615 résultats
1947réf. 170608Milan: Esperia 1947. Softcover. Quadragesimo-octavo. Limited Edition one of 1000 copies this being No. 854. Text in Italian. A miniature book devoted to French painter Jean-Baptiste-Camille Corot with images of his work and portraits of the artist. 3 x 4 inches. Very Good or better in perfect-bound wrappers with light foxing to the extremities. Esperia unknown books
1876réf. 34700Paris: A. Lévy 1876. Near fine. Lovely limited edition of this attractive collection of etchings from some of the leading lights of the Barbizon school of realist painters. The Barbizon school style sprang up in contrast to the popular Romantic Movement of the early to mid-19th century. Painters that favored realism flocked to the small town of Barbizon France to paint pastoral landscapes and scenes of rural people engaged in agrarian pursuits. LE PAYSAGISTE AUX CHAMPS collects pieces from and information about some of the best-known members of the Barbizon school including Charles-François Daubigny and Frédéric Henriet. A beautiful copy. 10.5'' x 6.75''. Original blue pictorial cloth binding. Gilt edges. Brown endpapers. Pictorial title page and engraved frontispiece with 22 etchings. Text in French. viii 244 pages including index and one page of errata. Binding with a bit of bumping to spine ends and corners a hint of edgewear; tiny spot of soil to spine. Plates mildly toned. Remarkably bright and clean. A. Lévy unknown books
1989réf. 162688Tokyo: Art Life 1989. First edition. Oblong softcover. Published in conjunction with an exhibition that ran September 13 through October 1989. Text by Gabriel Weisberg and Francois Pomarede in English and Japanese. Includes numerous color and black and white illustrations. A close to near fine copy in wrappers with some minor wear. Uncommon. Art Life unknown books
réf. 6990Paris Pierre Tisne n.d. 2nd edition. Cloth with color label on the front slip case 155 pp. 140 plates some colored and mounted. Minor wear else very good. Paris, Pierre Tisne, n.d. hardcover books
2005réf. 215286Madrid Spain: Museo Thyssen-Bornemisza 2005. Softcover. VG. Color illustrated wraps with pink text French flaps. 405 pp. Color illustrations. Catalog of an exhibition held at Museo Thyssen-Bornemisza Madrid Jun. 7-Sept. 11 2005 and Palazzo dei Diamanti Ferrara Oct. 9 2005-Jan. 8 2006. Museo Thyssen-Bornemisza paperback books
1948réf. 215332Paris France: Arts et Metiers Graphiques 1948. Hardcover. Good- shelfwear and wear around edges of boards pages uniformly yellowed with some minor fraying to edges content excellent. Red boards with gilt text on spine. 113 pages 100 bw illustrations. Text in French. Corot: First supplement to The Works of Corot by A. Robaut and Moreau-Nélaton Floury Publishers. Arts et Metiers Graphiques hardcover books
1982réf. 201880Geneva Switzerland: Cabinet Des Estampes 1982. softcover. Good with signs of age. Waxy transparent dustjacket with bw illustration color illustration on glued wraps postcard from Cabinet Des Estampes taped on endpage. 2 3-110 pp. contains many bw illustrations. An exhibition book from Musée d'art et d'histoire in Gevena featuring engraving works by French artist Jean-Baptiste-Camille Corot. Cabinet Des Estampes paperback books
1931réf. 173963Paris: Éditions des Bibliothèques nationales de France 1931. Softcover. Good staining to wraps light foxing to block edges. Off-white illustrated wraps with black and red lettering on front cover 88 pp illustrated with bw illustrations. Written in French. Exposition organized with the Louvre Museum. Includes bibliographical references. Éditions des Bibliothèques nationales de France paperback books
réf. 137171Paris France: Leonce Laget 1965. Limited Edition #365 of 500 sets. Hardbound. Good conditionVolumes 14 and 5 are VG with minor wear. Volumes 2 and 3 exhibit significant wear to outer hinges in spots have loose boards but are tight and fresh internally for the most part. Outer hinges of 2 and 3 are threadbare in places and worn though and frayed; covers are still attached to spines on these volumes but the inner hinges are broken in spots where the covers attach to the book block. A sound set with faults on these 2 volumes only. Green buckram with original folded thick green paper wraps bound in. green reading ribbon. Rough cut edges. Leather labekls applied to spines. Vol. 1--356 8 pp. Profusely illustrated in black and white. Vol. 2-- 395 pp. Vol. 3 -- 400 pp. Vol. 4 --398 pp. Vol. 5 -- 70 pp. Large and heavy will require extra postage. Text is in French. Rare. An exact and complete reproduction of the original 1905 ed. with additional recently discovered documents and material as a supplement to v. 1. Contents: Volume 1---Histoire de Corot et de ses œuvres. --Volumes 2 & 3--Catalogue des peintures--Volume 4. Catalogue des dessins et des estampes originales eaux-fortes lithographies et autographies procédés sur verre--Volume 5. Tables analytique et générale. Leonce Laget hardcover books
1946réf. 517957Vésenaz-Genève: Pierre Cailler 1946. Softcover. Fine/Very Good. First edition. Volume II of two only. Small octavo. 214pp. Illustrated. Text in French. Printed wrappers page edges unopened. Fine in very good unprinted glassine dust jacket with a bit of foxing on the spine a few tiny chips and tears and a slightly larger chip at the spine base. Issued in two volumes as part of the series Collection Les Grands Artistes vus par Eux-Memes et par Leurs Amis; the first volume was subtitled "Penséees et écrits du peintre. Pierre Cailler unknown books
