573 risultati
1938rif. 12304Paris, La Tradition, 1938. 106 SS., 2 Bll., 3 Original-Radierungen von Gus Bofa (d. i. Gustave Blanchot). Gr.-8° (20 x 24 cm).
rif. 01079Paris: Le Rayon d'Or/Librairie Gallimard 1952. A Spectacular Copy in a Unique Artist's Binding Inscribed by Jules Romains with Inscriptions by Georges Duhamel and Gus Bofa With an Original Drawing Autograph Letter and Provenance Note A Singular Enriched Association Copy of Les Copains DUHAYON Henri binder. BOFA Gus illustrator. ROMAINS Jules. Les Copains. Avec douze aquarelles par Gus Bofa. N.p. Paris: Le Rayon d'Or 1952. First edition illustrated by Bofa limited to 3500 numbered copies sur vélin blanc des Papeteries de Lana this being copy 3152. Octavo 8 1/4 x 6 1/8 in; 208 x 153 mm. 200 1 1 blank 3 table 1 blank 1 colophon 1 blank pp. Twelve full-page aquarelle illustrations one of which has been inscribed by the artist to the owner. A striking abstract painted binding by Henri Duhayon of Nice signed in gilt on the inside front turn-in: "Relié H. Duhayon Nice." Full crushed cordovan morocco spine lettered in gilt with vividly hand-painted lacquered paper boards in a modernist all-over composition of black yellow orange blue and red brushstrokes and grid patterns reflecting the anarchic spirit of the text. Top edge gilt. Custom painted endpapers. A superb and very fine copy in a matching leather-edged slipcase. With the following additions: An original ink and watercolor drawing by Gus Bofa showing the riotous group of copains with their characteristic red cheeks - annotated and inscribed to the owner at foot: "Mr. Jean Francesche cordialement Gus Bofa." An autograph letter signed ALS by Bofa dated 24 November 1958 addressed to the owner Jean Francesche explaining the curious omission of a head in one of the illustrated characters: "Votre 'copain sans visage' n'a pas perdu la tête - il n'en a jamais eu. Jules Romains l'a voulu ainsi." A tipped-in typed letter signed TLS by the owner Jean Francesche explaining how he assembled this copy after reading Romains's Souvenirs et confidences d'un écrivain tracing the culinary reference to Duhamel contacting him for clarification and engaging Bofa in a whimsical debate over the incomplete drawing. Francesche's commentary includes typed quotes from Souvenirs and his note concludes: "Je pense que tout cela augmente l'intérêt de ce charmant volume." Francesche's signed ex-libris is blindstamped to the inside front cover turn-in. A remarkable object of literary friendship bibliophilic playfulness and aesthetic invention. First published in 1913 Les Copains is a comic and subversive novel about a group of friends - eccentric idealistic and absurd - who form a loosely anarchic brotherhood and perform theatrical stunts and pranks across provincial France. It stands as an early literary expression of unanimism a theory of collective consciousness developed by Romains in the 1900s. As the New Oxford Companion to French Literature notes: "Before the war in 1914 Romains published. two novels Mort de quelqu'un 1911 and the farcical Les Copains influenced by Unanimist theories of social groups and collective psychology." This edition published nearly 40 years later by Le Rayon d'Or Gallimard's deluxe illustrated imprint pairs Romains's youthful anti-establishment text with twelve brilliant plates by Gus Bofa one of France's most original illustrators and caricaturists. Bofa celebrated for his sardonic wit and visual improvisation was a regular contributor to Le Rire and Crapouillot and illustrated classic texts by Swift Cervantes and La Fontaine. Renowned artist Gus Bofa b. Gustave Blanchot 1883-1968 was an illustrator for Rire and Sourire a costume and set designer a celebrated poster artist and illustrator for the literary journal Crapouillot. He soon became one of the most in demand illustrators of editions of Swift La Fontaine Cervantes etc. ultimately with one hundred and seventeen volumes to his credit. French novelist poet dramatist and essayist Jules Romains pseud. of