1 076 résultats
1988réf. 102156Paris, Réunion des musées nationaux 1988 In-4 31 x 23,5 cm. Reliure éditeur vert-pâle, jaquette blanche, premier plat illustré en couleurs, 635 pp., 336 figures, 392 reproductions en couleurs et en noir & blanc, sommaire, catalogue, notes, chronologie, expositions et ouvrages cités, index. Ouvrage en bon état, jaquette effrangée en tête de dos.
1924réf. 133728Gazette des beaux-arts 1924 In-4 broché, couverture rempliée, 120 pp. & 74 planches de reproductions. Nom manus. en page de garde. Bon exemplaire.
réf. 16954Monte Carlo, Fermiers généraux, 1955-56, in 8° relié pleine soie marron de léditeur, 199 pages.
réf. 19621Paris, Revue Bizarre n° 26, 1962. In-4°, 44p. Broché, couverture illustrée.
réf. 20313Lausanne, Les Amis du Musée (coll. "Arrêt sur Image"), 1993. In-12, 22p. Broché, couverture rempliée.
1938réf. 196Paris, Auguste Blaizot & fils, 1938. In-4 (26x33) plein veau glacé bleu marine, dos à nerfs, étiquette de titre en maroquin beige, double filet doré, large filet de maroquin beige encadrant le plat supérieur, couvertures et dos conservés.
réf. 13324Genève, Pierre Cailler (coll. "Peintres et sculpteurs d'hier et d'aujourd'hui"), 1949. In-8°, 144p. Broché, couverture illustrée.
1989réf. 830301989 Paris, Lattès, 1989, grand in 8°,cartonnage de l'éditeur, jaquette illustrée ; illustrations hors-texte.
réf. 23574Paris, Floury (coll. "Anciens et Modernes"), 1938. In-8°, 188p. Broché, couverture illustrée.
réf. 38305Paris, Flammarion (coll. "Les classiques de l'art"), 1974. In-4°, 152p. Reliure pleine toile d'éditeur, sous jaquette illustrée.
1968réf. mon0000017705Fogg Art Museum 1968. Paperback. Very Good. Covers and edges show some rubbing scuffing browning and fading. Spine has a couple creases. Pages show some browning. Fogg Art Museum paperback
1985réf. 26351AB1985. London Secker & Warburg 1985. 8°. VIII 517 pages. Original Hardcover with original dustjacket in protective collector's mylar. Minor foxing to the edges only. From the library of painter Keith Money. With his name on front free endpaper. Edgar Degas ; born Hilaire-Germain-Edgar De Gas 18341917 was a French artist famous for his work in painting sculpture printmaking and drawing. He is regarded as one of the founders of Impressionism although he rejected the term and preferred to be called a realist. A superb draftsman he is especially identified with the subject of the dance and over half of his works depict dancers. These display his mastery in the depiction of movement as do his racecourse subjects and female nudes. His portraits are notable for their psychological complexity and depiction of human isolation. Early in his career he wanted to be a history painter a calling for which he was well prepared by his rigorous academic training and close study of classic art. In his early thirties he changed course and by bringing the traditional methods of a history painter to bear on contemporary subject matter he became a classical painter of modern life. Wikipedia hardcover
1957réf. 556BB1957. First Edition. London Thames and Hudson 1957. 23cm x 28.5cm. 165 pages with LXXV black-and-white plates. Original Hardcover. Very good condition with some signs of external wear. Some minor traces of foxing only. Includes for example: Horses. Petite Dnseuse de Quatorze Ans. Classical Dance. Spanish Dance. Behind the Scenes. Female figures Bathers. Edgar Degas born Hilaire-Germain-Edgar De Gas 19 July 1834 - 27 September 1917 was a French artist famous for his work in painting sculpture printmaking and drawing. He is regarded as one of the founders of Impressionism although he rejected the term and preferred to be called a realist. A superb draftsman he is especially identified with the subject of dance and over half of his works depict dancers. These display his mastery in the depiction of movement as do his racecourse subjects and female nudes. His portraits are notable for their psychological complexity and depiction of human isolation. Early in his career he wanted to be a history painter a calling for which he was well prepared by his rigorous academic training and close study of classic art. In his early thirties he changed course and by bringing the traditional methods of a history painter to bear on contemporary subject matter he became a classical painter of modern life. Wikipedia hardcover
