaged and loose from the textblock; notes on endpages; textblock edges are moderately toned; interior has light toning and moderate foxing throughout. Brown boards with gilt lettering and debossed illustration; 263 pp. This particular copy was from the library of Peale Scholar Charles Coleman Sellers as indicated by the name ifc. H. Perkins/Perkins and Marvin hardcover books