Louis Farigoule 1885-1972 was "early in his career.associated with a short-lived artistic community the Groupe de 'Abbaye which published his poems La Vie unanime in 1908. These poems and much of his later verse and prose were influenced by Unanimist theories of social groups and collective psychology. Before the war in 1914 he published more collections of poetry a verse play.and two novels Mort de quelqu'un 1911 and the farcial Les Copains The Pals" New Oxford Companion to Literature in French p. 707. Georges Duhamel's 1884-1966 experience as a surgeon during World War I produced Vie des martyrs 1917 tr. The New Book of Martyrs 1918 and Civilisation 1918 tr. 1919. These collections of sketches are noted for their compassionate accounts of human suffering. He was successful as a dramatist; his Dans l'ombre des statues was performed in 1912 tr. In the Shadow of Statues 1914 and L'oeuvre des athlètes in 1920. His fiction includes two cycles of novels-Cycle de Salavin 1920-32 tr. 1936 about a sensitive eccentric and Chronique des Pasquiers 1933-45 tr. 1937-46 about a bourgeois Parisian family. Essays in Scènes de la vie future 1930 tr. America: the Menace 1931 and other collections reflect Duhamel's aversion to overindustrialization" Columbia Enclyclopedia. He wrote passionately against war and its atrocities and against the rise of Naziism. He was elected to the Académie Français in 1935. Though now largely forgotten he is perhaps best remembered for his timeless epigram: "It is always brave to say what everyone thinks" Monod 9851. Paris: Le Rayon d'Or/Librairie Gallimard, 1952 unknown books
1923rif. 333629Paris: Aux éditions de la Renaissance du livre 1923. One of 425 copies on vélin pur fil Lafuma. With two vignettes and 24 woodcuts printed rectos only. iv xvi pp. 24 ff. 1 vols. Large 12mo. Original rose wrappers over card covers. Fine copy in custom chemise and slipcase. One of 425 copies on vélin pur fil Lafuma. With two vignettes and 24 woodcuts printed rectos only. iv xvi pp. 24 ff. 1 vols. Large 12mo. Artist Gus Bof became art director of Rire in 1908 and first published Pierre Mac Orlan; from 1912 he produced Le Sourire and then la "Petite semaine". The title page vignette is repeated on the upper cover. Aux éditions de la Renaissance du livre unknown books
1943rif. 80773np: Librairie Gründ 1943. First edition. 118 pp. Near fine in wrappers and very good plus printed dust jacket with a short tear and wear to front panel near base of spine and to the top inch of the spine. One of 1000 numbered copies. (np): Librairie Gründ unknown books
1930rif. 105471Paris: Terquem 1930. hardcover. fine. With an original etching in two states 48 engraved plates by Bofa all with tissue guards.Tall 4to original printed wrappers uncut in cloth slipcase. Paris: J. Terquem 1930. Fine. Limited Edition number 247 of 540 copies initialled by Gus Bofa printed on hand-made paper watermarked "Malaises" and containing a design by Bofa. Bofa pseudonym of Gustave Blanchot was a 20th- century French humorist illustrator. Terquem unknown books
1919rif. 547239Paris: Société Littéraire de France 1919. Softcover. Near Fine/Near Fine. First edition. 12mo. Gray wrappers with applied illustration. Text in French. Cheap paper toned tiny tears near fine in near fine original unprinted glassine dust jacket. Inscribed by Bofa to Bernard Zimmer. Société Littéraire de France unknown books
1935rif. 544224Paris: Éditions Mornay 1935. Softcover. Fine. First edition. Small quarto. Heavily illustrated from lithographs. Text in French. Trifle worn and edges faintly spotted just about fine in printed wrappers and unprinted glassine dust jacket. One of 950 copies on Navarre paper; stamped number 1144. A handsome production housed in a custom chemise and slipcase the slipcase with moderate toning and wear and the chemise sunned at the spine. Éditions Mornay unknown books
