1 101 résultats
2012réf. 99624Museum. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 192 pp. ; 148 illus. 118 in color. -- with a bonus offer--; Carnegie Museum of Art's impressive collection of Impressionist and Post-Impressionist paintings prints and works on paper has never before been presented as a group. More than simply a selection of highlights this handbook weaves together objects from the collection to tell the stories of these innovative movements and the groundbreaking artists behind them including Manet Monet Degas Cassatt Cézanne Van Gogh Gauguin and Matisse. More than 75 entries exploring nearly 100 objects are punctuated by brief artist biographies that highlight themes of friendship influence and artistic exchange. Close visual analyses of individual objects are supplemented by contextual illustrations to illuminate the place of these masterworks within the larger story of Impressionism and Post-Impressionism. Particularly rich holdings of works by Bonnard Cassatt Degas and Pissarro allow for an examination of the development of their art across media and over time. . 2012. 0880390549 . Museum paperback
réf. 53KSIU0008MEInternational Arts; Et Al. paperback. New. . Paperback; hv paperback International Arts; Et Al paperback
1877réf. 18285Paris: Vollard. Very Good with no dust jacket. Non-Book. This is a very rare opportunity to buy an original etching by Degas made from the original Canceled Plate. The engraving measures 3" x 3.25" and is presented framed. The overall size of the framed piece is 16" x 13". This is from the cancelled plate. Soft ground etching drypoint and roulette In very good condition apart from a little toning around margin edges. From an edition of 150 impressions printed by Vollard after the artist's death. Only four lifetime impressions of this plate have been found. The Museum of Fine Arts Boston identified four proofs from the 1st and 2nd states and they were unable to locate any examples of the third fourth or fifth states. This is a very rare etching.; 3.25" x 3" . 1877. Vollard unknown
Das Werkverzeichnis der Gemälde und Pastelle über Edgar Degas. Exemplar der gesuchten Orig.-Ausgabe, die gegenüber dem Reprint, über hervorragende Abbildungen verfügt.
réf. 323712Paris. 180; 218; 289; 312pp. Many black and white plates. 4 vols. 4to. Bound in later half cream vellum and blue board sides with original wrapper bound. 180; 218; 289; 312pp. Many black and white plates. 4 vols. 4to. photo/wh/9/91 unknown
réf. 323712Paris. 180; 218; 289; 312pp. Many black and white plates. 4 vols. 4to. Bound in later half cream vellum and blue board sides with original wrapper bound. 180; 218; 289; 312pp. Many black and white plates. 4 vols. 4to. photo/wh/9/91 unknown books
1948réf. 213383Paris France: Quatre Chemins - Editart 1948. Softcover. Complete. All sheets are loose due to dried glue but are present. Uniform age-toning. Slipcase present but broken. Spine broken and missing a piece. Tan slipcase tan wraps with black text and transparent plastic over covers. 10 pp. 40 plates 10 color with tissue guard. Number 12 of 500 printed for Shoman Art Company NY. Quatre Chemins - Editart paperback
1948réf. 213383Paris France: Quatre Chemins - Editart 1948. Softcover. Complete. All sheets are loose due to dried glue but are present. Uniform age-toning. Slipcase present but broken. Spine broken and missing a piece. Tan slipcase tan wraps with black text and transparent plastic over covers. 10 pp. 40 plates 10 color with tissue guard. Number 12 of 500 printed for Shoman Art Company NY. Quatre Chemins - Editart paperback books
1931réf. 017630Paris: Marcel Guerin 1931. 1st Edition. Hardcover. Near Fine. Edgar Degas. Folio. Burgundy cloth lettered in gilt original wrappers bound in title page lettered in red and black ink 10 19 plates text in French with self portraits and portraits by Degas 18 in black photogravure and one printed in sanguine preceded by two portraits of Degas as a child deckled edges. This is copy No. 51 of 125 limited editions printed on velin d'Arches paper and SIGNED by Marcel Guerin on limitations page light foxing and smudging to plates and pages bookseller label on foot of front paste-down lightly worn cloth and spine binders misprinted date of '1913' at foot of spine some white spotted flecks on boards with corners a bit bruised owner name in gilt on lower front board. Near Fine. From the library of Harold K. Zimmerman 1905-1941 an American painter and drawing instructor of Cambridge Massachusetts who developed an influential method of drawing from memory and the 'visual imagination' and was the first drawing teacher of the Boston Expressionists Hyman Bloom and Jack Levine Bloom called him a hero figure. His papers are held at the Smithsonian's Archives of American Art and his work is represented in the Harvard Art Museums. A wonderful copy of artistic self-portraits in the personal binding of a famed American art teacher. Marcel Guerin hardcover
réf. 439revue mensuelle artistique et littéraire ornée de gravures sur boisUn volume in 4 broché couverture illustrée,faux-titre,titre,384 pages non coupé,nombreuses illustrations gravées sur bois de GRASSET,MUCHA,DEGAS,HELLEU,V.PROUVE,Carlos SCHWABE,J.F MILLET;gravures de PARIS,PERRICHON,bois original de BELTRAND.Bien complet des 48 hors-texte comme indiqué en fin de volume (page de placement des planches pour le relieur, avec numéros de page et titre)Bien complet des couvertures illustrées réunies en fin de volume(MUCHA n°1;T.LAUTREC n°11...)Bon exemplaire de cette belle revue fondée par la corporation française des graveurs sur bois,publiée sous la direction littéraire de Roger Marx et Jules Rais et sous la direction artistique de Tony Beltrand,Auguste Lepère,Léon Ruffe.Floury éditeur 1896-1897.Collection complète des douze numéros parus
1946réf. 50366AB4 volumes + 1 volume supplément. Paris Arts et Métiers grahpiques. 1946-1949; 1984. 33,3x26 cm; (supplément) 31,3x23,5 cm. 4 f., 281 p., 2 f.; XIII p., 1 f., 407 p.; 3 f., p. 408-839, 1 f.; 157 p., 1 f.; VIII, 189 p. Pleine toile.
