Klee, GottholdBiblio.com
réf. 3368404180.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 356608610X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2021réf. x-162273601XVernon Press 2021. Hardcover. New. 592 pages. Spanish language. 6.00x1.25x9.00 inches. Vernon Press hardcover
réf. 94563Frankfurt S. Fischer 2007. 8° 715 S. Kart m. OU. Tadell. Literatur- und Quellenverzeichnis mit einem einem Überblick über die SS-Ränge Abkürzungsverzeichnis und Begriffslexikon Ahnenerbe der SS - Warthegau Reichsgau Warteland. 010 Frankfurt, S. Fischer, 2007 unknown
réf. 8820206803.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2004réf. Q-0892072989Guggenheim Museum Publications 2004-02-02. Paperback. New. In shrink wrap. Looks like an interesting title! Guggenheim Museum Publications paperback
réf. 3486645781.Gturtleback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
réf. 3875841816.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1963réf. 719992PN. New. 1963. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
2013réf. 92239Prestel 2013. Hardcover. Fine/Fine. Prestel hardcover
2014réf. bilyThe Standard Bank of South Africa Limited 2014. First Edition. Softcover. Good/No Jacket. 235 pages complete. Published to accompany an exhibition at the Standard Bank Gallery Johannesburg in 2014. A neat and most satisfying copy. The illustrated matte copy has mild shelf rubbing and wear. Within the contents are in excellent condition. The pages are very bright and fresh vivacious and certain clean and clear. All very pleasing. fk. Our orders are shipped using tracked courier delivery services. The Standard Bank of South Africa Limited paperback
1973réf. 37250Ann Arbor Michigan: University Microfilms International 1973. Paperback. Very Good. Unmarked copy with light cover wear. Light crease along spine on front cover. Fading to spine. This is Klee's dissertation from the Univ. of Oregon. Facsimile edition. 192 pgs. University Microfilms International paperback
2019réf. 2019kleeTWadenswil: Nimbus in cooperation with the Paul Klee Center Bern 2019. Unnumbered copy of 250 of limited hardcover edition. Hardcover cloth binding. NEW still in publisher's shrinkwrap/no dj as published. Paul Klee. Paul Klee and Hans Bloesch met while they were still in school and remained friends all their lives. They also took their first steps as artists together: Bloesch as a writer Klee as a painter. From 1902 to 1905 they collaborated on an open project which they simply called "Das Buch" The Book. Bloesch contributed poems Klee watercolors and drawings. However they finally lost interest in it and "Das Buch" was abandoned. Today it represents an extraordinary discovery because it contains many previously unknown works by Paul Klee and for the first time provides a broad insight into his early artistic development. This volume contains a facsimile of "Das Buch" including transcripts commentaries and two essays on this astonishing discovery. --- ---- Nimbus Wadenswil 2019. 8.15 x 0.75 x 11.85 inches. Text in German English DeLuxe edition hardcover with marbled paper edges. The edition includes all the pages of the “book” as a facsimile the transcription of the texts contained therein as well as two essays on the history of the project's creation and work by Osamo Okuda and Reto Sorg Text in German English --- ---. Paul Klee and Hans Bloesch shared a friendship from their school days that lasted for four decades until Klee's death. Bloesch was Klee's closest companion as he took his first steps into the sphere of art and pursued his own ambitions as an author. It was previously unknown that there was a joint project in those early days which the two gave the succinct title “The Book”. It was created when Klee returned to Bern after his time at the Munich Academy and his stay in Italy. It was initially unclear what was to become of him so he entered into a kind of creative game with Bloesch: They took an account book with 100 blank pages and each put in what could somehow stimulate the other's imagination. In Munich Klee had made satirical drawings in the in the style of “Simplicissimus” to which Bloesch now produced matching mocking verses. At the beginning Klee still drew after the models of the relevant satirical magazines but in the end he became the independent artist we know him as today. Nimbus, in cooperation with the Paul Klee Center Bern hardcover