1933rif. 395260Paris: Arts Et Métiers Graphiques 1933. Softcover. Near Fine. Magazine. Folio. Perfectbound in illustrated wrappers. 71pp. Near fine with tear at the crown and a subtle tidemark to the bottom of a few pages. A copy of the influential French graphic arts magazine founded by Charles Peignot which ran from 1927-1939. This issue a features an eight page article Gus Bofa with two black and white plates four pages on surrealist photographer Maurice Tabards and a three-page look at Jean de Brunhoff with a color plate of the the cover of his book Le Roi Babar along with numerous other articles and illustrations examining Daumier and contemporary advertising. Arts Et Métiers Graphiques unknown books
rif. B172065-1Paris Éditions Mornay 1923. 22pp. 40 pochoir-colored plates each one depicting a different literary figure. Wraps. Glassine d.j. One of 1100 numbered copies on vergé blanc from the edition of 1225. Paris (Éditions Mornay), 1923. paperback books
1948rif. 22690Paris: Editions Arc-en-Ciel. 1948. Softcover. Unbound signatures laid into wraps No. 231 of 500 copies illustrated by Gus Bofa with 39 full page Illustrations frontispiece and many in-text drawings as well. Fine in fine wraps in fine chemise and very good slipcase. ; Small 4to 9" - 11" tall . Editions Arc-en-Ciel paperback books
1956rif. 22328Lausanne: Andre Sauret. 1956. Hardcover. No. 8388 of 10000 copies bound in gilt-stamped black cloth illustrated by Gus Bofa. Handsome. In a supplied cardboard slipcase.; 8vo 8" - 9" tall . Andre Sauret hardcover books
1941Ensemble de deux volumes brochés de format in 4° de 4 ff. (faux-titre, justification, frontispice, titre) et 306 pp.; nombreuses illustrations hors texte de Gus Bofa; et pour le second volume , 4 ff. (faux titre, justification, frontispice, titre) et 290 pp.; nombreuses illustrations hors texte de Gus Bofa; couvertures rempliées, papier cristal de l'éditeur conservé. Exemplaire N°1990/3250 sur vélin alfa; second papier. Complet de ses deux volumes; d'une belle fraîcheur. Non coupé. Un ex dono manuscrit sur le second volume, en bas de la première garde; sur le premier volume une bande de papier a été découpée pour le faire disparaître. Bel exemplaire. Voir photos.
Paris, L'Edition Française Illustrée, (1920),in-16, mz. tela, titolo oro al dorso, pp. 266, (6). Con una ill. xilografica di Gus Bofa in antiporta. Invio autografo dell'autore ad A. Manzini.
1953In-8 p., cartonato editoriale, custodia, pp. 906,(4), con 32 tavole a colori fuori testo. Cfr. Benezit,II, p. 456: "Gus Bofa, pseudonyme de Gustave Blanchot (1888-1968), est consideré l'un des plus importants dessinateurs humoristiques français de la première moitié du XX siècle et l'un des meilleurs illustrateurs". In ottimo stato.
Paris, Editions Rombaldi, Le Portique n° 5, 1947. In-8, broché, couverture illustrée en couleurs et rempliée, 177 pp. Vol 5 : 1947. Les premières oeuvres de Paul Valéry par Henry Charpentier. - Arlequin Poème inidit par H. Charpentier. Pierre FALKE par René Druard. - BONNARD illustrateur de La Fontaine par Claude Roger-Marx. - Max JACOB illustrateur par J.-R. Thomé. - Les Encyclopédies à travers les âges par Michel de Toro. - Le Livre Romantique par Jean Adhémar. - L'illustration française de la première moitié du XVIIè siècle par R. A Weigert, etc.
Paris, L'édition française illustrée, Collection Littéraire des romans fantaisistes, 1919. In-12, broché, couverture illustrée, 125 pp. Edition originale française sur papier d'édition. Dessins dans le texte.
Paris, Editions Rombaldi, Le Portique n° 6, 1947. In-8, broché, couverture illustrée en couleurs DE Marquet et rempliée. 150 pp. Belle revue de bibliophilie. Numéro consacré à GUS BOFA. Textes de : Mac Orlan ; Gus Bofa. Dans l'atelier de Gus Bofa par Georges Charensol. Les Editions de Paul-Jean Toulet par Philippe Chabaneix. Quels sont les plus beaux livres illustrés parus de 1930 à 1946 ? par Bernard Thiébault. Bernard Naudin, illustrateur par Claude Roger-Marx. Choffart, décorateur de livres par Emile Dacier. Etude sur l'écriture de Paul Verlaine par Jacques Arnna. Chronique du Beau Livre, par Jacques Guignard. La cote des livres par Bernard Thibault.