1948réf. EXE-466Paris, Editions Quatre Chemins, 1948. In-4° broché, couverture rempliée. Reproductions en fac simile de 40 monotypes de Degas dont 10 en couleurs. Tirage limité à 1000 exemplaires numérotés.
1939réf. 1519-2Paris, Société de la petite estampe moderne, 1939. Un album in-folio (38 x 28,5 cm), en feuilles, couverture imprimée, étui de demi-maroquin noir, emboîtage. Belle suite de 10 EAUX-FORTES ORIGINALES DE LOBEL-RICHE tirée à 30 exemplaires sur vélin. Divers visages de la danse dans les cercles mondains et chez les demi-mondaines, le Paris populaire, au cabaret, le flamenco, la danse classique, la danse moderne, etc. Petites piqûres à quelques planches.
1886réf. 016227Paris Alphonse Lemerre 1886 In-16 Broché Dédicacé par l'auteur
réf. AA-CO-197Before The Ballet by the Master Impressionist Edgar Degas a beautiful Illustration. His depictions of the female figure in motion--most often of ballerinas or of women at various stages of bathing or grooming--attained a new level of expression aided by his methodical sculptural and charcoal studies.Hilaire-Germain-Edgar Degas was born in Paris on July 19 1834 and died in 1917. 20 x 17 inches. Art. unknown
réf. AA-CO-272La Danseuse au Bouquet by the Master Impressionist Edgar Degas a beautiful illustration. His depictions of the female figure in motion--most often of ballerinas or of women at various stages of bathing or grooming--attained a new level of expression aided by his methodical sculptural and charcoal studies. Hilaire-Germain-Edgar Degas was born in Paris on July 19 1834 and died in 1917. Rear is Marked Rhode Island School of Design Museum. 20 x 17 inches. Art. unknown
réf. 015424Edgar Degas (1834-1917), peintre, sculpteur. Copie de ses sonnets, sd [entre le 28 et le 30 septembre 1917?], 8p in-8 oblong. Rare copie ancienne des fameux sonnets de Degas, écrits en 1888 et 1890, provenant des papiers du critique d'art Arsène Alexandre (1859-1937). Ces sonnets, connus seulement des proches de Degas, ont été publiés en 1914 dans un tirage limité à 20 exemplaires sur papier japon, pour les amis ; puis en 1918 par Paul Lafond dans son Degas. Ils ne semblent pas avoir été publiés à part avant 1943. Arsène Alexandre n'en eut pas d'exemplaire mais eut cette copie, qui porte d'ailleurs une note au crayon de sa main en tête du premier poème « les sonnets de Degas ». Degas meurt le 27 septembre 1917 et dès le lendemain, Le Figaro publie en première page un article d'Alexandre sur Degas où il dit notamment : « Il a même à certaines époques de sa vie écrit des sonnets que l'on dit fort beaux », preuve qu'il ne connaissait pas les sonnets à ce moment-là. Le 1er octobre, c'est aussi Le Figaro qui publie pour la première fois, à gros tirage, un sonnet de Degas, transmis par Alexandre. Il s'agit du 5e sonnet commençant par « Il semble qu'autrefois la Nature indolente ». Cela prouve donc qu'un lecteur du Figaro lui a transmis la copie de ce sonnet ou plutôt la copie des huit sonnets, très-certainement la copie en notre possession. Nous pouvons affirmer cela car, du vivant d'Alexandre, seules deux éditions ont existé (1914 et 1918), présentant les sonnets dans un ordre différent. L'ordre de notre copie est bien celui de l'édition de 1914. De plus, après la parution du livre de Lafond, il n'y a plus d'intérêt à faire une copie de l'édition de 1914. Malheureusement, il ne nous a pas été possible d'identifier quel ami de Degas avait envoyé les sonnets à Arsène Alexandre. En février 1935, dans L'Art et les Artistes (n°154), Arsène Alexandre cite deux cours passages de sonnets pour appuyer son propos sur Degas. Le numéro est d'ailleurs largement consacré au peintre avec un article d'Alexandre d'une trentaine de pages. Provenance : papiers et ouvrages d'Arsène Alexandre dispersés à Saumur en 2018. Arsène Alexandre est mort à Brain-sur-Allones, près de Saumur. Belle copie ancienne. [353-2]