réf. b31516New York 1936. First Edition . Soft cover. Near Fine. Joan Miro cover. Near fine in original wrappers with a small coffee stain on the left corner. paperback
1978réf. 240841London: Lund Humphries 1978 . Later printing. Hardcover. Near Fine/near fine. Quarto 541 pages black cloth "Klee himself was anxious that the articles and lecture notes from his Bauhaus period should be published." - Editor's Note. This volume includes a magnificent collection of over one thousand drawings which illustrate the notes as well as 188 half-tone illustrations eight of these reproduced in full colour. Lund Humphries hardcover
réf. 51-0913New York: Shorewood circa 1960. . Color print. 22.5 x 28.5 inches. New York: Shorewood, circa 1960. unknown
1962réf. 22KLEE Paul. Some Poems by Paul Klee. Translated and Signed by Anselm Hollo. First Edition. Scorpion Press 1962. First edition first printing. Small octavo. 35 pp. Original red cloth spine lettered in gilt in the original typographic dust jacket. Signed by translator Anselm Hollo on the title page beneath his printed name. The first English-language collection of Paul Klee's poetry selected and translated from the German by Finnish-American poet Anselm Hollo who also contributes the introductory note. Klee's poems were discovered only after his death some in a notebook and others among the writings in his diary. A very attractive copy. Red cloth clean and bright gilt lettering sharp; binding tight and interior clean. Near Fine. Original unclipped dust jacket retaining the publisher's price of 12s. 6d. net with light age-toning and minor soiling slight rubbing/creasing and a few small edge imperfections particularly at spine ends and corners; otherwise unusually well preserved. Very Good dust jacket. Hollo's signature considerably enhances an already scarce first edition. Scorpion Press hardcover
réf. 0198956304.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 3596149061.Gpocket_book. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
réf. 3640238842.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 3596186749.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1973réf. 128089Bern: Kunstmuseum 1973. First Edition. Hardcover. Fine. Bern Kunstmuseum 1973 and 1976. Large quarto two volumes 312 and 481 pages extensively illustrated with Klee's drawings. Cloth; a fine pair with the near-fine dustwrappers the original laminate on the second one is lifting a little at the ends of the spine. Volumes 2 and 4 in the 'Sammlungskataloge des Berner Kunstmuseums: Paul Klee' series. Volumes 1 and 3 are not present: they are 'Paul Klee. Die farbigen Werke im Kunstmuseum Bern Gemälde farbige Blätter Hinterglasbilder und Plastiken' 1976 and 'Paul Klee. Handzeichnungen III. Spätwerk 1937-1940' 1979. 2 items. Kunstmuseum hardcover
réf. WQ-W5JY-PEBK2006 Hatje Cantz large format hardcover edition. Light reading wear small inscription to endpaper else very good condition. From the dustjacket: The story of Paul Klee's hand puppets began with his son Felix's wish to own Kasperl Punch and Judy figures like the ones he had seen at a Munich flea market. From 1916 to 1925 a total of fifty figures were created of which thirty still exist today. In creating the puppets Klee used a large variety of materials from his studio and around his home: beef bones and electrical sockets bristle brushes and nut shells. He sewed the garments together from left-over fabric and discarded clothes. At the beginning Klee based the puppets on the popular Kasperl theater; later he invented his own fantastical characters. Some of them contain allusions to Klee's artist colleagues at the Bauhaus others trace back to earlier representations from the theater. Some of the puppets are reflections upon topics related to politics or society as for example in the case of the Deutschnationaler which zeroes in on the ultra-conservatives of the Weimar Republic or the Specter of the Socket which alludes to the rapid increase in the use of electricity. In designing his puppets Klee played with the styles