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2011réf. 32921MFA Publications. Fine in Fine dust jacket. 2011. First Edition. Hardcover. 0878467734 . Stated first edition hardcover. Fine/fine. ; MFA PUBLICATION; 4to 11" - 13" tall . MFA Publications hardcover
2011réf. 96995Abrams Distributor . New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 280 pages; 267 illus. 166 color. -- with a bonus offer--; Edgar Degas is best known for his luminous studies of dancers. He captured his young female subjects warming up practicing at the bar or mid-performance with a stunning immediacy and accuracy on canvas paper and in bronze. Although Degas did not consider himself part of the Impressionist movement he is often viewed in that context. This sumptuously illustrated book offers a new framework establishing Degas as a thoroughly modern artist who was engaged with and influenced by the then-new mediums of photography and film. Using drawings pastels paintings prints sculpture photographs taken by the artist and his contemporaries and samples of film from the period renowned Degas scholars Richard Kendall and Jill DeVonyar examine the artist’s innovative approach to the subject from his documentary mode of the early 1870s to the sensuous and expressive manner of his late work. . 2011. 1905711689 . Abrams (Distributor) hardcover
1998réf. 68865Yale University Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened --200 pp. With 151 ills. 88 col. . 28 x 23 cm. -- with a bonus offer--; 0.84 x 10.95 x 9.03 Inches . 1998. 0300074972 . Yale University Press hardcover
2011réf. 96552MFA Publications. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 264 pp. ; 257 illus. 251 in color. -- with a bonus offer--; The nude figure was critical to the art of Edgar Degas throughout his life and yet frequently his expansive body of work on this subject has been overshadowed by his celebrated portraits and dancers. Degas and the Nude is the first book in a generation to explore the artist's treatment of the nude from his early years in the 1850s and 1860s through his triumphs in the 1880s and 1890s all the way to his last decades when the theme dominated his artistic production in all media. With essays by leading American and French critics it provides a new interpretation of Degas' evolving conception of the nude situating it in the subject's broader context among his peers in nineteenth-century France. It explores how Degas exploited all of the body's expressive possibilities how his vision of the nude informed his notion of modernity and how he abandoned the classical or historical form in favor of a figure seen in her own time and setting--whether engaged in overtly carnal acts or just stepping out of an ordinary bath. More than 200 lushly rendered full-color images present a re-seeing of Degas' subject in paintings pastels drawings prints and sculpture. Among them are the most important of Degas' early paintings of nudes Scene of War in the Middle Ages which exerted a lifelong influence on the artist's treatment of the female nude and includes poses repeated throughout his career; monotypes of the late 1870s almost caricature-like in their imagery illustrating Degas' most explicitly sexual depictions of women in Parisian brothels; and a number of pictures portraying the daily life of women wherever they may reside. Together these iterations range over more than a half-century of genius achievement and present a groundbreaking look at the evolution of this master artist. . 2011. 0878467734 . MFA Publications hardcover
1999réf. 104020Rizzoli International Publications, New York, 1999. 29 cm ; Leinen
1998réf. UDEGDEG11fpYale University Press 1998. Very Good. Degas Edgar. Degas and the Little Dancer. Kendall Richard. New Haven Connecticut: Yale University Press 1998. vii 192pp. Indexed. Illustrated. Bibliography. 4to. Hardcover. Book condition: Very good. Edges lightly rubbed. Dust Jacket Condition: Very good. Light rubbing to extremities. Yale University Press hardcover books
2001réf. 039504London: Little Brown 2001. Reprint. Hardcover. As New/As New. large quarto. An unread book. International shipping by quotation. Little, Brown hardcover
2000réf. Q-0316855049Time Warner Books Uk 2000-11-30. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Time Warner Books Uk hardcover
1987réf. Q-0356149323Macdonald Orbis 1987-01-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Macdonald Orbis hardcover
1988réf. SKU1046219The Folio Society 1988. hardcover. Very Good. 0x0x0. The Folio Society; London 1988. Hardcover. A Very Good red cloth binding with color paper illustration on front board gilt lettering and gilt publisher emblem on spine binding sturdy and intact some rub/scuff marks and age spotting to boards some scattered foxing to text block edges very mild scattered foxing to front/back matters previous owner embossed stamp bottom page 327 and verso bit of age toning to pages without Dust wrapper. In a Very Good sturdy no splits some age toning mild scattered foxing also on inside bit of shelf wear and handling marks Slipcase. A nice and overall clean copy. 4toquarto or approx. 11.5 x 13.5 inches 328pp. appendices color and b&w illustrations. We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scans are available for any item please inquire. The Folio Society hardcover
2014réf. 106180Gallery. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 160 pages; many illustrations including a number in color. -- with a bonus offer-- . 2014. 0894683888 . Gallery paperback
1895réf. Degas4DELACROIX DEGAS Edgar 1834-1917 Autograph letter signed "Degas" to collector Montagnac Np 27 June 1895 2 pages in-8 oblong on laid paper in bespoke leather sleeve. Fold marks previous and discreet tape repair on verso Degas collector acquires a painting by Delacroix in exchange for three of his pastels of dancers as currency " Cher Monsieur Montagnac Je reçois votre lettre ce matin et le tableau de Delacroix arrive à 2h. Donc il est convenu que je vous achète ce portrait du baron Schwiter douze mille francs et que je vous paie ainsi : trois pastels de moi. Je transcris votre lettre du reste j'y copie : Deux de ces pastels représenteront des groupes de danseuses et le troisième une ou deux blanchisseuses. Pour ce dernier je me réserve la faculté de les remplacer par des danseuses si ça m'allait mieux. Si vous pouvez me dites-vous me livrer un de ces pastels d'ici un ou deux mois vous me feriez le plus grand plaisir. Vous ajoutez : Il est entendu que les 3 pastels seront terminés pour l'hiver prochain. Tout cela est bien et j'y souscris. Au revoir cher Monsieur et recevez mes remercîments. Degas " A shrewd collector Degas had assembled a remarkable collection of paintings from the Renaissance to Romanticism including Greco Ingres Courbet Delacroix etc. Of the latter of which he owned thirteen paintings it is the portrait of Baron Schwiter that is here the object of his lusts. This full-length portrait of Baron Louis de Schwiter 1805-1889 an important collector and familiar of Delacroix was painted in 1827. Refused by the jury of the Salon the same year it is now kept at the National Gallery in London which had acquired it during the dispersal of Degas' property after his passing in 1917. Provenance: Bibliothèque Bernard Loliée
1950réf. 62256New York, The Studio Publications o.J. (1950). 1950. 4°, 435 S. mit 256 s/w-Abbildungen und XII montierten Farbabbildungen, Orig.-Leinen.
