KANDINSKY.Livre Rare Book
950 Ergebnisse
Best.-Nr. 77885Paris, Editions de Beaune 1963, 215x135mm, 108pages, broché.
Best.-Nr. 96961Paris, Editions de Beaune 1954, 230x140mm, 118pages, broché. Dos et bords des couvertures insolé, autrement bel exemplaire.
Best.-Nr. 8374aafParis, De Beaunes, 1954, gr. in-8°, 108 p., qqs illustrations, brochure originale.
Best.-Nr. 24444Denoël, Médiations, 1969, 182 pp., illustrations, poche, tranches brunies, couverture un peu défraîchie, traces d'usage, passages signalés au crayon état correct.
Best.-Nr. lc_104508FOLIO ESSAIS (1 janvier 1988)
Best.-Nr. 64862Eds de Beaune P. 1963 3e edition augmentee des deux prefaces de l'auteur In-8 22 cm 109pp. illustr. et tableaux hors-texte tirage sur papier Condat Introduction le mouvement tournant spirituel action de la couleur le langage des formes et des couleurs theorie l'oeuvre d'art et l'artiste A14 Nb-0137 unknown
1954Best.-Nr. 331915Paris: Editions de Beaune 1954. paperback. very good. Illustrated woodcuts in b/w. 108 pages text in French. 8vo blue/gray wrappers edge worn sunned on spine and covers uncut edges. Paris: Editions de Beaune 1954. A very good copy. Gift inscription in French on flyleaf. Editions de Beaune unknown
Best.-Nr. 207032432X.Gmass_market. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
1949Best.-Nr. 9516Limited to 300 copies of which this is number 62. First French edition. Complete with the original colored woodcut Three Riders in Red Blue and Black Drei Reiter in rot blau und schwarz as well as several illustrations throughout the text. Paper wraps in original chemise with purple paper covered slipcase. Some toning and wear to slipcase as well as to chemise see images otherwise a nice clean copy with no previous owners' names or other defacements. Scarce. 9.5 x 11.75 in 24 x 30 cm Galerie Rene Drouin paperback
1954This is a very good softcover copy with light wear. Covers faded and a small bite out of the lower right corner of the cover. Completely clean inside. Text in French. Illustrated in black & white. 9" high X 5" wide, 108 pages.
1954Best.-Nr. 331915Paris: Editions de Beaune 1954. paperback. very good. Illustrated woodcuts in b/w. 108 pages text in French. 8vo blue/gray wrappers edge worn sunned on spine and covers uncut edges. Paris: Editions de Beaune 1954. A very good copy. Gift inscription in French on flyleaf. Editions de Beaune unknown books
1970Best.-Nr. ART2220ESSAI1970 / 408 pages. Relié avec jaquette. Editions Denoël.
Best.-Nr. 117240Paris, Editions Denoël 1970, 225x140mm, 408pages, reliure d'éditeur sous jaquette. Bel exemplaire.
Best.-Nr. 117245Paris, Editions Denoël 1975, 225x140mm, 398pages, reliure d'éditeur sous jaquette. Bel exemplaire.
Best.-Nr. FR41792Denoël. Relié.
1970Best.-Nr. vk635Denoël/Gonthier Cartonné avec jaquette 1970 In-8 (14,5 x 22,5 cm), cartonné avec jaquette, 408 pages ; traces sur la jaquette, quelques rousseurs aux tranches, par ailleurs assez bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
1970Best.-Nr. 210527Paris: Editions Denoel 1970. First Edition . Hardcover. Fine/VG. FRENCH text. 408 pages in excellent condition. Illustrated with figures and plates. Blue cloth and gilt titles. Corners not bumped. White DJ with black titles. Spine and edges yellowed. Very light wear on corners and edges. Scarce. FINE/VG Editions Denoel hardcover
2013Best.-Nr. ABE-1756908033278Thornwillow Press 2013. Newburgh: Thornwillow Press 2013. 8vo 33 p. original wraps with french flaps. First edition of this title excerpted from "On the Spiritual in Art". One of 350 copies this copy being No. 254 designed by Luke Ives Pontifell. Light wear to spine heel and wrap edges else a NF copy in publisher's lightly discolored and creased paper folio. 1st Edition. Soft cover. Near Fine. Thornwillow Press Paperback
Best.-Nr. 55822München Haus der Kunst 1994. 4° Fronti. 567 S. 516 farb. Abb. Brosch. Min. gebrauchsspurig sonst tadell. Anlässlich der gleichnamigen Ausstellung. Mit Werkverzeichnis u. umfangreichem Anhang. 010 München, Haus der Kunst, 1994 unknown
1994Best.-Nr. 1149114München : Stiftung Haus der Kunst, 1994. 567 S. Mit zahlr. auch farb. Abb.Originalbroschur.
