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Lemoisne, Paul-Andre.: Degas et son oeuvre. 4 volumes. Paris: Brame & de Hauke, 1946. In all over 1470 pages, with over 1500 monochrome illustrations throughout. This copy No. I of 50 copies numbered in Roman Numerals and printed on 'Arches filigrané' paper, not intended for sale. This copy printed for Madame Paul-André Lemoisne. Elegantly bound in half red morocco with top edges gilt and each in morocco trimmed slipcases. 34x26.5cms. One could not ask for a better copy!. Text in French. One could not ask for a better copy!. Text in French
1915réf. 1519Paris, Imprimé pour Charles Meunier, 1915. In-folio (37,5 x 27,8 cm), reliure maroquin bordeaux, listel d'encadrement à froid, dos à quatre nerfs titré or, encadrement intérieur orné de listels à froid se croisant aux angles avec jeu de petits carrés dorés, doublure bord à bord de même maroquin, gardes de moire aubergine, tranches dorées sur témoins, couverture, étui (Gruel). TRÈS RARE ÉDITION TIRÉE À 30 EXEMPLAIRES SEULEMENT, illustrée de compositions dans le texte et de 10 EAUX-FORTES DE LOBEL-RICHE EN 5 ÉTATS ET À PLEINE PAGE. Un des 25 exemplaires sur vélin teinté (n° 19) contenant 5 états des gravures hors texte sur papier vélin, papier japon et parchemin, une suite de 11 petites remarques d'artistes gravées à l'eau-forte. Cet exemplaire est enrichi de 8 épreuves d'essais de ces vignettes en états signés, 30 épreuves d'essais et d'artiste toutes signées et annotées des 10 hors-texte, et 15 DESSINS ORIGINAUX de l'artiste au crayon ou en sanguine sur vélin ou calque, généralement très aboutis et signés. EXEMPLAIRE DE MAURICE CHEVALIER portant cet envoi de Lobel-Riche : "Un jour, j'ai compris pourquoi Maurice Chevalier était un artiste et un poète : il avait le secret des grands coeurs qui s'imposent. Et c'est avec plaisir que je lui dédie cet ouvrage en mémoire de notre commun sentiment [...]. PARFAITE ET SOBRE RELIURE ART-DÉCO EN MAROQUIN DOUBLÉ DE GRUEL.
1885réf. 68398Dieppe 1885. Fine. Dieppe 1er septembre 1885 22.40 x 17.70 cm 4 pages sur un double feuillet Unpublished autograph letter signed Dieppe 1 September 1885 22.4 x 17.7 cm one folded sheet under custom slipcase Unpublished signed autograph letter from Edgar Degas to an unknown correspondent. 4 pages in black ink on one folded sheet. Central fold inherent to the way the letter was folded.his letter is presented in a chemise and case with paper boards decorated with abstract motifs the spine of the chemise in green morocco pastedowns and endpapers of green suede slipcase signed by Thomas Boichot. A handsome unpublished letter testimony to Degas' other great passion after dance: song.he Parisian premiere of Ernest Rayer's Wagnerian opera Sigurd took place on 12 June 1885 at the Opera de Paris. Degas overcome by the performance of the singer Rose Caron saw the piece thirty-seven times: «I still love Sigurd and I like it more and more. I have never seen Reyer except once in the street. And I made a point of telling him of the admiration it provoked in me far more immediately than in someone who being neither maid nor washerwoman was worthy of some consideration.» Degas paid homage to the beauty of Rose Caron in Sigurd by doing two drawings on fans today in private hands in the US.Properly obsessed by this «admirable work that did him so much good that he could not get over» the painter asked his famous neighbor to play him the score on the piano: «The young Jacques-Emile Blanche our neighbor plays it to me every day in place of your wife.»he letter closes with a lyrical description of Mont-Saint-Michel of which Degas had made several drawings: «Have you ever seen Mont-Saint-Michel Could we go and spend a few days there together sometime It's so pretty so charming. In one month I've been twice. The big tides at the end of September will take me back once more.» Degas' passion for opera is the subject of an exhibition for the 350th birthday of the Paris Opera open from 24 September 2019 to 19 January 2020 at the Musée d'Orsay. hardcover
