CHENAVARD, Antoine Marie.Livre Rare Book
40 résultats
réf. 89860Lyon, Imprimerie Léon Boitel, 1849, volume in-12 de 110x180 mm environ, reliure postérieure en demi basane brune, dos lisse portant titres dorés sur pièce de titre corail, gardes marbrées, tranches finement mouchetées, couvertures conservées. Avec un envoi de A. Chenavard au dos de la page de faux-titre, complet de la carte et des 12 gravures hors-texte. Quelques rousseurs, petite mouillure dans la marge de la couverture brochée, sinon bon état.
1868réf. 23891868 Lyon, Louis Perrin, 1868. 27,5 x 36,5 oblong à l'italienne, 1 f. bl. - 10 pp. dont titre entièrement gravé en noir et ocre - 20 planches de gravures en noir sous serpente chacune précédée d'un feuillet imprimé portant un poème d'Ossian - 1 f. n. ch. (table) portant au verso une vignette gravée contrecollée (planche XXI) et un papier imprimé découpé contrecollé apportant une rectification à la liste des planches - 1 f. bl., reliure de l'époque de demi-percaline verte à coins, dos lisse orné, filets sur les plats, entièrement monté sur onglets.
réf. 019622Paris: L. Curmer Two Volumes Compete. Text in French. Full green morocco leather binding. All edges gilt five raised bands tooled gilt compartmented spine Gilt rolled edges gilt line border on the covers gilt inner dentaling.1839 Marbled endpapers. Numerous steel plate engravings and a lithographic frontispiece. Overall in VERY GOOD condition. Full Morocco Leather. Very Good. Folio - over 12" - 15" tall. Hardcover. L. Curmer Hardcover
1849réf. 26905Lyon Imprimerie de Léon Boitel 1849 in-12 broché, légères rousseurs
réf. 51-4761Lyon: Imprimerie Louis Perrin 1860. Folio. 2 vols.in 1. 32 x 48cm. Contemporary qtr. morocco wiht marbled boards. Pasted down on the blank frontispiece is an ALS from Chenavard to his doctor. .OCLC Number 422042207Notes: Le recueil est imprimeÌ en deux parties. Il a eÌteÌ graveÌ par plusieurs graveurs lyonnais : Dubouchet seÌon Dechaud.Description: 2 parties en 1 volumes 54 planches : illustrations grav. ; 2°47 cmM7979-12 : Antoine Marie CHENAVARD 1787-1883Recueil des Compositions executées sur les dessins de A. M ChenavardPremière et deuxième partieLyon Imprimerie Louis Perrin 186038 planches485 x 33 cmreliure usagée Lyon,: Imprimerie Louis Perrin, 1860 hardcover
1861réf. 89115Imprimerie de Louis Perrin | Lyon 1861 | 36 x 27 cm | Reliure de l'éditeur
1861réf. 21393Lyon, Imprimerie de Louis Perrin, 1861 ; in-4° oblong (270 x 360 mm), demie-percaline vert-foncé à coins, dos lisse à faux nerfs dorés, fleurons et titre dorés (reliure de l’époque) ; [3] ff. (Faux-titre, Titre illustré gravé par I. Séon, dédicace à Auguste Caristie), 15 planches gravées par Dubouchet (9), I. Séon (5) et Thomassin (1), comportant chacune une serpente légendée d’un feuillet ; [1] f. de Table.