1961Best.-Nr. ABE-1495867699783220 PAGES-24 CM X 31 CM-ARTS: L'ART ABSTRAIT A 50 ANS: DECOUVREZ KANDINSKY SON CREATEUR, PAR ERIKA VARAY, DEMI PAGE-BROADWAY A PARIS "WEST SIDE STORY", PHOTO DON GRILLEY ET JAN CANADA, "IRMA LA DOUCE", PHOTO, "LE RHINOCEROS", PHOTO-LA NOUVELLE CALLAS MICHELE LE BRIS, 2P, 3 PHOTOS-POUR JACKIE KENNEDY LE GRAND HOMME DU SIECLE C'EST CHARLES DE GAULLE, 8P-STYLE MADRAS,20P-CHOIX ENTRE LA MODE SANTA MONICA ET SAINT-TROPEZ, 10P-VOICI COMMENT JE ME DEBROUILLE AVEC LE DUC ET MES INVITES, 3P, PHOTO-CETTE FEMME MARGUERITE DURAS EST L'ECRIVAIN D'AUJOURD'HUI QUI A LE MIEUX COMPRIS L'AMOUR DANS CE QU'IL Y A DE MEILLEUR ET DE PIRE, 6P PAR MARLYSE SCHAEFFER, 2 PHOTOS (AVEC EMMANUELLE RIVA, DANS LE JARDIN DE SA MAISON A NEAUPHLE),PHOTO PLEINE PAGE-PASCALE PETIT POUR PUBLICITE "LUX" PLEINE PAGE NOIR ET BLANC
1964Best.-Nr. ABE-1612285109459264 PAGES-24 CM X 31 CM-THEATRE, PAR JEAN JACQUES GAUTIER: "COMMENT REUSSIR DANS LES AFFAIRES SANS VRAIMENT SE FATIGUER", DEMI PAGE, PHOTO JACQUES DUBY ET EVELYNE DANDRY-CRITIQUE DE ROGER GRENIER POUR "CE QUE JE CROIS" PAR JEAN GUEHENNO-ARTS, PAR RENE BAROTTE, 2 TIERS DE PAGE: UN CONSUL DE FRANCE A PRIS DEUX PEINTRES POUR DES ESPIONS, ROBERT ET SONIA DELAUNAY, 2 ILL, LA LAINE: RECHERCHES ABSTRAITES, CARTONS DE ARP, MORTENSEN, VASARELY, HERBIN, SONIA DELAUNAY, KANDINSKY, 2 PHOTOS (HERBIN, MORTENSEN), LA PIERRE: GEANTS DE GRANIT-ELLE EN WEEK END A DEAUVILLE ET A SAINT TROPEZ, 5 PAGES, 21 PHOTOS-JACQUELINE MAILLAN: MES ROLES M'EMPECHENT DE FAIRE DES BETISES, 2P, PHOTO-CATHERINE DENEUVE: SANS AMOUR, C'EST COMME SI JE NE VIVAIS PAS, 2P, PHOTO-CHAPEAUX CHEVEUX, 2P-VOICI COMMENT SIMONE DE BEAUVOIR EXPLIQUE SES DOUTES SES ANGOISSES SON DESESPOIR!, PAR STANISLAS FONTAINE, 4 PAGES-ROMANESQUES A ROME, MODE, 13 PAGES-LES PANTALONS ET LEURS HAUTS, 5 PAGES-ROGER VAILLAND: AU BOWLING DU POINT DU JOUR, 9 PAGES, PHOTOS-ARSENIC POUR LE DESSERT, ROMAN DE SHIRLEY JACKSON, ILL URS LANDIS-COMMENT JE SUIS DEVENU CARY GRANT, 5 PAGES
1937Best.-Nr. 140947814Berlin: Verlag fur Kultur- und Wirtschaftswerbung 1937. Near Fine. 32 pp. Bound in publisher's side-stapled pictorial wraps. Illustrated with black and white art reproduction photos. Text in German. With laid-in "Der Ewige Jude" The Wandering Jew exhibition postcard postmarked Bremen 1939. Near Fine with light edge wear and age toning; postcard evenly toned contemporary German stamps on the verso with 1939 postmark. In the aftermath of the confiscation of nearly 20000 art works from German museums Adolph Hitler's Ministry of Propaganda organized an exhibition of modern art in order to decry its racially impure deleterious character and supposed backing by Jewish interests in the Weimar era. The exposition was hosted at the Institute of Archaeology in the Hofgarten on July 19 1937 in Munich and later traveled throughout Germany. Organized by the Ministry of Propaganda leader Joseph Goebbels the show was designed to reinforce in the German public mind that subversive decadent or avant-garde art work would not be tolerated in the Third Reich. Attended by over two million visitors the show displayed over 650 confiscated paintings sculptures and prints by 112 artists primarily German including Georg Grosz Ernst Ludwig Kirchner Paul Klee Georg Kolbe Otto Dix Wassily Kandinsky Marc Chagall and many other now-acclaimed modern artists. Targeted artists were the subject of merciless ridicule and denounced with most works displayed unframed and obscured by painted slogans. Attended most famously by