916 résultats
1912réf. 62248München, Piper & Co, 1912. Small 4to. Original illustrated full cloth (stating Dritte Auflage - i.e. third issue). Binding brownspotted and with tear to lower capital. Internally a bit of occasional brownspotting. Owner's signature to title-page (Fjeltofte). (8), 104 pp. + 8 plates + 3 unnumbered leaves of tables (Tabelle I-III) + advertisement leaf. Illustrated with original woodcuts in the text, 10 in all.
réf. 81190Bern, Benteli 1952, 215x155mm, 142Seiten, broschiert.
réf. 530574Bern, Benteli, 1970 pet. in-8, br., couv. illustrée rempliée, 144 p., VIII planches en noir
réf. 530711Bern, Benteli, 2004 In-8, broché, 176 p., VIII planches, figures en noir.
1912réf. 3732218R. Piper & Co 1912. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item600grams ISBN: R. Piper & Co hardcover
1912réf. 62248München Piper & Co 1912. Small 4to. Original illustrated full cloth stating Dritte Auflage - i.e. third issue. Binding brownspotted and with tear to lower capital. Internally a bit of occasional brownspotting. Owner's signature to title-page Fjeltofte. 8 104 pp. 8 plates 3 unnumbered leaves of tables Tabelle I-III advertisement leaf. Illustrated with original woodcuts in the text 10 in all. The scarce first edition first printing of Kandinsky’s landmark theoretical work of art ”A seminal text in the history of modern art” Guggenheim curiously bound in the third issue binding. The first issue is easily distinguishable from the second and third that also appeared in 1912 as they are both expanded and have 124 pp. whereas the first has 104. The present copy has small remains of stitching towards the inner margins so perhaps someone had this first issue printing inserted into the third issue binding which is sturdy as opposed to the wrappers of the first issue. “In Concerning the Spiritual in Art Wassily Kandinsky one of the most famous abstract painters of all time urges the reader to free themselves from art's traditional bonds to material reality. In this radical theoretical work he calls for a spiritual revolution in painting arguing that artists much like musicians should be allowed to express their own inner lives in abstract non-material terms. Investigating form and colour spirituality and tradition Kandinsky explores art's resonance with the soul its purpose and nature and its power to inspire us to stir our emotions and to help us see beyond the limits of our world. A significant contribution to the understanding of non-objectivism in art this book serves as an important landmark in modern art history and is necessary reading for every artist and art-lover.” From the Penguin Classics edition. “In this remarkable book anticipating “the spiritual turning-point” Kandinsky reflects on his understanding of progress in this direction. This is not a process that would happen automatically. It requires a lot of work and implies a great responsibility of both artist and viewer. The task of the artist is to find “the principle of the innermost necessity” that he or she can use through expressive means to achieve the goal “vibration of the human soul.” Using captivating analogies Kandinsky dwells at length on the artistic means: the psychology of color the compositional interrelation of forms etc. However the main goal of an artist still remains to find that very innermost necessity” that is based on the spiritual foundations of the individual. In his or her turn the work of the viewer is to find within him- or herself the purity of perception which at this level does not relate to the beauty of nature. The ideal imitation of nature as the summit point of artistic mastery has remained in the past. The impressions of impressionists the emotions of expressionists the experiments of cubists - all these stages have long been passed and now the task of the viewer is to see the beauty of pure color and pure shape. Kandinsky anticipates the emergence of abstract art as the purest form of influence on the human soul and views the future optimistically foretelling the upcoming emergences of the epoch of great spirituality.” from Sadler’s English translation hardcover
réf. ria9783752395938_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Reproduktion des Originals: Über das Geistige in der Kunst von Kandinsky hardcover
réf. B197521-1Bern Benteli-Verlag 1980. 144pp. 8 plates. 10 facsimile woodcut illus. by Kandinsky in text. Sm. 4to. Wraps. protected by glassine. Bern (Benteli-Verlag), [1980]. paperback
réf. 14948Bern Benteli 1952. 8° 144 S. 10 Abb. Broschur m. Transp.-OU. Kapitale etw- gebrauchsspurig Transp.-OU am Rücken etw. gebr$äunt innen tadellos. 4. Auflage. Gestaltung und Einführung von Max Bill. 010 Bern, Benteli, 1952 unknown
réf. 52917Bern Benteli 1973. 8° 144 S. Textabb. 8 Taf.; 252 S. Abb. tlw. a. Taf.; 209 S. Abb. Brosch. m. OU u. Transp.-OU. OUs an den Kapitalen etw. knittrig bzw. randrissig jew. Prägeexlibris in Schmutztitel sonst tadellos. Nachauflagen. Einführung bzw. Kommentar sowie Gestaltung von Max Bill. 010 Bern, Benteli, 1973 unknown
1912réf. b30205Muchen: R. Piper 1912. First Edition . Hardcover. Very Good. Rebound in cloth-covered boards with an inset label on the front board spine labels and a ribbon marker. Corner chip and stain on the half-title page some pages with light edgewear a small puncture on the final four leaves and a chip on the advertisement leaf. Housed in a specially made clamshell box covered in decorative cloth with spine labels. R. Piper hardcover
1912réf. 2068Munich: R. Piper & Co 1912. Hardcover. Very Good. Very Good professional recover in vellum hardcover containing original intact volume including original softcover and text. 125 pages. Pictures on request R. Piper & Co hardcover
1912réf. 19706München, Pieper, 1912. 6 Bll., 104 S., 1 Bl. mit 10 Original-Holzschnitten von Wassily Kandinsky im Text. 8 Tafeln. 8°. OKart. (kl. Randeinrisse, etw. beschabt und leicht fleckig).
1998réf. BN660037DuMont. 1998. 1998. Hardcover. Über das Theater/Du théâtre/O teatre. Herausgegeben von Jessica Boissel unter Mitarbeit von Jean-Claude Marcadé. Über das Theater/Du théâtre/O teatre. Herausgegeben von Jessica Boissel unter Mitarbeit von Jean-Claude Marcadé. Wassily Kandinsky DuMont. hardcover
1998réf. Ku1324Zürich/Berlin/New York, Dumont, 1998. In dt., franz. und russ. Sprache. Hrsg. von Jessica Boissel. - Pappband ohne Schutzumschlag. - Ebd. etwas berieben und bestossen, Kleiner Riss am Rücken. Schnitt minimal gebräunt und mit geringfügigen Gebrauchsspuren. 4° Buch Hardcover
1954réf. 0161Paris, Berggruen et cie, 1954. Plaquette au format vertical de 220 x 117 mm. Non paginé (27 pp.). Plat avant illustré d'une lithographie, suivi d'une couverture et de pages imprimées bleues. Préface de Will Grohman. 18 illustrations. Trois lithographies de peintures de jeunesse, trois gravures (deux xylographies et une eau-forte), puis une réimpression du catalogue à douze planches "Kleine Welten: Zwölf Blatt Originalfraphik" imprimé pour le Propyläen Verlag à Berlin en 1922 lors d'une exposition au Bauhaus, ce catalogue comprenant quatre lithographies en couleurs, quatre bois dont deux en couleurs et quatre gravures sur cuivre.