of his time. Thus the White-Haired Eskimo reminds us of Dada collages and the Big-Eared Clown has assimilated various design features from Bauhaus circles. This volume presents the complete ensemble of Klee's puppet theater in text and images with new photographs and commentary on each of the figures. The original inventory of puppets as well as the stage settings has been painstakingly reconstructed and complemented with statements by contemporary witnesses. Several introductory essays provide further biographical and historical context and Klee's son Felix and his grandson Aljoscha reminisce upon the playful use of the puppets within the family circle. 152 pages 182 illustrations 86 in color Hatje Cantz Publishers hardcover
réf. 46514Antwerp MoMa 2013. Bound Size: 32 x 24 cm. Size: brochure 32 pp. 40 plates. in luxurious slipcase - case. Texts - in ENGLISH - are set from Elizabeth and New Caledonia. Numbered: 1-500. Brandnew in original box and still in cellophane. ISBN 9789491819001. Paul Klee 1879-1940 was een uitzonderlijk schilder tekenaar graficus leraar en theoreticus die een beslissende invloed heeft gehad op de ontwikkeling van de kunst in de vorige eeuw. Vooral in zijn grafisch werk is goed te zien hoe zich van de traditie losmaakte en een van de grote vernieuwers van de moderne kunst werd. Deze portfolio werd voor het eerst in 1945 gepubliceerd door de uitgever & kunsthandelaar Curt Valentin en werd vervolgens twee jaar later heruitgegeven door het MoMa New York. De publicatie bestond uit losse platen met facsimile afdrukken van veertig lithografieen en etsen van Paul Klee en was vergezeld van een brochure met een inleidende tekst van James Thrall Soby Trustee van het MoMa en voormalig afdelingshoofd van het departement Sculptuur en Beeldhouwkunst. In 1947 maakten reeds dertig van de veertig gepubliceerde prenten deel uit van de grafische collectie van het museum. Voor deze nieuwe heruitgave de derde zijn alle veertig werken van Paul Klee opnieuw gefotografeerd en gedigitaliseerd - acht zijn in kleur. Speciaal voor deze editie heeft de huidige hoofdconservator van de afdeling Prints and Illustrated Books van het MoMa Christophe Cherix een nieuwe inleiding geschreven Soby's essay werd eveneens behouden en zijn alle onderschriften gecorrigeerd en vervolledigd. De facsimiles zijn gedrukt op 160 grams papier. Editie bestaat uit een brochure met teksten van Christophe Cherix en James Thrall Soby en 40 platen gedrukt op Magnani Pura Cellulosa 160 g in een groen linnen doos met zwart lint. Oplage: 500 exemplaren originele prijs; 220.00 euro Paul Klee 1879-1940 was an exceptional painter draftsman printmaker teacher and theorist who has had a decisive influence on the development of art in the last century. Especially in his graphic work is good to see how loosened itself from tradition and became one of the great innovators of modern art. This portfolio was first published in 1945 by the publisher and art dealer Curt Valentin and then two years later reissued by the MoMA New York. The publication consisted of loose sheets with facsimile printing forty lithographs and etchings by Paul Klee and was accompanied by a booklet with an introduction by James Thrall Soby Trustee of the MoMa and former head of the Department of Sculpture and Sculpture. In 1947 were already thirty of the forty published prints part of the graphic collection of the museum. For this new reissue the third are all forty works by Paul Klee re-photographed and digitized - eight are in color. For this special edition the current chief curator of the Department of Prints and Illustrated Books at MoMA Christophe Cherix written a new introduction Soby's essay was also retained and all captions corrected and completed. The reproductions are printed on 160 gram paper. Edition includes a booklet with texts by Christophe James Thrall Soby Cherix and 40 plates printed on Magnani Pura Cellulosa 160g in a green linen box with black ribbon. Circulation: 500 copies original price; 220.00 euros Still in Original publisher's shrink wrap !!! Antwerp MoMa 2013 unknown
2021réf. __3836277247Rheinwerk Verlag GmbH 2021. Hardcover. New. German language. 9.65x7.17x1.50 inches. Rheinwerk Verlag GmbH hardcover