Museum of Non-Objective Painting predecessor to the Solomon R. Guggenheim Museum director Hilla R who supported affected artists like Vasily Kandinsky Rudolf Bauer and others by exhibiting their work in the United States. Many works were destroyed lost or re-homed overseas after the fall of the Third Reich. Laid-in is an antisemitic postcard for the third part of a series of Schandausstellungen or condemnation exhibitions "Der Ewige Jude" The Wandering Jew. The show opened on November 8 1937 to January 31 1938 in Berlin under Joseph Goebbels' direction. The exhibition traveled for the next year and a half attracting over 700000 visitors and concluding in March 1939 in Magdeburg. Verlag fur Kultur- und Wirtschaftswerbung unknown
1937Best.-Nr. 140947814Berlin: Verlag fur Kultur- und Wirtschaftswerbung 1937. Near Fine. 32 pp. Bound in publisher's side-stapled pictorial wraps. Illustrated with black and white art reproduction photos. Text in German. With laid-in "Der Ewige Jude" The Wandering Jew exhibition postcard postmarked Bremen 1939. Near Fine with light edge wear and age toning; postcard evenly toned contemporary German stamps on the verso with 1939 postmark. In the aftermath of the confiscation of nearly 20000 art works from German museums Adolph Hitler's Ministry of Propaganda organized an exhibition of modern art in order to decry its racially impure deleterious character and supposed backing by Jewish interests in the Weimar era. The exposition was hosted at the Institute of Archaeology in the Hofgarten on July 19 1937 in Munich and later traveled throughout Germany. Organized by the Ministry of Propaganda leader Joseph Goebbels the show was designed to reinforce in the German public mind that subversive decadent or avant-garde art work would not be tolerated in the Third Reich. Attended by over two million visitors the show displayed over 650 confiscated paintings sculptures and prints by 112 artists primarily German including Georg Grosz Ernst Ludwig Kirchner Paul Klee Georg Kolbe Otto Dix Wassily Kandinsky Marc Chagall and many other now-acclaimed modern artists. Targeted artists were the subject of merciless ridicule and denounced with most works displayed unframed and obscured by painted slogans. Attended most famously by Museum of Non-Objective Painting predecessor to the Solomon R. Guggenheim Museum director Hilla R who supported affected artists like Vasily Kandinsky Rudolf Bauer and others by exhibiting their work in the United States. Many works were destroyed lost or re-homed overseas after the fall of the Third Reich. Laid-in is an antisemitic postcard for the third part of a series of Schandausstellungen or condemnation exhibitions "Der Ewige Jude" The Wandering Jew. The show opened on November 8 1937 to January 31 1938 in Berlin under Joseph Goebbels' direction. The exhibition traveled for the next year and a half attracting over 700000 visitors and concluding in March 1939 in Magdeburg. Verlag fur Kultur- und Wirtschaftswerbung unknown books
In-8°, pp. non numerate: il libro consta di 8 pagine di introduzione e di una trentina di pagine che riportano titoli e autori della Collezione Thompson; ma soprattutto di numerose tavole (più di 80) a piena pagina a colori e in b/n di dipinti e sculture facenti parte della Collezione Thompson (autori: Picasso [dipinti e sculture], Laurens, Wols, Soutine, Rouault, Monet, Mondrian, Mirò, Matisse, Léger, Klee, Kandinsky, Giacometti, Cézanne, Braque, Bazaine e altri). Brossura editoriale figurata a colori.
