18,848 results
2006ref. BN207529Indiana University Press 2006. 2006. Hardcover. Painting Indiana II: The Changing Face of Agriculture Painting Indiana II: The Changing Face of Agriculture William Borden; Gary R. Truitt; Kathleen Stubbe Truitt Hrsg.; Indiana Plein Air Painters Association Center for Agricultural Science & Heritage Autoren Indiana University Press hardcover
ref. BN612412Bruxelles colonie d'artistes. Peintres Hollandais 1840-1890: Een Schilderskolonie in Brussel 1840-1890 Jan 01 1990 Bruxelles colonie d'artistes. Peintres Hollandais 1840-1890: Een Schilderskolonie in Brussel 1840-1890 Jan 01 1990 Bruxelles colonie d'artistes. Peintres Hollandais 1840-1890: Een Schilderskolonie in Brussel 1840-1890 Jan 01 1990 unknown
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1935ref. 225401935. Velázquez Chávez Agustín. Ãndice de la Pintura Mexicana Contemporánea / Index of Contemporary Mexican Painting. Mexico: Ediciones Arte Mexicano 1935. First edition. Quarto 11 x 8 in. 225 pages. Parallel text in Spanish and English. Illustrated with tipped-in color and monochrome lithographs reproducing works by leading Mexican painters of the early 20th century printed on heavy cream stock. Original printed wrappers with woodcut vignette edges untrimmed. A landmark early survey of modern Mexican painting issued during the post-revolutionary renaissance in which visual arts were central to constructing a national cultural identity. Compiled and written by art historian Agustín Velázquez Chávez the work is notable as one of the first bilingual scholarly overviews of contemporary Mexican painters intended for both domestic and international audiences. Profiles include critical commentary biographical sketches and bibliographic citations paired with fine lithographic reproductions. Among the featured artists is Julio Castellanos represented by Cirugía Surgery 1935 a lithograph depicting a hooded woman gently opening the eyelid of a seated figure-an allegorical rendering of care and revelation. Velázquez Chávez highlights Castellanos's "personal charm" and "directness of outlook" and recounts his role in the Panamerican Art Exhibition in Baltimore 1931. Roberto Montenegro is illustrated with Perfiles Mayas Maya Profiles 1935 showing stylized heads in profile against a temple backdrop. Critic Hermilo Abreu Gómez is quoted as saying Montenegro's art "is attempting constantly to transform his means of expression. improving within the possibilities of a well-poised artistic consciousness."The volume also includes Carlos Orozco Romero with a Portrait 1935 characterized by simplified form and cool tonal control and José Guadalupe Posada the celebrated printmaker whose satirical calaveras and engravings were embraced by muralists such as Diego Rivera. Velázquez Chávez places Posada at the origin of a distinctly Mexican pictorial identity describing him as "a man of the people. possessing from first to last a knowledge of the social and political conflicts of his day." Published just as Mexico's muralist movement reached global prominence through figures like Diego Rivera Orozco Posada and Siqueiros this index captured the breadth of contemporary work beyond the monumental frescoes documenting artists engaged with portraiture easel painting and printmaking. As the first title in the projected "Mexican Art Editions" series it set a template for scholarly documentation of Mexican visual culture. Moderate toning and scattered foxing to wrappers minor chipping at spine ends text block clean and well-preserved; very good. unknown
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2010ref. 164892010. Hirst Damien Damien Hirst: No Love Lost 2010 documents Hirst's return to painting through the Blue Skull and flower works exhibited at the Wallace Collection supporting research into contemporary British art Young British Artists mortality imagery and exhibition culture after the 1990s YBA breakthrough. Hirst first gained public attention through the 1988 exhibition Freeze and won the Turner Prize in 1995. Hirst Damien. Damien Hirst: No Love Lost. London: Other Criteria 2010. Signed. First edition. 1 volume. 66 leaves. 30 color reproductions of Hirst's paintings and 3 gatefolds. Original color printed boards. Quarto. Published after Hirst's No Love Lost: Blue Paintings exhibition at the Wallace Collection London which opened in October 2009 and presented twenty-five new paintings in dialogue with the museum's historic interiors. The volume includes an interview between Hirst and British painter John Hoyland. The catalogue places Hirst's skull flower and death imagery within a painterly rather than installation-based format extending central themes of his career into works made for a historically charged museum setting. The Wallace Collection exhibition was discussed at the time as a visible shift toward solitary painting after Hirst's large-scale serial production. Condition not stated in the supplied description. Signed first edition documenting a focused painting exhibition by a leading figure of contemporary British art. unknown