1946réf. C39998Paris France. As New. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Text pristine & unmarked -- 4 volumes. Original Limited Edition Numbered Copy. Degas Scholar Denys Sutton's Copy with T. L s to him loosely inserted. 4 volumes: 281 407 421 and 153 pp. With 1466 entries illustrated in b&w. Folios original linen cloth. Paris 1946. This set from the library of noted art historian Denys Sutton Editor of Apollo magazine 1962-87. As Apollo editor Sutton rejuvenated the magazine's reputation as a serious journal for art-historical research and collecting. As editor and contributor to issues of Apollo Sutton found a voice for the English-speaking cultural and collecting community. His dedication of entire issues devoted to individual museums art historians and collections broadened the magazine's readership rivaling Britain's other mainstream art history organ the Burlington Magazine. He retired in 1986 to publish the biography Degas: The Man and the Work. Sutton also built a solid reputation as an art exhibition organizer. His "France in the Eighteenth Century" show at the Royal Academy in 1968 was a blend of scholarship and connoisseurship. He also authored biographies of Rodin Whistler and Sickert and translated a volume by Jean Adhemar on the Spanish painter Francisco Goya. Definitive reference on 19th Century French master artist Edgar Degas. Rare monograph from the library of noted Degas scholar. Fine. -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details; 040966 . 1946. hardcover
1946réf. 39998Paris France. As New. 1946. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Text pristine & unmarked -- 4 volumes. Original Limited Edition Numbered Copy. Degas Scholar Denys Sutton's Copy with T. L s to him loosely inserted. 4 volumes: 281 407 421 and 153 pp. With 1466 entries illustrated in b&w. Folios original linen cloth. Paris 1946. This set from the library of noted art historian Denys Sutton Editor of Apollo magazine 1962-87. As Apollo editor Sutton rejuvenated the magazine's reputation as a serious journal for art-historical research and collecting. As editor and contributor to issues of Apollo Sutton found a voice for the English-speaking cultural and collecting community. His dedication of entire issues devoted to individual museums art historians and collections broadened the magazine's readership rivaling Britain's other mainstream art history organ the Burlington Magazine. He retired in 1986 to publish the biography Degas: The Man and the Work. Sutton also built a solid reputation as an art exhibition organizer. His "France in the Eighteenth Century" show at the Royal Academy in 1968 was a blend of scholarship and connoisseurship. He also authored biographies of Rodin Whistler and Sickert and translated a volume by Jean Adhemar on the Spanish painter Francisco Goya. Definitive reference on 19th Century French master artist Edgar Degas. Rare monograph from the library of noted Degas scholar. Fine. hardcover
1900réf. 3912Un volume in-4°, broché, couverture imprimée illustrée d'une vignette de l'artiste . - 109 lithographies originales de Pierre Bonnard (1867-1947). Toutes les lithographies sont tirées en rose sanguine et disposées librement, transcrivant avec sensualité la poésie de Verlaine en forme et en couleurs ; il s’en dégage une profonde harmonie entre le texte et l’illustration. Élégamment imprimé en Garamond, comme le seront plus tard Les Fêtes galantes illustrées par Laprade, l’ouvrage marque le début de la grande aventure éditoriale d’Ambroise Vollard. Édition : 230 exemplaires numérotés sur Chine ou Hollande. - "Ceci n’est pas un traité de géométrie !" Il existe deux états de la couverture de Parallèlement : Vollard dut en effet remplacer la vignette de l'Imprimerie nationale à l’effigie de la République française par un dessin de Bonnard (ainsi notre exemplaire). Ce remaniement était intervenu à la suite d’une interpellation à la Chambre au sujet de la présence de l'effigie de la République sur un livre jugé « licencieux ». Une fois l’ouvrage imprimé, on s’était avisé que Parallèlement n'était pas un traité de géométrie… (Pierre Berès). Exemplaire numéroté sur vélin de Hollande, conservé broché, tel que paru et en excellent état de conservation.
1991réf. ART5722MRelié, 329 pages, paru le 1er août 1991 chez RMN, très bon état général, quasi neuf.