1861réf. 89115Lyon: Imprimerie de Louis Perrin 1861. Fine. Imprimerie de Louis Perrin Lyon 1861 36 x 27 cm Reliure de l'éditeur First edition of this rare album illustrated with 15 line-engraved plates each protected by a tissue guard and accompanied by a caption leaf including a reproduction of the author's portrait drawn by Ingres in Rome in 1818. Publisher's original full grey boards flat spine without lettering some rubbing blind-ruled borders on covers a scratch to the foot of the upper cover central title corners rubbed. Some foxing. Inscribed by Antoine-Marie Chenavard to his friend Antonin L. with the author's signed presentation note. The plates based on drawings by the Lyon-born architect Chenavard 17871883 depict various views of Roman Neapolitan and Sicilian monuments: 1. Portrait of the author at the time of his journey to Italy facsimile after a drawing made in Rome by Ingres in 1818. 2. View of Lake Maggiore from Arona. 3. View of one of the chapels of St. Marks Church in Venice. 4. III bis View of the Pauline Fountain in Rome. 5. IV Outlet of Lake Albano. 6. V Interior view of the monastery of Monte Cassino. 7. VI View of Minturne now Trajetto. 8. VI bis Lodge at Sessa. 9. VII View of the Camaldolese convent in Naples. 10. VIII View of Pizzo. 11. IX View of the lighthouse of Palermo. 12. IX bis View of Villa Philipini in Palermo. View taken in Agrigento. 13. X View of Messina. 14. XI View of the Strait of Messina. 15. XII View of Pola. Imprimerie de Louis Perrin hardcover
2000réf. 61476RMN; Et Al. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 136 pp. With 149 ills. 17 col. . 30 x 24 cm. -- with a bonus offer-- . 2000. 2711840352 . RMN; Et Al paperback
1861réf. 89114Imprimerie de Louis Perrin | Lyon 1861 | 35.5 x 27.2 cm | Relié
1861réf. 89114Lyon: Imprimerie de Louis Perrin 1861. Fine. Forty Years After Italy Imprimerie de Louis Perrin Lyon 1861 35.5 x 27.2 cm Relié First edition of this rare album published in Lyon in 1861 by the press of Louis Perrin illustrated with 15 line-engraved plates under captioned tissue guards. At the front appears a facsimile of the portrait of Chenavard drawn by Ingres in Rome in 1818; the remaining plates engraved by Dubouchet Séon and Thomassin reproduce a selection of drawings made during his formative journey through Italy Sicily and Istria. Contemporary half green calf with corners spine with four raised bands outlined in gilt dots and decorated with double gilt rules and floral tools green paper boards framed with a triple gilt fillet gilt title at the centre of the upper board marbled endleaves and pastedowns. Some surface wear to the spine; corners restored. An attractive copy with Chenavards wet stamp on the title-page. Between 1816 and 1818 Chenavard travelled through Italy with several young architects of his generation among them Augustin-Nicolas Caristie Jean-Aimé Moutier François-Alexandre Duquesney and Henri Van Cleemputte. Rome Naples Sicily and Istria filled the sketchbooks whose original drawings are now preserved in the library of the Institut national dhistoire de lart. The medallion on the title-page representing the Temple of Augustus and Rome at Pola illustrates this passage from the Italian peninsula towards the Adriatic. More than forty years passed before Chenavard finally had a selection of these studies engraved and published. In the meantime he had spent the greater part of his career in Lyon first as architect to the department of the Rhône and later as a professor at the École des beaux-arts; by the time the album appeared the journey of 1816-1818 had become a distant episode of his youth. He chose to preserve the views drawn on the spot the dedication to Caristie who had shared part of the journey and above all the portrait Ingres had made of him in Rome in 1818. The portrait restores the narrative to its own time: in 1861 by choosing it Chenavard presents himself not as the man he had become but as he was when he was still discovering Italy; the ageing architect thus places at the opening of his album the face of the young man who had seen these landscapes for the first time. Imprimerie de Louis Perrin hardcover
1858réf. 88637Imprimerie de Louis Perrin | Lyon 1858 | 35 x 51.5 cm | Relié
1867réf. 6801867 Lyon, Perrin & Bonnaviat, 1867 ; 2 tomes en un volume in-folio (48 x 33 cm) de [2] ff., xi pp., [2] ff., 82 pp., [1] f. ; [2] ff., 148 pp., [1] f., demi-chagrin vert foncé à coins, filets à froid, dos à nerfs orné de filets dorés (reliure de l'époque).