1996réf. 1408223Washington DC: National Gallery of Art; Yale University Press 1996. First Edition First Printing. Hardcover. Quarto 288 pages. In Very Good condition. Spine is blue with beige lettering. General shelf wear. Shelved in Italian Art. 1408223. Shelved Dupont Bookstore. National Gallery of Art; Yale University Press hardcover books
1863réf. 36846Paris: Published by A. Cadart and F. Chevalier Editeurs rue Richelieu 66 1863. Etching. Printed on laid paper partial watermark Annonay. This is a rich impression of the third state of four of Corot's famous landscape etching "Souvenir d'Italia." Jean Baptiste Camille Corot was a founding figure in the Barbizon school and his transient atmospheric landscapes are often considered precursors of impressionism. Born in Paris Corot studied under the neoclassical masters Michallon and Bertin but he advocated a more naturalistic painting technique and pioneered the practice of painting in the open air. Corot was also an innovative printmaker who mastered etching lithography and glass printing. In 1825 he made the first of three trips to Italy where he was greatly influenced by both the art that he viewed and the landscape he traveled through. It was not until the age of fifty that Corot learned to etch and it was from his early Italian sketches that the majority of his fine etchings derive. This remarkable print is a superlative example of Corot's distinctive sketch-like engraving style. Corot's use of soft wispy outline and hazy diffused light is characteristic of his later style which seems to perfectly capture the mood of a landscape. Corot was one of the most important French printmakers of the nineteenth century and this haunting print is one of the best examples of his beautiful etched landscapes. It was included in one of the first collections of the Society de Aqua-Fortistes publications by Cadart. Between 1862 and 1866 the Societe des Aqua-Fortistes produced a five-volume collection of artists' etchings entitled "Euax-Fortes Modernes." Printed on laid paper made especially for the series this outstanding collection is one of the seminal publications to spring out of the etching revival in France. The Societe des Aqua-Fortistes was the French equivalent of the Etching Club in England and similarly it aimed to produce a collection of high quality etchings by the leading artists of the period. Like the Etching Club the Societe des Aqua-Fortistes sought to raise the prestige of the medium from a reproductive technique to a fine art. Although the etching revival began somewhat earlier in England the French movement exerted a far greater influence on the medium and included a wider range of prominent artists. The Barbizon painters were among the earliest French artists to participate in the etching revival and their superb prints helped raise the medium to new heights of genius. This unique publication which included works by Manet Corot and Delacroix is an outstanding example of fine art printing at its best. Beraldi Les Gravures du XIXe Siecle Guide de l'Amateur d'Estampes Modernes vol. V p. 50 no. 5 iii/iv; Benezit Dictionnaire des Peintres Sculpteurs Dessinateurs et Graveurs.7; Delteil Le Peintre-Gravure Illustre vol. V no. 5 iii/iv; Laran Inventaire du Fonds Francais après 1800 vol. 5 p. 186 no. 5. Published by A. Cadart and F. Chevalier, Editeurs, rue Richelieu 66 unknown books
1982réf. 61458Geveve: Cabinet des Estampes 1982. Paperback. Very good. Paperback. 110pp. Very good in publisher's wraps and translucent jacket. Text in French. Cabinet des Estampes paperback books
réf. 500134"J. Corot" Paris ca. 1845-50 in French to "My dear Charles": "A bit late - but I now inform you of my sending two paintings which must have gone out yesterday Monday. Regards to all the family." 8vo. 1 page with integral leaf. Rare in any form. Signed by Authors. F. Soft cover. paperback books
1992réf. 1264Lausanne, Editions d'Art Albert Skira, (1992). Mit zahlreichen Abbildungen im Text und auf Tafeln, teils in Farben, 32,5 x 29,5 cm (Quart), Original-Leinen in Hellgrün mit Titel in Rostrot auf Deckel und Rücken. Schutzumschlag, 203,(1) S
2012réf. 173641Heidelberg: Kehrer Vlg. 2012. 487 S., zahlr. Abb. Lit.verz. 4°. Br. *neuwertig*
2010réf. 223902München: Hirmer Vlg. 2010. 176 S., 34 Farbtaf. und 60 Abb. in Farbe Lit.verz. 4° Br.. *neuwertig*.
1980réf. 70703Stuttgart : Skira-Klett-Cotta 1980. 174 S. : zahlr. Ill. (z.T. farb.) ; 35 cm Gewebe 0
1948réf. 93192ABBern, Scherz 1948. 31 S. Text u. 52 (darunter einige farb.) Tafeln, OPp. mit farb. ill. OUmschl. (dieser etw. nachgedunkelt u. angestaubt). Das Buch ansich sehr gut erhalten. EA. OPp. mit farb. ill. OUmschl. (dieser etw. nachgedunkelt u. angestaubt). Das Buch ansich sehr gut erhalten. EA.
1906réf. 25433-1Bielefeld, Velhagen & Klasing 1906. 4°. 114 S. Mit 89 Abb. Flex. Original-Leinenband mit Kopfgschn.
1991réf. 49924München : Hirmer, 1991. 259 S. : zahlr. Ill. ; 29 cm Leinen
réf. 84746Les Éditions Braun & Cie, Paris. 16 cm ; kart.
1942réf. 129335Berlin: Wolfgang Krüger Verlag, 1942. 125 S., 128 Taf. ; 26 x 22 cm ; Halbleinen.
1996réf. 52143Èdit.de la Réunion de musées nationaux, 1996. origi.Pappband, quer 8°, 59 Seiten.
1996réf. 951München, Hirmer Verlag GmbH 1996. 259 Seiten, 300 Abb., davon 99 farb., mit Schutzumschlag Gebundene Ausgabe , Leinen, Exemplar in sehr guten Erhaltungszustand