1960réf. 326BB1960. First Edition. London The Folio Society 1960. 22cm x 29.5cm. 79 pages. Original Hardcover. Very good condition with only minor signs of wear. From the collection of Margot Fonteyn - photographer and artist Keith Money. hardcover
réf. 306379Cleveland Museum of Art 1947. Second edition so stated. 8vo. Frontispiece self portrait and 77 reproductions 1 color four-page fold out. Foreword by William M. Milliken. 3 page introduction by Henry Sales Francis. Original stiff gray pictorial wrappers lettered in orange. Very good. 24 pages of text 59 pages of plates. No signatures or bookplates; a few pencil markings in the text. 2nd Edition. Soft cover. Very Good. Cleveland, Museum of Art, 1947. paperback books
réf. 2092902141700278Not Available N.A. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1954réf. 2353824Geneva Switzerland: Skira 1954. Hard Cover. Good/Good. 0x0x0. Boards toned endpapers lightly foxed front hinge just beginning to weaken jacket lightly soiled. 1954 Hard Cover. 107 pp. French text. Fifteenth volume in the "Taste of our Time" collection organized by Albert Skira in its original French. Includes a biographical analysis of Edgar Degas and several tipped-in color plates of his works. Skira hardcover books
réf. 2092902141700277Not Available N.A. Soft Cover. Fine. The book is in fine condition. Not Available paperback
réf. 2092902141700777Not Available N.A. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1895réf. Degas4DELACROIX DEGAS Edgar 1834-1917 Autograph letter signed "Degas" to collector Montagnac Np 27 June 1895 2 pages in-8 oblong on laid paper in bespoke leather sleeve. Fold marks previous and discreet tape repair on verso Degas collector acquires a painting by Delacroix in exchange for three of his pastels of dancers as currency " Cher Monsieur Montagnac Je reçois votre lettre ce matin et le tableau de Delacroix arrive à 2h. Donc il est convenu que je vous achète ce portrait du baron Schwiter douze mille francs et que je vous paie ainsi : trois pastels de moi. Je transcris votre lettre du reste j'y copie : Deux de ces pastels représenteront des groupes de danseuses et le troisième une ou deux blanchisseuses. Pour ce dernier je me réserve la faculté de les remplacer par des danseuses si ça m'allait mieux. Si vous pouvez me dites-vous me livrer un de ces pastels d'ici un ou deux mois vous me feriez le plus grand plaisir. Vous ajoutez : Il est entendu que les 3 pastels seront terminés pour l'hiver prochain. Tout cela est bien et j'y souscris. Au revoir cher Monsieur et recevez mes remercîments. Degas " A shrewd collector Degas had assembled a remarkable collection of paintings from the Renaissance to Romanticism including Greco Ingres Courbet Delacroix etc. Of the latter of which he owned thirteen paintings it is the portrait of Baron Schwiter that is here the object of his lusts. This full-length portrait of Baron Louis de Schwiter 1805-1889 an important collector and familiar of Delacroix was painted in 1827. Refused by the jury of the Salon the same year it is now kept at the National Gallery in London which had acquired it during the dispersal of Degas' property after his passing in 1917. Provenance: Bibliothèque Bernard Loliée
2021réf. 1962423DelMonico Books/Museu de Arte de São Paulo 2021. Bilingual. Hardcover. Used-Very Good. Cloth dj. Minor shelf wear. Else a bright clean copy. DelMonico Books/Museu de Arte de São Paulo hardcover
réf. LFA-126712960N° 217 : 54 pages, format 285 x 215 mm, illustrée, brochée, s.d., bon état
1931réf. H1170Paris, Grasset, 1931 ; in-12, 250 pp., broché (la couverture est désolidarisée de l'ouvrage, mérite une reliure). Collection «les Cahiers Verts». Lettres recueillies et annotées par Marcel Guerin et précédées d'une préface de Daniel Halevy. État moyen.
1931réf. H1169Paris, Grasset, 1931 ; in-12, 250 pp., broché avec double couverture. Collection «les Cahiers Verts». Exemplaire numéroté sur papier vélin pur fil. Les lettres sont recueillies et annotées par Marcel Guerin et précédées d'une préface de Daniel Halevy. Très bon état.
réf. 3730Paris, Albin Michel, (mai) 1953. In-8, cartonné, 320 pages, jaquette, 217 illustrations.