Gallimard, Idées/arts, 1965, 254 pp., illustrations, coiffe inférieure fendillée, rousseursétat correct.
1949réf. 116000Librairie Gallimard, Paris, 1949. 18,5 x 12 cm ; broschiert
1965réf. 50150Edit.Gallimard, 1965. origi.Broschur, kl.8°, 253 Seiten.
2003réf. 71110Ferrara Arte Editore; Et Al. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- -- with a bonus offer-- . 2003 . Ferrara Arte Editore; Et Al paperback
2003Ferrara, Ferrara Arte, 2003,8vo punto metallico con copertina illustrata a colori, pp. 31 con illustrazioni a colori.
1984réf. 66338F. Palombi. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in Italian and French. 272 pp. With 113 ills. 20 col. . 25 x 22 cm. -- with a bonus offer--; Cataloghi . 1984. 8876215573 . F. Palombi hardcover
1984italiano e francese, firma d'appartenenza
1984In 8', bross.ed., pp.263.Lievi tracce del tempo alla cop., per il resto buono stato.Mostra tenutasi a Villa Medici 1 Dic. 1984- 10 Febbraio 1985.Luogo di pubblicazione RomaEditore PalombiAnno pubblicazione 1984Materia/Argomento Arte,Cataloghi, Degas
2015ill., br. "Nel ritratto che Alice Michel scrisse e pubblicò nel febbraio 1919 sul "Mercure de France", un paio d'anni dopo la scomparsa di Degas - nota Jean-Loup Deville nella Postfazione a questo documento d'epoca, si capisce fino a che punto si rispecchi quanto Focillon scrive nella sua storia della pittura del XIX e XX secolo: "Un istante di sensibilità fatto dei suoi lineamenti di un attimo"; e non è eccessivo ciò che lo storico afferma poco dopo, vale a dire che "Degas inaugura una nuova epoca del genio e del gusto francesi, fatto di disincanto, di costruzione austera, di ripiegamento su se stessi". Si sente, dal racconto della modella, quanto di fisico, di costretto, di vincolato all'infermità del corpo, alle sue debolezze indotte dall'età e dalla malattia, si celi nella concezione di una scultura che ormai Degas esegue a tastoni, trasferendo la sensazione immediata della mano che palpa il corpo della modella, nella materia plastica, cera o creta che fosse: "Mentre lei posava, Degas, gli occhi quasi immobili dietro gli occhiali, seguiva i contorni del corpo nudo per confrontarli con quelli della piccola scultura. Ma per quanto fosse seduto molto vicino a Pauline, non distingueva che vagamente le sue forme e si alzava ogni momento per seguire con la mano la linea dell'anca o l'inserzione di un muscolo che il suo pollice modellava nella materia plastica".
1964In-4 (cm. 31.80), tela editoriale, sovracoperta editoriale illustrata, sovracoperta editoriale trasparente, pp. XXXIII, (1), 108, (18), con 74 belle tavole in bianco e nero e a colori (applicate alla carta, ed alcune a piena pagina), nel testo. Dedica alla prima carta. Minime tracce d’uso ai tagli della sovracoperta illustrata; peraltro, volume in buono stato (good copy).
1983réf. 40764Paris, Edit. Denoel, 1983. origi.Leinenband mit Schutzumschlag, 8°, 122 Seiten.
1949réf. 323748Paris: Paul Brame et C. M. De Hauke aux Arts et Metiers Graphiques 1949. First edition Number 879 of 980 numbered copies from a total edition of 1030. Illustrated. With 1 466 catalog entries illustrated in black and white. 281. ; 407; 42l; l53 pp. 4 vols. 4to. Blue cloth binding t.e.g. with original mylar jackets. Fine. First edition Number 879 of 980 numbered copies from a total edition of 1030. Illustrated. With 1 466 catalog entries illustrated in black and white. 281. ; 407; 42l; l53 pp. 4 vols. 4to. Paul Brame et C. M. De Hauke aux Arts et Metiers Graphiques unknown