1918réf. 2414Paris: Bernheim-Jeune & Cie Editeurs 1918. Limited ed. Paperback. Fair/poor. Number 136 of 800 copies with numbers 1 through 275 on Japanese paper from the Shizuoka factory per the limitation page. Oversize softcover between a quarto and folio size. A fair copy in a poor glassine wrapper. 98 plates in black and white with four additional plates on brown paper tipped in color. Externally fragile in appearance with heavy damage to the spine column - with a split to the binding paper from the top and paper loss across the top and bottom. Corners bent and some creasing at the top rear. Inside is much better - a sweet gift inscription to the top of the front endpaper appears to be the only marking. Where present text is in French. The plates are solidly bound in with the 4 color additions from Bernheim being significantly looser. The glassine wrapper is hanging on by a thread but included as it appears original to the publication. Thick pages a beautiful scarce collection. Bernheim-Jeune & Cie, Editeurs paperback
Campbell, Sara: Degas The sculptures. A Catalogue Raisonné. Apollo Magazine, issue: 402. August 1995. Articles include: Striking a blow for sculpture: Degas' waxes and bronzes by Richard Kendall - pages 3-5; Degas' bronzes: introduction by Sara Campbell - pages 6-10; A catalogue of Degas' bronzes by Sara Campbell - pages 10-48; The materials of the sculptor: Degas's techniques by Shelley Sturman & Daphne Barbour - pages 49-54; Authorship and physical evidence: the creative process by Patricia Failing - pages 55-59; The casting of Degas' sculptures: completing the story by Anne Pingeot - pages 60-63; The morbid content of Degas' sculpture by Theodore Reff - pages 64-71; 'Who said anything about Rodin?': the visibility and contemporary renown of Degas' late sculpture by Richard Kendall pages 72-77. Bound in black cloth with gilt lettering to spine. Hardback. 30.5x24cms.
1918réf. 028669Vente Atelier Edgar Degas. Ventes I-IV. Tableaux, Pastels et Dessins par Edgar Degas et provenant de son atelier. 4 volumes. Sale: Paris, Galerie Georges Petit, 1918-19. Bound in red cloth in two volumes. I: 1re Vente. 180 pages with 336 monochrome illustrations; II: 2me Vente. 218 pages with 386 monochrome illustrations; III: 3me Vente. 290 pages with 410 monochrome illustrations; IV: 4me et DerniÚre Vente. 312 pages with 391 monochrome illustrations. 28.5x20cms. Auction catalogues recording the public sale of paintings, pastels and drawings from the studio of Edgar Degas and by the hand of the artist himself. The 'Experts' were MM. Bernheim-Jeune, Durand & Ambroise Vollard. Text in French. Lugt 77847, 78333, 78716, 79193.
1918réf. 028669Vente Atelier Edgar Degas. Ventes I-IV. Tableaux, Pastels et Dessins par Edgar Degas et provenant de son atelier. 4 volumes. Sale: Paris, Galerie Georges Petit, 1918-19. Bound in red cloth in two volumes. I: 1re Vente. 180 pages with 336 monochrome illustrations; II: 2me Vente. 218 pages with 386 monochrome illustrations; III: 3me Vente. 290 pages with 410 monochrome illustrations; IV: 4me et DerniÚre Vente. 312 pages with 391 monochrome illustrations. 28.5x20cms. Auction catalogues recording the public sale of paintings, pastels and drawings from the studio of Edgar Degas and by the hand of the artist himself. The 'Experts' were MM. Bernheim-Jeune, Durand & Ambroise Vollard. Text in French. Lugt 77847, 78333, 78716, 79193.
1922réf. 16148Paris, Crès "Mémoires d’Ecrivains et d’Artistes", 1922 (Albi, Imprimerie Edouard Julien) ; in-16, broché ; 275, (2) pp., (1) f. blanc, portrait photographique en frontispice, couverture crème richement décorée par Nila d’Ivori en beige, titre en rouge.
réf. 63-5626London: Studio Publications circa 1950. Multi-colored sheets with deckled edges loose as issued in paper portfolio covers. 17 x 13 inches. 43.5 x 34 cm. One of 3500 copies. Good with minor staining & small marginal tears to spine of portfolio covers else Near Fine. London: Studio Publications, circa 1950. unknown
réf. 51-2565London: Studio Publications circa 1950. Multi-colored sheets loose as issued in paper covers. 17 x 13 inches. 43.5 x 34 cm. One of 3500 copies. London: Studio Publications, circa 1950. unknown
1923réf. 52933ABLondon: Ernest Benn. 1923. 29,8x23 cm. 87 S., 103 Tafeln, 2 w. Bl. Brauner Originallederband mit goldgeprägtem Rückentitel und Kopfgoldschnitt.
