218 resultados
ref. M16042Montigny les Cormeilles , Centre Picasso , 1992 , in8 à l' italienne , 95 pp 34 oeuvres à pleine page , excellente intoduction . Langue: Français
ref. 24740Genève, Skira (coll. "Les Trésors de la Peinture Française"), s.d. In-folio en feuille, sous portefeuille et jaquette imprimée, non paginé.
ref. 29049Lausanne, Marguerat (coll. "Peintres d'hier et d'aujourd'hui"), (1948). In-8°, non paginé. Reliure cartonnée d'éditeur, sous jaquette illustrée.
ref. 31805Paris, Bernheim-Jeune, 1926. In-4°, 258p. Broché, couverture illustrée rempliée.
ref. 79813Paris, Gibert Jeune (Mon Album d'Art), sans date, in 4° broché, 26 pages et 10 planches hors-texte en couleurs.
ref. c3058Paris, Editions Universitaires, 1959; in-12°, broché, couverture blanche illustrée du portrait photographique d'Utrillo par Natkin; 109pp.,2pp.nch.;12 illustrations hors texte en noir.Envoi autographe signé de l' auteur.
1997ref. 025805Lodève - Milan Musée de Lodève - Electa 1997 un volume in-4°, 314 pp. Reliure souple de l'éditeur, couverture illustrée. (couverture légèrement voilée). Catalogue constitué de 77 numéros décrits et reproduits. Photographies en noir (documents). Autobiographie manuscrite d'Utrillo (1914). Anthologie critique. Liste des ouvres. Bibliographie.
1925ref. 2011925 DELPEUCH A. 1925 IN 12br.ht. 125p.
ref. 18919[s.l, Nice], Acropolis, Espace Mediterranée, [s.d, 1991] 1 volume 20,8 x 26,9cm Encollé sous couverture au 1er plat orné d'une petite vignette. 85p.; illustrations couleurs à pleine page. Bon état.
1947ref. 64332Lausanne Jean Marguerat 1947 1 vol. broché in-12, broché, 16 planches hors-texte dont 4 en couleurs contrecollées. Très bon état.
1947ref. 64332Lausanne Jean Marguerat 1947 1 vol. broché in-12, broché, 16 planches hors-texte dont 4 en couleurs contrecollées. Très bon état.
ref. 12087, Laussanne, Marguerat, 1947., Broche, couverture d' editeur, couverture sali, 13,5x17cm, 134pp, illustre en couleur et n/b.
ref. 70241Lausanne, Marguerat, 1947. 13 x 17, 143 pp., illustrations, broché, bon état.
ref. 27AcParis Hazan 11x17,5 Volume de la Bibliotheque Aldine des Arts - 20 pages environ + 20 planches couleurs - bon etat -
ref. 27AcParis Hazan 11x17,5 Volume de la Bibliotheque Aldine des Arts - 20 pages environ + 20 planches couleurs - bon etat -
ref. 13956, Charleroi, 1969., Broche, couverture d' editeur illustre en couleur, 24x21,5cm, 23pp + 54 planches hors-texte en couleurs et n/b.
1926ref. WOC-1181Le portrait de Maurice Utrillo en frontispice a été tiré en héliogravure par la maison Van Dijk. Les simili-gravures et la trichromie ont été exécutés par la maison Démichel (ancienne maison Reymond).Les photographies proviennent des collections Bernheim-Jeune, étant exceptées celles qui portent une mention particulière, ainsi que celles des pages 15(Collection Bing et Cie),34 et 83(Collection Lepoutre, 19 (Collection Dorival),30(Collection Zamaron),58,76,95,96,97,101,104,117,121(Collection Barbazanges-Hodebert), 67(Collection du Docteur Viard),99 (Collection Armand Parent),de 91 illustrations dans le texte, de 48 illustrations hors texte, de 2 fac-similés de Strophes:1-Snobisme (page 211).2-L'Art Pictural (page 213) et d'1 lithographie originale d'Utrillo sur vélin, signée au crayon à la 226. Paris, Bernheim-Jeune, Éditeurs D'Art,1926. In-4 (27,5x22,5cm) broché de couverture beige rempliée ornée d'une vignette en couleur.(Trace de scotch au bas du dos).258pp.
ref. 7079416Short description: In Russian. Utrillo, Maurice. Utrillo - Paris. Moscow: Fine Art, 1969. You are welcome to reach out to us for a detailed description of the copies currently available. Delivery of this book may take longer than usual including extended processing and pre-shipping time, no expedited shipping is available. Please advise us if you have a set date or a deadline to receive your order.SKU7079416
1965ref. 15795Paris à la Galerie 1965 1 Une affiche sur papier fort de 52 x 74 cm; lithographie de Mourlot.
ref. 1330New York: Hammer Galleries 1958. Soft cover. Good. Octavo. Wrappers. Illustrated. Signed by Madame Utrillo. 0 New York: Hammer Galleries, 1958. paperback
ref. 68-2412New York NY: Perls Galleries 1953. 8vo. 16 pp. Stapled Wraps Deckled Edges Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1953. paperback
ref. 68-2415New York NY: Perls Galleries 1956. 8vo. 16 pp. Stapled Wraps Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1956. paperback
ref. 68-2413New York NY: Perls Galleries 1954. 8vo. 16 pp. Stapled Wraps Deckled Edges Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1954. paperback
ref. 68-2411New York NY: Perls Galleries 1952. 8vo. 16 pp. Stapled Wraps Deckled Edges Very Good with minor sun-fading. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1952. paperback
ref. 22031Paris, Presses de la Renaissance, 1984. 14 x 23, 379 pp., quelques illustrations, broché, bon état.