1858réf. 88637Lyon: Imprimerie de Louis Perrin 1858. Fine. Copy enriched with two additional plates Imprimerie de Louis Perrin Lyon 1858 35 x 51.5 cm Relié First edition of this important series of plates published in Lyon by Louis Perrin in 1858 following Antoine-Marie Chenavard's journey through Greece and the Levant in 1843-1844. Folio. 81 steel-engraved plates by various artists including Dubouchet after drawings by Antoine-Marie Chenavard and Étienne Rey: a route map a plan of Athens dated 1843 and 79 plates numbered I-LXXV. The series includes plates LVIbis and LVIIbis called for in the plate list together with XXVIIIbis and XLVIIIbis neither of which appears in the list and both of which occur only in certain copies. The present copy therefore contains 81 plates as against the usual collation of 79. Each plate is accompanied by its explanatory text leaf. Plates LIX and LX were transposed when the volume was bound. Blackmer 334; Atabey 230; Brunet II 1831. Modern green half calf with corners spine with four false raised bands framed by black rules black calf lettering-pieces for title and author boards covered in almond-green felt-finish paper. One scrape to the lower board. Leaves mounted on cloth guards. First leaves slightly soiled in the margins a few pale marginal dampstains to some plates margins uniformly toned. The work originated in the extensive journey undertaken by Antoine-Marie Chenavard 1787-1883 from 1 September 1843 to 22 February 1844 in the company of the painter Étienne Rey and the architect Jean-Michel Dalgabio. Together they travelled through Greece Turkey and Egypt recording the monuments landscapes and antiquities they encountered. Chenavard had by then taught architecture at the École des beaux-arts in Lyon for twenty years; both architect and draughtsman he approached buildings with particular attention to their construction proportions and relationship to their setting. He was elected a corresponding member of the Institut in 1855. The journey gave rise to two distinct forms of publication. Chenavard first published his Relation in 1846 followed by a second edition in 1849. Nearly fifteen years after his return he revisited the drawings made on the journey to produce the imposing folio volume of 1858. Although often described as the ""atlas"" to the Relation it is more properly regarded as a separate publication distinct in format and date and above all in the central role accorded to the images. Athens naturally forms the heart of the series. Chenavard and Rey record the Parthenon the Temple of Athena Nike the building then known as the Theseion the so-called Prison of Socrates and numerous details of the Acropolis; the views and architectural studies continue through Delphi Corinth and elsewhere in Greece before following the travellers towards Constantinople and Egypt. Picturesque views alternate with architectural surveys plans and archaeological details. Sotheby's accordingly describes the compositions as after Chenavard or Étienne Rey a useful reminder that this substantial graphic record also preserves the work of a journey undertaken collectively. The original scheme was more ambitious still. The work was apparently intended to appear in forty parts of four plates each for a projected total of 160 plates but only approximately half of this programme was ultimately completed. According to Brunet only 200 copies were printed. The date of the drawings adds considerably to their documentary interest. Made in 1843-1844 they record the monuments before the major archaeological campaigns and alterations that transformed several Greek sites during the second half of the nineteenth century. The eye remains that of a traveller but the hand is an architect's: Chenavard does not merely depict the ruins but records their forms arrangements and architectural details. An attractive copy of the fullest known form of the series containing all 81 recorded plates including the supplementary XXVIIIb Imprimerie de Louis Perrin hardcover
réf. 9272Moulins, Imprimerie de P.A. Desrosiers, 1843 - 1847 ; cinq tomes grand in-folio (47 x 31) dont un Atlas ; demi-chagrin vert foncé, dos à nerfs, caissons à froid, titre doré en caractères gothiques, tête dorée (reliure de l'époque) ; (4), XXVIII, 448 ; 484, (2) ; VI, 264, (4) ; (4), 338 (mal chiffrées 336) ; atlas de 144 planches (complet) lithographiées dont 6 en chromolithographie, dessinées par V. Beauce, E. Tudot, H. Durand, E. Sagot, E. Thibaud, A. Dauvergne, Ch. Vallet, etc., gravées par Bayot, Mathieu, V. Petit, Meusson, Monthelier, Ph. Benoist, Berthet, Schaal, etc. ; certaines sont tirées en camaïeu avec un fond beige ; les quatre tomes de texte sont illustrés de 20 bandeaux, 86 lettrines, 50 vignettes ou culs-de-lampe, 6 reproductions de monnaies et 3 plans ou carte par E. Sagot (en majorité), Chenavard, Tony Johannot, etc., gravés sur bois, la vignette de titre est identique pour les quatre volumes.