Paris, Gründ, 1943. Petit in-4 ; 118 pp, en feuilles, couverture imprimée et rempliée, chemise et étui en couleurs de l'éditeur. Ecrit et illustré par Gus BOFA de 49 compositions en noir dont 26 hors-texte. Tirage limité et numéroté à 1200 exemplaires. Un des 190 sur vélin d'Arches avec la suite des 26 hors-texte, deuxième papier après dix ex sur Japon.
Paris, Gallimard, Collection " Le Rayon d'Or ", 1952. In-8, broché, couverture ornée et rempliée, 201 pp. Tirage sur vélin blanc de Lana. Bel exemplaire.
Paris, Gallimard, cartonnage BONET, 1956. In-4, reliure couleur ivoire illustrée en couleurs, décorée de fers spéciaux en or, grenat et bistre d'après la maquette de Paul Bonet sous étui éditeur, 780 pp. Edition numérotée bel exemplaire. Ce volume contient : Brulebois. - La table-aux-crevés. - La Jument verte. - Le Moulin de la Sourdine. - Gustalin. - La Vouivre.
Paris, Nouvelle Librairie de France, Librairie Gründ, 1948. Petit in-4, (19 x 24 cm), broché, couverture rempliée illustrée en couleurs, 360 pp. Bel exemplaire, hors-texte coloriées au pochoir. Un des 1150 exemplaire imprimé sur Alfa Navarre.
Bruxelles, Editions du Nord, 1929. 2 volumes in-4, brochés, couvertures illustrées et rempliées, sous chemise cartonnée et étui noir de l'éditeur, 239 et 286 pp. Orné de 30 eaux-fortes originales hors-texte, et 36 culs-de-lampe gravés sur bois, tirés en bleu, vert, rouge ou ocre. Tirage limité à 360 exemplaires. Un des 320 exemplaires numérotés sur Hollande. Bel exemplaire.
Paris, Librairie des Champs Elysées, 1940. In-8, broché, couverture imprimée, dessins et légendes sur papier fort, 70 pp. 60 dessins reproduits en photypie dont frontispice, vignette de titre et 58 à pleine page (légendés). Ouvrage retardé par la guerre et paru non censuré. Tirage à 985 exemplaires. Un des 770 exemplaires numérotés sur phototypie. Bel exemplaire en parfait état enrichi d'un envoi autographe au crayon papier de Gus Bofa à Henri de Montherlant.
1951AN OUTSTANDING COPY of this fascinating livre d'artiste written and illustrated by Gus Bofa. Most books illustrated by Bofa feature photomechanical reproductions of drawings, but this book is illustrated with original etchings throughout. Includes full-page etching with aquatint on the cover, printed in green and black; full-page hors-texte frontispiece etching with aquatint, printed in green and black; 10 full-page hors-texte etchings with aquatint printed in black; and 30 etched ornaments printed in green. From a total edition of 250 copies, this is one of 65 numbered copies beautifully printed on fine wove paper with a suite of the 10 hors-texte etchings with remarque, a suite of the 30 etched ornaments printed in black on Malacca wove paper, and a suite of 4 rejected etchings (with aquatint and remarque) on Arches wove paper. Signed by Bofa on the justification. THIS COPY, EXCEPTIONALLY, INCLUDES BOFA'S AUTOGRAPH MANUSCRIPT OF "SOLITUDE", a poem printed for the first time in the book; and two brochures about Bofa, one of which is the scarce auction catalogue of his collection, printed shortly after his death. From the collection of JACQUES CR…PINEAU, noted theatre critic and historian, and distinguished bibliophile, with his bookplate. 4to, loose as issued in original wraps. FINE AND BRIGHT, with no defects, in the original board chemise and slipcase.
1946français In-8 de 219-(2) pp.; cartonné orné de l'éditeur, sous jaquette papier illustrée. Edition définitive en deux parties dont une inédite. Frontispice de Gus Bofa. Collection Les compagnons. Petits manques et usures à la jaquette.