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1996ref. 76065Musee Matisse Nice 1996. Großformatige französischsprachige Paperbackausgabe 140 Seiten mit zahlreichen Abbildungen. Mit seperater Beschreibung und einem entnehmbaren Dia. Gutes Exemplar bon état. Musee Matisse, Nice paperback
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2004ref. BN13467Knaur 2004. 2004. Hardcover. 286 x 22 x 16 cm. Fünfzig beliebte und prächtige Blüten und Blumen in Schritt-für-Schritt-Anleitungen Mit genauen Farbangaben und einer Handreichung wie diese Blumen zu farbenfrohen Kompositionen zusammengestellt werden können Über den Autor: Adelene Fletcher war Textildesignerin bevor sie zum Aquarellmalen kam das sie bereits seit über 20 Jahre auch in Kursen lehrt. Ihre eigenen Aquarelle werden regelmäßig zum Beispiel beim Royal Institute of Painters in Watercolours oder bei der Royal Watercolour Society ausgestellt. Malen Zeichnen Aquarellmalerei Pflanzenmotive Blumenmalerei Blumenaquarelle Die 50 beliebtesten Blütenpflanzen Die fünfzig beliebtesten Blütenpflanzen. Schritt-für-Schritt-Anleitungen mit genauen Farbangaben Gebundene Ausgabe Adelene Fletcher Malen Zeichnen Aquarellmalerei Pflanzenmotive Blumenmalerei Die Farbenpracht der Natur in Aquarelle bannen Malen Zeichnen Aquarellmalerei Pflanzenmotive Blumenmalerei Blumenaquarelle Die 50 beliebtesten Blütenpflanzen Die fünfzig beliebtesten Blütenpflanzen. Schritt-für-Schritt-Anleitungen mit genauen Farbangaben Adelene Fletcher Malen Zeichnen Aquarellmalerei Pflanzenmotive Blumenmalerei Die Farbenpracht der Natur in Aquarelle bannen Fünfzig beliebte und prächtige Blüten und Blumen in Schritt-für-Schritt-Anleitungen Mit genauen Farbangaben und einer Handreichung wie diese Blumen zu farbenfrohen Kompositionen zusammengestellt werden können Über den Autor: Adelene Fletcher war Textildesignerin bevor sie zum Aquarellmalen kam das sie bereits seit über 20 Jahre auch in Kursen lehrt. Ihre eigenen Aquarelle werden regelmäßig zum Beispiel beim Royal Institute of Painters in Watercolours oder bei der Royal Watercolour Society ausgestellt. Knaur hardcover
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1617ref. B6037Cruger c. 1617. Engravings mounted on watermarked laid paper. Some tears to lower margins not affecting the plates. Staining on one plate. A very good attractive and rare set. Binding: Loose folio in an 18th century wrapper. Notes: c. 1617; exception: one leaf dated 1561 and signed by Antonio Salamanca in Rome. Size: Folio sheets of 405x555m Illustration: Folio set of 14 leaves of copper engravings. References confirm 14 including the tile. Illustrated allegorical title with the Medici arms flanked by female personifications of Justice at left and Faith at right; lettered with a dedication to Cosimo II of Tuscany by Jacobus Chitus with bottom right Teodoro Cruger sculp: 1617 altered in ink to 1618 Florentiae and at lower left five privileges: Cum Privil. S. Pontif S.C. Maiest. Repi. Venet. // M.D. Etrur. Reip Genuens et V.R.Neap. - p. x An.; frontis after self-portrait by Andra Del Sarto; twelve engravings depicting the story of Saint John the Baptist after paintings / frescos and later curtains by Andrea del Sarto at Florence and Franciabigio. References: Hollstein German 6 176 35; Hollstein 33; Le Blanc 1854-1890 2 72 7-20; Virtuelles Kupferstichkabinett 6382 and 6384 mention 14 plates. Pages: Ff: Title; Self-Portrait; 12 engravings. Category: Book Europe Italy; Book Religious Christianity; Book Plate Books General; Cruger unknown
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1960ref. 236661960. Cedric Dover's survey of African American visual art from early portraiture through the postwar period published in 1960 while the work of Black artists remained marginal within standard American art histories. Dover connects artistic production to slavery emancipation migration industrial labor the Harlem Renaissance federal arts programs and the growth of Black cultural institutions. Reproductions of works by Aaron Douglas Charles White Richmond Barthé Jacob Lawrence William H. Johnson Hale Woodruff Selma Burke and others establish a lineage across painting sculpture drawing printmaking and mural art. Dover Cedric. American Negro Art. New York: New York Graphic Society 1960. First edition. 186 pages. 8vo. Hardcover in original brown cloth with silver spine lettering extensively illustrated in black and white and color no dust jacket. The volume opens with Charles White's 1958 ink drawing based on the spiritual "One of a series of ink drawings based on the spirituals" and includes Aaron Douglas's The Negro Looks Ahead Richmond Barthé's sculpted head Hubert Howard's Show Girl Jacob Lawrence's Ambulance Call and a color reproduction of Aaron Douglas's A Harlem Matron. Dover's text addresses the circumstances under which Black artists studied exhibited and found patronage with sections including "Mulattoes and Atelier Art" "For Aaron Douglas" and "The Artists." One illustrated spread reproduces Charles White's mural sketch for the Harlem Hospital beside Douglas's The Continuation of Life while another places a photograph of industrial workers beside Hale Woodruff's printmaking and William H. Johnson's Aunt Alice. Dover an Anglo Indian writer and scholar who published extensively on race anthropology and modern art presents African American art as a continuous field shaped by both formal experimentation and the political conditions governing Black life. His discussion of Harlem Renaissance circles historically Black colleges museum access commercial galleries and federal patronage records the institutional structures through which artists built careers despite segregation and restricted exhibition opportunities. The book's period terminology including its title and chapter language records the vocabulary through which African American art was categorized by publishers and scholars at midcentury. Light shelf wear to binding; permanent marker block on title page else clean and firmly bound. Overall very good condition. A substantial midcentury attempt to place African American artists within the history of American modernism through named works institutions movements and individual careers. unknown
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1852ref. 172611852. Scott Walter. The Poetical Works 1852 collected edition presenting the poetry of one of the central figures of nineteenth century British literature whose work shaped historical romance national identity and literary culture in Britain and the United States. Scott's poetry widely read throughout the nineteenth century contributed to transatlantic literary exchange and remained a staple of education and private libraries. This volume reflects the continued circulation and reception of his work within Victorian reading culture where literary texts were often issued in decorative formats intended for display and gifting. Scott Walter. The Poetical Works. London: John Kendrick 1852. Compact volume bound in red morocco with gilt edges featuring a concealed fore edge painting revealed when the pages are fanned depicting Yale College from New Haven Green. This form of decoration in which an image is applied to the fanned edges and remains hidden when closed exemplifies nineteenth century bookbinding craftsmanship and the integration of visual art into literary objects. The text gathers Scott's poetic output into a single edition intended for both reading and presentation. Produced within the Victorian tradition of elaborately bound gift books this volume situates Scott's poetry within a culture that valued both literary content and decorative artistry. The inclusion of a fore edge painting of Yale College underscores the transatlantic reception of Scott's work and its association with American educational institutions and readers. Contemporary ownership signature dated November 4 1862 on the front free endpaper. Light wear with minor joint separation; overall very good. A well preserved example of nineteenth century literary publishing enhanced by decorative book arts. unknown
2022ref. __3039420313Scheidegger & Spies 2022. Paperback. New. 256 pages. 11.75x8.75x0.75 inches. Scheidegger & Spies paperback
